| "The Edge of Glory" | ||||
|---|---|---|---|---|
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| Single byLady Gaga | ||||
| from the albumBorn This Way | ||||
| Written | September 24, 2010[1] | |||
| Released | May 9, 2011 (2011-05-09) | |||
| Recorded | 2010 | |||
| Studio | The Living Room (Oslo, Norway) | |||
| Genre | ||||
| Length | 5:20 (album version)
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| Label |
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| Songwriter(s) | ||||
| Producer(s) |
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| Lady Gaga singles chronology | ||||
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| Music video | ||||
| "The Edge of Glory" onYouTube | ||||
"The Edge of Glory" is a song by American singerLady Gaga from her second studio album,Born This Way (2011). The song was released on May 9, 2011, as the album's third single. Initially released as one of two promotional singles forBorn This Way, it shortly became a single following its success in digital outlets worldwide. The song was written and produced by Gaga andFernando Garibay, and is apop,electro-rock, anddisco song that speaks of the last moments of life.[2] According to Gaga, lyrical inspiration came from the death of her grandfather, who died in September 2010. Along with asaxophone solo played byClarence Clemons, the melody of the song resembles much of the musical works ofBruce Springsteen, and contains several qualities similar to that of 1980s adult contemporary musical works.
"The Edge of Glory" received critical acclaim, with many reviewers deeming it an album highlight. Much of the praise went to the song's chorus and the musical production. Reviewers also complimented Gaga's vocals, describing it as "soulful". The song was a commercial success worldwide, charting in the top 10 in several major music markets, including Australia, Belgium, Canada, New Zealand, Norway, Spain and the United Kingdom. In the United States, it peaked at number three on theBillboard Hot 100, becoming Gaga's tenth consecutive top-10 single in the United States.
A music video for the song was filmed in late May, co-directed by the singer and her production team, Haus of Gaga. The video is simple in contrast to much of Gaga's past work and portrays her dancing on a fire-escape and walking on a lonely street. Differences include the lack of intricate choreography and backup dancers, as well as using only one outfit designed byVersace. Critics praised the simplicity of the video, while comparing it to the works ofMichael Jackson,Janet Jackson andMadonna. Live performances of the song include thetenth season ofAmerican Idol, the2011 MuchMusic Video Awards,Good Morning America's "Summer Concert Series", and many of the singer's concert tours.
"The Edge of Glory" was written by Lady Gaga,Fernando Garibay, and DJ White Shadow, and was produced by Gaga and Garibay.[3] The origins of the song first came about in January 2011, when Gaga released part of the lyrics on herTwitter account.[4] DJ White Shadow revealed that before they returned to Europe for the 2010 dates ofThe Monster Ball Tour, Gaga had taken leave for few days to be with her ailing grandfather. After he died, Gaga told White Shadow that she wrote a song about her grandfather's death and its impact on her.[5] Gaga spoke toJon Pareles ofThe New York Times about the story behind the song:
"['The Edge of Glory'] was about how when my grandma was standing over my grandfather while he was dying. There was this moment where I felt like he had sort of looked at her and reckoned that he had won in life. Like, 'I'm a champion. We won. Our love made us a winner.' They were married 60 years. I thought about that idea, that the glorious moment of your life is when you decide that it's okay to go, you don't have any more words to say, more business, more mountains to climb. You're on the cliff, you tip your hat to yourself and you go. That's what it was for me in that moment when I witnessed it."[6]
More information in regards to "The Edge of Glory" was revealed by Gaga, in an interview withGoogle where she explained the song as being about one's final moments on Earth, before death.[7][8] Another inspiration for the song was actorSylvester Stallone's 1976 filmRocky, which is Gaga's favorite film. The singer felt that the song was about looking at life directly, with the feeling that he or she is a champion—like the emotion displayed by the characterRocky Balboa in the film.[9]
On May 5, 2011,Interscope sent out an e-mail to radio stations across the United States, which explained that "The Edge of Glory" was to be released on Monday, May 9, 2011, as the first of twopromotional singles forBorn This Way. It was to serve as the first song in the "Countdown toBorn This Way" promotion oniTunes Store.[10] However, after its release to the digital stores, "The Edge of Glory" started selling a considerable amount of digital downloads, prompting Gaga to make it the third single fromBorn This Way.[11][12] On her Twitter account Gaga revealed the cover for the single.[4][13] It shows a naked Gaga with her mouth open, wearing her facial prosthetics from the "Born This Way" cover, and her hair wildly cascading around her.[4][14]
"The Edge of Glory" features synthesizers executed in a style influenced bysmooth jazz, as well as the inclusion of asaxophone solo.[15] The song is less electronic and more straightforward pop, and the lyrics deal more with romance than individual inspiration.[12][16] Garibay revealed that the song was recorded in Gaga's natural vocal tone, and required just onetake. She requested him to add the sound ofheartbeat at the start of the track. Garibay said that the decision to add a saxophone solo was a "bold move" for Gaga, sincecontemporary hit radio did not have any songs with a saxophone solo on their song playlists.[17]
Apop,[19][20]electro-rock,[21]arena rock,[22] anddisco song,[23] "The Edge of Glory" opens with Gaga's vocals over a keyboard, singing the line: "There ain't no reason you and me should be alone tonight, yeah baby, tonight, yeah baby."[5][16] According toMTV's Jocelyn Vena, the song's production evokes the "late '80s, early '90s adult-contemporary pop, when bigchoruses were the norm for songs."[16] Jason Lipshultz fromBillboard stated the song "leans upon sunnyelectronica" that sounds big on the chorus, where Gaga sings "I'm on the edge of glory and I'm hanging on a moment of truth".[24] Evan Sawdey of the websitePopMatters found severalrock elements in the composition of the song.[25] Vena also felt that what made the song stand out from others on the radio was the saxophone solo by Clemons right in the middle of the track, as Gaga belts out, "I'm on the edge with you."[16] Robert Copsey fromDigital Spy said that themusical composition is a mixture of loud-soundingelectric guitars andclub-beat influenced synths.[26] The song and album ends with a longcoda, with the sound of the saxophonefading out.[6]
According to sheet music published at Musicnotes.com bySony/ATV Music Publishing, "The Edge of Glory" is written incommon time with atempo of 128beats per minute. Set in thekey ofA major, it follows the basicchord progression of A–E–D for the verse and A–E–F♯m–D progression for the chorus, while Gaga's voice spans from A3 to D5.[27] Gaga's reference for the saxophone solo was theE Street Band andBruce Springsteen;[17] she ultimately askedClarence Clemons from the E Street Band to play the instrument. Clemons toldRolling Stone that in January 2011 he was contacted by Gaga's management and they wanted him to play onBorn This Way. Since the call was on a Friday, Clemons replied that he could record it on the coming Monday or Tuesday, but Gaga was adamant to have him at the New York recording studio on that day itself. Clemons flew from Florida to New York, and reached the recording studio in Manhattan at midnight.[28] Gaga wanted him to play saxophone on multiple tracks, one of them being "The Edge of Glory". She simply told Clemons, "We'll put the tape on and you just play". The recording concluded by 3 a.m. after a few takes. Clemons added that he was surprised to get paid, since he "would have done it for free. I can never believe something that feels so good earns me money."[5][28]
"The Edge of Glory" was met with general acclaim from critics. While previewing the song Matthew Perpetua fromRolling Stone wrote a positive review: "This one sounds crazy in print [...], but somehow it all seems totally natural when you actually hear it." Perpetua added that there is an element of cheesiness in the song, but nevertheless, it is captivating and catchy when one listens to it. He complimented the inclusion of Clemons as an "inspired touch that amplifies the song's Eighties stadium rock vibe," and Clemons' actual performance was described as amazing and among the best of his career.[8] In another review, Perpetua noted that "The Edge of Glory" is "an immediate pop anthem".[29] FellowRolling Stone journalist Jody Rosen complimented the hook, the chorus and Clemens' saxophone playing on the song.[30] Jocelyn Vena fromMTV News asserted that the song showed a softer side to Gaga, as opposed to her previous singles fromBorn This Way.[16] Willa Paskin fromNew York was impressed with the track, saying: "If the first two tracks off the forthcomingBorn This Way were all jangly dance-rock, this is as smooth as an '80s jam straight off theFlashdance soundtrack, and it has the saxophone breakdown to prove it." Paskin also believed that the song had potential to be a summer hit, but could face competition from singerKaty Perry's single, "Last Friday Night (T.G.I.F.)".[31]
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Jason Lipshutz ofBillboard wrote that "The Edge of Glory" was "risk-taking, [but] it's focused on romance rather than individual inspiration."[24] Lewis Corner ofDigital Spy awarded the song with five out of five stars and wrote: "Gaga belts over a chorus tastier and more filling than a meatball sub – stuffed with stadium-sized beats and massive techno synths; while the side of sax solo courtesy of the late Clarence Clemons is bound to seduce many a clubber into bringing out their rarely-used-nowadays air sax."[32] Kevin O'Donnell ofSpin noted that in the song, Gaga "goes back to basics". He also called the song a "four-on-the-floor anthem with loads of references to '80s pop music" and concluded "Thankfully, 'Edge of Glory' proves Gaga hasn't let her global celebrity get the best of her art, and she's still capable to cranking out straightforward, dance-ready jams like 'Just Dance' or 'Poker Face'."[18] Both Andy Gill ofThe Independent and James Reed ofThe Boston Globe praised Clarence Clemons' saxophone solo in "The Edge of Glory".[33][34]
Nardine Saad fromLos Angeles Times asserted that "The Edge of Glory" was less shock-provoking than her previous releases. Saad also felt that the track was slower and lesselectro in its composition than "Judas", her then current single.[35] Priya Elan ofNME wrote that the song felt like a "pop moment" without Gaga trying too hard to address social issues or religious conflicts; Elan also complimented Clemons' saxophone addition.[36] Similar sentiments were expressed by fellowNME writer Dan Martin, who found the track to be gleaming, calling it the "most ecstatic pop serenade" Gaga has ever come up with.[37] Robert Copsey from Digital Spy commented that the song is a "straight-up fists-in-the-air feel-good anthem that is less cheesy than 'Born This Way' but equally (if not more) euphoric." However, he found theopening bar of the song similar to that ofCher's 2002 single "Song for the Lonely".[26]
Megan Gibson fromTime was disappointed with the single, feeling that it was not "particularly good", and called the music as trite, uninspiring and bland.[38] Matthew Cole fromSlant Magazine was polarized with the song, stating that while it lowered his expectations for the album, he expressed that the saxophone solo was "admittedly a high point, and one of the more original ideas that Gaga has had of late."[39] Sal Cinquemani, from the same publication, felt that the song "isn't retro so much as retrograde, starting off with some craftyArt of Noise synth tones before morphing into what sounds like the theme song to an early-'90s sitcom, or an inspirational sports flick, as sung byBonnie Tyler."[21]Greg Kot ofChicago Tribune also gave a mixed review about the song, calling it a "Springsteen-on-steroids bombast" and adding that it features "Clarence Clemons doing almost a parody of a Clarence Clemons sax solo."[40]
"The Edge of Glory" is widely regarded as one of Lady Gaga's finest songs. In 2019,Billboard ranked the song number nine on their list of the 15 greatest Lady Gaga songs,[41] and in 2020,The Guardian ranked the song number two on their list of the 30 greatest Lady Gaga songs.[42]
"The Edge of Glory" was nominated in the category for Song of the Year at the38th People's Choice Awards.[43] At the end of 2011,Slant Magazine listed "The Edge of Glory" as the eighth best song of the year, with Ed Gonzalez from the website commenting that the song is "a study in radical contrast that, once you sift aside its deliberately dated effects and the legacy of the late Clarence Clemons, is deep down an incredibly delicate ballad. Yes, everyone expects Gaga to make her confessions on the dance floor, but who knew she could make her shouts whisper?"[44] It was placed at the same rank byBillboard, and at position seven byRolling Stone.[45][46] In September 2013, the saxophone solo ranked number two onVH1's list of the 15 Greatest Guest Solos in Rock History.[47]
In the United States, "The Edge of Glory" debuted at number 31 on theBillboard Pop Songs chart, for the issue dated May 28, 2011.[48] It also debuted at number two on theHot Digital Songs chart, with sales of 266,000 copies, according toNielsen SoundScan.[49] The song entered theBillboard Hot 100 at number three, and theRadio Songs chart at number 54, with 20 million audience impressions. Gaga became the first artist sinceMariah Carey to have her first ten singles enter the top ten of the Hot 100.[50] The next week, "The Edge of Glory" moved up to number 18 on Pop Songs, becoming the greatest gainer of the week.[51] However, digital sales dropped by 64% to 98,000 copies, hence the song fell to number 19 on the Hot 100. The song rose to number 37 on the Radio Songs chart, with airplay increasing to 30 million audience impressions.[52] In its third week on the chart, "The Edge of Glory" was again the greatest gaining song on the Pop Songs chart and reached number 14, while debuting at number 33 on theAdult Pop Songs chart.[53] It was also the greatest-earning digital song, selling 165,000 copies, with overall airplay increasing to 39 million audience impressions, subsequently resulting in the song re-entering the top-ten of the Hot 100 at number eight.[54] In the end, the song reached a peak of number four on Radio Songs, number three on Pop Songs, number one on Hot Dance Club Songs, number seven on Adult Contemporary and number two on Adult Pop Songs. "The Edge of Glory" sold 2.325 million digital copies in 2011 and became the 29th best-selling song of the year in the United States.[55] As of April 2016, it has sold 3,000,000 digital downloads in the US according to Nielsen SoundScan.[56]
"The Edge of Glory" debuted at number three on theCanadian Hot 100 and entered on the Canadian Hot Digital Songs chart at number two, selling 26,000 digital downloads. It was the top debuting song on the contemporary hit radio chart of Canada, at number 42.[57] After four weeks, the song re-entered the top 10 of the Canadian Hot 100, and reached the top 10 of the Contemporary hit radio chart.[58] In the United Kingdom, "The Edge of Glory" debuted at number six on theUK Singles Chart.[59] After fluctuating down the charts for few weeks, the song rebounded in the top 10 on June 26, 2011. Its digital sales increased by 89.1%, supported by the performance of the song onPaul O'Grady Live, which was broadcast on three occasions, and promoted in the radio airplay of the song, where it moved up the chart to reach a peak of eleven.[60] As of January 2025, the song has sold 1.1 million copies in the UK with 54 million streams, and is certified platinum by theBritish Phonographic Industry (BPI).[61][62][63]
In Australia, it debuted at number 11 on theARIA Singles Chart and in New Zealand it debuted at number three on theRIANZ Singles Chart.[64][65] The song was later certified quintuple platinum and Gold by theAustralian Recording Industry Association (ARIA) and theRecording Industry Association of New Zealand (RIANZ), for shipment of 350,000 and 7,500 copies of the single, respectively.[66][67] In Ireland, "The Edge of Glory" debuted at number 10 on theIrish Singles Chart, on May 13, 2011, and reached a peak of four.[68][69] In France, the song debuted at number seven on theFrench Singles Chart.[70] In Germany, the song debuted on theMedia Control Charts at number 28, and reached a peak of three.[71] "The Edge of Glory" sold 44,176 digital downloads in South Korea, to debut at number two on theGaon International Online Chart on May 22, 2011, and moved to the top of the chart the next week, with further sales of 48,937 copies.[72]
At theBMI Pop Music Awards, Gaga's choreographerLaurieann Gibson explained that they would be filming themusic video for "The Edge of Glory" soon. While she did not reveal much about the music video concept, she added: "I just know that we'll be feeling very fishy."[73] Gaga toldMTV UK that she had recently written the treatment for the video, adding that it's her favorite.[9]E! Online reported that a casting call for the video was made, where the agents looked for a Puerto Rican or Dominican origin male. Other roles included a male or female on-air reporter, a doctor role reminiscent to the one in the popular showDr. 90210, and a group of military men for scenes involving rifles.[74] The music video director was confirmed asJoseph Kahn, but Interscope Records later confirmed that Kahn and Gaga parted ways due to collaborative misunderstandings. Gibson confirmed that there was "some issues on the set", which resulted in Kahn being replaced as the director.[75]
Gaga's creative team Haus of Gaga were later chosen to direct the video instead. Chancler Haynes, Kahn's on-set editor revealed that the mermaid-themed performance of the song, onLe Grand Journal was the actual theme of the video, and included sets built for a hospital scene, Brooklyn Bridge, and a big underwater mermaid scene.[76] However, at the last minute until shooting, Gaga changed her mind regarding the whole concept, leading to a disagreement with Kahn, and hence it was cancelled. She then shot the scenes withClarence Clemons (his final appearance before he died) in a New York City set.[76] She later explained that her idea was to create a "sweater set of a video". She wanted to acknowledge herself and the success she had experienced in her music career, with a simplified video showing her dancing outside her New York apartment from her early days.[77] The music video premiered on June 16, 2011, on theeighth season of US reality television show,So You Think You Can Dance.[78]
Gaga's wardrobe throughout the entire video primarily consists of only one outfit which was designed byGianni Versace. The dress consists of aS&M-inspired outfit, with heavy gold jewelry, studs on the leather, and vibrant nail polish and lipstick. Notable in the video is the absence of backup dancers, elaborate choreography, or a symbolic plot: components that have been fully predominant in Gaga's other music videos. Aside from Gaga herself, Clemons is the only other person to appear in the video.[79]
The video begins with Gaga slowly appearing from behind a building on a deserted street corner. The whole scenario is pervaded in red and purple lights, coming from the windows of the buildings and alleyways as steam billows out from the drains. When the first verse of the song begins, Gaga emerges from the window of an apartment onto the fire escape. A long take follows, of Gaga strutting through the red-lit district singing the line "I got a reason that you should take me home tonight", and a shock of black hair falls in her eyes. Gaga does not remove it and the shot spans to her walking backside, gesturing the viewer to follow.[79] The video consists mostly of intersplicing shots of Gaga dancing and singing on the street, on the fire escape, and on the steps in front of the apartment building with Clemons. Near the end of the video, after Clemons' saxophone solo, Gaga hunches over in front of the building's steps and kisses the sidewalk. The video concludes with a close-up of Gaga's face, before she comes back through the window into her hazy apartment.
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Both Jocelyn Vena from MTV and Christian Blauvelt fromEntertainment Weekly commented on the similarity of the music video with the Broadway musical,Rent.[80] Vena also compared the visuals with those forMadonna's 1986 single "Papa Don't Preach" andMichael Jackson's 1983 single, "Billie Jean". She concluded by saying that the music video "still manages to shine, mostly because of its simplicity".[80] In another review, James Montgomery from MTV, also found similarities between the video and the musicalsRent andWest Side Story.[81] Blauvelt was initially surprised to see the simplistic approach of the video, since her past releases had provocative visuals. He added that the video seemed a "clear homage" to Gaga's inspirations like Madonna, concluding that "all the references in 'The Edge of Glory' are so overt, there's no way it could be shameless cribbing."[82]
Sal Cinquemani ofSlant Magazine gave the video a positive review, calling it a "visual triumph", with "breathtaking" art direction, and a "gray-blue-black color palette carefully calibrated by Gaga's vibrant lipstick and nail polish, a red painted stripe on the curb, and the gold of her jewelry and the studs on her leather, not to mention Clarence Clemons's brass." The video was compared to Michael Jackson's "The Way You Make Me Feel",Janet Jackson's "When I Think of You" and "The Pleasure Principle", and the film,Crimes of Passion, all of them being 1980s videos and films. He did, however, criticize Gaga's "half-convincing" lip-synching.[79] Writing forThe Washington Post, Sarah Anne Hughes called the video "shockingly simple".[83] Amos Barshad fromNew York liked the straight approach Gaga took with the video, and although he called it boring compared to Gaga's previous efforts, he felt the video worked well because of the simplicity.[84]
Jarett Wieselman fromNew York Post tried to understand what actually went wrong with the production, and came to the conclusion that the mutual disagreements between Gaga and Kahn led to the video being a "piece of rubbish". He deemed the whole issue surrounding the production as "foolish", in the end agreeing that "it was foolish of us to expect that GaGa would never stumble because, despite the preternatural image constantly presented, she is only human after all."[76]Rolling Stone's Daniel Kreps gave a mixed review of the video, calling the song "over-the-top" with a "lackluster" and "understated" video.[85]Dose's Leah Collins was more neutral in her review, questioning if Gaga was simply "swooning with nostalgia for other pop culture nuggets that have featured the same NYC backdrop of fire escapes and brown-stone steps" or just attempting to "be saving a metric buttload on the budget".[86] While reviewing the video forThe Vancouver Sun, Collins compared Gaga's look in the video to a "hooker" from the 1982 science fiction film,Blade Runner.[87]
Gaga first performed an acoustic-jazz version of the song in the United Kingdom, atRadio 1's Big Weekend inCarlisle,England, on May 15, 2011.[88] Another piano version of the song was performed a week later on theseason finale ofSaturday Night Live, where the singer wore a metallic black dress, knee-high boots and a semi-circular metallic headdress.[89] The full version was first performed at the final show ofAmerican Idol season 10 on May 25, where she was joined by Clemons in person. Gaga appeared perched atop a mountain top on the stage, dressed in a long cape and a bedazzled headpiece. A trio of dancers were at the base of the set performing choreographed dance steps while Gaga sang from the top. At the end of the performance, Gaga and a dancer embraced each other, took a breath and then jumped off the edge of the stage, landing out of sight on a bed of fake rocks, as steam shot up high in the air.[90] Len Melisurgo fromThe Star-Ledger felt that the performance was too "sexually suggestive" for the audience ofAmerican Idol and wondered whether Gaga "went just a little too far for a family-oriented show that's geared toward a younger audience?"[91] Conversely, Adam Graham from MTV News listed it as one of Gaga's most memorable television performances.[90]
On May 27, 2011, Gaga performed "The Edge of Glory" onGood Morning America as a part of their "Summer Concert Series", wearing a full black dress.[92] At thesixth cycle ofGermany's Next Topmodel, Gaga performed the song on the final show. The performance included a segment where Gaga was portrayed as getting beheaded in aguillotine. Gaga then jumped up with a prosthetic head held aloft, before snarling towards the judges "I would kill for fashion". The whole show was broadcast worldwide on the internet.[93] An acoustic version was later performed at theEuropride 2011 inRome, along with "Born This Way".[94] At theX Factor show in Paris, Gaga performed it along with "Judas". She wore a fringed dress with long hair extensions and a long blue wig, while playing akeytar.[95] At the French television show,Le Grand Journal, a mermaid themed performance of "The Edge of Glory" was televised.[76] Gaga re-created the New York City fire escape sets for the performance of the song on thePaul O'Grady Live show. Ryan Love of Digital Spy had an advance preview of the recording of the show, and complimented the choreography by Gaga and her dancer, during the saxophone interlude.[96] Gaga opened the2011 MuchMusic Video Awards with a performance of the song, sporting a bejeweled catsuit and a bob teal colored wig.[97] While on tour in Japan, Gaga performed "The Edge of Glory" and "Born This Way" at the2011 MTV Video Music Aid Japan.[98] On October 16, 2011, she performed the song during a concert at the Hollywood Bowl in Los Angeles for theClinton Foundation.[99] "The Edge of Glory" was performed regularly as the penultimate song of Gaga'sBorn This Way Ball (2012–2013) tour where she played the beginning of the song on piano atop a watch tower.[100] She wore aVersace-designed outfit for the performance.[101] In 2014, Gaga sang a shorta cappella version of the song during theArtRave: The Artpop Ball.[102]
In October 2016, Gaga appeared in theCarpool Karaoke segment ofThe Late Late Show with James Corden, where "The Edge of Glory" was one of the songs Gaga sang in the vehicle.[103] At her 2017Coachella Festival set and during theJoanne World Tour (2017–2018), Gaga performed the track in a piano-only rendition.[104][105] On the tour, the singer usually dedicated the song to family members and her late friend, Sonja, who died of cancer. The performance was singled out by many journalists as an emotional highlight and one of the best moments of the tour.[106][107][108] In October 2017, Gaga appeared at theDeep From the Heart: The One America Appeal benefit concert in Texas, joining other performers in raising money to hurricane victims. She played "The Edge of Glory" as the last song of her piano set, after performing "Million Reasons" and "You and I".[109] The song was part of the setlist of the singer's 2018–2020 Las Vegas residency show,Enigma, where she performed it wearing a transparent dress, with a cut-out bodysuit underneath.[110][111] In 2022, the singer performed the song atThe Chromatica Ball stadium tour, while playing on a piano set inside a sculpture of thorns.[112][113]
In November 2024, Gaga performed the song atBenjamin Franklin Parkway, the night before the2024 United States presidential election, forKamala Harris'sfinal rally.[114]
Pop-rock singerNick Jonas sang an acoustic version of the song in July during his concert at theWestfield Century City in Los Angeles.[115] Before the performance Jonas announced: "Do you guys mind if I play a couple of songs I like from pop radio right now? Would that be OK? The only problem is, I don't know all the words. So if you know them, sing along."[115] After watching the performance online, Gaga posted his cover on her Twitter account along with the words "Swoon! Nick Jonas singing The Edge of Glory. On my way to press conference in Taichung, listening to it. So dreamy! X."[115] British bandFriendly Fires covered the song duringBBC Radio 1'sLive Lounge.[116] Kevin O'Donnell ofSpin praised their cover writing: "Gaga's original showcases the pop star's gale force pipes, and Friendly Fires frontman Ed Macfarlane doesn't try to match that energy. Instead, they offer a lovely, cinematic take on the song: Macfarlane croons with the heart-on-sleeve sensitivity of anemo-boy over cascading synth melodies and a breezy funk pulse. Nice!"[117]
The song was covered by most of the female cast ofGlee in theseason 3 episode "Nationals", with the girls-only show choir called the Troubletones performing the number at the National Show Choir Championship.[118] In 2021, English pop bandYears & Years covered the song for thetenth anniversary edition ofBorn This Way.[119]
Digital download[120]
German CD[121]
| Digital download (the remixes)[122]
|
Credits adapted from theliner notes ofBorn This Way.[123]
Weekly charts[edit]
| Year-end charts[edit]
|
| Region | Certification | Certified units/sales |
|---|---|---|
| Australia (ARIA)[66] | 5× Platinum | 350,000‡ |
| Austria (IFPI Austria)[188] | Platinum | 30,000* |
| Brazil (Pro-Música Brasil)[189] | 3× Platinum | 180,000‡ |
| Denmark (IFPI Danmark)[190] | Gold | 15,000^ |
| Germany (BVMI)[191] | Gold | 150,000‡ |
| Italy (FIMI)[192] | Platinum | 30,000* |
| Japan (RIAJ)[193] | Gold | 100,000* |
| Japan (RIAJ)[194] Full-length ringtone | Gold | 100,000* |
| New Zealand (RMNZ)[67] | Gold | 7,500* |
| Norway (IFPI Norway)[195] | Gold | 30,000‡ |
| South Korea | — | 392,479[196] |
| Sweden (GLF)[197] | Platinum | 40,000‡ |
| Switzerland (IFPI Switzerland)[198] | Gold | 15,000^ |
| United Kingdom (BPI)[63] | Platinum | 1,100,000[61] |
| United States (RIAA)[199] | 4× Platinum | 4,000,000‡ |
* Sales figures based on certification alone. | ||
| Region | Date | Format | Version | Label | Ref. |
|---|---|---|---|---|---|
| Various | May 9, 2011 | Digital download | Original | Interscope | [4] |
| France | Radio airplay | Universal | [200] | ||
| Italy | May 13, 2011 | [201] | |||
| Brazil | May 16, 2011 | Digital download | [202] | ||
| United States | May 17, 2011 | Contemporary hit radio |
| [203] | |
| Germany | July 8, 2011 | CD single | Interscope | [121] | |
| Italy | July 12, 2011 | Universal | [204] | ||
| United States | DigitalEP | Remixes | Interscope | [122] | |
| Various | July 15, 2011 | [205] | |||
| United Kingdom | July 18, 2011 | CD single | Original |
| [206] |
| Poland | July 22, 2011 | Universal Poland | [207] | ||
| Taiwan | Universal | [208] |
"One of the songs, 'Edge of Glory', was inspired by my grandfather...
..."Edge of Glory" is a pop masterpiece...
She reached #3 with "The Edge Of Glory," a thumping arena-rock juggernaut ...
{{cite web}}: CS1 maint: bot: original URL status unknown (link){{cite web}}: CS1 maint: bot: original URL status unknown (link){{cite web}}: CS1 maint: bot: original URL status unknown (link)| The Fame | |
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| The Fame Monster | |
| Born This Way | |
| Artpop |
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| Cheek to Cheek | |
| Joanne | |
| A Star Is Born | |
| Chromatica | |
| Love for Sale | |
| Top Gun: Maverick | |
| Mayhem | |
| As featured artist |
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| Other songs recorded | |
| Other songs written/produced | |
