| Tha Carter III | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | June 10, 2008 (2008-06-10) | |||
| Recorded | 2006–2008 | |||
| Genre | ||||
| Length | 77:04 | |||
| Label | ||||
| Producer |
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| Lil Wayne chronology | ||||
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| Tha Carter albums chronology | ||||
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| Singles from Tha Carter III | ||||
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Tha Carter III is the sixthstudio album by American rapperLil Wayne, released on June 10, 2008, byCash Money,Universal Motown andYoung Money Entertainment.[2] It follows a string of mixtape releases and guest appearances on otherhip hop andR&B artists' albums.[3] The album features appearances fromJay-Z,T-Pain,Fabolous,Robin Thicke,Busta Rhymes,Juelz Santana,Babyface,Bobby V, andKanye West, among others. It also featuresStatic Major, who is credited posthumously following his death in February of that year.
Amid release delays andleaks,Tha Carter III became one of the most anticipated releases of 2008.[4][5][6] It debuted at number one on the USBillboard 200, selling over one million copies in its first week—which made it one of thefastest-selling albums in the US.[7] It reached sales of 2.88 million copies by the end of 2008 and produced four commercially successful singles on theBillboard Hot 100—"Lollipop", which peaked at number one, and the top-ten singles "A Milli" and "Got Money", as well as the top-20 single "Mrs. Officer".
Upon its release,Tha Carter III received widespread acclaim from music critics and has since been regarded as one of Wayne's best albums. It earned the rapper several accolades, including a spot onRolling Stone's list ofThe 500 Greatest Albums of All Time. It was nominated forAlbum of the Year at the2009 Grammy Awards and won forBest Rap Album, while "Lollipop" wonBest Rap Song and "A Milli" wonBest Rap Solo Performance. It has been certifiedoctuple platinum by theRecording Industry Association of America (RIAA).
Lil Wayne stated that producers would includeThe Alchemist,Cool & Dre,Deezle,Jim Jonsin,Just Blaze,Kanye West,Mannie Fresh,The Runners,Timbaland,Danja, andwill.i.am.[8][9][10] In an interview with HipHopCanada.com,Solitair of theBlack Jays stated that he andCipha Sounds produced a track called "Outstanding", which later eventually leaked.[11] The Runners have stated that they have produced three tracks forTha Carter III.[12] Lil Wayne revealed that he has a track forEminem, which he has yet to send to him.[13] He described this song as the "craziest".[13] Some believe that his request was turned down, but it most likely turned into "Drop the World" on his 2010 albumRebirth.[14]
The album features guest appearances byFabolous,[15]T-Pain,Brisco,Bobby V,Babyface,Betty Wright,Static Major,Robin Thicke,Jay-Z,[16]Juelz Santana,[17] andBusta Rhymes.[18]MTV reported thatWyclef Jean worked on a couple of tracks for the album and that a song featuringJustin Timberlake,Nelly Furtado, andTimbaland was likely to appear on the album.[13][19] However, that Timbaland-produced track did not make the final cut.David Banner confirmed that he will be credited for five tracks on the final cut ofTha Carter III, but only one is featured on the album.[20] After the copyright controversy of "Playing with Fire", the track was later removed and replaced with another David Banner-produced track "Pussy Monster".Swizz Beatz stated he was also working on the album.[21] When asked about how many tracks Kanye West had contributed, he answered:
On the first visit he had five joints, on the second visit he gave me a CD with fifteen joints on it. I then told him to slow down and he left me alone, but we got a good three on the album. He confirmed that he had a few tracks onThe Leak that are produced by Kanye West.[22]
Tha Carter III's lead single, "Lollipop", peaked at number one on theUSBillboard Hot 100, staying at the top for three weeks. It was Wayne's most successful solo single in his career, winning oneGrammy Award, aBET Award, and anMTVVMA. The song was praised as an "electro-bumpin'…infectious track",[23] perceived as more of a "bubblegum" pop track than rap.[24] The second track on the album, "Mr. Carter", was nominated for a Grammy while also peaking within the Hot 100.Jay-Z's guest verse on the song was praised, which was seen as him passing the throne to Wayne.[25][26] The second single, "A Milli", was a top ten hit and was praised as one of the best songs of 2008.[27] The song garnered countless freestyles and remixes, while Wayne's original version was praised with "spectacular rhyme".[26] "Dr. Carter", the sixth track, was also praised for lyrical content and humor as Wayne took on the persona of a doctor performing surgery on various patients (a metaphor for Wayne resurrecting hip-hop[25]).[24] "Tie My Hands", featuringRobin Thicke, was praised as a deep track featuring "political commentary" and "despair" with Thicke's performance being the most complementary to Wayne.[23] "Phone Home" also features various alien metaphors reminiscent of the filmE.T. the Extra-Terrestrial (1982).[23][24]
After most of the album leaked on the Internet in mid-2007, Lil Wayne used the leaked tracks, plus four new songs to make an album titledThe Leak.[4]The Leak was to be officially released on December 18, 2007, with the actual album being delayed until June 10, 2008.[28] When questioned about the unplanned leak, Lil Wayne said:
We have to find out exactly what's out there. I'll probably just [collect] all the songs that's floating around and make my own mixtape calledThe Leak since people want the music so bad. To tell you the truth though, there's a song I did withKanye West out there—of course you want to save that for your album, but the rest of them songs probably wouldn't have made the album. There's a song floating around that says 'produced by Timbaland'.[29]
Lil Wayne later calledDJ Drama's radio show Shade 45 Sirius Satellite Radio to explain that his comments were meant specifically for DJ Empire who leaked his materials periodically without his permission, consent, or knowledge; he also apologized for any misunderstandings between him and the numerous DJs that have aided him in the mixtape industry. He made it clear, however, that he wished for any feelings of dislike or resentment to remain.[30]
In a June 2008 interview withBillboard, Lil Wayne explained that the unauthorized release of tracks compelled him to release mixtapes rather than albums betweenTha Carter II andTha Carter III.[31]
The album's lead single, "Lollipop", topped the USBillboard Hot 100 for 5 non-consecutive weeks, making it Wayne's most successful single in his career. It features rapperStatic Major. The album's second single, "A Milli", was another top ten. It reached No. 6 on theBillboard Hot 100. It also won a Grammy for Best Rap Song. The video for the second single, "A Milli", was set to be released in May, and has since been mainstreamed. Multiple versions of the track were to be included on the album as "skit-like" tracks, featuring artists such asTyga, Cory Gunz,Hurricane Chris andLil Mama.[32] Another artist, 13-year-old Lil Chuckee, was also set to appear on one of the "A Milli" skits. None of the skits made the final cut of the album. The third single is "Got Money", featuringT-Pain. It reached No. 10 on theBillboard Hot 100. The fourth single is "Mrs. Officer", featuringBobby Valentino. It made the Top 20 in just four weeks. "Lollipop", "A Milli", "Got Money", and another track, "Mr. Carter", were nominated for a Grammy. Lil Wayne also performed "Tie My Hands" withRobin Thicke at the 51st Grammy Awards.
The album also featured the releases of promo singles. "3 Peat" peaked at number 66 on theBillboard 100. "You Ain't Got Nuthin" featuringFabolous andJuelz Santana was released as a promo single, peaking at number 81 on theBillboard 100. "Mr. Carter", featuringJay-Z, peaked at number 62 on theBillboard 100, number 27 on the Hot R&B/Hip Hop Songs chart, and number 13 on the Top Rap Songs. It was nominated for a Grammy for Best Rap Performance by a Duo or a Group in 2009.
On July 24, 2008,Abkco Music Inc. filed alawsuit against Lil Wayne forcopyright infringement andunfair competition, specifically referring to the track "Playing with Fire".[33] In the lawsuit, Abkco claims that the song was obviously derived fromThe Rolling Stones' "Play with Fire", to which Abkco owns the rights.[33][34] Subsequently, "Playing with Fire" was removed from the track list ofTha Carter III on allonline music stores and replaced with theDavid Banner produced track, "Pussy Monster".[35][36][37]
In March 2011, producerDeezle (Darius Harrison) sued Wayne and his parent labels Cash Money Records over unpaid royalties from Tha Carter III album.[38] In May 2011, producer Bangladesh also filed a lawsuit against Weezy & Co. over unpaid royalties.[39] In early June 2011, another producer namedDavid Kirkwood filed a lawsuit against Young Money Entertainment and Cash Money Records on claims that the labels have failed to pay him over $1.5 million in royalties and production services for his work on the album, also including his songwriting on "Love Me or Hate Me", a bonus song featured only on the deluxe edition of the album.[40] Also in June 2011, Dallas producersPlay-N-Skillz filed a lawsuit against him claiming Wayne owed them at least $1 million in unpaid royalties for "Got Money" fromTha Carter III.[41]
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 84/100[42] |
| Review scores | |
| Source | Rating |
| AllMusic |   [23] |
| The A.V. Club | B[43] |
| Blender |  [44] |
| Entertainment Weekly | B−[26] |
| The Guardian | [45] |
| Los Angeles Times | [46] |
| MSN Music (Consumer Guide) | A−[47] |
| Pitchfork | 8.7/10[48] |
| Rolling Stone | [24] |
| Uncut | [49] |
Tha Carter III received widespread acclaim frommusic critics. AtMetacritic, which assigns anormalized rating out of 100 to reviews from mainstream critics, the album received anaverage score of 84, based on 26 reviews, indicating "universal acclaim".[42]AllMusic editor David Jeffries praised Wayne's "entertaining wordplay and plenty of well-executed, left-field ideas".[23]The Guardian's Alex Macpherson lauded Wayne's rapping, stating "Just trying to keep up with Wayne's mind as he proves the case is a thrill. He breaks language down into building blocks for new metaphors, exploiting every possible semantic and phonetic loophole for humour and yanking pop culture references into startling new contexts".[45]
Jonah Weiner ofBlender called it "a weird, gripping triumph".[44]Rolling Stone writerJody Rosen commended its themes and stated "This isn't a mixtape, it's a suite of songs, paced and sequenced for maximum impact".[24]Jon Pareles ofThe New York Times commented that Wayne "has clearly worked to make'Tha Carter III' a statement of its own: one that moves beyond standard hip-hop boasting (though there's plenty of that) to thoughts that can be introspective or gleefully unhinged".[50]Pitchfork's Ryan Dombal stated, "he distills the myriad metaphors, convulsing flows, and vein-splitting emotions into a commercially gratifying package".[48] In his consumer guide forMSN Music, criticRobert Christgau noted that "every track attends to detail" and quipped, "From the start you know this is no mixtape because it's clearer and more forceful".[47]Uncut stated that "the prince of hip-hop gets a blessing from the king".[49] Mosi Reeves ofPaste gave it a favorable review and noted that the album "hearkens to when rap meantrapp: Isaac Hayes talking for days about some girl he broke with, or Bobby Womack signifying while strumming a blues guitar".[51]Nathan Rabin ofThe A.V. Club called Lil Wayne "the man of the moment, but the disc's best moments strive for timelessness and attain it".[43]
The Washington Post's J. Freedom du Lac commended Wayne for his "impulses to be outrageous and unconventional", calling him a "nonsensical genius", but found the album "uneven".[52] Tom Breihan ofThe Village Voice described it as "a sprawling mess, and it clangs nearly as often as it clicks" and "a work of staggering heights and maddening inconsistencies", but commended Wayne for his unconventional performance, stating "On paper, this is a textbook focus-grouped major-label hodgepodge, replete with girl songs and club songs and street songs. But every facet of the album comes animated and atomized by Wayne's absurdist drug-gobbling persona".[53] Drew Hinshaw ofPopMatters stated "Tha Carter III is a monumental album full of powerful, self-defeating statements that obliterate rap's internal logic without offering too much more than indifferent bong logic in return. Judged, however, as a collection of singles and quotable verses—the criteria on which we've been grading hip-hop records since the end of disco—Tha Carter III is an agonizing piece of work".[54] Jeff Weiss of theLos Angeles Times found it "scattershot", stating "When Wayne's mad alchemy works,Tha Carter III evinces shades of brilliance that merit the wild hype, but in its transparent attempts to define its era, it fails, falling victim to the imperial bloat of its big-budget mishmash of styles".[46] Jon Caramanica ofEntertainment Weekly wrote that "this schizoid album […] is alternately mesmerizing and inscrutable".[26]Slant Magazine's Dave Hughes viewed that it lacks a "focus" as an album, and stated, "while there are a lot of […] great moments here,Carter III is not the definitive statement of Wayne's mastery that he clearly intended it to be".[55] Brandon Perkins ofURB commented that "As a sum of its parts,Tha Carter III does not transcend, but a good number of those parts are otherworldly enough".[56] Julian Benbow ofThe Boston Globe said the album was "not an instant classic, but it is the best rap album since Kanye West dropped "Graduation" last year".[57] Eric R. Danton of theHartford Courant said of Lil Wayne, "If his raspy, cartoonish voice didn't mark him as different, his quick wit, offhanded wordplay and quirky subject matter should have in a genre populated largely by grim-faced imitators".[58]
Other reviews are average or mixed: Chase Hoffberger ofThe Austin Chronicle gave the album three stars out of five and said, "It's Wayne's personality that both floats and sinksTCIII".[59] Kilian Murphy ofHot Press also gave it a score of three out of five and stated, "Gifted MC loses the run of himself without Mannie Fresh".[60] Lewis P. of Sputnikmusic likewise gave it a score of three out of five and said the album "is scattershot, which oddly strengthens its faults, as if any lull in quality means that the next batch of producers can just reset the formula".[61] (However, nearly three years later, in 2011, Alex Robertson of the same website gave the album a score of four-and-a-half out of five and said it was "sort of a miracle: it's way too weird and confusing to be on the mainstream rap charts--to be that record that everyone knows about--but it is anyway. This album was in opposition to much of modern rap but somehow became popular and then proceeded to completely consume the genre and change its direction. […]Tha Carter III is a contradictory, against-all-odds masterpiece, and Lil Wayne may never perfect this balance again. I sincerely question: will anyone?"[62]) Ajitpaul Manjat ofTiny Mix Tapes gave the album two-and-a-half stars out of five and stated that, "equipped with the stylish, but too-often substance-lessTha Carter III, Lil Wayne seems poised to flip the script on the 'rapper racists' (radio stations, MTV) by evolving into the 'biggest' rapper alive".[63]
Tha Carter III was ranked number one inBlender's list of the 33 best albums of 2008.[64] Christgau ranked its deluxe edition as the second best album of 2008.[65] The album was also ranked number three onRolling Stone's list of the top 50 albums of 2008.[66] It was nominated for aGrammy Award for Album of the Year,[67] and it won forBest Rap Album at the2009 Grammy Awards, while "Lollipop" won forBest Rap Song and "A Milli" won forBest Rap Solo Performance.[68]Billboard magazine ranked the album number 103 on its list of the Top 200 Albums of the Decade.[69] In 2012, the album was ranked number 437 onRolling Stone's list ofthe 500 Greatest Albums of All Time,[70] upgrading to number 208 in 2020 revised list.[71] In 2012Complex named the album one of the classic albums of the last decade.[72]
With opening day sales figures of approximately 423,000 copies,[73]Tha Carter III debuted at number one on the USBillboard 200 chart, selling 1,005,545 copies in its first week.[74][75] This became Wayne's first US number one debut and his sixth top-ten album.[74] With its first week sales, it is the largest first week sales for any album in 2008 in the United States and the first album to reach the million mark in one week since50 Cent'sThe Massacre (2005).[76] In its second week, the album dropped to number two on the chart, behindColdplay'sViva La Vida or Death And All His Friends, selling an additional 309,000 copies.[77] By the end of 2008,Tha Carter III had sold approximately 2.88 million copies and it was named the best-selling album of the year in the United States byBillboard.[78] On September 25, 2020, the album was certifiedsix times platinum by theRecording Industry Association of America (RIAA), for combined sales andalbum-equivalent units of over six million units in the United States.[79]
Tha Carter III has also reached the top spot in theCanadian Albums Chart, selling nearly 21,000 units. Elsewhere, the album known an international but moderate success due to the rise of popularity of "Lollipop", reaching the top ten in New Zealand and twenty in Norway and Switzerland, top thirty in the Netherlands, France and Germany. However, it entered at only number 23 in theUK and number 34 on theIrish Albums Chart.Tha Carter III was Wayne's first album to entering in several national album charts in 2008.
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "3 Peat" |
| Maestro | 3:19 |
| 2. | "Mr. Carter" (featuringJay-Z) |
|
| 5:16 |
| 3. | "A Milli" |
| Bangladesh | 3:41 |
| 4. | "Got Money" (featuringT-Pain) |
|
| 4:04 |
| 5. | "Comfortable" (featuringBabyface) | West | 4:25 | |
| 6. | "Dr. Carter" | Swizz Beatz | 4:24 | |
| 7. | "Phone Home" |
| Cool & Dre | 3:11 |
| 8. | "Tie My Hands" (featuringRobin Thicke) |
| Thicke | 5:19 |
| 9. | "Mrs. Officer" (featuringBobby V andKidd Kidd) | Deezle | 4:47 | |
| 10. | "Let the Beat Build" |
|
| 5:09 |
| 11. | "Shoot Me Down" (featuring D. Smith) |
|
| 4:29 |
| 12. | "Lollipop" (featuringStatic Major) |
|
| 4:59 |
| 13. | "La La" (featuringBrisco &Busta Rhymes) | David Banner | 4:21 | |
| 14. | "Playing with Fire" (featuringBetty Wright) |
| Streetrunner | 4:21 |
| 15. | "You Ain't Got Nuthin" (featuringJuelz Santana &Fabolous) |
| Alchemist | 5:27 |
| 16. | "Dontgetit" |
| Rodnae | 9:52 |
| Total length: | 77:04 | |||
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 14. | "Pussy Monster" |
| Banner | 5:13 |
| Total length: | 78:02 | |||
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 17. | "Lollipop (Remix)" (featuring Kanye West and Static Major) |
|
| 4:21 |
| 18. | "Prostitute 2" |
|
| 5:50 |
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "I'm Me" | DJ Nasty & LVM | 4:55 | |
| 2. | "Gossip" |
| Streetrunner | 3:25 |
| 3. | "Kush" |
| Maestro | 3:42 |
| 4. | "Love Me or Hate Me" |
| GX | 4:00 |
| 5. | "Talkin' About It" |
|
| 3:31 |
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Action" |
| Deezle | 3:45 |
| 2. | "Whip It" |
| Deezle | 6:01 |
| 3. | "I'm Me" |
| DJ Nasty & LVM | 4:55 |
| 4. | "Gossip" |
| Streetrunner | 3:25 |
| 5. | "Kush" |
| Maestro | 3:42 |
| 6. | "Love Me or Hate Me" |
| GX | 4:00 |
| 7. | "Talkin' About It" |
|
| 3:31 |
Notes[80]
Credits forTha Carter III adapted fromAllmusic.[81]
|
|
Weekly charts[edit]
| Year-end charts[edit]
Decade-end charts[edit]
|
| Region | Certification | Certified units/sales |
|---|---|---|
| Australia (ARIA)[113] | Gold | 35,000‡ |
| Canada (Music Canada)[114] | 2× Platinum | 160,000^ |
| Netherlands (NVPI)[115] | Gold | 18,600‡ |
| United Kingdom (BPI)[117] | Gold | 207,969[116] |
| United States (RIAA)[79] | 8× Platinum | 8,000,000‡ |
^ Shipments figures based on certification alone. | ||
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| Related articles | |
