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El Teatro Campesino

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American theatre company
El Teatro Campesino
Formation1965
Delano, California
TypeTheatre group
PurposeCommedia dell'arte
Location
Artistic director
Kinan Valdez
Notable members
Luis Valdez
Diane Rodriguez
WebsiteOfficial Site
Part of a series on
Chicanos andMexican Americans
Mexican America
Early-American Period
Pre-Chicano Movement
Chicano Movement
Post-Chicano Period

El Teatro Campesino (Spanish for "The Farmworker's Theater") is aChicanotheatre company inCalifornia. Performing in bothEnglish andSpanish, El Teatro Campesino was founded in 1965 as the cultural arm of theUnited Farm Workers and theChicano Movement with the"full support ofCésar Chávez."[1] Originally based inDelano, California, during theDelano Strike, the theatre is currently based inSan Juan Bautista, California.

Currently, El Teatro Campesino's mission is “…to create a popular art with 21st century tools that presents a more just and accurate account of human history, while encouraging the young women and men of a new generation to take control of their own destiny through creative discipline, vibrant education, economic independence, and artistic excellence.”[2]

History

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Poster for Teatro Campesino performing at a strike benefit withQuicksilver Messenger Service; July 1966 atThe Fillmore,San Francisco.

Luis Valdez, along with Agustin Lira (Teatro de la Tierra), founded the troupe. After attendingSan Jose State University and working briefly with theSan Francisco Mime Troupe, Luis Valdez met Agustin Lira, a local Chicano with theatrical experience who had already hit upon the idea of using theater as an organizing tool in the fields and was already involved in the United Farmworkers Union in Delano.[1] The troop "was established in 1965 during theDelano grape strike."[3]

Teatro Campesino's early performances drew on varied traditions, such ascommedia dell'arte, Spanish religious dramas adapted for teachingMission Indians, Mexican folk humor, a century-old tradition of Mexican performances in California, andAztec andMaya sacred ritual dramas.[2] El Teatro Campesino's roots can be traced back to Mayan ritual dramas, from records that survived Spanish conquest.

Use of Chicano Actos

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Chicano actos, or skits, are short improvised scenes that were reflections of the social relationships and lived experiences of Chicanos, were used by El Teatro Campesino to connect with their audiences who were predominately other farmworkers.[4]

El Teatro Campesino started as the cultural wing of the United Farm Workers union in California's central valley, to help raise both Mexican workers and American people awareness of theDelano grape strike controversies during the two years of the strike (1965 – 1967).[5] Although the troupe began by entertaining the farmworkers, within a year of their founding they began to tour to raise funds for the striking farm workers. While being relocated to Del Rey, California and then Fresno, California from 1967 to 1971, their subject matter had expanded to include aspects of Chicano culture that went beyond the fields: education, theVietnam War, indigenous roots, and racism.[3] The work of the theater has been considered by critics of Chicano art, such as Holly Barnet-Sanchez, as a "major catalyst for an explosion of Chicano/a arts."[1]

Modern era

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Beginning in 1970, the Teatro Campesino hosted a Festival de Teatros in Fresno, California. Fifteen groups participated in the festival furthering the Chicano Teatro Movement. At the festival, members collaborated to share historical and contemporary performance materials that they could share with their home communities.[6]

In 1971, El Teatro Nacional de Aztlan (TENAZ) was formed after groups throughout North America agreed to hold continuous conferences to collaborate with one another. In that same year, they moved their headquarters to San Juan Bautista and adapted traditional religious playsLa Virgen del Tepeyac andLa Pastorela for Christmas celebrations. As Chicano culture received unprecedented attention in the United States, Valdez received national attention, and taught drama at theUniversity of California, Berkeley andUniversity of California, Santa Cruz.

In 1973 they worked with British theater directorPeter Brook; in 1976 they toured the playLa Carpa through Europe, sponsored by theU.S. State Department.

See also

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Notes

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  1. ^ Organizational history, UCSB site.
  2. ^ Organizational history, UCSB site.
  3. ^ Organizational history, UCSB site.

References

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  1. ^abBarnet-Sanchez, Holly (2012). "Radical Mestizaje in Chicano/a Murals". In Anreus, Alejandro; Folgarait, Leonard; Greeley, Robin Adele Greeley (eds.).Mexican Muralism: A Critical History. Berkeley, California: University of California Press. pp. 246–251.ISBN 9780520271616.
  2. ^"Our History | El Teatro Campesino".elteatrocampesino.com. Retrieved2015-11-22.
  3. ^Perez, Frank (2015)."El Teatro Campesino: Fifty Years and Counting".El Teatro Campesino. Retrieved2024-08-26.
  4. ^Huerta, Jorge (2020).“Chicano Teatro: A Background.” (4th ed.). UCLA Chicano Studies Research Center Press. pp. 162–165.ISBN 9780895511720.
  5. ^Butticè, Claudio."El Teatro Campesino - An Overview". Retrieved20 July 2015.
  6. ^Huerta, Jorge (2020).The Chicano Studies Reader: An Anthology of Aztlán (4th ed) (4th ed.). University of Washington Press. pp. 165–166.ISBN 9780895511720.

External links

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