| The Farewell | |
|---|---|
 Theatrical release poster | |
| Directed by | Lulu Wang |
| Written by | Lulu Wang |
| Produced by |
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| Starring | |
| Cinematography | Anna Franquesa Solano |
| Edited by |
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| Music by | Alex Weston |
Production companies |
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| Distributed by | A24 |
Release dates |
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Running time | 100 minutes |
| Country | United States |
| Languages |
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| Budget | $3 million[1] |
| Box office | $23.1 million[2] |
The Farewell is a 2019 Americancomedy-drama film, written and directed byLulu Wang. It starsAwkwafina,Tzi Ma,Diana Lin, andZhao Shuzhen. The film follows aChinese American woman named Billi, who learns her grandmother (referred to as Nai Nai) has only a short while left to live. Billi's family has decided to schedule a family wedding before Nai Nai dies to enable her to see all the family one last time and not tell Nai Nai of her fatal illness.
The film is based in part on director Wang's life experiences, which she first publicly discussed as part of her radio story "What You Don't Know", which appeared as part of an episode ofThis American Life.
The Farewell premiered at theSundance Film Festival on January 25, 2019, and was theatrically released in the United States on July 12 byA24. It received widespread acclaim from critics, with particular praise for Wang's screenplay and the performances of Awkwafina and Zhao Shuzhen. At the77th Golden Globe Awards the film was nominated for two awards includingBest Foreign Language Film, with Awkwafina winning forBest Actress.The Farewell has dialogue in both English andMandarin Chinese.
Aspiring Chinese-American writer Billi maintains a close relationship with her Nai Nai (paternal grandmother) who lives inChangchun, China. After receiving a rejection letter for aGuggenheim Fellowship, she discovers from her parents, Haiyan and Jian, that Nai Nai has been diagnosed withterminallung cancer, and is predicted to have only a few months left to live.
Through deception and manipulation of medical test results, the diagnosis is kept a secret from Nai Nai herself. She is, instead, falsely told that her recent doctor visits have only revealedbenign findings. A wedding for Billi's cousin from Japan, Hao Hao, has been planned in China as an excuse to unite the family to spend what is expected to be one last time with Nai Nai. Fearing Billi will end up exposing the lie to her grandmother, Haiyan and Jian tell her to remain in New York City.
Billi disobeys her parents' orders and flies to Changchun shortly after the rest of the family arrive. She assures her parents that she will not reveal the cancer diagnosis to Nai Nai. Throughout the trip, however, she clashes with the rest of the family over their deliberate dishonesty towards her grandmother. Guilt-ridden, Billi expresses conflicted thoughts with her parents over the Chinese cultural beliefs that result in a family refusing to disclose a life-threatening disease, including the trauma of her grandfather dying without her knowledge after they moved to the United States.
One night, her uncle, Haibin, contends that the lie allows the family to bear the emotional burden of the diagnosis, rather than Nai Nai herself—a practice ofcollectivism that he acknowledges differs from the individualistic values common in Western culture. Billi later learns that Nai Nai also told a similar lie to her husband up until his death when he was terminally ill.
On the day of the wedding, both Haibin and Hao Hao break down in tears on separate occasions but manage to proceed through the banquet without raising Nai Nai's suspicions. Billi intercepts Nai Nai's medical test results from the hospital and has it altered to reflect a clean bill of health, helping to maintain the lie.
That night, Nai Nai gives Billi ahóngbāo, encouraging her to spend the money as she chooses. Billi admits that she wants to stay in Changchun to spend more time with Nai Nai, but Nai Nai declines, telling her that she needs to live her own life. When Billi reveals the Guggenheim Fellowship rejection to her, Nai Nai encourages Billi to keep an open mind and not get hung up on this failure, "don't be the bull endlessly ramming its horns into the corner of the room." She says that "life is not about what things one does, but more so about how one goes about doing them".
Billi keeps her promise to maintain the lie. She shares a tearful goodbye with Nai Nai as the visiting family members return to their homes in Japan and America. A title card reveals that six years after her diagnosis, the woman Nai Nai's character was based on, Wang's grandmother, is still alive and still unaware of her sickness.[3]
Lulu Wang faced obstacles when pitching her film about aChinese American family. She says she had many disheartening encounters with American and Chinese financiers who wanted to include a "prominent white character into the narrative and punch up the nuanced drama to turn it into a broad comedy."[4]
Wang later created an episode titled "What You Don't Know" forThis American Life in April, 2016 based on her family's story. This caught the attention of producer Chris Weitz who helped secure financing for the film.[5][4]
Wang said that the film was based on her grandmother's illness, stating that "I always felt the divide in my relationship to my family versus my relationship to my classmates and to my colleagues and to the world that I inhabit. That's just the nature of being an immigrant and straddling two cultures."[6]
The film was primarily shot inChangchun, China, over the course of 24 days in June 2018.[7][8] Filming also took place inNew York.[9] In an interview withFilmmaker, cinematographer Anna Franquesa Solano stated that the references for the film includedForce Majeure andStill Walking.[9] However, she added that her main source of inspiration came from "spending time with Lulu's family at their home in Changchun, during pre-production."[9]
Director Lulu Wang says that she kept the secret from her grandmother during and after film production. It was awkward to keep the secret when the grandmother visited the filming, a block from her home. Wang claims her grandmother eventually found out when a friend sent her a review of the film.[10]
The film had its premiere in the U.S. Dramatic Competition section at the2019 Sundance Film Festival on January 25, 2019.[11] In January 2019,A24 acquired worldwide distribution rights to the film for $7 million, overNetflix,Amazon Studios, andFox Searchlight Pictures.[11][12] It was released in the United States on July 12, 2019.[13] A fully Chinese-subtitled version of the film played in select theaters on September 8, 2019.[14]
The Farewell grossed $17.7 million in the United States and Canada, and $5.4 million in other territories, for a total worldwide gross of $23.1 million,[2] against a production budget of $3 million.[1]
In its opening weekend the film made $355,662 from four theaters for an average of $88,916 per venue; at the time, it was the best average of 2019, bestingAvengers: Endgame's $76,601.[15] It expanded to 35 theaters in its second weekend and earned $1.14 million,[16] then made $1.5 million from 135 theaters in its third.[17] It continued to expand in the following weeks, making $2.4 million from 426 theaters and then $2.2 million from 705 theaters.[18][19] The film expanded further to over 800 theaters in the next few weeks, $1.4 million from 861 theaters, $882,623 from 816 theaters and $841,414 from 891 theaters.[20][21]
The Farewell was a box office "flop" in China, grossing only $580,000 by January 2020 in what was then the world's second-largest film market.[22] According toSixth Tone, the film's delayed theatrical release—to prevent it from being lost in the hype surrounding Disney’sFrozen 2—was a big factor in the low gross since many in China had already seen it abroad or online.[23]
OnRotten Tomatoes, the film holds an approval rating of 97%, with an average rating of 8.5/10, based on 345 reviews. The website's critics' consensus reads: "The Farewell deftly captures complicated family dynamics with a poignant, well-acted drama that marries cultural specificity with universally relatable themes."[24] OnMetacritic, the film has a weighted average score of 89 out of 100 based on 47 critic reviews, indicating "universal acclaim".[25]
Eric Kohn ofIndieWire gave the film an A− grade and praised Awkwafina's performance, writing, "As a Chinese-American grappling with the traditionalism of her past and its impact on the future, she's an absorbing engine for the movie's introspective look at a most unusual family reunion."[26]Christy Lemire writing forRogerEbert.com gave the film 4 out of 4 stars, saying Zhao Shuzhen is "the most frequent source of laughs", but went on to say that "as delightful as [Zhao] is in this crucial, central role, she will also quietly rip your heart out by the film's end".[27]
Richard Lawson ofVanity Fair wrote, "Wang movingly tells not just a story about the negotiations of familial love, but also of the immigrant experience, of revisiting one's homeland to, in some senses, say goodbye to it."[28] David Rooney ofThe Hollywood Reporter commented, "its moments of sweet sentimentality are fully earned and heartfelt."[29] Brian Lowry ofCNN.com described it as a "small, melancholy movie that explores cultural differences and dealing with death in an utterly charming, understated manner."[30] Hong Kong playwrightJingan Young commented on the film's depiction of the differences between western and Chinesefamily values, claiming that "the family’s decision to tell a 'good lie' is a metaphor for the collective delusion of living under theChinese Communist party."[31][32]
| Year | Award | Category | Nominated work | Result | Ref. |
|---|---|---|---|---|---|
| 2020 | Golden Globe Awards | Best Actress – Musical or Comedy | Awkwafina | Won | [33] |
| Best Foreign Language Film | The Farewell | Nominated | |||
| 2020 | British Academy Film Awards | Best Film Not in the English Language | Lulu Wang and Daniele Melia | Nominated | [34] |
| 2020 | Critics' Choice Awards | Best Actress | Awkwafina | Nominated | [35] |
| Best Supporting Actress | Zhao Shuzhen | Nominated | |||
| Best Original Screenplay | The Farewell | Nominated | |||
| Best Comedy | The Farewell | Nominated | |||
| 2020 | Independent Spirit Awards | Best Feature | Lulu Wang | Won | [36] |
| Best Supporting Female | Zhao Shuzhen | Won | |||
| 2019 | Gotham Awards | Best Feature | The Farewell | Nominated | [37] |
| Best Actress | Awkwafina | Won | |||
| Best Screenplay | Lulu Wang | Nominated | |||
| 2019 | Sundance London | Audience Favourite | The Farewell | Won | [38] |
| 2019 | Palm Springs International Film Festival | Directors to Watch | Lulu Wang | Won | [39] |
| 2020 | Santa Barbara International Film Festival | Virtuoso Award | Awkwafina | Won | |
| 2019 | Rome Film Festival | BNL People's Choice Award | The Farewell | Nominated | [40] |
| 2019 | National Board of Review | Top 10 Independent Films | The Farewell | Won | [41] |
| 2019 | American Film Institute Awards | AFI Movies of the Year | The Farewell | Won | [42] |
| 2020 | Casting Society of America | Feature – Comedy | Leslie Woo | Nominated | [43] |
| 2020 | Hollywood Critics Association Awards | Best Picture | The Farewell | Nominated | [44] |
| Best Actress | Awkwafina | Nominated | |||
| Best Supporting Actress | Zhao Shuzhen | Nominated | |||
| Best Original Screenplay | The Farewell | Nominated | |||
| Best Female Director | Lulu Wang | Nominated | |||
| Independent Film | The Farewell | Won | |||
| Foreign Language Film | The Farewell | Nominated | |||
| 2019 | Chicago Film Critics Association | Most Promising Filmmaker | Lulu Wang | Won | [39] |
| Best Foreign Language Film | The Farewell | Nominated | |||
| Best Actress | Awkwafina | Nominated | |||
| Best Supporting Actress | Zhao Shuzhen | Nominated | |||
| Best Original Screenplay | Lulu Wang | Nominated | |||
| 2019 | Detroit Film Critics Society Awards | Best Ensemble | The Farewell | Nominated | [45] |
| Breakthrough | Lulu Wang | Nominated | |||
| 2019 | San Diego Film Critics Society Awards | Best Actress | Awkwafina | Nominated | [46] |
| Best Supporting Actress | Zhao Shuzhen | Won | |||
| Best Foreign Language Film | The Farewell | Nominated | |||
| 2020 | Houston Film Critics Society Awards | Best Picture | The Farewell | Nominated | [47] |
| Best Actress | Awkwafina | Nominated | |||
| Best Supporting Actress | Zhao Shuzhen | Won | |||
| Best Director | Lulu Wang | Nominated | |||
| Best Screenplay | The Farewell | Nominated | |||
| 2019 | Los Angeles Film Critics Association | Best Supporting Actress | Zhao Shuzhen | Runner-up | [48] |
| 2019 | Satellite Awards | Best Actress – Comedy or Musical | Awkwafina | Won | [49] |
| Best Supporting Actress | Zhao Shuzhen | Nominated | |||
| Best Motion Picture – Comedy | The Farewell | Nominated | |||
| Best Original Screenplay | The Farewell | Nominated | |||
| 2019 | Atlanta Film Festival | Audience Award – Feature Film | The Farewell | Won | [50] |
| 2019 | Heartland Film Festival | Truly Moving Picture Award | The Farewell | Won | [51] |
| 2019 | Seminci | Youth Jury | The Farewell | Won | [52] |
| 2020 | AACTA Awards | Best International Actress | Awkwafina | Nominated | [53] |
| 2020 | AARP Movies For Grownups | Best Picture | The Farewell | Nominated | [54] |
| Best Supporting Actress | Zhao Shuzhen | Nominated | |||
| Best Intergenerational | The Farewell | Won | |||
| Best Foreign Language Film | The Farewell | Nominated |
By the time "The Farewell" finally said hello to China last Friday, many people in the country had already seen it abroad or online, as evidenced by the more than 25,000 reviews the film had on the Chinese review site Douban before its mainland premiere. And when Friday finally rolled around, "The Farewell" accounted for just 1.1% of all domestic screenings. The Chinese reviews for "The Farewell" have been largely positive, with the film earning a respectable 7.3 out of 10 on Douban and 8.5 out of 10 on ticketing platform Maoyan.
