The Chicks | |
|---|---|
The Chicks in 2006 (L-R: Emily Strayer, Natalie Maines, and Martie Maguire) | |
| Background information | |
| Also known as | Dixie Chicks (1989-2020) |
| Origin | Dallas, Texas, U.S. |
| Genres | |
| Years active | 1989–present |
| Labels |
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| Spinoffs | Court Yard Hounds |
| Members | |
| Past members |
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| Website | thechicks |
The Chicks (formerly theDixie Chicks) are an Americancountry music band fromDallas, Texas. The band consists ofNatalie Maines (lead vocals, guitar, bass guitar) and sistersMartie Maguire (vocals, fiddle,mandolin, guitar) andEmily Strayer (vocals, guitar, banjo,Dobro).
Martie and Emily (both née Erwin) founded the Dixie Chicks in 1989 with bassist Laura Lynch and singer and guitarist Robin Lynn Macy. They performedbluegrass andcountry music,busking and touring the bluegrass festival circuits and small venues for six years. In 1992, Macy left the group with Lynch taking over vocals. After independently releasing three albums, in 1995, the Dixie Chicks were signed byMonument Records Nashville and Natalie Maines replaced Lynch. They released their first album with Monument,Wide Open Spaces, in 1998, followed byFly in 1999. Both albums werecertified diamond.
In 2003, the Dixie Chickspublicly criticized the US presidentGeorge W. Bush and the imminentIraq War, triggering a backlash and damaging sales of their 2002 albumHome. They releasedTaking the Long Way in 2006 and entered hiatus in 2008; Martie and Emily recorded as a duo,Court Yard Hounds. The Dixie Chicks reunited in 2016 for a series of tours. In 2020, they removed "Dixie" from their name due to negative connotations, and released their first album in 14 years,Gaslighter.
The Chicks have charted 22 times on the AmericanBillboardHot Country Songs charts; "There's Your Trouble", "Wide Open Spaces", "You Were Mine", "Cowboy Take Me Away", "Without You", and "Travelin' Soldier" all reached number one. The Chicks have received 13Grammy Awards, tenCountry Music Association awards and eightAcademy of Country Music awards. By July 2020, with 33 million certified albums sold[2] and sales of 27.9 million albums in the US, the Chicks had become the best-selling all-woman band and best-selling country group sinceNielsen SoundScan began recording sales in 1991.[3][4][5]

The Chicks were founded as the Dixie Chicks in 1989 inDallas, Texas, an area with country music roots. The original lineup consisted of El Paso native Laura Lynch onupright bass, Californian Robin Lynn Macy on guitar, and the multi-instrumentalist sistersMartie andEmily Erwin, respectively born in Pennsylvania and Massachusetts and raised in Addison.[1] The Erwin sisters, who were later married and both changed their names twice (Martie to Martie Seidel, then Martie Maguire; Emily to Emily Robison, then Emily Strayer), previously performed as members of the bluegrass group Blue Night Express along with country singerSharon Gilchrist and her brother Troy.[6][7] The band name was taken from the albumDixie Chicken byLowell George ofLittle Feat.[8] They initially played predominantlybluegrass and a mix ofcountry standards. All four women played and sang, though Martie and Emily provided most of the instrumentation while Lynch and Macy shared lead vocal duties. Martie primarily playedfiddle,mandolin, and viola, while Emily's specialties included five-stringedbanjo andresonator guitar.[1][9][10] In 1987, Martie had won second place, and in 1989, third place in the national fiddle championships held at theWalnut Valley Festival inWinfield, Kansas.[11]
In 1990, Penny Cook, the daughter of then-Texas senatorJohn Tower, gave the Dixie Chicks $10,000 to record an album. Later that year, the Dixie Chicks released their self-produced debut studio albumThank Heavens for Dale Evans on a local independent label called Crystal Clear Sound. The album was named after actress and singer-songwriterDale Evans.[12][13] The group paid $5,000 for the 14-track album.[14] Half of this album's tracks consist of cover songs includingPatsy Montana's "I Want to Be a Cowboy's Sweetheart", Jon Ims' "West Texas Wind", andSam Cooke's "Bring It On Home to Me". Macy co-wrote two tracks, with Martie also serving as co-writer for the title track.[12]
A Christmas single was released at the end of the year – a 45 RPMvinyl record titledHome on the Radar Range with "Christmas Swing" on one side and the song on the flip side named "The Flip Side". The record titles were significant; during that period of time, the bandmates dressed up as "cowgirls", and publicity photos reflected this image. They also appeared at theGrand Ole Opry[15] andGarrison Keillor'sradio showA Prairie Home Companion.[16] The Dixie Chicks began building a fan base, winning the prize for "best band" at the 1990Telluride Bluegrass Festival and opening for establishedcountry music artists, includingGarth Brooks,Reba McEntire, andGeorge Strait.[14]
In 1992, the Dixie Chicks' next Crystal Clear Sound release,Little Ol' Cowgirl, moved towards a more contemporary country sound, as the band used moresession musicians, and developed a richer sound with larger and more modern arrangements. Macy and Martie each wrote two of the album's songs, with Lynch co-writing one song with Martie. The band co-produced it with guitarist Larry Seyer, who also played on the album. Displeased with the change in sound, Macy left in late 1992 to devote herself to a "purer" bluegrass sound, remaining active in the Dallas and Austin music scenes.[17] Reviewing their performance atthe Birchmere, Virginia in 1992, Eric Brace ofThe Washington Post wrote that "record label executives will be kicking themselves soon enough ... These Chicks have what it takes to make the big time, yet no major label has taken the plunge to sign them."[18]
Lynch became lead singer on the Dixie Chicks' third Crystal Clear Sound album,Shouldn't a Told You That (1993). Lynch wrote two of the ten tracks on the album, which also included a collaboration with the Erwin sisters on "I'm Falling Again". By this point, the band was still unable to attract support from a major record label and struggled to expand their fan base beyond Texas and Nashville. Their then-manager, Simon Renshaw, approached executiveScott Siman, best known for his work withTim McGraw, and he signed the band toSony Music Nashville in November 1995.[19] By the time of their signing, Lynch left the band andNatalie Maines was selected as their third lead singer and second guitarist on the recommendation of her multi-instrumentalist fatherLloyd Maines, who contributed to the band's previous albums and has also played forThe Maines Brothers Band,Jerry Jeff Walker andJoe Ely.[20][21]
At the time of Lynch's departure, the sisters attributed it to her weariness of touring and hope to spend more time with her daughter.[19] Lynch offered to stay for the first recordings on the new album, but the sisters thought it would send the wrong message to Sony; they all agreed she would leave before the new album.[19] In a 1996 interview, Lynch said, "It can't really be characterized as a resignation. There are three Dixie Chicks, and I'm only one."[22] In 2003, Lynch said she had no regrets about leaving.[23] Lynch's departure left the Erwin sisters as the two remaining original members.

With the addition of Maines, the new lineup had a more contemporary sound, as well as a new look, leaving their cowgirl dresses with their past, giving the band a broader appeal.[1] Renshaw sent staff producerBlake Chancey, best known for his work withDeryl Dodd, to Austin to work with the band.[24]
After Maines joined the band, the instrumental lineup was essentially the same, though Maines was not an acoustic bassist. Instead, she playedacoustic and electric guitar, and occasionally electric bass guitar orTacoma Papoose guitar in concert. She sang lead vocals, with Martie and Emily singing backing vocals. Emily was now contributing to the band's sound, adding guitar,accordion,sitar, and papoose to her mastery of thefive-string banjo anddobro, while Martie began adding guitar, viola, andmandolin chops more frequently to her expert fiddle. The sisters welcomed the change; Martie said, "It's very rootsy, but then Natalie comes in with a rock andblues influence. That gave Emily and [me] a chance to branch out, because we loved those kinds of music but felt limited by our instruments."[25]
Within the next year, Sony came to Austin to see the revamped band and signed them as the first new artist on the newly revivedMonument Records label. While the trio recorded their first Monument album,Wide Open Spaces, their debut single, "I Can Love You Better", was released in October 1997 and reached number seven on theBillboardHot Country Songs.[26] Monument released the album in January 1998 and charted four more singles: "There's Your Trouble", "Wide Open Spaces", "You Were Mine", and a cover ofJoy Lynn White's "Tonight the Heartache's on Me". Of these singles, Martie and Emily co-wrote "You Were Mine". In addition to "Tonight the Heartache's on Me", half of the album's 12 tracks included cover songs such asRadney Foster's "Never Say Die" andBonnie Raitt's "Give It Up or Let Me Go". "There's Your Trouble", "Wide Open Spaces" and "You Were Mine" became the most successful singles on the album with a number one peak on the country charts.[26] All five singles made top 10 onRPM Country Tracks, then the main country music chart published in Canada, with "Wide Open Spaces" and "You Were Mine" peaking at number one.[27][a]Stephen Thomas Erlewine ofAllMusic thought the album "appeal[ed] to many different audiences because it was eclectic without being elitist", also stating that "as debuts go (and this does count as a debut), they rarely get better than this".[28]
In March 2020,Wide Open Spaces was certified 13× platinum by theRecording Industry Association of America (RIAA) for shipments of 13 million copies.[29] In Canada, the album was certified quadruple-platinum by the Canadian Recording Industry Association (nowMusic Canada), a certification which at the time honored shipments of 400,000 copies in that country.[30][b]
The commercial success ofWide Open Spaces led to the first of several industry award nominations for the band. TheCountry Music Association awarded them the Horizon Award for new artists in 1998, given to those who have "demonstrated the most significant creative growth and development in overall chart and sales activity, live performance professionalism and critical media recognition".[32][33] At the41st Annual Grammy Awards in 1998, the group was nominated for Grammy Award for Best New Artist, whileWide Open Spaces won Best Country Album and "There's Your Trouble" won Best Country Performance by a Duo or Group with Vocal. TheAcademy of Country Music also awarded the band as Top Vocal Group and Top New Vocal Duet or Group in 1999; they would win the former again in 2000 and 2001.[34]
The Dixie Chicks' second Monument release was 1999'sFly, which debuted at No. 1 on theBillboard 200 charts, selling over 10 million copies and making the Dixie Chicks the only country band and the only female band of any genre to hold the distinction of having two back-to-backRIAA certified diamond albums.[35]Fly produced a total of nine singles, six of which made the top 10 on theBillboard country singles charts. It was led off by the single "Ready to Run", which appeared on the soundtrack to the 1999Garry Marshall filmRunaway Bride along with the band's cover ofthe Supremes' "You Can't Hurry Love".
BothWide Open Spaces andFly continued to place in the list of the50 best-selling albums in American history over a half-decade after they were released.[36]Fly again won Grammy awards and honors from the Country Music Association and the Academy of Country Music, and the Dixie Chicks received a number of honors from other sources for their accomplishments.[37] The band headlined their first tour, theFly Tour, with guest artists includingJoe Ely andRicky Skaggs appearing at each show,[38] and also joinedSarah McLachlan,Sheryl Crow, and other female artists on the all-woman touringLilith Fair.[39]
The source of the Dixie Chicks' commercial success during this time came from various factors: they wrote or co-wrote about half of the songs onWide Open Spaces andFly; their mixture ofbluegrass, mainstreamcountry music,blues, and pop songs appealed to a wide spectrum of record buyers; and where the women had once dressed as "cowgirls" with Lynch, their dress was now more contemporary.[1]
"Cowboy Take Me Away" fromFly became anothersignature song, written by Martie to celebrate Emily's marriage with country singerCharlie Robison, which took place three months before the album's release. However, a few of their songs brought controversy within their conservative country music fan base, and two songs caused some radio stations to remove the Dixie Chicks from their playlists: "Sin Wagon", from which the term "mattress dancing" takes on a new twist, and "Goodbye Earl", a song that usesblack comedy in telling the story of the unabashed murderer of an abusive husband. (The band later made a video portraying the nefarious deed, with actorDennis Franz playing the murdered husband.) In an interview, Maines commented about Sony worrying about the reference to "mattress dancing" in "Sin Wagon", refusing to discuss it in interviews. She said, "Our manager jokes, 'You can't say mattress dancing, but they love the song about premeditated first degree murder'!" She continues, "... so it's funny to us that 'mattress dancing' is out and murder is in!"[40]
After the commercial success of their first two albums, the band became involved in a dispute with their record label,Sony, regarding accounting procedures, alleging that in at least 30 cases Sony had used fraudulent accounting practices, underpaying them at least $4 million (£2.7m) inroyalties on their albums over the previous three years.[41] Sony held out, and the trio walked away, with Sony suing the group for failure to complete their contract.[42] The Dixie Chicks responded with their own $4.1-million lawsuit againstSony Music Entertainment on August 27,[43] which added clout to claims made by singersCourtney Love,Aimee Mann, andLeAnn Rimes against the recording industry.[44] After months of negotiation, the Dixie Chicks settled their suit privately, and were awarded their own record label imprint, Open Wide Records, which afforded them more control, a better contract, and an increase inroyalty payments, with Sony still responsible for marketing and distribution of albums.[45] Also in 2001, Martie married Irish actor Gareth Maguire.
During the time that they worked with Sony to reconcile their differences, the Dixie Chicks debuted their quiet, unadorned song "I Believe in Love" on theAmerica: A Tribute to Heroestelethon following theSeptember 11 attacks. The three women found themselves home, in Texas, each happily married, planning families, and writing songs closer to their roots, without the usual pressures of the studio technicians from the major labels. The songs they didn't write were solicited from songwriters who wrote with a less commercial emphasis.[46] The result was thatHome, independently produced byLloyd Maines and the Dixie Chicks, was released August 27, 2002.[35] Maines and Martie co-wrote four of the album's twelve tracks. They collaborated with country singer-songwriterMarty Stuart on "I Believe in Love" and "Tortured, Tangled Hearts".Home was led off by a cover ofDarrell Scott's "Long Time Gone", which charted at 7 on theBillboard Hot 100 and peaked at number two on the Hot Country Songs chart. It was followed by covers ofFleetwood Mac's "Landslide" andBruce Robison's "Travelin' Soldier", "Godspeed (Sweet Dreams)" and "Top of the World". Both "Landslide" and "Travelin' Soldier" peaked at number two and number one on Hot Country Songs, respectively. Approximately six million copies ofHome were sold in the United States.[47]Home also won Grammy awards, and other noteworthy accolades as before, though it fell short of reaching the diamond record status of the first two albums. Natalie Maines said afterward, "I want to check the record books and see how many fathers and daughters have won Grammys together."[48]
By 2002, the Dixie Chicks were featured on three television specials:An Evening with the Dixie Chicks, which was anacoustic concert primarily composed of the material fromHome;VH1 Divas Las Vegas alongsideCher,Céline Dion,Shakira,Anastacia,Stevie Nicks,Mary J. Blige,Cyndi Lauper,Whitney Houston and hostEllen DeGeneres; and aCMT three-hour television special, the40 Greatest Women of Country Music. Ranked No. 13 out of 40, they were "selected by hundreds of artists, music historians, music journalists and music industry professionals—looking at every aspect of what a great artist is".[49]
On March 10, 2003, the Dixie Chicks performed at theShepherd's Bush Empire theater in London, England.[50] Maines told the audience the band did not support the imminentAllied invasion of Iraq and were ashamed that then-PresidentGeorge W. Bush was from Texas.[51] The remark triggered a backlash in the United States.[51] The band's songs received less airplay on country radio stations,[52] and its members received death threats.[53] "Landslide" also fell from number 10 to 43 on theBillboard Hot 100 in one week and left the chart a week later.[54] The backlash also damaged sales of their next album and tour.[55] Maines issued an apology, saying her remark had been disrespectful; three years later, she rescinded the apology, saying she felt Bush deserved no respect.[52]

In 2005,Hurricane Katrina andHurricane Rita battered theGulf Coast, with the Dixie Chicks' home state of Texas directly in the wake of the disaster. In September, the Dixie Chicks debuted their song "I Hope" in the telethonShelter from the Storm: A Concert for the Gulf Coast. It was released as a download with proceeds to benefit hurricane relief throughHabitat For Humanity and theAmerican Federation of Musicians Gulf Coast Relief Fund.[56][57][58]
In October 2004, the Dixie Chicks joined theVote for Change tour, performing at concerts organized byMoveOn.org inswing states, raising funds for political groups opposing Bush.[59] In 2005, Martie, Emily, and Maines joined 31 other recording artists, includingDolly Parton,Christina Aguilera,Yoko Ono, andMandy Moore, supporting relationships of all kinds, regardless of sexual orientation or gender identity, on a two-disc release titledLove Rocks, with their song from the albumHome "I Believe in Love".[60]
On March 16, 2006, the Dixie Chicks released the single "Not Ready to Make Nice" in advance of their upcoming album. Cowritten withDan Wilson, it addressed the political controversy that had surrounded the group for the previous three years.[61] Emily said, "The stakes were definitely higher on that song. We knew it was special because it was so autobiographical, and we had to get it right. And once we had that song done, it freed us up to do the rest of the album without that burden." She said writing the song had become their "therapy", since they had to hold in so many stored emotions for so long. Thus, the band considered the album not so much political as very personal.[62]
Taking the Long Way was released in stores and online on May 22, 2006. The album was produced byRick Rubin who had worked withhard rock acts such asRed Hot Chili Peppers andSystem of a Down, as well as idiosyncratic singers such asJohnny Cash andNeil Diamond. The band felt they had nothing to lose by a newer approach, and possibly quite a bit to gain.[63] The three Chicks co-wrote every song on the album, alongside various other songwriters, includingNeil Finn ofCrowded House. The album contains references to the 2003 controversy.[64]Taking the Long Way debuted at number one on both theU.S. pop albums chart and theU.S. country albums chart, selling 526,000 copies in the first week (the year's second-best such total for any country act) and making it agold record within its first week. The Dixie Chicks became the first female band in chart history to have three albums debut at No. 1.[65]
Neither "Not Ready to Make Nice" or second single "Everybody Knows" reached top 35 on Hot Country Songs. In June 2006, Emily noted the lack of support from other country music performers: "A lot of artists cashed in on being against what we said or what we stood for because that was promoting their career, which was a horrible thing to do. ... A lot of pandering started going on, and you'd see soldiers and the American flag in every video. It became a sickening display of ultra-patriotism."[66]
Maines said, "The entire country may disagree with me, but I don't understand the necessity for patriotism. Why do you have to be a patriot? About what? This land is our land? Why? You can like where you live and like your life, but as for loving the whole country ... I don't see why people care about patriotism."[66] The two singles were more successful in Europe, peaking at Nos. 13 and 11 respectively and remaining on the European Country Charts for more than 20 weeks each.[67]
TheAccidents & Accusations Tour began in July 2006. Ticket sales were strong in Canada and in some Northeastern markets, but notably weak in other areas. A number of shows were canceled or relocated to smaller venues due to poor sales, and inHouston, Texas, tickets never even went on sale when local radio stations refused to accept advertising for the event.[68]In August, a re-routed tour schedule was scheduled with a greater emphasis on Canadian dates, whereTaking the Long Way had gone five-times-platinum. As part of the tour, the Dixie Chicks became the first major band to hire a designated blogger "all-access" to keep up with them in their promotional activities and tour.[69] During the tour, the group members generally refrained from any explicit verbal political comments. When the Dixie Chicks performed again at Shepherd's Bush Empire, site of "The Incident", Maines joked that she wanted to say something the audience had not heard before, but instead said, "Just so y'all know, we're ashamed the President of the United States is from Texas," to much laughter and applause.[70]
In 2006,Taking the Long Way was the ninth-best-selling album in the United States. At the49th Annual Grammy Awards in February 2007, the Dixie Chicks won all five categories for which they were nominated, including the top awards ofSong of the Year andRecord of the Year, both for "Not Ready to Make Nice", andAlbum of the Year, forTaking the Long Way. "Not Ready to Make Nice" was also the group's fourth and final award for Best Country Performance by a Duo or Group with Vocal. Maines interpreted the wins as being a show of public support for their advocacy of free speech.[71] It had been 14 years since an artist had swept those three awards.[72]
After the Grammys,Taking the Long Way hit No. 8 on theBillboard 200 and No. 1 on the country album charts and "Not Ready to Make Nice" re-entered the charts at No. 4 on theBillboard Hot 100. The music video for "Not Ready to Make Nice" was nominated for the 2007CMT Music Video Awards in the categories of Video of the Year and Group Video of the Year.[73] The group was nominated for the 2007Country Music Association's award for Top Vocal Group, but lost toRascal Flatts.[74]
At the2006 Toronto International Film Festival, Cabin Creek Films, the production company of documentarianBarbara Kopple, premieredDixie Chicks: Shut Up and Sing. The documentary follows the Dixie Chicks over the three years since the 2003 London concert remark and covers aspects of their musical and personal lives in addition to the controversy.[75]
An ad forShut Up and Sing was turned down byNBC on October 27, 2006, because of a policy barring ads dealing with "public controversy". Ads were rebuffed bythe CW as well, but local affiliate stations of all five major broadcasters, including NBC and CW, ran promotional spots for the film in New York and Los Angeles, the two cities where it opened that day.[76] The film's distributorHarvey Weinstein said, "It's a sad commentary about the level of fear in our society that a movie about a group of courageous entertainers who wereblacklisted for exercising their right of free speech is now itself being blacklisted by corporate America."[76]
At a December 2007 rally inLittle Rock, Arkansas, Maines expressed support for theWest Memphis Three, three men convicted of a 1993 triple murder who many believe innocent.[77] Maines cited a recent defense filing implicating Terry Hobbs, the stepfather of one of the victims, and posted similar comments in a letter on the Dixie Chicks website.[77] In August 2008, Emily divorced Charlie Robison.[78] That November, Hobbs sued Maines and the Dixie Chicks for defamation as a result of her statements.[79] On December 2, 2009, a U.S. federal judge dismissed the defamation case on the grounds that Hobbs had not shown the statements were made withactual malice.[80] A proposed April 2008 commercial spot to promoteAl Gore's "We Campaign" involving both the Dixie Chicks andToby Keith was eventually abandoned because of scheduling conflicts.[81]In 2010, Martie and Emily released their first album asCourt Yard Hounds, with Emily singing lead vocals.[82][83] Lloyd Maines said that the Dixie Chicks were "definitely still an entity".[82] Beginning on June 8, 2010, the Dixie Chicks joinedthe Eagles on their stadium-basedEagles 2010 Summer Tour,[84] visiting cities such asToronto,Boston, Chicago,Philadelphia,Washington,St. Louis andWinnipeg with a performance at theNew Meadowlands Stadium inNew Jersey. Australian-American country singer and guitaristKeith Urban appeared at selected shows.[85]
The Dixie Chicks appeared in the 2010 music documentarySounds Like a Revolution aboutprotest music in America. They sang "You" on the March 2011 release ofRare Bird Alert, aSteve Martin bluegrass album, accompanied by theSteep Canyon Rangers.[86] In March 2011, Maines made a solo recording of theBeach Boys hit "God Only Knows" for the final episode of the HBO seriesBig Love.[87] In July 2011, Emily and Martie said that new music involving Maines is in the works.[88] That October, followinga series of wildfires destroying homes and businesses throughout Texas, the Dixie Chicks played the Concert for Wildfire Relief in Austin. During the set, Maines stated that there was "zero hesitation" when the group was asked to do the show.[89]
In July 2013, the Court Yard Hounds released their second album,Amelita. That month, the band replacedLady Antebellum as headliners at Canada'sCraven Country Jamboree, and later performed at theOttawa Bluesfest and theCavendish Beach Music Festival.[90][91] In October, the Dixie Chicks resumed touring for theLong Time Gone Tour through various cities across Canada and Europe. The tour incorporated theC2C: Country to Country festival held in London andDublin during March 2014.[92]
In June 2015, a European tour was scheduled to commence inAntwerp on April 16, 2016. TheDCX MMXVI World Tour initially included dates forSwitzerland,The Netherlands,Scandinavia, the UK and Ireland; however, in November 2015, the tour was extended into North America, with over forty shows scheduled across the United States and Canada.[93] The tour was extended to Australia and New Zealand, and was followed by a live album and video,DCX MMXVI Live.[94]
On the 50th anniversary of theCountry Music Association Awards on November 2, 2016, the Dixie Chicks performed alongsideBeyoncé on her song "Daddy Lessons". A studio version of the performance was released to digital outlets the following day.[95] They also collaborated withTaylor Swift on her song "Soon You'll Get Better" from Swift's 2019 albumLover.[96] On May 3, 2018, the Dixie Chicks' manager, Simon Renshaw, retired after having managed them since 1995. They signed with Ian Montone and Rick Yorn at Monotone/LBI Entertainment.[97]
On June 25, 2020, the band changed their name to the Chicks, dropping the word "Dixie".[98] The change followed criticism that the word had connotations ofslavery in the United States.[99][100][c] The band said they had picked "that stupid name" as teenagers, and had wanted to change it for years. They decided to change it when they saw theConfederate battle flag described as "the Dixie Swastika" on social media in June 2020.[101] They were also inspired by theGeorge Floyd protests and theBlack Lives Matter movement, saying it "definitely lit a fire in us to be on the right side of history".[98] They received the blessing of theChicks, a New Zealand duo, to share the name.[99][102] Alongside the name change, the Chicks released theprotest song "March March" with a music video directed by Seanne Farmer, in tribute tosocial justice movements.[99] They also introduced John Silva as their new manager,[103] with publicity by Cindi Berger of R&CPMK.[104]
On July 17, 2020, Columbia released the Chicks' first new studio album in 14 years,Gaslighter, produced byJack Antonoff.[105] The first single, "Gaslighter", was released on March 4.[106] On August 20, the Chicks performed "The Star-Spangled Banner" at the2020 Democratic National Convention.[107] On December 22, 2023, founding bassist Laura Lynch died in a traffic collision nearEl Paso, Texas, at the age of 65.[108] The Chicks issued a statement saying Lynch was "a bright light" whose "undeniable talents helped propel us beyond busking on street corners to stages all across Texas and the mid-West".[108]

Current members
Former members

Studio albums

Headlining
Supporting
Co-headlining
Residencies
I think people are using their freedom of speech with all these awards. We get the message.