The Blasters | |
|---|---|
 Dave Alvin | |
| Background information | |
| Origin | Downey, California, U.S. |
| Genres | |
| Years active | 1979–present |
| Labels | Slash,Shout! Factory, Rip Cat |
| Members | Phil Alvin John Bazz Bill Bateman Keith Wyatt |
| Past members | Dave Alvin Lee Allen Gene Taylor Steve Berlin Hollywood Fats Billy Zoom Smokey Hormel James Intveld Dave Carroll Jerry Angel |
| Website | theblasters |
The Blasters are an Americanrock band formed in 1979 inDowney, California, by brothersPhil Alvin (vocals and guitar) andDave Alvin (guitar), with bass guitaristJohn Bazz and drummerBill Bateman. Their self-described "American Music" is a blend ofrockabilly, earlyrock and roll,punk rock,mountain music, andrhythm and blues andcountry.
The Alvin brothers grew up in a household filled with music and parents who exposed their sons to different kinds of American music.[8] They made friends with Bazz and Bateman, and together the boys were brave enough to go into Los Angeles blues clubs to watch their musical idols. They learned firsthand from the likes ofJoe Turner andT-Bone Walker.[8] Phil Alvin recalled how his mother would drive the boys anywhere, and around 1965 or 1966, she took Phil to seeSonny Terry andBrownie McGhee. At Phil's request,Big Joe Williams introduced him to Terry, and Phil wound up taking a number of harmonica lessons from Terry.[9] Another mentor was tenor saxophonistLee Allen, who later joined The Blasters.[10]
Phil Alvin explained the origin of the band's name: "I thought Joe Turner's backup band on his Atlantic records–I had these 78s–I thought they were the Blues Blasters. That ends up it wasJimmy McCracklin. I just took the 'Blues' off and Joe finally told me, that's Jimmy McCracklin's name, but you tell 'im I gave you permission to steal it [laughs]."[11]
Gene Taylor joined after the release ofAmerican Music (1980), performingboogie woogie-stylepiano (he remained with the band through late 1985). Later on,Steve Berlin joined on baritone sax, forming a horn tandem with Lee Allen.
The Blasters' energetic live performances gained a local following, and they became fixtures of the early 1980sLos Angelespunk rock scene. They performed alongsideX,Black Flag, TheGun Club,the Screamers and others. The L.A. scene of the time also featured thecowpunk genre, and a notable example was how The Blasters helped country artistDwight Yoakam get established. They toured together in 1985.[12]
Another local band that formed a strong musical bond with The Blasters wasLos Lobos. The Mexican-American group first became friends with the Downey group in 1976. About five years later, The Blasters invited Los Lobos to open for them and also helped get the young men from East L.A. their first record deal. Steve Berlin made a transition to Los Lobos, with The Blasters' blessing.[13]
The Blasters toured almost continuously for much of their heyday. The notes forThe Blasters Collection observed that in one particular month, they toured with a wide range of acts: the all-girl bandThe Go-Go's,psychobilly pioneersthe Cramps, withwestern swing revivalistsAsleep at the Wheel and on a leg ofQueen's west coast tour.
Like many other pairs of rock 'n' roll siblings, the Alvins got into fights with each other.[14] In 2015, Dave also recalled that the internal tension in the band extended beyond his tumultuous relationship with Phil.
This tension came to a head on October 23, 1985, during a gig inMontreal at the Spectrum. Gene Taylor quit that night and offered his services to the opening act, theFabulous Thunderbirds. Dave Alvin also quit, joiningX for a brief stint, though he returned briefly in early 1986 amid plans to record a new album withNick Lowe as producer. That didn't work out, and Dave left The Blasters for good, save for occasional reunions and under other circumstances as well. Ultimately, he wanted to sing his own songs.[15] He proceeded to launch his critically acclaimed solo career.
Phil Alvin has led various incarnations of The Blasters intermittently since then (he devoted much of his attention to graduate studies in mathematics).Hollywood Fats (birth name: Michael L. Mann) came aboard in the spring of 1986, appearing with The Blasters atFarm Aid II. Fats died in December 1986, whereupon Dave Alvin served as an emergency fill-in. In an odd twist, Fats was initially replaced as full-time lead guitarist byBilly Zoom, who had previously left X.[16] Zoom's stay in The Blasters was very brief. Succeeding guitarists wereSmokey Hormel (1988–93),[17]James Intveld (1993–95), and Keith Wyatt (1996-present). Dave Carroll succeeded Bill Bateman on drums in 1993 but was subsequently replaced by Jerry Angel in 1994.[18]
There have also been a few reunion tours and live albums of the original lineup – including Dave Alvin. Along with these, examples of Dave's return include the need that arose from the death of Hollywood Fats, as well as Phil's knee ailment in December 2011.[19]
In 2005, the band released its first studio CD in 20 years,4-11-44.
On July 3, 2012, the Blasters put out their most recent studio album to date,Fun On Saturday Night. The album includes a duet withExene Cervenka of X andthe Knitters, track number 2, "Jackson" — a cover of the 1963 song made most famous byJohnny Cash andJune Carter Cash.
In advance of the album's release, the band was touring Spain, and Phil Alvin had a near-death experience owing to an infection from an abscessed tooth. Though he had an emergency tracheotomy and flatlined twice, he recovered with his voice intact, and The Blasters have since continued to tour.[19]
Personnel as of 2022: Phil Alvin, John Bazz, Keith Wyatt, and Bill Bateman. Bateman rejoined the band in 2008, replacing Jerry Angel.[20]
The Blasters have a devoted fan base and have received largely positive critical reviews, but have earned only limited mainstream success. Critic Mark Deming wrote of them, "the Blasters displayed a wide-ranging musical style [and] were a supremely tight and tactful band with enough fire, smarts, and passion for two or three groups."[21]
Trouser Press cited their strengths: "tight ensemble work, swingin' original tunes in the classic mold and Phil Alvin's ageless, confident vocals."[22]The Rough Guide to Rock noted the ever-increasing numbers of originals written by Dave Alvin—songs about cars, girls, the working man and road dreams—and how he matured into a great songwriter.[23]
In his memoirGet in the Van (1995),Henry Rollins of Black Flag andRollins Band detailed his admiration the Blasters, after seeing them perform live many occasions as Black Flag and the Blasters crossed paths in southern California venues: "In my mind, they were a great band that not enough people found out about. Bill Bateman is one of the best drummers there is, and then of course, there are the Alvin brothers. A lot of talent for one band."[24]
The Blasters gained exposure appearing as themselves in theWalter Hill filmStreets of Fire (1984). They performed two songs, "One Bad Stud" and "Blue Shadows".[25][26]
Their song "Dark Night" was featured in a 1985 episode ofMiami Vice (Season 2 Episode 2, "Whatever Works "). Later, it was also used over the opening sequence of theQuentin Tarantino-Robert Rodriguez collaboration movieFrom Dusk till Dawn.[27]
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In 1980, singerShakin' Stevens scored a minor UK hit with his version of The Blasters' song "Marie, Marie". The original was onAmerican Music. Stevens's version appeared on his albumThis Ole House.
In 1985, for Stevens' albumLipstick Powder and Paint, he also covered "So Long Baby, Goodbye".
In 1987, Buckwheat Zydeco covered the Blasters' "Marie, Marie" on his album,On a Night Like This.
Operation Ivy recorded "Trouble Bound" in 1987. The cut was eventually released on theSeedy compilation in 1996.
Dwight Yoakam's version of "Long White Cadillac" led off his 1989 albumJust Lookin' for a Hit.
In 2004,Lars Frederiksen and the Bastards covered The Blasters' "Marie, Marie" on their album,Viking.
Matchbox also recorded "Marie, Marie" for their 1980 albumMidnite Dynamos.
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