| The Cosmopolitan Marlene Dietrich | ||||
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| Compilation album by | ||||
| Released | 1993 | |||
| Recorded | 1951–1954 | |||
| Genre | Traditional pop | |||
| Label | Columbia/Legacy | |||
| Marlene Dietrich chronology | ||||
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The Cosmopolitan Marlene Dietrich is acompilation album by German-American actress and singerMarlene Dietrich, released in 1993 byColumbia/Legacy Records as part of the label’s "Art Deco" series. The project was conceived to highlight artists active between 1925 and 1941, aiming to preserve and reintroduce recordings from that period. Alongside Dietrich's collection, the initial series also included volumes devoted to female singers, male singers, songs about men, and a general overview of theArt Deco era.
The album contains eighteen tracks, combining original recordings made duringWorld War II for theOffice of Strategic Services with additional material from other sessions. Its repertoire features some of Dietrich's most recognized songs, as well as titles associated with her earlier albumMarlene Dietrich Overseas. Several singles released after that record were also included in the compilation.
Upon release, the album was supported by a marketing campaign that targeted both traditional and alternative audiences. It received reviews from multiple publications, with critics noting the range of material and highlighting specific performances. The compilation was recognized as part of a broader effort to contextualize Dietrich's recordings within the cultural and technological framework of the Art Deco era.
Art Deco: The Cosmopolitan Marlene Dietrich was released as one of the five inaugural volumes of Columbia/Legacy's "Art Deco" series, dedicated to exploring the music of its namesake period (approximately 1925-1941). The collection was conceived to rescue and celebrate artists who, despite their influence, were underrepresented in record label catalogs. In addition to Dietrich's album, the series included the compilationsSophisticated Ladies (female singers),The Crooners (male singers),Can't Help Lovin' That Man (songs about men), and an overview titledThis Is Art Deco, all released simultaneously. Each disc in the series was accompanied by an essay contextualizing the music within the artistic and technological movement ofArt Deco, including the impact of the transition toelectrical recording in 1925.[1]
Comprising eighteen tracks, the work includes eight original recordings produced for the Office of Strategic Services (OSS) during World War II, supplemented by ten additional songs. The repertoire incorporates compositions such as "La Vie en Rose", "Falling in Love Again", and "Good for Nothin'", the latter originating from theRosie and Marlene extended play (EP). Some sources identify it as a reissue of Dietrich's earlier 1951 album,Marlene Dietrich Overseas, with the addition of previously unreleased material.[2]
The album includes singles' songs released shortly afterOverseas. Regarding "Come Rain or Come Shine",Cash Box reviewed it as Marlene Dietrich's entry into the pop music field, noting her soft, moody vocal interpretation of the standard from the musicalSt. Louis Woman, accompanied byJimmy Carroll's understated orchestral backing. The magazine assigned the single a grade of C, indicating a lukewarm reception and limited commercial expectations.[3] The critic Claude Gilmour ofVancouver Sun, in his review dated August 18, 1952, commented on the release of the single and noted that, although the artist's voice was considered technically weak, her interpretation carried a distinct strength: the "coos and seductive whispers" she infused brought the songs to life. According to Gilmour, Dietrich's powerful "captivating and suggestive personality" was able to compensate for her vocal limitations, ensuring impact and authenticity in her performance.[4]
Legacy's marketing strategy targeted a sophisticated audience, from traditional upscale publications and a younger, sophisticated consumer, including the alternative and gay markets. The label employed print advertising campaigns and promotion on syndicated big band radio programs to promote all volumes in an integrated manner.[5]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [6] |
| The Buffalo News |  [7] |
| The Encyclopedia of Popular Music | [8] |
AllMusic criticStephen Thomas Erlewine describedThe Cosmopolitan Marlene Dietrich as "a terrific 18-track collection that showcases the seductive, sophisticated pop songs Dietrich recorded for Columbia Records", highlighting tracks such as "Lili Marlene", "Mean to Me", "Time on My Hands", "Taking a Chance on Love", "I Never Slept a Wink Last Night", "No Love, No Nothin'", and "Miss Otis Regrets".[6]
Writing forThe Buffalo News, critic Mary Kunz described 'The Cosmopolitan Marlene Dietrich as a collection of "eighteen shining recordings" from the 1930s to the 1950s. She noted that Dietrich was entertaining in her jazzy English numbers, particularly in a duet with Rosemary Clooney, but considered her at her best in more world-weary performances, such as "Lili Marlene" and "Falling in Love Again". Kunz remarked that the album was able to turn "even the most respectable North Buffalo living room into something out of a Kurt Weill cabaret.[7]
In theSpartanburg Herald-Journal's music section on August 11, 1993, critic Jonathan Takiff featured the album, highlighting it as a "significant new compilation".[9]
Credits adapted from the liner notes ofThe Cosmopolitan Marlene Dietrich CD (catalog no. CK 53209).