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The Falcon, Camden

Coordinates:51°32′36″N0°08′22″W / 51.54342204516184°N 0.1393990646932618°W /51.54342204516184; -0.1393990646932618
From Wikipedia, the free encyclopedia
Former pub and music venue in London, England

The Falcon
A photo of the pub from 2012, closed and converted to a residential property.
Map
Interactive map of The Falcon
Location234 Royal College Street,
Camden Town,
London, NW1
Capacity150
Construction
Closed2002

The Falcon, laterThe Camden Falcon, was apub andmusic venue located at 234Royal College Street, in theLondon Borough of Camden,North London. The pub went from hosting low-key gigs in the late 1980s to becoming one of the most influential music venues of the 1990s, and a hub of London'sBritpop andShoegaze scenes. In November 1997 American music magazineBillboard referred to the pub as being one of a few in the area that can "arguably take some of the credit for the rebirth of British rock in the mid-'90s".

History

[edit]

19th century

[edit]

A pub on that spot dates back to at least the late 19th century. In 1896 a pub by this name listed at 234 'Great College Street' (the former name of Royal College Street, prior to theVeterinary College there being awardedroyal charter) had an acceptedtender "for alterations" reported in theconstruction trade periodicalThe Builder.[1]London's Lost Pubs by Sam Cullen states it opened as the Falcon in the mid-1850s.[2]

20th century

[edit]

The pub went from hosting low-key gigs in the late 1980s to becoming one of the most influential music venues of the 1990s, and a hub of London'sBritpop andShoegaze scenes.[3] During this time it was owned by Baxter Mitchell andAlexis Hunter.[4] It was also afringe theatre for a short period.[5]

The band Hopper stood outside The Camden Falcon, a sign for the pub is visible
The bandHopper outside the pub.

Bands and musicians such asBlur (then named Seymour),Pulp,Lush,Slowdive,Inspiral Carpets,Suede,The Stereophonics,Feeder,Doves,PJ Harvey,Travis,Muse,Catatonia,Teenage Fanclub, andColdplay all played there early in their careers.[6][7][8][9][10][11]

It was also a key venue for what journalists dubbed theCamden Lurch scene, a term they used to describe the preponderence of non-shoegaze ordance music indie bands that often played in the area, such asSilverfish andTh' Faith Healers.[12]

The Sundays and Lush played their first concerts there (on separate occasions) in 1988.[13][14] In February 1990,Galaxie 500 played a hastily arranged gig at the pub after the London date of The Sundays' headline tour, on which they were support, had to be postponed.[15]

The Verve's second time performing in London was at the pub.[16] On 22 October 1993, after signing toCreation Records andSony at the latter's headquarters,Oasis went toWhiteout's concert at The Falcon at which they played an unplanned and shambolic set.[17]

The Barfly originally started as a series of concerts there, with disputes with the local authorities about crowd capacity eventually leading it to move to the Monarch in nearbyChalk Farm.[3] The founders of The Barfly also startedThe Fly magazine, initially as a listings leaflet for their own events. Their offices were above The Falcon until 1997, when a fire was caused by an employee staying in the office during a power cut falling asleep with a candle still lit.[18]

In November 1997 American music magazineBillboard referred to the pub as being one of a few in the area that can "arguably take some of the credit for the rebirth of British rock in the mid-'90s".[19]

Label signings after concerts

[edit]

Ivo Watts-Russell signed Lush andPale Saints to4AD after seeing them both on the same bill there in 1989.[20]

Heavenly's second time performing was at the pub, supportingThe Television Personalities, and it was there thatSarah Records offered to release the band's recordings.[21]

Creation Records co-founderAlan McGee's first time seeingSuper Furry Animals was at the pub in 1995, after being brought there by the label'sA&R Mark Bowen, this led to the label signing the band.[22]

Simon Williams first approached Coldplay about releasing onFierce Panda Records upon seeing them play at The Falcon in 1998.[7]

See also

[edit]

References

[edit]
  1. ^"Tenders - London".The Builder. Vol. 67. 14 November 1896. p. 416.
  2. ^Cullen, Sam (2025).London's Lost Pubs. Pen and Sword.ISBN 9781399038287.
  3. ^abTalling, Paul (2008).Derelict London.Random House.ISBN 9781905211432.
  4. ^Morris, Lynda (11 March 2014)."Alexis Hunter obituary".The Guardian.ISSN 0261-3077. Retrieved19 August 2024.
  5. ^Sullivan, Edward (1998).Evening Standard London Pub Bar Guide 1999.Simon & Schuster. p. 73.ISBN 9780671022044.
  6. ^Allen, Carl (2016).London Gig Venues. Amberley Publishing.ISBN 9781445658209.
  7. ^abWilliams, Simon (2023).Pandamonium!: How (Not) to Run a Record Label. Nine Eight Books.ISBN 9781788707299.
  8. ^Owens, David (2011).Cerys, Catatonia And The Rise Of Welsh Pop.Ebury Publishing.ISBN 9781448116362.
  9. ^Allport, Robin (30 January 2014)."Slowdive: Some Comebacks Matter More Than Most".Clash. Retrieved18 August 2024.
  10. ^Sturdy, Mark (2009).Truth And Beauty: The Story Of Pulp.Omnibus Press.ISBN 9780857121035.
  11. ^"$tar $igns".The List. 16 July 1993. p. 11.
  12. ^Talling, Paul (2020).London's Lost Music Venues.Damaged Goods Books. p. 96.ISBN 978-1-9162327-0-9.
  13. ^Young, Rob (2006).Rough Trade. Black Dog. p. 121.ISBN 9781904772477.
  14. ^Sonya Shelton (December 1994). Angela M Pilchak (ed.).Contemporary Musicians. Vol. 13. Cengage Gale.ISBN 978-0-8103-5737-2. Retrieved17 August 2024 – via Light From A Dead Star.
  15. ^McGonigal, Mike (2022).Galaxie 500: Temperature's Rising: An Oral and Visual History. Exact Change.ISBN 9781737440017.
  16. ^Baker, Trevor (2008).Richard Ashcroft. John Blake. p. 28.ISBN 9781906191023.
  17. ^McCarroll, Tony (2011).Oasis: The Truth. John Blake.ISBN 9781843588184.
  18. ^Khomami, Nadia (26 January 2014)."Little music fanzines making a big noise".The Guardian. Retrieved12 November 2024.
  19. ^Pride, Dominic (29 November 1997)."Camden Town Is The Place To Be For U.K. Up-And-Comers".Billboard. pp. 76–77.
  20. ^King, Richard (2012).How Soon is Now? The Madmen and Mavericks who Made Independent Music 1975-2005.Faber & Faber.ISBN 9780571278329.
  21. ^White, Michael (2015).Popkiss: The Life and Afterlife of Sarah Records.Bloomsbury Publishing. p. 170.ISBN 9781628922233.
  22. ^McGee, Alan (2013).Creation Stories: Riots, Raves and Running a Label.Pan MacMillan.ISBN 9780283071782.
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See also

51°32′36″N0°08′22″W / 51.54342204516184°N 0.1393990646932618°W /51.54342204516184; -0.1393990646932618


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