September 10, 2017 (2017-09-10) – October 28, 2019 (2019-10-28)
The Deuce is an American drama television series created byDavid Simon andGeorge Pelecanos, set in New York City during the 1970s and 1980s. It was broadcast byHBO in the United States and premiered on September 10, 2017.[1][2] HBO made the pilot available through itsstreaming services andaffiliates on August 25, 2017.[3]
The Deuce features a largeensemble cast includingJames Franco playing twins andMaggie Gyllenhaal as an ambitious formerprostitute who works to become anadult filmmaker. It tells the story of theGolden Age of Porn, the legalization and rise of the porn industry inNew York City that began in the 1970s. Themes explored include navigating a culture of extrememisogyny, government and police corruption, the violence of the drug epidemic, and the real-estate booms and busts that coincided with the change. The show's title is derived from the nickname for42nd Street between Seventh Avenue and Eighth Avenue.[4][5]
On September 19, 2017, HBO renewed the series for a second season, which premiered on September 9, 2018.[6][7] On September 20, 2018, HBO renewed the series for a third and final season, which premiered on September 9, 2019.[8][9] The series concluded on October 28, 2019, after three seasons and 25 episodes.
Set during the 1970s and 1980s in New York City, the drug epidemic and its violence is getting worse. Twin brothers Vincent and Frankie Martino become fronts forthe Mafia while operating out ofTimes Square, which is also the home of Eileen "Candy" Merrell, a street-level prostitute who exits the dangers of the street by entering the legal emergingporn industry as an actress and director. The first season takes place from 1971 to 1972, while the second season jumps five years ahead to 1977 with the season concluding in the summer of 1978.[2][10] The third season takes place from 1984 to 1985.[11]
The Deuce was envisioned as a three-season series by creators David Simon and George Pelecanos, with each season taking place in a different time during the rise of the porn industry in New York City during the 1970s and 1980s.[12][13]
Marc Henry Johnson, an assistant locations manager onTreme, introduced Simon and Pelecanos to a man in New York City who told them vivid accounts from his stint as amob front for bars andmassage parlors in 1970s Manhattan. "The characters were so rich, and that's what it all comes down to", said Pelecanos. Inspired by these stories, the producers set out to present a fictional account of the era. "Some of it happened", said Simon. "Some of it didn't happen. Some of it might have happened. But all of it could have happened."[14]
After suggestions from cast memberEmily Meade, the series brought onAlicia Rodis as anintimacy coordinator, to help the actors during sex scenes, making sure they all felt safe and nobody was distressed. Meade explained, "It's just mind boggling to me I've never been on set with an intimacy coordinator before; it felt so natural and so necessary. It's crazy it took to 2018 for sexuality to be treated with the same sensitivity and vulnerability as violence, or animals or children. I hope it gets to a point where it's not a choice, it's necessity, just likestunt coordinators, or a chaperone for children and animals."[15][16]
Gbenga Akinnagbe as Larry Brown, an intense and demandingpimp who later discovers a talent for acting (seasons 1–2).[19]
Chris Bauer as Bobby Dwyer, Vincent and Frankie Martino's brother-in-law, a construction foreman and family man who begins working on The Deuce in one of the Mafia's parlors.[19]
Gary Carr as C.C., a charismatic but ruthless and controlling pimp (seasons 1–2; guest season 3).[2]
Chris Coy as Paul Hendrickson, a kindred spirit to Vincent Martino and a veteran bartender who pursues his own personal and professional ambitions in the emergingLGBT political community.[20]
Dominique Fishback as Donna Pickett / Darlene, a young, sweet-natured sex worker who relies on her savvy and intellect to create a life for herself while navigating a complicated relationship with Larry Brown (seasons 1–2; guest season 3).[21]
Margarita Levieva as Abigail "Abby" Parker, a college student who rejects the confines of her wealthy upbringing by embracing feminist politics and entering a relationship with Vincent.[21]
Emily Meade as Sarah / Lori Madison, a young woman who quickly becomes a sex worker after arriving in New York City from Minnesota and finds her place in the emerging porn industry, but is hampered by the controlling C.C. and a cocaine addiction.[17] The character is loosely based on the adult film starShauna Grant.[22]
Natalie Paul as Sandra Washington, a newspaper reporter who's investigating the relationship between sex work in Times Square and the police department (season 1).[23]
Michael Rispoli as Rudy Pipilo, aGambino familycapo who oversees the Mafia's financial interests in the sex industry, generally preferring negotiation to violence.[23]
Luke Kirby as Gene Goldman, an incomingKoch administration official bent on reform (seasons 2–3).[10]
Jamie Neumann as Dorothy Spina / Ashley, a sex worker who works for C.C. that quits the sex trade and becomes an activist with the help of Abby (season 2; recurring season 1; guest season 3).[10]
David Krumholtz as Harvey Wasserman, a highly intelligent and quick-witted director of pornographic movies who mentors Eileen (season 3; recurring seasons 1–2).[24]
Olivia Luccardi as Margaret Rouse / Melissa, a sex worker who worked for Reggie Love and then for C.C. before joining the porn industry (season 3; recurring seasons 1–2).[24]
Sepideh Moafi as Loretta, a sex worker who works for Larry Brown (season 3; recurring seasons 1–2).[24]
Daniel Sauli as Tommy Longo, a gangster and anassociate of and later (after being “made”) asoldier for Mafiacapo Rudy Pipilo (season 3; recurring seasons 1–2).[24]
Carolyn Mignini as Joan Merrell, Eileen's disappointed mother who lives in the suburbs ofQueens.
Finn Robbins (season 1), Mikey Moughan (season 2) and Dion Costelloe (season 3) as Adam, Eileen's son who lives with her mother.
E.J. Carroll as "Fat" Mooney, manager of a sex shop owned by Frankie (seasons 1, 3).
Gino Vento as Carlos, driver and bodyguard for mobster Rudy Pipilo (seasons 1–2).
Aaron Dean Eisenberg as Todd Lang, a classically trained, unsuccessful actor who begins working in porn films and quickly finds a home. He befriends Paul Hendrickson and enters a personal/business relationship with him.
Kim Director as Leila Brodie / Shay, a sex worker who works for Rodney and struggles with heroin addiction.
Andrea-Rachel Parker as Bernice, a sensitive and naive young woman. During season 1 Darlene travels home to North Carolina and returns with Bernice. She is "traded" from Larry to Rodney, after Larry deems her too young and not street ready. She then works at the parlor. In season 2, she becomes the parlor's bartender.
Pernell Walker as Ruby / Thunder Thighs, a thoughtful and opinionated plus-sized African American sex worker (seasons 1, 3).[27]
Roberta Colindrez as Irene, who manages a peep show owned by Vincent and the Mob. She helps Shay get sober and initiates a relationship with her (seasons 2–3).
Armand Assante as Mr. Martino, Vincent and Frankie's father (seasons 2–3).[28]
Michael Stahl-David as Kenneth, a boyfriend of Paul's and business partner in his new club (season 2).
Jim Parrack as Russell, a film editor who becomes Eileen's boyfriend (season 2).
Taylor Selé as Renton Lowry, a pleasant young man with a Caribbean accent who befriends Darlene and helps her get a job and escape the sex trade (season 2).
Ryan Farrell as Greg Taylor, a Los Angeles talent agent who becomes Lori's personal and professional partner (seasons 2–3).
Clarke Peters, who playedLester Freamon inThe Wire (which David Simon created), guest stars in the season 1 finale as "Ace", a former pimp and C.C.'s mentor.[29] PhotographerNan Goldin made a cameo appearance in a season 2 episode. She has worked in the same post-Stonewall era of New York city displayed in the series.[30][31] Co-creator and executive producerGeorge Pelecanos appears as a bar patron in season 3, episode 6.
The Deuce has received critical acclaim. OnMetacritic, the first season has a score of 85 out of 100 based on 35 reviews.[32] OnRotten Tomatoes, it has a 93% approval rating with an average rating of 8.65 out of 10 based on 202 reviews. The site's critical consensus is, "The Deuce again demonstrates David Simon's masterful grasp of urban grit, while never losing detailed sight of its colorful characters."[33] Daniel Fienberg ofThe Hollywood Reporter gave it a highly positive review, praising its ensemble cast, and wrote in conclusion, "Simon and Pelecanos are just beginning to put the machinery ofThe Deuce into motion in these eight episodes. As an opening act, the show's first season is substantive, provocative and entertaining."[34] Charles Bramesco ofThe Guardian gave it a five star review and wrote, "Simon has created his most accessible work of humanism to date, and he's done so without sacrificing his loftier ambitions of societal critique."[35]
The second season received continued critical acclaim. On Metacritic, it has a score of 86 out of 100 based on 13 reviews.[36] On Rotten Tomatoes, it has a 99% approval rating with an average rating of 8.4 out of 10 based on 104 reviews. The site's critical consensus is, "The Deuce's excellent character-driven drama returns with even more immersiveworld-building and a welcome focus on its leading ladies, carried by a tour de force performance from Maggie Gyllenhaal."[37] Allison Shoemaker forRogerEbert.com gave it a highly positive review, and wrote "Simon and Pelecanos seem to have hit their stride with this particular story, expertly balancing character-driven storytelling with a wide-angle view of the social, economic, political, cultural, sexual, and gendered dynamics of the era."[38]
The third season received continued critical acclaim. On Metacritic, it has a score of 79 out of 100 based on 6 reviews.[39] On Rotten Tomatoes, it has an 88% approval rating with an average rating of 8.8 out of 10 based on 17 reviews. The site's critical consensus is, "Visually rich and utterly human, what narrative streamThe Deuce loses in its final season is more than made up for in its depth of character and world building."[40] Ben Travers ofIndieWire gave it an "A−" grade and praised the series' world-building, writing, "The Deuce is one of the most impressive examples in recent memory. He further wrote, "In terms of sheer artistic value, these touches can't be praised highly enough. [...] It's a stunning, transportive experience each and every episode."[41]
The premiere episode received 830,000 viewers on HBO for its initial airing and an additional 342,000 viewers for its encore later that night, on September 10, 2017. The episode was previously made available online through on-demand and HBO Go on August 25 and received 1.1 million viewers. Cumulatively, through all platforms, the episode received 2.2 million viewers.[42]
^Fienberg, Daniel (August 25, 2017)."'The Deuce': TV Review".The Hollywood Reporter.Archived from the original on November 15, 2020. RetrievedSeptember 1, 2017.
