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Thai folklore

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Nang Kwak shopkeeper's good-luck charm inBangkok

Thai folklore is a diverse set of mythology and traditional beliefs held by theThai people. Most Thaifolklore has a regional background for it originated in ruralThailand. With the passing of time, and through the influence of the media, large parts of Thai folklore have become interwoven with the wider popularThai culture.

Phraya Anuman Rajadhon (1888–1969) was the first Thai scholar to seriously study localfolkloristics. He took copious notes on humble details of his culture such as thecharms used by Thai shopkeepers to attract customers. He also studied in depth theoral literature related to different village spirits andghosts of Thai lore.[1]

Folk beliefs

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See also:Religion in Thailand andTai folk religion
Bangkok cityLak Mueang. The longer pillar is the Rama I original, the shorter was added by KingMongkut (Rama IV)
Yantra tattoo for protection

The core of Thai folklore is rooted inTai folk religion. Until they were recorded, folk beliefs were handed down from one generation to the next.

Village shamans are known asphram, a word that has its origin in Brahmana. Thephram conducts exorcisms and performs marriages, among other ceremonies.

Another important figure in Thai folk religion is themo phi (หมอผี) or shaman who would also conduct rituals. To invoke spirits of the dead, four sticks are planted at equal distance from each other on the ground near the burial or cremation place. A thread is tied around the sticks forming a protective square and a mat is spread in the middle, where the mo phi sits down. In front of him, outside of the square there is amo khao terracotta jar with ayantra painted on the outside containing the ashes or bones of the dead person. Beside the jar there is also a plate of rice as an offering and a stick or switch to keep the spirits at bay.

In order to be protected against bad luck, charms andamulets for bringing luck or for protection are popular in Thailand. Some of these are tied around the body or worn as anecklace, while others come in the form ofyantra tattooing. The yantra endows the wearer with supernatural protection, love, health, and wealth. In order to bring luck and provide protection, yants are also drawn in the receptions of multinational companies, the entrances of supermarkets, and the interiors of taxis, trucks, and airplanes.[2]

In shops and houses, often next to a shelf with aBuddha statuette, charms for attracting customers are hung. These include printed pieces of cloth of fish-shaped figures, as well as streamers or framed pictures of acrocodile or ofSuvannamaccha, the mermaid character of the Siamese version of theRamayana. Some of these charms have their origin in theculture of theThai Chinese, as Phraya Anuman Rajadhon observed, but they have been adopted by the Thai people, often with changes.[1]

Miscellaneous folk beliefs

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Superstitions of theThai people include:

  • Auspicious dates. Identification ofauspicious dates and moments is common in Thai culture. This is especially important when setting awedding date, as well as when building a house or purchasing a car.[1]
  • Lucky numbers.Divination techniques are often used to predict numbers before buying alottery ticket.
  • Cutting one's hair or fingernails.Wednesday is regarded as a highly inauspicious day for having ahaircut.
  • Shapes on themoon. In Thai folk belief the dark spots on the moon, the lunarmaria, form either a rabbit shape or the shape of a man and a woman pounding rice.
  • Gecko. The chirping sounds of different species of geckos native to Thailand have different interpretations according to the moment and occasion. Also, if a gecko happens to fall on or near someone in a home or veranda, it has a meaning which is auspicious or inauspicious depending on the side on which it falls.
  • Auspicious colors. Since certain colors may be auspicious for certain persons, much thought is given to the color of a car before acquiring it. Also in the case oftaxicabs certain colors that are deemed unlucky will be avoided. Taxicabs in Bangkok come in various colors and formerly a number of taxis wereviolet, but these have been repainted in recent years for violet was considered an unlucky color, both by cabdrivers and customers.
  • Rainbow. A rainbow is held in high regard and it is important to avoid pointing at it because one would lose one's finger.

Deities

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  • Nang Kwak (นางกวัก) is a benevolent female deity that brings luck to business owners and attracts customers. She is widely considered the patron of traders and shopkeepers and can be seen in almost every business establishment inThailand.[3]
  • Phi Fa (ผีฟ้า) is an ancient deity ofIsan folklore. In her malevolent aspect she is related to Phosop.
  • Phosop (โพสพ) is the traditional and ancientrice goddess of Thailand. She is part of very ancient Thai folklore rather than of the mainstream Buddhist religion.[1] In order to propitiate her during the different stages of the harvest, ritual offerings known asCha Laeo used to be periodically made in villages and hamlets in rural areas.[4]
  • Kuman Thong, represented as the effigy of a young boy, is believed to bring good luck.

Spirits and ghosts

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Main article:Ghosts in Thai culture
Nang Tani, the female spirit that hauntsbanana trees

Spirits or ghosts are known generically asphi (ผี) and they may be found, among other places, in certain trees, burial grounds near Buddhist temples, some houses, as well as mountains and forests. ThePhi Pan Nam Range (ทิวเขาผีปันน้ำ), "The mountain range of the spirits dividing the waters" that divides theMekong from theChao Phrayawatershed, is named after the ancient spirits believed to dwell in the mountains.

Spirit houses, known assan phra phum (ศาลพระภูมิ) inThai language, are small shrines to provide a home for thetutelary spirits of a place. They are common near trees and groves and in urban areas, close to buildings. It is considered a bad omen to neglect these spots and offerings are regularly made by people living nearby.[5]

The local beliefs regarding the nocturnal village spirits of Thailand were studied by Phraya Anuman Rajadhon. Most spirits were traditionally not represented in paintings or drawings, hence they are purely based on stories of theoral tradition.[6]

Thai cinema,Thai television soap operas andThai comics have contributed to popularize the spirits and legends of the folklore of Thailand. Phraya Anuman Rajadhon established that most of the contemporaryiconography of folk ghosts[7][8][9] has its origins in Thai films that have becomeclassics.[10]

Most of the spirits or ghosts are so popular they appear regularly in comic books as well as in films, including theNak animated movie for children. The most well-known are the following:

  • Chao Kam Nai Wen (เจ้ากรรมนายเวร), the spirit of a person with whom one has previously interacted, usually appearing as a spirit who sitting on someone's back
  • Krahang (กระหัง), a male ghost that flies in the night
  • Krasue (กระสือ), a woman's head with herviscera hanging down from the neck
  • Mae Nak (แม่นาก), a female ghost who died at childbirth and that can extend her arms
  • Phi Am (ผีอำ), a spirit that sits on a person's chest during the night
  • Phi Hua Khat (ผีหัวขาด), a headless male ghost that carries his head
  • Phi Phraya (ผีพราย), a female ghost living in the water
  • Phi Phong (ผีโพง), a malevolent male ghost having an unpleasant smell. It lives in dark places under the vegetation
  • Phi Pop (ผีปอบ), a malevolent female spirit that devours human entrails
  • Phi Song Nang, female ghosts that first lure, and then attack and kill young men
  • Phi Tai Hong (ผีตายโหง), the ghost of a person who suffered a sudden violent or cruel death
  • Phi Tai Thong Klom (ผีตายทั้งกลม), the wrathful ghost of a woman having committed suicide after being made pregnant and subsequently betrayed and abandoned by her lover
  • Phi Thale (ผีทะเล), a spirit of the sea, which manifests itself in different ways
  • Pret (เปรต), an extremely tall hungry ghost looking like a large and thin man with a very small mouth
  • Nang Mai (นางไม้; "Lady of the Wood"), a type of femaletree spirits orfairies.[9]
  • Nang Takian (นางตะเคียน), a spirit living inHopea odorata trees
  • Nang Tani (นางตานี), a young woman haunting certain clumps ofbanana trees that appears onfull moon nights

Festivals

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Some traditional celebrations, including Buddhist festivals, provide an opportunity for the expression of local folk beliefs.

Folk tales

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Femaleyak inBangkok. Such ogresses (nang yak) are common main characters of Thai legends

Folk tales and legends in Thailand were used by elders to instill beliefs in the younger generation. Most stories contain moral lessons teaching the importance of following traditions and to display reverence to elders, parents, and superiors. The stories of the spirit world taught children to be cautious, to stay at home at night, and to respect customs regardingdeath rituals and the importance ofofferings.

Many Thaifolk tales are based on the texts ofBuddhism. Also some of the stories of classicalThai literature, such asKhun Chang Khun Phaen (ขุนช้างขุนแผน) andLilit Phra Lo (ลิลิตพระลอ), a story about young lovers with a tragic end,[11] originated in folk tales.Phra Aphai Mani is a Thaiepic poem that has inspired local folklore.

Throughout Thailand there are also local folk stories connected with particular geographic features, such as the story ofDoi Nang Non (ดอยนางนอน), the "Mountain of the Sleeping Lady" and the legend about the formation ofKhao Sam Roi Yot mountains and islands.[12]

Buddhist folk tradition

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See also:Buddhism in Thailand

TheJataka tales, such as theVessantara Jataka,the Twelve Sisters, andPrince Samuttakote (Samuddaghosa), have provided inspiration to Thai traditional storytellers. These Jatakas have been often retold, abridged, and adapted to fit local culture inSoutheast Asian countries, such as Thailand,Burma,Cambodia,Laos,Malaysia, andIndonesia. As a consequence, they have become so familiar to average people that they fully belong to the folklore of their respective country. Often each country claims the story as its own cultural achievement. Thailand is no exception.[13]

Sang Thong (Suvannasankhajātaka), where the marriage between a man and a woman of different social status is the main subject of the story,[14] andHonwichai and Kawi are also long traditional stories. The "Woodcutter who lost his Axe" is a well-liked Thai tale with a moral lesson promoting honesty.[15]

Sri Thanonchai is a trickster which tricks people with his word.

Many figures of the Buddhist tradition have been fully incorporated into Thai lore, among these are the yaksa (ยักษ์), ogres (yaksha), and ogresses (Pali:Yakkhini), the tall and scaryPrets (เปรต),[16]Ongkhuliman (องคุลิมาล), the violent criminal named after the garland of the fingers of his victims he wore around his neck, as well asNariphon, the mythical tree of Buddhist literature bearing fruits in the shape of young girls.

Vivid descriptions of the torments ofhell,[17] sometimes in the form of garish sculptures, are to be found in someBuddhist temples in Thailand.[18] These representations are so popular that, along with figures of local spirits, they have become a regular feature in present-dayThai comics.[19]

Animals in folklore

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Themynah is featured in some tales for its ability to talk and imitate sounds. The"Hen and her six chicks", explaining the origin of thePleiades, "The White Crows" and tales withelephants such as "The Elephant, the Monkey and the Quail", and "The Elephants and the Bees"[15] are common folk tales, some of which are based on thePanchatantra.[20]

Snakes are part of the Thai popular lore, and depending on the background of the tale or myth, they have different meanings.Nak (นาค),Nagas figure in some stories of local folklore and are represented as well inBuddhist temples as architectural elements. Malelust is often popularly represented as a snake growing on top of the head of the lustful man.[21]Thai folk mythology also includes the idea of a link between snakes and women. Some stories based on snakes have been made into Thai movies.[22]

Folk art and craft

[edit]
Mo Khao (หม้อข้าว) clay pot with yantra inscriptions and a candle

The articles listed below are an essential part of Thai folklore. Some were articles of daily household use in rural areas.

  • Kan Tam Khao (การตำข้าว), the long wooden pestle of a traditional manualrice pounder.[23]
  • Mo Khao (หม้อข้าว ). A traditional Thaiclay pot (หม้อดิน) widely used formerly to cook rice. It is also used in ceremonies to invoke spirits as well as to capture evil ghosts and banish them.[24]
  • Kradong (กระด้ง), a round ricewinnowing basket. The large ones are known asKradong Mon (กระด้งมอญ).[25] Phi Krahang uses two large winnowing baskets to fly in the night.
  • Prakham (ประคํา), theBuddhist prayer beads. Witch doctors usually wear a necklace of beads.

Thai Buddha amulet

[edit]
Thai amulets
Main article:Thai Buddha amulet

Thai Buddha amulet (Thai:พระเครื่อง) is a kind ofThaiBuddhist blessed item. It is used for raising funds in order to help the temple producing theamulets. Worshippers can obtain an amulets or Thai Buddhist monk blessing by simply donating money or offering oil to the temple. After the donation, Thai Buddhist monk will give amulet as a gift to them. With the change of time, amulet no longer simply means as a "gift", but a kind of tool to help enhance luck in different aspects, some people use amulets to improve marriage, wealth, health, love and people relationship.

Further reading

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  • Drouyer, Isabel Azevedo; Rene Drouyer.Thai Magic Tattoos, The Art and Influence of Sak Yant. Riverbooks, 2013.
  • Siraporn Nathalang (ed),Thai Folklore: Insights Into Thai Culture, Chulalongkorn University Press, 2000,ISBN 978-974-346-046-3.
  • Jacques Ivanoff,The Cultural Roots of Violence in Malay Southern Thailand: Comparative Mythology; Soul of Rice; Volume 1: The Tutelary Figures of Malay Political Heroism. White Lotus, 2011,ISBN 978-974-480-162-3.
  • Wanni Wibulsadi Anderson (editor),Folklore and Folklife of Thailand. Asian Folklore Studies. Vol XLVII Brown University, Providence RI, 1989
  • Suthon Sukphisit,Folk Arts and Folk Culture: The Vanishing Face of Thailand. Post Books, 1997.ISBN 978-974-202-027-9.
  • Pornpimol Senawong,Thai Ties: Social Customs and Cultural Traits That Ties All Thais Together. Samaphan Publishing Co, 2006,ISBN 978-974-641-147-9.
  • Sorasing Kaowai & Peter Robinson,In Grandmother's House — Thai Folklore, Traditions and Rural Village Life. Monsoon Press, 2011.ISBN 978-981-08-6658-7
  • P.C. Roy Chaudhury,Folk tales of Thailand. Learners Press, 1995.OCLC 59729235.

See also

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References

[edit]
  1. ^abcdPhya Anuman Rajadhon,Essays on Thai Folklore, Editions Duang Kamol,ISBN 978-974-210-345-3.
  2. ^Drouyer, Isabel Azevedo, Rene Drouyer.Thai Magic Tattoos, The Art and Influence of Sak Yant. Riverbooks, 2013.
  3. ^"Astrologers".Archived from the original on 2012-06-30. Retrieved2012-10-04.
  4. ^"Rice Hoarding Affect Supplies in Thailand".Archived from the original on 2012-10-20. Retrieved2012-10-04.
  5. ^The Thai Spirit HouseArchived 2013-03-09 at theWayback Machine
  6. ^'Ghosts and Spirits of Lan Na (Northern Thailand', in: Forbes, Andrew, and Henley, David,Ancient Chiang Mai Volume 4. Chiang Mai, Cognoscenti Books, 2012. ASIN: B006J541LE
  7. ^"Ghosts of Thai folklore". Archived fromthe original on 2013-11-01. Retrieved2012-10-04.
  8. ^Phi Krahang
  9. ^ab"Spirits".Archived from the original on 2012-06-30. Retrieved2012-10-04.
  10. ^"Movie poster showing Thai ghosts Krahang and Krasue with Count Dracula".Archived from the original on 2012-11-11. Retrieved2012-10-04.
  11. ^Ayutthaya Literature
  12. ^"Khao Sam Roi Yot National Park - Activities".Archived from the original on 2010-03-17. Retrieved2012-12-20.
  13. ^"Cambodge: un peuple, une culture - Les Jâtaka".Archived from the original on 2016-03-04. Retrieved2012-10-04.
  14. ^Padmanabh S. Jaini, "The Story of Sudhana and Manoharā: An Analysis of the Texts and the Borobudur Reliefs",Bulletin of the School of Oriental and African Studies, University of London, Vol. 29, No. 3 (1966), pp. 533-558.
  15. ^abSupaporn Vathanaprida et al.Thai Tales: Folktales of Thailand, Libraries Unlimited, 1994,ISBN 978-1-56308-096-8.
  16. ^"Pretas".Archived from the original on 2012-07-01. Retrieved2012-10-04.
  17. ^"The Torments of Hell".Archived from the original on 2015-09-24. Retrieved2012-10-04.
  18. ^Thai Folk Art
  19. ^"Thai Comic". Archived fromthe original on 2014-10-26. Retrieved2012-10-04.
  20. ^"Thai Folktale and Legal Reasoning".Archived from the original on 2011-12-04. Retrieved2012-10-04.
  21. ^"Thai comic book cover". Archived fromthe original on 2014-10-26. Retrieved2012-10-04.
  22. ^Thai snake movies
  23. ^"การตำข้าว".Archived from the original on 2013-04-05. Retrieved2012-10-04.
  24. ^Ancient Rice cultureArchived 2011-02-16 at theWayback Machine
  25. ^"กระด้ง".Archived from the original on 2014-04-09. Retrieved2012-10-04.

External links

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