| The Big Brawl | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
 Theatrical release poster | |||||||||||
| Chinese name | |||||||||||
| Traditional Chinese | 殺手壕 | ||||||||||
| Simplified Chinese | 杀手壕 | ||||||||||
| |||||||||||
| Directed by | Robert Clouse | ||||||||||
| Written by | Robert Clouse | ||||||||||
| Produced by | Raymond Chow Fred Weintraub | ||||||||||
| Starring | |||||||||||
| Cinematography | Robert C. Jessup | ||||||||||
| Edited by | George Grenville Peter Cheung | ||||||||||
| Music by | Lalo Schifrin | ||||||||||
| Distributed by | Golden Harvest (H.K.) Warner Bros. (U.S.) | ||||||||||
Release dates |
| ||||||||||
Running time | 95 minutes | ||||||||||
| Countries | Hong Kong United States | ||||||||||
| Language | English | ||||||||||
| Budget | $6 million[1] | ||||||||||
| Box office | US$21.5 million (est.) | ||||||||||
The Big Brawl (Chinese:殺手壕;lit. 'Killer's Trench', also released asBattle Creek Brawl) is a 1980martial artsaction comedy film which markedJackie Chan's first attempt to break into theAmerican movie Hollywood market.[2] A jointHong Kong and American co-production, it was directed by American filmmakerRobert Clouse and featured much of the crew fromEnter the Dragon (1973), which was also produced byGolden Harvest Studios.[3] The film also co-starsMako,Kristine DeBell, andJosé Ferrer.
The film is set primarily inChicago, Illinois in the 1930s (although it was shot inTexas) and follows Chan's character, aChinese Americanmartial artist, as he single-handedly takes on theMafia, leading to a no-holds-barred street fighting tournament that culminates in abattle royale survival brawl.
While a moderate success in North America and Hong Kong,The Big Brawl was a box office disappointment as it performed below expectations in these markets, though it went on to have more success in other Asian and European markets. The film's disappointing performance in North America, however, led to Chan being advised to try supporting roles such as theChinese racing car driver inThe Cannonball Run. Chan later made another attempt to break into the American market with 1985'sThe Protector, which performed worse than this film. It was not until 1995 withRumble in the Bronx that a Chan film showcasing his signature humor and stunt-work was a major hit in American theaters.
In 1930sChicago,Chinese immigrant Jerry Kwan leads a very easy-going life with his white girlfriend, Nancy, and his family. His father owns a restaurant, and one day, he is threatened by the mob to pay a part of his profits. As the mob exits, Jerry enters the scene and rushes out the door to catch up with them. He answers back by taking them on and eventually catches the eye of the mob for his unique fighting skills, learned from his eccentric chiropractor uncle Herbert. Mobster boss Dominici has been looking for a fighter to defeat his rival Morgan's champion, Billy Kiss - whose trademark "Kiss of Death" finishing move is to kiss his opponents while killing them with a crushing bear hug.
Dominici's gang kidnaps Jerry's brother's fiancée to coerce Jerry into fighting for them in the Battle Creek Brawl, a no-rules, all-in street fighting tournament inTexas. The mob promises to return his brother's fiancée and give him the prize money as long as Jerry wins the tournament. After a failed rescue attempt, Uncle Herbert trains Jerry, concentrating on speed and agility as he must fight much larger and stronger opponents. Jerry, Herbert and Nancy travel to Battle Creek and, after surviving a massivebattle royale elimination round and then winning a series of single combats, Jerry ultimately wins the Brawl by defeating Billy Kiss. The mob returns the kidnapped fiancée and all ends happily.
The Big Brawl was the first attempt to marketJackie Chan to a Western film audience. Though Chan was already a major star in East Asian markets, he remained a relative obscurity in North America, outside of the import market.Golden Harvest mogulRaymond Chow hoped to replicate the success ofBruce Lee, whom Chan was often compared to early on, inEnter the Dragon. To that end, he hired much of the same crew asEnter the Dragon, including directorRobert Clouse, producerFred Weintraub, musical composerLalo Schifrin, and editor Peter Cheung.
In his autobiographyI Am Jackie Chan, Chan said that he appeared in the film during a self-imposed exile in America, due to a dispute with directorLo Wei, who was purported to haveTriad connections and had threatened him for breaking a contract.[4] The dispute was eventually resolved through the intercession of Triad-linked actorJimmy Wang Yu, and Chan resumed his Hong Kong career in 1982.[5][6]
In the hopes of better acclimatizing Chan to an American film audience, Weintraub surrounded him with a wholly-American cast, including established actors likeJosé Ferrer andMako, Playboy PlaymateKristine DeBell, andThe Godfather actorLenny Montana. This backfired, as Chan's lack of English fluency and American cultural norms meant he struggled to find chemistry with his co-stars.[4] Chan likewise did not have his usualstunt team present, meaning he had less control over the stunts and action scenes that he was accustomed to.[4][7]
In an interview with Chan on the region 2 DVD, Chan discusses the differences between Chinese and American styles of action. In his early US films,The Big Brawl andThe Protector (1985), Chan had to perform the typical American fight sequences involving punches, kicks and doing few takes, all the way to the end of the action scene. It was not untilRumble in the Bronx (1995) that Chan was allowed to use more of his preferred action style in a North American setting, in which he works together with his stunt team and co-stars. It was also then that he was able to do as many takes as he needed in order to capture the sequences adequately.[7]
InI Am Jackie Chan, Chan relates one scene in the production in which Robert Clouse was not interested in Chan's idea, which was to flip out of a car. Clouse wanted Chan to simply walk from the car to his father's restaurant. Chan responded, "No one will pay money to see Jackie Chan walk!", and felt that the lack of freedom to choreograph sequences the way he wanted underlined the reason for the film's failure.[4]
The climactic fight scene was filmed inFloresville, Texas and featured 1,200 extras.[1]
The Big Brawl opened on August 29, 1980, on 231 screens in the United States and Canada. In its opening weekend, it grossedUS$1,108,025 ($4,792 per screen).[8] By October 1980 (upon its release in England), the film had grossedUS$9 million in the United States, making it a commercial success there.[9] It sold3.2 million US tickets[10] and ranked among the year's top 40 highest-grossing films in North America,[11] with its US gross equivalent toUS$29 million adjusted for inflation in 2018.[12] However, it was ultimately a disappointment to distributor Warner Bros., who were expecting anEnter the Dragon sized hit.[citation needed]
In Hong Kong, the film grossedHK$5,776,530[13] (US$1,160,878).[14] This made it the year's second top-grossing film at the Hong Kong box office, and was higher thanEnter the Dragon which had grossedHK$3.3 million in Hong Kong.[15] However, the film's performance in Hong Kong was considered a disappointment to Golden Harvest.[16]
The film had more success in other international markets. InTaiwan, it grossedNT$8,546,008 (US$212,587) from 296,931 admissions, becoming the second top-grossing film of 1980.[17][18] InSouth Korea, it was also the second top-grossing film of 1980 (behind Jackie Chan'sThe Young Master), with 233,674 admissions inSeoul,[19][20] equivalent to an estimated₩467,348,000[21] (US$769,931).[22] InJapan, it grossed¥940 million[23] (US$4.3 million).[24]
InFrance, where the film released asLe Chinois on February 18, 1981, it was the 24th-highest-grossing film of 1981 with 1,510,009 admissions,[25] equivalent to an estimated€4,077,024[26] (US$4,688,376).[27] In Germany, where it released on March 1, 1981, it was the 43rd-highest-grossing film of 1981 with 174,967 box office admissions,[28] equivalent to an estimated €437,418[26] (US$479,574).[29] InSpain, the film sold 486,489 tickets,[30] equivalent to an estimated €632,436[26] (US$880,541).
Combined, the film's total estimated worldwide box office gross was approximatelyUS$21,491,887 (equivalent to $82,000,000 in 2024). In terms ofbox office admissions, the film sold a combined 5,902,070 tickets in the United States, Taiwan,Seoul, France, Germany, and Spain.
OnRotten Tomatoes the film has an approval rating of 67% based on reviews from six critics.[31]Variety magazine gave it a generally favorable review at the time, calling it "an amusingchopsocky actioner whose appeal is not limited to the usual audience for this genre."[32]
In retrospective interviews, Chan was critical of the film, considering a stifling and unfulfilling experience.[4]
Now, you got a film out,The Big Brawl. It opens in England next week. It's already taken$9 million in America. Were you surprised at that success? It's incredible.
Golden Harvest's success withSecurity Unlimited put its international fare, likeBattle Creek Brawl (U.K.:The Big Brawl), somewhat to shame with disappointing takings locally.
Average Ticket Prices in Korea, 1974-1997 [...] * Source: Korea Cinema Yearbook (1997-1998) * Currency: won [...] Foreign [...] 1980 [...] 2,000
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