| The Color Purple | |
|---|---|
 Original Broadway promotional poster | |
| Music | |
| Lyrics |
|
| Book | Marsha Norman |
| Basis | |
| Productions | 2005Broadway 2007Chicago 2007 First U.S. tour 2010 Second U.S. tour 2012 Third U.S. tour 2013Off West End 2015 Broadwayrevival 2017 Fourth U.S. tour |
| Awards | 2016Tony Award for Best Revival of a Musical 2016Drama League Award for Outstanding Revival of a Musical 2017Grammy Award for Best Musical Theater Album |
The Color Purple is a musical with music and lyrics byBrenda Russell,Allee Willis, andStephen Bray, and book byMarsha Norman. Based on the 1982 novelThe Color Purple byAlice Walker and its1985 film adaptation, the musical follows the journey of Celie, anAfrican American woman in theAmerican South from the early to mid-20th century.
The originalBroadway production ran from 2005 to 2008, earning elevenTony Award nominations in 2006. An enthusiastically acclaimed Broadwayrevival opened in late 2015 and ran through early 2017, winning two2016 Tony Awards—includingBest Revival of a Musical.
Afilm adaptation of the musical was released on December 25, 2023.
The Color Purple was originally workshopped by theAlliance Theatre inAtlanta, Georgia, in mid-2004 followingScott Sanders'optioning the work from Alice Walker in 1999 and auditioning various creative team members. The September 9, 2004, world premiere of the musical was produced by the Alliance Theatre in Atlanta by special arrangement with Creative Battery andScott Sanders Productions.
For the Atlanta run,LaChanze starred as Celie, Felicia P. Fields as Sofia, Saycon Sengbloh as Nettie,Adriane Lenox as Shug and Kingsley Leggs as Mister.Gary Griffin staged the work, with scenic design byJohn Lee Beatty, lighting byBrian MacDevitt, costumes byPaul Tazewell and sound by Jon Weston.[1][2]
The musical opened onBroadway at theBroadway Theatre on December 1, 2005. It was directed byGary Griffin, produced byScott Sanders,Quincy Jones andOprah Winfrey, with choreography byDonald Byrd and musical direction by Linda Twine. The musical closed on February 24, 2008, after 30 previews and 910 regular performances. The production recouped its $11 million investment within its first year on Broadway, and had grossed over $103 million by the time it closed.[3]
The original Broadway production starredLaChanze as Celie,Brandon Victor Dixon as Harpo, Felicia P. Fields as Sofia,Renée Elise Goldsberry as Nettie, Kingsley Leggs as Mister, Krisha Marcano as Squeak, andElisabeth Withers-Mendes as Shug Avery.
The first national tour began on April 17, 2007, starting with an extended run at theCadillac Palace Theatre inChicago, Illinois. The company includesLaToya London as Nettie,Michelle Williams as Shug Avery, Felicia P. Fields as Sofia, and Jeannette Bayardelle as Celie,Stephanie St. James as Squeak. Bayardelle and Fields both are reprising their roles fromBroadway. The show exceeded expectations, which necessitated a four-week extension of its Chicago engagement until September 30, 2007.[4] The original expectation was that the show would run in Chicago until November.[5] In all, the show produced respectable business results bringing in about $1 million per week for the first half of the engagement, but less during the summer months when the ticket prices were reduced to $39.50 to keep the theater full.[6]
Chicago was notable as a starting point of the national tour because Oprah Winfrey, a1986 Academy Awards nominee in thefilm adaptation[7] is a Chicago resident.[8][9] In addition, Felicia Fields is a Chicago native and resident. It was also a homecoming for Gary Griffin. Both Fields and Griffin made theirbroadway theatre debuts with this musical.[10] As a result of the Chicago connections the Chicagopremiere had a star-studdedred carpet withChicago MayorRichard M. Daley,Jesse Jackson,R. Kelly, andRoger Ebert.[11] Others in attendance includedUnited States SenatorCarol Moseley Braun andChristie Hefner.[12] Coverage of the Chicago premiere was prominent in international media.[13]
The 2009–2010 tour length started at theKennedy Center Opera House inWashington, D.C. on August 9, 2009, and ended at thePantages Theatre inLos Angeles, California. The direction was by Griffin with John Lee Beatty as set designer, Paul Tazewell as costumer and Jon Weston as sound director. The official cast roles were made byFantasia Barrino as Celie,Angela Robinson as Shug Avery, Felicia P. Fields as Sofia andLaToya London as Nettie.[14]
A second national tour with a new non-Equity cast opened on March 12, 2010, at theLyric Opera House and visited numerous US cities, making several return engagements. Tour stops includeOmaha,Nashville,Fort Lauderdale,Mobile,Durham, and more.[15][16] In August 2010, Oprah Winfrey announced the traveling company ofThe Color Purple would be raising funds for the relief organizationSBP along with the novel's author, Alice Walker.[17] Due to an overwhelming demand, the tour returned toNew Orleans where it played a 5-show limited-engagement at theMahalia Jackson Theater for the Performing Arts from February 11–13, 2011.[18]
A third national tour with a non-Equity cast opened January 17, 2012, at the Francis Marion University PAC, in Florence, South Carolina, with previews in New Haven, CT at the Schubert Theater. The role of Celie was played by Washington, D.C., native Ashley L. Ware, and Taprena Augustine reprised her role as Shug Avery alongside Dayna Marie Quincy taking the role of Nettie (later taking the role of Celie atToby's Dinner Theatre in Columbia). Tour stops included Nevada (Las Vegas & Reno), Alabama (Mobile), Pennsylvania (Williamsport, Reading & Bloomsburg), and more.[16]
A first international production, directed byJohn Doyle, opened in London at theMenier Chocolate Factory on July 17, 2013. The limited run ended on September 14, 2013. The cast includedCynthia Erivo (Celie),Nicola Hughes (Shug) andChristopher Colquhoun (Mister/Albert).[19]
On January 9, 2015, producersScott Sanders, Roy Furman, and Oprah Winfrey announced that theMenier Chocolate Factory production would be mounted on Broadway.Jennifer Hudson would make her Broadway debut in the role of Shug,Danielle Brooks would play the role of Sofia, andCynthia Erivo would reprise her role as Celie.Kyle Jean-Baptiste was slated to be in it as well, but he died in a fall on August 29, 2015.[20][21] Previews began November 10, 2015, with the official opening being December 10 at theBernard B. Jacobs Theatre.[22][23][24] Erivo won the 2016Tony Award for Best Actress in a Musical, with the production taking home the 2016Tony Award for Best Revival of a Musical.[25] The production closed on January 8, 2017, after 33 previews and 449 performances.[26]
The first major international staging of the musical since the Broadway revival opened inJohannesburg, South Africa, on February 4, 2018.[27]
The first translated production ofThe Color Purple opened on April 16 in Amsterdam at the NDSM wharf visited by the Queen of the Netherlands. This production was produced by Opus One and translated and directed by Koen van Dijk. The limited engagement will be followed by a tour in the autumn through several theatres in the Netherlands. It opened to positive reviews and starred newcomer Naomi van der Linden as Celie,Ana Milva Gomes [de] as Shug Avery, Jeannine de la Rose as Sofia, Edwin Jonker as Mister and Carlos de Vries as Harpo.
A new co-production betweenCurve, Leicester andBirmingham Hippodrome opened in Leicester on June 28, 2019, before transferring to Birmingham on July 16, 2019. The production was directed by Tinuke Craig with T'Shan Williams as Celie, Karen Mavundukure as Sofia, Joanna Francis as Shug and Ako Mitchell as Mister.[28]
The Canadian premiere ofThe Color Purple opened inHalifax, Nova ScotiaNeptune Theatre (Halifax) on April 9, 2019. The production is directed by Kimberley Rampersad, the first African-Canadian and woman to helm the show.[29]
The Brazilian production of the musical opened inRio de Janeiro from September 6 to November 3, 2019,[30] before transferring toSão Paulo from December 6, 2019, to February 16, 2020.[31] The production was directed by Tadeu Aguiar.[32]
On a Sunday morning in 1909, fourteen-year-old Celie – who has had one child by her father Alphonso and is now pregnant with her second – plays aclapping game with her younger sister Nettie ("Huckleberry Pie"). While attending services with the other members of their ruralGeorgia community, Celie goes into labor and is dragged out of the church as the congregation quietly looks on ("Mysterious Ways"). After Celie gives birth to a son, her father takes the child away and bluntly tells her he is going to get rid of it like the last one. Celie quietly says goodbye to her newborn and asks God for a sign ("Somebody Gonna Love You").
Four years later, local farmer and widower Albert "Mister" Johnson approaches Alphonso and asks permission to marry one of his daughters. Alphonso agrees, offering him Celie, instead of Nettie, and throwing a cow into the bargain. Although the girls promise never to be separated, Celie goes with Mister to save Nettie's dreams of becoming a teacher ("Our Prayer"). The local Church Ladies cluck their approval ("That Fine Mister") while Mister's field hands introduce Celie to a life of hard work ("Big Dog").
One day, Nettie arrives, explaining that she is tired of Alphonso's lecherous attentions and asking if she can stay. Mister agrees, but later attacks Nettie while she is walking to school. She fights back, prompting Mister to kick her out ("Mister / Nettie"). Celie protests, but Mister swears they will never see each other again. As she leaves Mister's property, Nettie promises to write to Celie. But when she goes to the mailbox the next day, Mister slams the mailbox shut, threatening to kill her if he ever sees her touch it ("Lily of the Field").
In 1920, Mister's son Harpo brings home Sofia, a strong-willed woman whom he later marries ("Dear God - Sofia"). When he complains that he is tired of Sofia bossing him around, Mister and Celie tell him the only way to get her to listen is to beat her. Harpo attempts to do so but ends up being beaten by Sofia ("A Tree Named Sofia"). After confronting Celie, Sofia learns the extent of Mister's cruelty and tells Celie to stand up for herself before leaving home to spend time with her sisters ("Hell No!").
Harpo decides to turn his house into ajuke joint and engages in an affair with a waitress named Squeak, who moves in with him ("Brown Betty"). Sometime later, the community prepares for the arrival of jazz singer Shug Avery, who is revealed to be Mister's longtime lover ("Shug Avery Comin' to Town"). But when Shug arrives with her band, she is in such bad shape that Celie nurses her back to health despite local disapproval ("All We've Got to Say").
While tailoring a dress for Shug's debut, Celie experiences feelings of warmth and tenderness for the first time ("Dear God - Shug"). Shug, meanwhile, learns more about Celie's relationship with Mister and encourages her to find her inner strength ("Too Beautiful for Words"').
That night, at Harpo's Juke Joint, Shug brings down the house with a raucous blues number ("Push Da Button"). Sofia arrives with her new boyfriend Buster and dances with Harpo, prompting Squeak to pick a fight with her ("Uh-Oh!"). The fight eventually escalates into a bar brawl, prompting Shug and Celie to escape.
After returning to Mister's house, Shug and Celie explore their newfound relationship ("What About Love?"). Shug uncovers several letters for Celie that have come from Africa. Celie recognizes Nettie's handwriting and realizes her sister is alive ("Act I Finale").
While reading the letters that Mister has hidden from her, Celie learns Nettie is in Africa and is living with the missionary family that adopted her children ("African Homeland"). In Georgia, Sofia is arrested for assaulting the mayor after refusing to work for his wife. When Celie goes to visit her, she learns Sofia will serve out her sentence in the Mayor's custody.
In 1932, Shug brings her lover Grady over for Easter. After learning the extent of Celie's anger towards God, Shug invites her to come back to Memphis with her so they can enjoy the simple joys of life ("The Color Purple"). After sitting down to dinner ("Church Ladies' Easter"), Celie tells Mister that she is leaving and Squeak announces she is leaving as well. When Mister refuses and tries to beat her, Celie stands firm and curses him ("I Curse You, Mister"). Harpo then invites Sofia to come back and live at the Juke Joint, reconciling with her in the process. Eventually, Mister begins to feel the effect of Celie's curse. Harpo challenges his father to make things right after a bunch of terrible things happen to Mister, which force Mister to try to understand the meaning of Celie's curse and the meaning of life other than his tough childhood ("Mister's Song/Celie's Curse").
At Shug's Memphis home, Celie starts writing back to Nettie and discovers that she has a natural gift for making pants. After inheriting her childhood home, Celie starts a business and begins selling her designs ("Miss Celie's Pants"). Meanwhile, Harpo and Sofia hit it off and learn Mister is having difficulty getting Nettie and the children to come to the United States. The three resolve to make a plan. ("Any Little Thing")
Shug tells Celie she has fallen in love with a 19-year-old musician in her band and asks her permission to have one last fling with him. Meanwhile, Mister has reconciled his life ("What About Love? [Reprise]"). While walking home, Celie realizes she isn't destroyed by this and, for the first time, feels a deep love for herself ("I'm Here").
Several years later, while hosting a Fourth of July picnic for the community, Celie hears a car horn and a familiar voice from her childhood. It is Nettie singing the clapping song they sang years ago. They both run to each other and hug with Celie's children right behind them all grown up. After learning that Mister and Shug have made the reunion possible, Celie thanks them and God for reuniting her with her sister ("The Color Purple [Reprise]").
| Character | Broadway | First U.S. National Tour | Second U.S. National Tour | Off-West End | Broadway Revival | Third U.S. National Tour | Film Adaptation |
|---|---|---|---|---|---|---|---|
| 2005 | 2007 | 2010 | 2013 | 2015 | 2017 | 2023 | |
| Celie | LaChanze | Jeannette Bayardelle | Fantasia Barrino | Cynthia Erivo | Adrianna Hicks | Fantasia Barrino | |
| Shug Avery | Elisabeth Withers | Michelle Williams | Angela Robinson | Nicola Hughes | Jennifer Hudson | Carla R. Stewart | Taraji P. Henson |
| Sofia | Felicia P. Fields | Sophia Nomvete | Danielle Brooks | Carrie Compere | Danielle Brooks | ||
| Mister/Albert | Kingsley Leggs | Rufus Bonds Jr. | Christopher Colquhoun | Isaiah Johnson | Gavin Gregory | Colman Domingo | |
| Harpo | Brandon Victor Dixon | Stu James | Adebayo Bolaji | Kyle Scatliffe | J. Daughtry | Corey Hawkins | |
| Nettie | Renée Elise Goldsberry | LaToya London | Abiona Omonua | Joaquina Kalukango | N'Jameh Camara | Ciara | |
|
|
†Not included on the 2015 Revival Cast Recording
The 2005 production received mixed to negative reviews from critics, who praised the performances but criticized its heavy adaptation, sluggish running time and the absence of romance between the female characters. Theatre criticBen Brantley ofThe New York Times wrote, "Celie had morphed into a heroine of the kind of inspirational women's fiction found in airport bookstores, written byBarbara Taylor Bradford andDanielle Steel. These are authors I would never have thought to compare toAlice Walker." Brantley also criticized its length writing, "Watching this beat-the-clock production summons the frustrations of riding through a picturesque stretch of country in a supertrain like theTGV." Brantley did however praised the casting adding "this show is blessed with a surfeit of performing talent... It is to the credit of each of these confident actresses that their characters register as emphatically and winningly as they do in the midst of the narrative rush".[37]
David Rooney ofVariety wrote, "NeitherSteven Spielberg’s prettified,Amblin-ized1985 movie nor this big, messy patchwork of a musical entirely do justice to the story of poor black women from theDeep South in the first half of the 20th century." Rooney added "the show crudely reduces the sprawling feminist saga to cartoonish episodes". He also criticized the music in the show writing, "Like everything else in the show, the musical elements are a far-from-seamless mix, alternating flat stretches with stirring peaks, and too many songs feel incomplete."[38] Jeremy McCarter ofNew York Magazine also panned the musical, criticizing it for its unfaithful adaptation of the novel and failing to add the lesbian romance into the musical. McCarter wrote, "Amid all this faith-based dramaturgy, it’s no surprise that the lesbian element in Celie’s story gets swept aside. The love she shares with Shug in Walker’s book is dispatched here with a couple of timid kisses and some platitudinous lyrics. Hollywood hasgay cowboys, and a Broadway musical gets nervous about an awkward hug? Who’s responsible for this madness?"[39]
The 2015 revival received positive reviews with critics praising its cast: in particularCynthia Erivo, who many credit for the success of the production.Ben Brantley ofThe New York Times reviewed the revival referencing the 2005 production describing it as "a big, gaudy, lumbering creature that felt oversold and overdressed". He however stated that "the current version is a slim, fleet-footed beauty, simply attired and beguilingly modest. Don’t be deceived, though, by its air of humility. There’s a deep wealth of power within its restraint." Brantley praised Erivo as "incandescent" adding "Ms. Erivo escorts us through these transformations with a subtle but tensile performance that parallels her character’s evolution".[40] Marilyn Stasio ofVariety also praised the production describing Erivo as "haunting",Jennifer Hudson as "radiant" and wrote thatDanielle Brooks "shakes the house".[41]
In Alexis Soloski'sThe Guardian three star review praised Erivo's performance describing her as "a remarkable actor and singer who can accomplish a tremendous amount while seeming to do very little. She communicates Celie’s suffering with scant exaggeration or fuss and her joy is infectious". Soloski also added, "[Jennifer] Hudson may have a marquee name, but make no mistake this is Erivo’s show. She’s here and if New York producers have any sense, she’ll stay." Soloski however criticized the production calling "this version...streamlined and stripped down" but added "the fine performances, particularly Erivo as the downtrodden Celie, brighten it up."[42]
Jesse Oxfeld ofEntertainment Weekly praised the production and its performances. She cited Erivo's number "I'm Here" as a standout adding, "Erivo’s ovation is well-earned. This is a star-making moment". She wrote of Danielle Brooks' Broadway debut "She turns out to be a gifted stage actress. She’s funny, sensitive, and compulsively charismatic."[43] David Rooney ofBillboard gave a positive review, writing ofJennifer Hudson's performance "Hudson might not yet quite match the assurance in dramatic scenes of the cast’s more seasoned stage performers, but with that voice, nobody’s going to care. Her vocals are sensational — luscious and full-bodied, with astonishing control."[44]
| Year | Award Ceremony | Category | Nominee | Result | Ref |
|---|---|---|---|---|---|
| 2006 | Tony Award | Best Musical | Nominated | [45] | |
| Best Book of a Musical | Marsha Norman | Nominated | |||
| Best Original Score | Brenda Russell,Allee Willis andStephen Bray | Nominated | |||
| Best Actress in a Musical | LaChanze | Won | |||
| Best Featured Actor in a Musical | Brandon Victor Dixon | Nominated | |||
| Best Featured Actress in a Musical | Felicia P. Fields | Nominated | |||
| Elizabeth Withers-Mendez | Nominated | ||||
| Best Choreography | Donald Byrd | Nominated | |||
| Best Scenic Design | John Lee Beatty | Nominated | |||
| Best Costume Design | Paul Tazewell | Nominated | |||
| Best Lighting Design | Brian MacDevitt | Nominated | |||
| Theatre World Award | Felicia P. Fields | Won | [46] | ||
| Elisabeth Withers-Mendes | Won | ||||
| 2007 | Grammy Award | Best Musical Show Album | Nominated | ||
| Theatre World Award | Fantasia Barrino | Honoree | [47] | ||
On November 2, 2018, it was announced that a film adaptation of the musical was in development atWarner Bros. Pictures andAmblin Entertainment, the same companies that made the 1985 film adaptation of the novel, withSteven Spielberg,Quincy Jones,Scott Sanders, andOprah Winfrey all signing on to produce.[56] On August 24, 2020, it was announced thatMarcus Gardley will write the screenplay andBlack is King'sBlitz Bazawule will direct.[57] Winfrey praised the selection of Bazawule as director, after she and the producers saw his work onThe Burial of Kojo, saying that "We, were all blown away by Blitz's unique vision as a director and look forward to seeing how he brings the next evolution of this beloved story to life." It was also announced thatAlice Walker,Rebecca Walker,Kristie Macosko Krieger, Carla Gardini, and Mara Jacobs will executive produce the film. It was announced on December 23, 2020, that the film will be released on December 20, 2023.[58]Corey Hawkins plays the role of Harpo in the film and singer-songwriterH.E.R. will make her acting debut as Squeak. On February 1, 2022,Taraji P. Henson was announced to star in the role of Shug Avery. On February 3, 2022, the rest of the cast was announced, withFantasia starring as Celie,Danielle Brooks reprising her role as Sofia,Colman Domingo as Mister, andHalle Bailey as Nettie.[59][60] On March 22, 2022, it was announced thatCiara had joined the cast as older Nettie.[61] The film was released on December 25, 2023.[62]