Tarik O'Regan
Born	Tarik Hamilton O'Regan (1978-01-01)1 January 1978 (age 47) London, United Kingdom
Education	Royal College of Music (Junior Department),Pembroke College, Oxford andCorpus Christi College, Cambridge
Occupation	Composer
Notable work	Seeworks list
Movement	Postminimalism
Website	tarikoregan.com

Tarik Hamilton O'Regan^[1] (/ˈtærɪkoʊˈriːɡən/; born 1 January 1978) is a British and American composer. His compositions are partially represented on numerous recordings which have been recognised with two Grammy nominations. He is also the recipient of two British Composer Awards. O'Regan has served on the Faculties ofColumbia University as aFulbright Chester Schirmer Fellow, TheRadcliffe Institute ofHarvard University as a Radcliffe Fellow,Yale University,Trinity College in the University of Cambridge,Rutgers University,Stanford University as a Visiting Artist, and theInstitute for Advanced Study in Princeton as Director's Visitor.^[2]

O'Regan's compositions incorporate the influence of Renaissance vocal writing, the music of North Africa, British rock bands of the 1960s and 1970s, jazz and Minimalist music. His music is often rhythmically complex and employs varying approaches to tonality.

Tarik O'Regan was born in London in 1978. He grew up predominantly inCroydon^[3] inSouth London, to anEnglish father ofIrish descent and anAlgerian mother, spending some of his early childhood in Algeria andMorocco, the latter where his mother was born.^[1][4] He was educated atWhitgift School thenPembroke College, Oxford, where he studied music and, in 1997, he received his first commissions from the Choir ofNew College, Oxford (conducted by Edward Higginbottom) andJames Bowman.^[5] During this time, he studied composition privately withJeremy Dale Roberts.^[6]

Following completion of his undergraduate studies in 1999, he began serving as the classical recordings reviewer forThe Observer newspaper, a position he held until 2003.^[7] At the same time he also worked forJPMorgan Chase, the investment bank.^[8][9] He completed his postgraduate studies under the direction ofRobin Holloway at Cambridge, where he was appointed Composer in Residence atCorpus Christi College in 2000 and formally began his career as a composer,^[10] with his first published works appearing in 2001 on the Finnish Sulasol imprint.^[11]

2002 marked two important London premieres: those ofClichés with theLondon Sinfonietta andThe Pure Good of Theory with theBBC Symphony Orchestra.^[5] In 2004, O'Regan moved to New York City to take up the Chester SchirmerFulbright Fellowship atColumbia University and subsequently aRadcliffe Institute Fellowship atHarvard. During this period, his compositionSainte won the Vocal category of the 2005 British Composer Awards^[12] and his debut disc,VOICES was released on the Collegium label.^[13]

Beginning in 2007, O'Regan began dividing his time between the UK and the US when he was appointed Fellow Commoner in the Creative Arts atTrinity College, Cambridge, a position he held until 2009.^[8] During his tenure at Cambridge, his compositionThreshold of Night won the Liturgical category of the 2007 British Composer Awards^[14] andScattered Rhymes, his first CD on theHarmonia Mundi label, performed by the Orlando Consort and the Estonian Philharmonic Chamber Choir conducted byPaul Hillier, was released in 2008.

O'Regan's second disc on the Harmonia Mundi label,Threshold of Night, appeared in late 2008 and awakened a wider interest in his work, demonstrated by the CD garnering twoGRAMMY Award nominations in 2009: Best Classical Album and Best Choral Performance.^[15] After this, he increased his output as a music commentator in print^[16] and on air, especially onBBC Radio 3^[17][18] andBBC Radio 4.^[19] This aspect of his career broadened with the broadcasting in 2010 on BBC Radio 4 ofComposing New York, a documentary written and presented by O'Regan.^[20][21][22] In the same year, he was appointed to theInstitute for Advanced Study in Princeton as a Director's Visitor and made hisBBC Proms debut withLatent Manifest performed by theRoyal Philharmonic Orchestra. O'Regan's third album on the Harmonia Mundi label,Acallam na Senórach: an Irish Colloquy (based on the 12th centuryMiddle Irish narrativeof the same name) was released in October 2011.

In 2011,Heart of Darkness, O'Regan'schamber opera in one act, with an English-languagelibretto by artistTom Phillips, based on thenovella of the same name byJoseph Conrad was premiered at theLinbury Theatre of theRoyal Opera House.^[23] The idea for the opera first came to O'Regan in 2001.^[24] It receivedwide critical attention and marked his first foray into operatic writing. A suite for orchestra and narrator was extrapolated from the opera and was given its London premiere by theRoyal Philharmonic Orchestra and actorSamuel West in April 2013.^[25] In May 2015,Heart of Darkness received its North American premiere in a production by Opera Parallèle, presented byZ Space in San Francisco, California.^[26]

O'Regan's first full-length ballet score (Mata Hari, based on the life ofMargaretha Zelle MacLeod), commissioned by the Dutch National Ballet with choreography by Ted Brandsen, opened on 6 February 2016 inAmsterdam.^[27] On 30 September 2016Mata Hari was released inDVD andBlu-ray formats by EuroArts, distributed byWarner Classics; the ballet will be revived for a further run in October, 2017.^[28][29]

In February 2017, O'Regan's first album of orchestral music,A Celestial Map of the Sky, performed byThe Hallé under the direction ofSir Mark Elder and Jamie Phillips, was released on theNMC label.^[30] The album entered the BritishOfficial Charts at number seven in the Specialist Classical Chart and number 18 in the Classical Artist Albums Chart.^[31][32] In the same year he was elected both to an Honorary Fellowship ofPembroke College, Oxford, and to the board ofYaddo.^[33][34]

In 2019, O'Regan's operaThe Phoenix with a libretto byJohn Caird was premiered at theHouston Grand Opera. The story was derived from the life of Mozart’s librettist,Lorenzo Da Ponte. Patrick Summers conducted the opera withThomas Hampson andLuca Pisaroni playing Da Ponte at different stages of his life. The designs were by David Farley with lighting by Michael Clarke and choreography by Tim Claydon.^[35] He was subsequently appointedPhilharmonia Baroque Orchestra's first-everComposer-in-Residence from the 2021/2022 season onward.^[36]

From 2011 to 2022, O'Regan composed several pieces influenced by his North African heritage, which included his first collaborations with both theDutch National Ballet and theAustralian Chamber Orchestra, which would eventually culminate in a triptych of orchestral works:Raï (2011),Chaâbi (2012) andTrances (2022).^[37][38] His output also began to form the focus of festivals such as the2014 Vale of Glamorgan Festival^[39] andNew Music for New Age from The Washington Chorus.^[40]

In 2023, O'Regan was one of five composers asked to write a new piece for thecoronation service of Charles III and Camilla in Westminster Abbey. The king commissioned O’Regan having heard his music at Lincoln Cathedral in 2006.^[41] His setting of theAgnus Dei,Coronation Agnus Dei, was performed during theEucharist.^[42] O'Regan said of the piece, "I wanted to explore influences from my own varied heritages within the context of the Agnus Dei in theBritish choral tradition: a unison melody is slowly fragmented to create myriad timbres, much as one might hear in someArab orIrish traditional music. This melodic shifting is also reminiscent of 'phase music', strongly connected with San Francisco, where I wrote this work. Finally, there is an alternating verse anthem structure: a nod toOrlando Gibbons, who became Organist of Westminster Abbey exactly 400 years ago."^[41]

In June, 2024 O'Regan was announced as a recipient of the Yaddo Artist Medal, which "recognizes individuals who exemplify a level of achievement and commitment to their art that reflects the tradition of excellence that has always been a hallmark of the Yaddo residency program, as well as celebrating those who have been supportive and understand the sense of community that it has long promoted among artists."^[43]

O'Regan's music is mostly written intonal,extended-tonal andmodal languages (or a combination of all three), often with complicated rhythmic effects and dense textural variation.^{[44][45][46][47]}

In various radio and print interviews, O'Regan has stated that he "came to music quite late", mentioning the age of 13 as when he first was able to read music, and has listed five primary influences on his work:^{[1][4][7][48][49]}

1. Renaissance vocal writing: from some of the repertoire performed by the college choirs at the Universities of Oxford and Cambridge where he was educated, although O'Regan describes himself as being "a pretty bad singer".
2. The music of North Africa: from his own maternal heritage and time spent in Algeria and Morocco during his youth.
3. British rock bands of the 1960s and 1970s: such asThe Who andLed Zeppelin, first encountered in his mother'sLP collection.
4. Jazz: predominantly artists recorded on theBlue Note label in the 1950s and 1960s jazz, an interest first explored in his father's LP collection.
5. Minimalist music

An article inThe Irish Times on 23 November 2010 suggested that O'Regan is also interested in his Irish heritage. Published on the occasion of the first performance ofAcallam na Senórach (a setting ofThe Middle Irish narrative of the same name), the article stated thatSir William Rowan Hamilton is a direct ancestor of O'Regan (his great-great-great-grandfather), whose middle name isHamilton.^[1]

• His 2006 debut disc,VOICES (Collegium Records COL CD 130), recorded by the Choir ofClare College, Cambridge, heralded O'Regan as "one of the most original and eloquent of young British composers" (The Observer, London),^[50] "breathing new life into the idiom" (The Daily Telegraph, London).^[51] International Record Review declared the recording "a committed, persuasive and highly accomplished performance of an exceptional composing voice of our time",^[52] while BBC Music Magazine gave the disc a double five-star rating.^[53]
• Scattered Rhymes (2008), O'Regan's first disc from Harmonia Mundi, was described as "a stunning recording" (BBC Radio 3 CD Review),^[54] "exquisite and delicate" (The Washington Post),^[55] "a fascinating disc" (The Daily Telegraph, London)^[56] and "typically unfaultable" (BBC Music Magazine).^[57] After the June 2006 premiere of the eponymous work at theSpitalfields Festival, Geoff Brown, inThe Times (London), described "O'Regan's gift for lyric flight [as] boundless. You might have to reach back to Vaughan Williams's Serenade to Music, or even Tallis, to find another British vocal work so exultant."^[58]
• The 2008 release ofThreshold of Night marked O'Regan's international breakthrough. The disc debuted at No. 10 on theBillboard chart^[59] and garnered twoGRAMMY nominations^[15] in 2009 before going on to receive widecritical attention.^[60]
• The2010 BBC Proms premiere ofLatent Manifest^[61] performed by theRoyal Philharmonic Orchestra, conducted byAndrew Litton, was widely reviewed in London: "[a] personal canvas, taking us a long way from a literal reworking into the realms of evanescent fantasy, with delicately evocative results" (The Guardian, London),^[62] "a beguiling response to response itself – a mirage of intimations and allusions to [O'Regan's] own experience of hearing Bach's third solo Violin Sonata" (The Times, London),^[63] "a gracefully-controlled meditation on a single Bach phrase" (The Independent, London).^[64][65]
• The premiere production of O'Regan's first opera,Heart of Darkness (2011), opened to numerous reviews, both inprint anonline. Anna Picard described the opera as an "audacious, handsome debut"^[66] inThe Independent on Sunday and Stephen Pritchard, inThe Observer, explained that "the brilliance of [the] opera lies in its ability to convey all that horror without the compulsion to show it – the ultimate psychodrama – and to employ music of startling beauty to tell such a brutal tale". Pritchard also described the music as "a score of concise originality".^[67] For a full account of the critical response to the opera, seeHeart of Darkness (opera).
• The 2017 release ofA Celestial Map of the Sky, O'Regan's first orchestral album, was also widely reviewed: "Luminous beauty ... glows with jewel-like warmth" (The Observer);^[68] "This is a good sampling that shows the range of O'Regan's work ... these would seem pieces that are soon to enter a great many orchestral and choral repertories. Highly recommended." (AllMusic);^[69] "A splendid and highly recommended programme of music." (Composition Today)^[70]
• O'Regan was included in The Washington Post's annual list of "composers, performers and artists hitting their stride with work that resonates with the right now" for 2022.^[71]
• The 2023 premiere of O'Regan'sCoronation Agnus Dei for theCoronation of Charles III and Camilla in Westminster Abbey was mentioned in several accounts of the event: "An ethereal and exquisitely worked setting, worthy to stand alongsideO taste and see, the communion anthem composed by Vaughan Williams for the 1953 Coronation." (Gramophone);^[72] "But of the new compositions, only the unfurling melodic lines and understated beauty of Tarik O’Regan’s Agnus Dei exceeded the blandly forgettable." (The Guardian);^[73] "The last of the new pieces, Tarik O'Regan’s setting of the Greek prayer the Agnus Dei, was the most successful. It had the reflective note tinged with the diverse musical influences that the King was hoping for, but it was rooted in something simple anyone could register immediately – a melodic phrase with a modal tinge that could have been Arab or eastern European." (The Telegraph);^[74] "I loved Tarik O’Regan’s Agnus Dei – bringing a welcome degree of aural mysticism into the service." (The Times, London)^[75]

Tarik O'Regan's earliest works were published byOxford University Press andSulasol; since 2004 his music has been exclusively published byNovello & Company, part of theWise Music Group.

• 2005 British Composer Award (Vocal category) forSainte^[12]
• 2007 British Composer Award for (Liturgical category) forThreshold of Night^[14]
• 2009 Two Grammy Award nominations (Best Classical Album and Best Choral Performance) forThreshold of Night^[15]
• 2009NEA Artistic Excellence Grant forHeart of Darkness^[76]
• 2011 Bronze Award at the 2011 World's Best Radio Programs Awards in New York.^[22]
• 2017 Elected to the board ofYaddo^[34]
• 2017 Honorary Fellowship ofPembroke College, Oxford^[33]
• 2024 Yaddo Artist Medal^[43]

• Tarik O'Regan's Novello & Company works catalogue (2004–present)
• Tarik O'Regan's Oxford University Press works catalogue (1999–2003)

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