| The Evil Dead | |
|---|---|
 1983 theatrical release poster | |
| Directed by | Sam Raimi |
| Written by | Sam Raimi |
| Produced by | Robert G. Tapert |
| Starring |
|
| Cinematography | Tim Philo |
| Edited by | Edna Ruth Paul |
| Music by | Joe Loduca |
Production company | Renaissance Pictures |
| Distributed by | New Line Cinema |
Release dates |
|
Running time | 85 minutes[2] |
| Country | United States |
| Language | English |
| Budget | $375,000[3] |
| Box office | $2.6 million[4] |
The Evil Dead is a 1983 Americanindependentsupernatural horror film written and directed bySam Raimi (in his feature directorial debut). The film starsBruce Campbell,Ellen Sandweiss, Richard DeManincor,Betsy Baker, and Theresa Tilly as five college students vacationing in an isolated cabin in the woods, where they find an audio tape that, when played, releases a legion ofdemons and spirits. Four members of the group suffer fromdemonic possession, forcing the fifth member,Ash Williams (Campbell), to survive an onslaught of increasingly gory mayhem.
Raimi, Campbell, producerRobert G. Tapert, and their friends produced the 1978short filmWithin the Woods as aproof of concept to build the interest of potential investors, which secured US$90,000 to begin work onThe Evil Dead. Principal photography took place on location in a remote cabin inMorristown, Tennessee, in a filming process that proved extremely uncomfortable for the cast and crew. The film's extensiveprosthetic makeup andstop-motion effects were created by artistTom Sullivan. The completed film had its first, private screening for friends and family at theRedford Theatre in Detroit on October 15, 1981, which attracted the interest of producerIrvin Shapiro, who helped screen the film at the1982 Cannes Film Festival. Horror authorStephen King gave a rave review of the film, which resulted inNew Line Cinema acquiring its distribution rights and giving it a wide theatrical release on April 15, 1983.
The Evil Dead grossed $2.4 million in the United States and between $2.9 and $29.4 million worldwide. Both early and later critical reception were universally positive; in the years since its release, the film has developed a reputation as one of the most significantcult classics, having been cited among the greatest horror films of all time, and one of the most successful independent films. It launched the careers of Raimi, Tapert, and Campbell, who have continued to collaborate on several films together, such as Raimi'sSpider-Man trilogy.
The Evil Dead spawned amedia franchise, beginning with two directsequels written and directed by Raimi,Evil Dead II (1987) andArmy of Darkness (1992), a fourth film,Evil Dead (2013), which serves as a softreboot and continuation, a follow-up television series,Ash vs Evil Dead, which aired from 2015 to 2018, and a fifth film,Evil Dead Rise (2023); the franchise also includes video games andcomic books. The film's protagonist Ash Williams is considered to be acultural icon.[5]
FiveMichigan State University students –Ash Williams, his girlfriend Linda, his sister Cheryl, their friend Scott, and Scott's girlfriend Shelly – vacation at an isolated cabin in ruralTennessee. Approaching the cabin, the group notices the porch swing move independently. However, it stops as Scott grabs the door key. While Cheryl draws a picture of a clock, the clock stops, and she hears a faint voice instruct her to "join us." Her hand becomes possessed, turns pale, and draws a picture of a book with a face on its cover. Although shaken, she does not mention the incident.
When the cellar trapdoor flies open during dinner, Shelly, Linda, and Cheryl remain upstairs as Ash and Scott investigate the cellar. They find theNaturom Demonto, aSumerian version of the EgyptianBook of the Dead, along with archaeologist Raymond Knowby'stape recorder. Scott later plays a tape ofincantations that resurrect a demonic entity. Cheryl yells for Scott to turn off the tape recorder, and a tree branch breaks one of the cabin's windows. Later that evening, an agitated Cheryl goes into the woods to investigate strange noises, and she is attacked and raped by the vines and branches ofdemonically possessed trees. When she escapes and returns to the cabin bruised and anguished, Ash agrees to take her back into town, only to discover that the bridge has been destroyed. They are now trapped, and the demonic entity does not want to let them leave. At the cabin, Ash learns from the tape that the only way to kill the entity is to dismember a possessed host. As Linda and Shelly playspades, Cheryl correctly calls out the cards without looking at them, turns into a white-eyed zombie known as a “Deadite,” and begins levitating. In a raspy voice, she demands to know why they disturbed her sleep and threatens to kill everyone. She stabs Linda in the ankle with a pencil and throws Ash into a shelf. Scott knocks Cheryl into the cellar and locks her inside.
Everyone fights about what to do. Having become paranoid upon seeing Cheryl's demonic transformation, Shelly goes to her room but is drawn to look out of her window, where an unseen demon crashes through and attacks her, turning her into a Deadite. She attacks Scott before he throws her into the fireplace, slashes her wrist, and then stabs her in the back with a Sumerian dagger, apparently killing her. When she reanimates, Scott dismembers her with an axe. Ash and Scott then bury her remains. Shaken by the experience, Scott leaves to find a way back to town. He returns shortly after, mortally wounded by the possessed trees, and dies while warning Ash that the trees will not let them escape. Ash checks on Linda and realizes that she has become possessed. She attacks Ash, who stabs her with the Sumerian dagger. Unwilling to dismember her, he buries her instead. She revives and attacks him, forcing him to decapitate her with a shovel. Her headless body bleeds on his face as it tries to rape him. He escapes as Linda dies and then retreats to the cabin.
Back inside, Ash discovers that Cheryl has escaped the cellar. Cheryl eludes Ash and attempts to choke him. Ash escapes her grasp and then shoots Cheryl in the jaw. As Ash is barricading the door, Scott's dead body reanimates into a Deadite. Scott attacks Ash and inadvertently knocks the book close to the fireplace. Ash gouges Scott's eyes out and pulls a tree branch from Scott's stomach, causing him to bleed out and fall to the ground. Cheryl breaks through the door and knocks Ash to the floor. As Scott and Cheryl continue to attack Ash on the ground, Ash grabs the book and throws it into the fireplace. While the book burns, the Deadites freeze in place and decompose rapidly. Large appendages burst from both corpses, covering Ash in blood—Dawn breaks, and Ash stumbles outside. As Ash walks away from the cabin, a demon races through the forest and attacks him as he screams in terror.
Sam Raimi andBruce Campbell grew up together, and have been friends from an early age.[7] The duo made several low-budgetSuper 8 mm film projects together.[8] Several were comedies, includingClockwork andIt's Murder!.[9][10] Shooting a suspense scene inIt's Murder! inspired them to approach careers in the horror genre; after researching horror cinema atdrive-in theaters, Raimi was set on directing a horror film, opting to shoot aproof of conceptshort film – described by the director as a "prototype" – that would attract the interest of financiers, and use the funds raised to shoot a full-length project.[10][11] The short film that Raimi created was calledWithin the Woods, which was produced for $1,600.[12] ForThe Evil Dead, Raimi required over $100,000.[13]
To generate funds to produce the film, Raimi approached Phil Gillis, a lawyer to one of his friends.[13][14] Raimi showed himWithin the Woods, and although Gillis was not impressed by the short film, he offered Raimi legal advice on how to produceThe Evil Dead. With his advice in mind, Raimi asked a variety of people for donations, and even eventually "begged" some.[13] Campbell had to ask several of his own family members, and Raimi asked every individual he thought might be interested.[13] He eventually raised enough money to produce a full-length film, though not the full amount he originally wanted.[13] Raimi said the film cost $375,000.[3]
With enough money to produce the film, Raimi and Campbell set out to make what was then titledBook of the Dead, a name inspired by Raimi's interest in the fiction ofH. P. Lovecraft.[10][15] The film was supposed to be a remake ofWithin the Woods, with higher production values and a full-length running time. Raimi turned 20 just before shooting began, and he considered the project his "rite of passage".[16]
Raimi asked for help and assistance from several of his friends and past collaborators to makeThe Evil Dead.[16] Campbell offered to produce the film alongside Tapert, and was subsequently cast asAsh Williams, the main character, since his producing responsibilities made him the only actor willing to stay during the production's entirety.[17] To acquire more actors for the project, Raimi put an ad inThe Detroit News.Betsy Baker was one of the actresses who responded, andEllen Sandweiss, who appeared inWithin the Woods, was also cast.[16] The crew consisted almost entirely of Raimi and Campbell's friends and family. The special make-up effects artist forWithin the Woods,Tom Sullivan, was brought on to compose the effects after expressing a positive reaction to working with Raimi.[17] He helped create many of the film'sfoam latex andfake blood effects, and added coffee as an extra ingredient to the traditional fake blood formula ofcorn syrup andfood coloring.[18][19]
Without any formal assistance from location scouts, the cast had to find filming locations on their own. The crew initially attempted to shoot the film in Raimi's hometown ofRoyal Oak, Michigan, but instead choseMorristown, Tennessee, as it was the only state that expressed enthusiasm for the project. The crew quickly found a remote cabin located several miles away from any other buildings. During pre-production, the 13 crew members had to stay at the cabin, leading to several people sleeping in the same room. The living conditions were notoriously difficult, with several arguments breaking out between crew members.[20]
Steve Frankel was the only carpenter on set, which made him the art direction's sole contributor.[21] For exterior shots, Frankel had to produce several elaborate props with a circular saw. Otherwise, the cabin mostly remained the way it was found during production. The cabin had no plumbing, but phone lines were connected to it.[20][22]
The film was made onKodak16mm film stock with a rented camera.[23] The inexperienced crew made filming a "comedy of errors".[24] The first day of filming led to them getting lost in the woods during a scene shot on a bridge.[24] Several crew members were injured during the shoot, and because of the cabin's remoteness, securing medical assistance was difficult.[25] One notably gruesome moment on set involved ripping off Baker's eyelashes during removal of her face-mask.[21] Because of the low budget, contact lenses as thick as glass[clarification needed] had to be applied to the actors to achieve the "demonic eyes" effect.[21] The lenses took ten minutes to apply, and could only be left on for about 15 minutes because eyes could not "breathe" with them applied.[21] Campbell later commented that to get the effect of wearing these lenses, they had to put "Tupperware" over their eyes.[21]
Raimi developed a sense ofmise en scène, coming up with ideas for scenes at a fast rate.[14] He had drawn several crude illustrations to help him break down the flow of scenes. The crew was surprised when Raimi began usingDutch angles during shots to build atmosphere during scenes.[26] To accommodate Raimi's style of direction, several elaborate, low-budget rigs had to be built, since the crew could not afford acamera dolly. One involved the "vas-o-cam", which relied on a mounted camera that was slid down long wooden platforms to create a more fluid sense of motion.[26]
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A camera trick used to emulate aSteadicam inexpensively was the "shaky cam", which involved mounting the camera to a piece of wood and having two camera operators sprint around the swamp.[27] During scenes involving the unseen force in the woods watching the characters, Raimi had to run through the woods with the makeshift rig, jumping over logs and stones.[26] This often proved difficult due to mist in the swamp.[28] The film's final scene was shot with the camera mounted to a bike, while it was quickly driven through the cabin to create a seamlesslong take.[26]
Raimi had been a big fan ofThe Three Stooges during his youth, which inspired him to use "Fake Shemps" during production.[9][14][29] In any scene that required a background shot of a character, he used another actor as a substitute if the original actor was preoccupied.[30] During aclose-up involving Richard DeManicor's hand opening a curtain, Raimi used his own hand in the scene since it was more convenient.[citation needed] His brotherTed Raimi was used as a "Fake Shemp" in many scenes when the original actor was either busy or preoccupied.[30]
Raimi enjoyed "torturing" his actors.[31][32] Raimi believed that to capture pain and anger in his actors, he had to abuse them a little at times, saying, "if everyone was in extreme pain and misery, that would translate into a horror".[31] ProducerRobert Tapert agreed with Raimi, commenting that he "enjoyed when an actor bleeds."[31] While shooting a scene with Campbell running down a hill, Campbell tripped and injured his leg.[33] Raimi enjoyed poking Campbell's injury with a stick he found in the woods. Because of the copious amounts of blood in the film, the crew produced gallons offake blood withKaro corn syrup.[25][33] It took Campbell hours to remove the sticky substance from himself.[33] Several actors had inadvertently been stabbed or thrown into objects during production.[31][33] During the last few days on set, the conditions had become so extreme the crew began burning furniture to stay warm. Since at that point only exterior shots needed to be filmed, they burned nearly every piece of furniture left.[34] Several actors went days without showering, and because of the freezing conditions, several caughtcolds and other illnesses. Campbell later described the filming process as nearly "twelve weeks of mirthless exercise in agony", though he allowed that he did manage to have fun while on set.[33] On January 23, 1980, filming was finished and almost every crew member left the set to return home, with Campbell staying with Raimi.[34] While looking over the footage that had been shot, Raimi discovered that a fewpick-ups were required to fill in missing shots. Four days of re-shoots were then done to complete the film.[35] The final moment involved Campbell having "monster-guts" splattered on him in the basement.[35]
Summing up the production decades later, Campbell remarked: "It's low-budget, it's got rough edges," but even so, "there are parts of that movie that are visually stunning."[36]
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After the extensive filming process, Raimi had a "mountain of footage" that he had to put together.[25][37] He chose aDetroit editing association, where he met Edna Paul, to cut the film. Paul's assistant was Joel Coen of theCoen brothers, who helped with the film's editing.[37][38] Paul edited a majority of the film, although Coen edited the shed sequence. Coen had been inspired by Raimi'sWithin the Woods and liked the idea of producing a prototype film to help build the interest of investors.[38][39] Joel used the concept to help makeBlood Simple with his brother Ethan, and he and Raimi became friends following the editing process.[15][39]
The film's first cut ran at around 117 minutes, which Campbell called an impressive achievement in light of the 65-minute length of thescreenplay. The cut scenes were to focus on the main character's lamentation of not being able to save the victims from their deaths, but was edited down to make the film less "grim and depressing" and to be a more marketable 85 minutes.[37] Raimi was inspired by the fact thatBrian De Palma was editing his own filmBlow Out withJohn Travolta at the samesound facility.[37] One of the most intricate moments during editing was thestop-motion animation sequence where the corpses "melted", which took hours to cut properly.[37] The film had uniquesounds that required extensive recording from the crew.[37][40] Several sounds were not recorded properly during shooting, which meant the effects had to be redone in theediting rooms. Deadchickens were stabbed to replicate the sounds of mutilated flesh, and Campbell had to scream into a microphone for several hours.[37]
Much likeWithin the Woods,The Evil Dead needed to be blown up to35mm, the industry standard, to be played at movie theaters.[37] The relatively large budget made this a much simpler process withThe Evil Dead than it had been with the short film.[37]
With the film completed, Raimi and the crew decided to celebrate with a "big premiere".[41] They chose to screen the film at Detroit'sRedford Theatre, which Campbell had often visited as a child.[25] Raimi opted to have the most theatrical premiere possible, using customtickets and wind tracks[clarification needed] set in the theater, and orderingambulances outside the theater to buildatmosphere.[41][42] The premiere setup was inspired by horror directorWilliam Castle, who would often attempt to scare his audiences by usinggimmicks. Local turnout for the premiere exceeded the cast's expectations, with a thousand patrons showing up. The audiences responded enthusiastically to the premiere, which led to Raimi's idea of "touring" the film to build hype.[41]
Raimi showed the film to anyone willing to watch it, booking meetings with distribution agents and anyone with experience in thefilm industry.[43] Eventually Raimi came acrossIrvin Shapiro, the man who was responsible for the distribution ofGeorge A. Romero'sNight of the Living Dead and other famous horror films.[44][45] Upon first viewing the film, he joked that while it "wasn'tGone with the Wind", it had commercial potential, and he expressed an interest in distributing it.[43] It was his idea not to use the then-titleBook of the Dead, because he thought it made the film sound boring. Raimi brainstormed several ideas, eventually going withThe Evil Dead, deemed the "least worst" title.[43] Shapiro also advised distributing the film worldwide to garner a larger income, though it required a further financial investment by Raimi, who managed to scrape together what little money he had.[43]
Shapiro was a founder of theCannes Film Festival, and allowed Raimi to screen the film at the1982 festival out of competition.[46][47]Stephen King was present at its screening and gave the film a rave review.USA Today released an article about King's favorite horror films; the author citedThe Evil Dead as his fifth favorite film of the genre.[47] The film severely affected King, who commented that while watching the film at Cannes, he was "registering things [he] had never seen in a movie before".[48] He became one of the film's largest supporters during the early efforts to find a distributor, eventually describing it as the "most ferociously original film of the year", a quote used in the film's promotional pieces.[15][49] King's comments attracted the interest ofcritics, who otherwise would likely have dismissed the low-budget thriller.[48][50]
Thefilm's press attracted the attention of British film distribution agentStephen Woolley.[51][52] Though he considered the film a big risk, Woolley decided to take on the job of releasing the film in the United Kingdom.[53] The film was promoted in an unconventional manner for a film of its budget, receiving marketing on par with that of larger budget films.[50][54] Dozens of promotional pieces, includingfilm posters andtrailers, were showcased in the UK, heavy promotion rarely expended on such a low-budget film.[55] Woolley was impressed by Raimi, whom he called "charming", and was an admirer of the film, which led to his taking more risks with the film's promotion than he normally would have.[54][56]
Fangoria started covering the film in late 1982, writing several articles about the film's long production history.[57] Early critical reception at the time was very positive, and along withFangoria, King and Shapiro's approval, the film generated an impressive amount of interest before its commercial premiere.[50]New Line Cinema, one of the distributors interested in the film, negotiated an agreement to distribute it domestically.[44] The film had several "sneak previews" before its commercial release, including screenings in New York and Detroit. Audience reception at both screenings was widely enthusiastic, and interest was built for the film to such an extent that wider distribution was planned. New Line Cinema wrote Raimi acheck large enough to pay off all the investors, and decided to release the film in an unusual manner:[44] simultaneously into both cinemas and ontoVHS, with substantial domestic promotion.[46]
Because of its large promotional campaign, the film performed above expectations at thebox office.[46] However, the initial domesticgross was described as "disappointing."[58] The movie opened in 15 theaters and grossed $108,000 in its opening weekend.[58] Word of mouth later spread, and the film became a "sleeper hit". It grossed $2,400,000 domestically, nearly eight times itsproduction budget. Sources differ as to whether it grossed $261,944 overseas, for a worldwide gross of $2,661,944, or $27 million overseas, for a worldwide gross of $29.4 million.[59][60][58] Raimi said in 1990 that the film "did very well overseas and did very poorly domestically" and that its investors earned a return of "about five times their initial investment."[3]
The film's release was met withcontroversy, as Raimi had made the film as gruesome as possible with neither interest in nor fear ofcensorship. Writer Bruce Kawin describedThe Evil Dead as one of the most notorioussplatter films of its day, along withCannibal Holocaust andI Spit on Your Grave.[40][61]
In the UK, the film was trimmed by 49 seconds before it was granted anX certificate for cinema release. This censored version was also released on home video; at the time there was no requirement that films had to be classified for video release. An anti-media organization campaign led to the film being branded a "video nasty". When the Video Recordings Act was passed in 1984, the video version was banned. In 1990, an additional 66 seconds were cut from the already censored version, earning the film an 18 certificate for home video release. Finally, in 2000, the uncut version received an 18 certificate for both cinema and home video.[62]
In the US, the film received anX rating. Films with this label were quite violent and disturbing, and therating was often held bypornographic films.[63] The film has since been re-ratedNC-17 for “substantial graphic horror violence and gore”,[64][65] though many recent home media releases have been released without a rating.[66][67]
The film was, and is still,banned either theatrically or on video in some countries.[68][69]
The first VHS release ofThe Evil Dead was released byThorn EMI in 1983, and Thorn's successor companyHBO/Cannon Video later repackaged the film. Former HBO Video's partner Congress Video, a company notable forpublic domain films, issued its version in 1989.[70][71]
In its first week of video release, the film made £100,000 in the UK. It quickly became that week's bestselling video release, and later became the year's bestselling video in the UK, out-grossing large-budget horror releases such asThe Shining.[50] Its impressive European performance was chalked up to its heavy promotion there and the more open-minded nature of European audiences.[58]
The resurgence ofThe Evil Dead in the home-video market came through two companies that restored the film from its negatives and issued special editions in 1998:Anchor Bay Entertainment on VHS, and Elite Entertainment onLaserDisc. Anchor Bay was responsible for the film's firstDVD release on January 19, 1999, along with Elite releasing the special collector's edition DVD on March 30, 1999, and between them, Elite and Anchor Bay have released six different DVD versions ofThe Evil Dead, most notably the 2002 "Book Of The Dead" edition, packaged in a latex replica of theNecronomicon sculpted by Tom Sullivan and the 2007 three disc "Ultimate Edition" which contained the widescreen and original full frame versions of the movie.[72] The film's high-definition debut was in a 2010Blu-ray.[73]
Lionsgate Films released a 4KUltra HD Blu-ray edition ofThe Evil Dead on October 9, 2018.[74][75]
Upon its release, contemporary critical opinion was largely positive.[44] Bob Martin, editor ofFangoria, reviewed the film before its formal premiere and proclaimed that it "might be the exception to the usual run of low-budget horror films".[57][76] He followed up on this praise after the film's premiere, stating: "Since I started editing this magazine, I have not seenany new film that I could recommend to our readers with more confidence that it would be loved, embraced and hailed as a new milestone in graphic horror".[77] TheLos Angeles Times called the film an "instant classic", proclaiming it as "probably the grisliest well-made movie ever."[50][78] In a 1982 review, staff fromVariety wrote that the film "emerges as thene plus ultra of low-budget gore and shock effect", commenting that the "powerful" and inventive camerawork was key to creating a sense of dread.[79]
British press for the film was positive;Kim Newman ofMonthly Film Bulletin, Richard Cook ofNME and Julian Petley ofFilm and Filming all gave the film good reviews during its early release.[78] Petley and Cook compared the film to other contemporary horror films, writing that the film expressed more imagination and "youthful enthusiasm" than an average horror film.[78] Cook described the camera work by Raimi as "audacious", stating that the film's visceral nature was greatly helped by the style of direction.[78] Woolley, Newman and several critics complimented the film for its unexpected use ofblack comedy, which elevated the film above its genre's potential trappings.[78] All three critics compared the film to the surrealistic work ofGeorges Franju andJean Cocteau, noting the cinephilic references to Cocteau's filmOrpheus.[78] WriterLynn Schofield Clark in her novelFrom Angels to Aliens compared the film to better-known horror films such asThe Exorcist andThe Omen, citing it as a key supernatural thriller.[80]
On thereview aggregator websiteRotten Tomatoes, 86% of 83 critics' reviews are positive, with an average rating of 7.70/10. The website's consensus reads: "So scrappy that it feels as illicit as a book found in the woods,The Evil Dead is a stomach-churning achievement in bad taste that marks a startling debut for wunderkind Sam Raimi."[81]Empire stated the film's "reputation was deserved", writing that the film was impressive considering its low budget and the cast's inexperience. He commented that the film successfully blended the "bizarre" combination ofNight of the Living Dead,The Texas Chain Saw Massacre andThe Three Stooges.[82] A reviewer forFilm4 ratedThe Evil Dead four-and-a-half stars out of five, musing that the film was "energetic, original and icky" and concluding that Raimi's "splat-stick debut is a tight little horror classic that deserves its cult reputation, despite the best efforts of the censors."[83]
Slant's Ed Gonzales compared the film toDario Argento's work, citing Raimi's "unnerving wide angle work" as an important factor to the film's atmosphere. He mused that Raimi possessed an "almost unreal ability to suggest the presence of intangible evil", which was what prevented the movie from being "B-movie schlock".[84]BBC critic Martyn Glanville awarded the film four stars out of five, writing that for Raimi, it served as a better debut film thanTobe Hooper'sThe Texas Chain Saw Massacre orWes Craven'sThe Last House on the Left. Glanville noted that other than the "ill-advised trees-that-rape scene", the film is "one of the great modern horror films, and even more impressive when one considers its modest production values."[85]
Filmcritic.com'sChristopher Null gave the film the same rating as Glanville, writing that "Raimi's biggest grossout is schlock horror done the right way" and comparing it to Romero'sNight of the Living Dead in its ability to create stark atmosphere.[86]Chicago Reader writer Pat Graham commented that the film featured several "clever" turns on the standard horror formula, adding that Raimi's "anything-for-an-effect enthusiasm pays off in lots of formally inventive bits."[87]Time Out critic Stephen Garrett, referred to the make-up effects in the climax as "amazing", and commented that although the film was light on character development, it "blends comic fantasy" with "atmospheric horror ... to impressive effect".[88] The same site later cited the film as the 41st greatest horror movie ever made.[89] Phelim O'Neill ofThe Guardian combinedThe Evil Dead and its sequelEvil Dead II and listed them as the 23rd best horror film ever made, announcing that the former film "stands above its mostly forgotten peers in the 80s horror boom."[90] Don Summer, in his bookHorror Movie Freak, and writer Kate Egan have both cited the film as a horror classic.[58][91]
J.C. Maçek III ofPopMatters said: "What is unquestionable is that the Raimis and their pals created a monster inThe Evil Dead. It started as a disastrous failure to obtain a big break with a too long, too perilous shoot (note Campbell's changing hairstyle in the various scenes of the one-day plot). The film went through name changes and bannings only to survive as not only 'the ultimate experience in grueling horror' but as an oft-imitated and cashed-in-on classic, with 30 years of positive reviews to prove it."[92]
WhileThe Evil Dead received favorable critical comment when it was initially released, it failed to establish Raimi's reputation.[78] It was, however, a box-office success, which led to Campbell and Raimi teaming up again for the release of another movie.[93]Joel Coen and his brotherEthan had collaborated as directors and released the filmBlood Simple, to critical acclaim.[94] According to Campbell, Ethan, then an accountant, expressed surprise when the duo succeeded.[93] The Coen brothers and Raimi collaborated on a screenplay, which was released shortly afterThe Evil Dead. The film,Crimewave, was a box-office failure.[93] The film's production was a "disaster", according to Campbell, who stated that "missteps" likeCrimewave usually lead to the end of a director's career.[95] Other people involved with the film expressed similar disappointment with the project.[93][96] Fortunately, Raimi had the studio support to make a sequel toThe Evil Dead, which he initially decided to make out of desperation.[95]
The Evil Dead was followed by a series of sequels. The franchise is noted from attracting attention for each sequel featuring more comedic qualities than the last, progressing into "weirder" territory with each film.[97]Evil Dead II: Dead by Dawn was ablack comedy-horror film which released in 1987, and was a box-office success.[98] It received general acclaim from critics, and is often considered to be superior to the first film.[97] This was followed byArmy of Darkness, acomedyfantasy-horror film released in 1992. At that time, Raimi had become a successful director, attracting Hollywood's interest.[99] Hissuperhero filmDarkman (1990) was another box-office success, which led to an increased budget forArmy of Darkness.[97][100][101]Army of Darkness had 22.8 times the budget of the originalEvil Dead, though it was not considered to be a box-office success like its two predecessors.[99][102] It was met with mostly positive critical reception.[97] After any additional installments suffered throughdevelopment hell, asupernatural-horrorsoft reboot/legacy sequel titledEvil Dead was released in 2013, featuringJane Levy as the main character Mia Allen. Directed and co-written by Fede Álvarez, the film was produced by Raimi and Campbell. The film, which was a departure from the humor of the previous two films, was a moderate box office success and was praised for its dark and bloody story. While various projects going through varying stages of development, a continuation was released as a television series titled,Ash vs. Evil Dead. Created and executive produced by Sam Raimi, the series aired from 2015 to 2018.
After further film installments once again remained in development hell for a number of years, a fifth feature film titledEvil Dead Rise was announced to be in development. The project began filming in June 2021, with Irish filmmakerLee Cronin serving as writer/director. Though Campbell reprised his role as Ashley "Ash" J. Williams in each of the proceeding sequels, he did not appear in the film.[99][97] The film was released theatrically on April 21, 2023, byWarner Bros. Pictures.[103]
Unofficial sequels were made in Italy, where the film was known asLa Casa ("The House"). Produced byJoe D'Amato's Filmirage, two mostly unrelated films were released and marketed assequels toEvil Dead II:Umberto Lenzi'sLa Casa 3:Ghosthouse andLa Casa 4:Witchery starringLinda Blair andDavid Hasselhoff. The final film was released in 1990 and titled,La Casa 5:Beyond Darkness.[92][104] The filmHouse II: The Second Story was reissued and retitled in Italy asLa Casa 6; followed byThe Horror Show which was released in Italy asLa Casa 7.[92]
In 2008, an unofficial remake was also produced in India under the titleBach Ke Zara.[105]
The originalEvil Dead trilogy of films has been recognized as one of the most successfulcult film series in history.[58][106][107] David Lavery, in his bookThe Essential Cult TV Reader, surmised that Campbell's "career is a practical guide to becoming a cult idol".[107] The film launched the careers of Raimi and Campbell, who have since collaborated frequently.[108] Raimi has worked with Campbell in virtually all of his films since, and Campbell has appeared in cameo roles in all three of Raimi'sSpider-Man films[108] (as well as a very brief appearance at the end ofDarkman), which have become some of the highest-grossing films in history.[108][109] Though it has often been considered an odd choice for Raimi, a director known for his violent horror films, to direct a family-friendly franchise, the hiring was mostly inspired by Raimi's passion for comic books as a child.[108][110] Raimi returned to the horror-comedy genre in 2009 withDrag Me to Hell.[111]
Critics have often compared Campbell's later performances to his role inEvil Dead, which has been called his defining role.[112][113] Campbell's performance as Ash has been compared to roles ranging from his performance ofElvis Presley in the filmBubba Ho-tep to the bigamous demon inThe X-Files episode "Terms of Endearment".[114][115] Campbell's fan base gradually developed after the release ofEvil Dead II and his short-lived seriesThe Adventures of Brisco County, Jr..[116] He is a regular favorite at most fan conventions and often draws sold-out auditoriums at his public appearances.[117]The Evil Dead developed a substantial cult following throughout the years, and has often been cited as a defining cult classic.[58][116]
The Evil Dead has spawned a media franchise. A video game adaptationof the same name was released for theCommodore 64 in 1984, as was a trilogy of survival horror games in the 1990s and early 2000s:Evil Dead: Hail to the King,Evil Dead: A Fistful of Boomstick andEvil Dead: Regeneration.[118] Ted Raimi did voices for the trilogy, and Campbell returned as the voice of Ash. The character Ash became the main character of acomic book franchise.[119] Ash has fought bothFreddy Krueger andJason Voorhees in theFreddy vs. Jason vs. Ash series,Herbert West inArmy of Darkness vs.Re-Animator, zombie versions of theMarvel Comics superheroes inMarvel Zombies vs. The Army of Darkness, and has even saved the life of afictionalBarack Obama inArmy of Darkness: Ash Saves Obama.[120][121] In January 2008,Dark Horse Comics began releasing a four-part monthly comic bookmini-series, written byMark Verheiden and drawn byJohn Bolton, based onThe Evil Dead.[122] The film has also inspired astage musical,Evil Dead: The Musical, which was produced with the permission of Raimi and Campbell. The musical has run on and off since its inception in 2003.[123]
After the film was released, many people began to trespass onto the filming location in Morristown. In 1982, the cabin was burned down by the owners, who were tired of the attention. Although the cabin is now gone, the chimney remains, which many people now take stones from when they trespass onto the location.[124]
In 2022, a video game adaptation of the series calledEvil Dead: The Game was released.
In 2021,heavy metal bandIce Nine Kills released a song titled "Ex-Mørtis" on their albumThe Silver Scream 2: Welcome to Horrorwood, which is composed of songs each explicitly linked to specific horror media per the album's booklet of liner notes; "Ex-Mørtis" is stated to be inspired byThe Evil Dead.[125][126][127][128]
The Evil Dead (ABE; 85m); The Evil Dead (CNG; 89(85)m); The Evil Dead (EMI; 85m)
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