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The Adventures of Marco Polo

From Wikipedia, the free encyclopedia
1938 adventure film directed by Archie Mayo
This article is about the 1938 film. For the 1956 television musical, seeThe Adventures of Marco Polo (television musical).
For the 1979 anime television series, seeThe Adventures of Marco Polo (1979 TV series).
For the American musical group, seeThe Markko Polo Adventurers.

The Adventures of Marco Polo
Theatrical release poster byNorman Rockwell
Directed byArchie Mayo
John Cromwell (uncredited)
Written byN.A. Pogson
Screenplay byRobert E. Sherwood
Produced bySamuel Goldwyn
George Haight
StarringGary Cooper
Sigrid Gurie
Basil Rathbone
CinematographyRudolph Maté
Archie Stout
Edited byFred Allen
Music byHugo Friedhofer
Production
company
Distributed byUnited Artists
Release date
  • April 7, 1938 (1938-04-07)
(New York City)[1]
Running time
100 minutes
CountryUnited States
LanguageEnglish
Budget$2 million[2]

The Adventures of Marco Polo is a 1938 Americanhistoricaladventure film directed byArchie Mayo and starringGary Cooper,Sigrid Gurie, andBasil Rathbone. It was one of the most elaborate and costly ofSamuel Goldwyn's productions.[3]

Plot

[edit]

Nicolo Polo shows treasures fromChina and sends his sonMarco Polo (Gary Cooper) there with his assistant (and comic relief) Binguccio (Ernest Truex). They sail fromVenice, are shipwrecked, and cross the desert ofPersia and the mountains ofTibet to China, to seek outPeking and the palace of China's ruler,Kublai Khan (George Barbier).

The philosopher/fireworks-maker Chen Tsu (H. B. Warner) is the first friend they make in the city, and invites them into his home for a meal ofspaghetti. Children explode afirecracker, and Marco thinks it could be a weapon. Meanwhile, at the Palace, Ahmed (Basil Rathbone), the Emperor's adviser, harboring dubious ambitions of his own, convinces Emperor Kublai Khan that his army of a million men can conquerJapan.

Kublai Khan promisesPrincess Kukachin (Sigrid Gurie) to the King of Persia. Marco, arriving at the palace, sees Kukachin praying for a handsome husband. Marco is granted an audience with the emperor at the same time as a group ofladies-in-waiting arrive; Kublai Khan lets Marco test the maidens to find out which are the most worthy. Marco tests them all with a question ("How many teeth does a snapping turtle have?"), and he sends off the ones who had incorrectly guessed the answer, as well as those who had told him the correct answer (none), retaining those saying they did not know. His reasoning behind this is that they are the perfect ladies-in-waiting, not overly intelligent, and honest. Kublai agrees and Marco immediately becomes a favored guest. Ahmed shows Marco his private tower withvultures and executes a spy via a trapdoor into a lion pit. Kukachin tells Marco that she is going to marry the King of Persia, but, having fallen in love with her, he shows her what a kiss is. A guard tells Ahmed, who vows to keep Marco out of the way. Ahmed then advises Kublai Khan to send Marco into the desert to spy on suspected rebels. Kukachin warns Marco of the deceiving Ahmed.

Cast

[edit]

Reception

[edit]

Contemporary reviews were mixed. When the movie premiered at theRadio City Music Hall,Frank S. Nugent ofThe New York Times wrote that "we could never forget for a moment that it was all make-believe," referring to the actors' accents which were clearly inaccurate for the film's time and place. However, he went on, "it is amiable make-believe, rich in the outlandish pageantry Hollywood loves to manufacture, facilely narrated and enjoyably played."[4]Variety called the film "a spectacular melodrama" and "an excellent vehicle for Cooper" and inaccurately predicted that it would be a box office hit.[5]Film Daily called the film a "thrilling, romantic offering" and called Cooper an "excellent" choice for the role.[6]Harrison's Reports found "Expert performances" and a romance "handled in good taste," but found that its appeal would be limited to "sophisticated audiences" because it was lacking in action.[7]John Mosher ofThe New Yorker called the film "a big disappointment" and described the dialogue as having "the swing of a badlibretto."[8]Motion Picture Daily praised the "lavish" production but said the title role would have been much better suited toRudolph Valentino than Gary Cooper.[9] TheNew York Sun wrote, "In spite of its elaborate settings and the presence of Gary Cooper,The Adventures of Marco Polo never quite lives up to its promises."[10]

In Italy, the fascist censors considered the film disrespectful to the eponymous hero and insisted on re-dubbing it to make the protagonist a Scotsman called MacBone Pan and releasing it under the titleUno scozzese alla corte del Gran Kan (A Scotsman at the Great Khan's court).[11]

The film was a box office flop, losing an estimated $700,000.[12]

References

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  1. ^Hanson, Patricia King, ed. (1993).The American Film Institute Catalog of Motion Pictures Produced in the United States: Feature Films, 1931-1940. Berkeley and Los Angeles: University of California Press. p. 11.ISBN 0-520-07908-6.
  2. ^Stephens, E.J.; Christaldi, Michael; Wanamaker, Marc (2013).Early Paramount Studios. Charleston, SC: Arcadia Publishing. p. 118.ISBN 9781467130103.
  3. ^The AFI Catalog of Feature Films:The Adventures of Marco Polo
  4. ^The New York Times Film Reviews, Volume 2: 1932-1938. New York: The New York Times & Arno Press. 1970. pp. 1488–1489.
  5. ^"Film Reviews".Variety. New York: Variety, Inc. February 16, 1938. p. 17.
  6. ^"Reviews of the New Films".Film Daily. New York: Wid's Films and Film Folk, Inc.: 8 February 15, 1938.
  7. ^"The Adventures of Marco Polo".Harrison's Reports. New York: Harrison's Reports, Inc.: 47 March 19, 1938.
  8. ^Mosher, John (April 9, 1938). "The Current Cinema".The New Yorker. New York: F-R Publishing Corp. p. 91.
  9. ^"Hollywood Preview".Motion Picture Daily. New York: Quigley Publishing Co.: 4 February 15, 1938.
  10. ^Marill, Alvin H. (1976).Samuel Goldwyn Presents. A.S. Barnes. p. 192.ISBN 9780498016585.
  11. ^Abend-David, Dror (2014).Media and Translation: An Interdisciplinary Approach. New York: Bloomsbury. p. 101.ISBN 9781623566463. Retrieved28 August 2015.
  12. ^Miller, John M."The Adventures of Marco Polo".Turner Classic Movies. Turner Entertainment Networks. RetrievedSeptember 14, 2015.

External links

[edit]
Films directed byArchie Mayo
Silent films
Sound films
Television
Productions
Documentaries
and training films
Related
Films produced bySamuel Goldwyn
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