Originally conceived and proposed by Disney animatorGlen Keane in 2001,Tangled spent six years in production at a cost that has been estimated at $260 million, which, if accurate, would make it themost expensive animated feature film ever made andone of the most expensive films of all time. The film employed a unique artistic style by blending together features ofcomputer-generated imagery (CGI) andtraditional animation while usingnon-photorealistic rendering to create the impression of a painting. ComposerAlan Menken, who had collaborated on prior Disney animated features, returned to scoreTangled, and also wrote the film's songs with lyricistGlenn Slater. Before the film's release, its title was changed fromRapunzel toTangled, reportedly to market the film gender-neutrally.[4]
A drop of sunlight falls from the sky and produces a magic flower with healing properties. For centuries,Gothel uses the flower to retain her youth, until it is taken by soldiers from the kingdom of Corona and used to save their ill, pregnant queen. She gives birth toRapunzel, whose blonde hair contains the flower's magic. At night Gothel sneaks into the castle and cuts a lock of her hair, but it turns brown and loses its magic. She then abducts Rapunzel and raises her in a hidden tower in the woods, keeping Rapunzel's magic for herself. Each year on Rapunzel's birthday, the king and queen releasesky lanterns, hoping they will guide Rapunzel home. Unaware of her royal identity, Rapunzel grows up isolated from the kingdom, believing the tower to be her only safe home.
Growing up, Rapunzel is fascinated by the annual lights, and on her 18th birthday, asks to leave the tower and investigate them, but Gothel refuses, claiming the outside world is too dangerous. Meanwhile,Flynn Rider steals the lost princesses crown from the palace; betrays the Stabbington brothers, his partners-in-crime, and gets pursued by royal guard-horseMaximus. Flynn discovers and takes refuge in Rapunzels tower, where she knocks him out and hides him. When Gothel berates Rapunzel for mentioning the lanterns again and refuses to let her ever leave the tower, Rapunzel hatches a new plan and asks Gothel for new paint as a gift, sending her on a three-day journey. After hiding Flynn's satchel containing the crown, Rapunzel strikes a deal with Flynn, promising to return the crown in exchange for taking her to see the lanterns.
Outdoors for the first time since infancy, Rapunzel experiences conflicting feelings of excitement and guilt. Flynn takes Rapunzel to the Snuggly Duckling pub, where thugs try to capture the wanted Flynn, but Rapunzel charms them into revealing their softer sides. When royal guards arrive, the thugs help Rapunzel and Flynn escape. Flynn and Rapunzel become trapped in a fast-flooded cave; believing they will suffocate, Flynn reveals his true name, Eugene Fitzherbert. Rapunzel uses the magic glow of her hair to reveal a hidden underwater exit, and they escape. Meanwhile, Gothel returns to the empty tower and finds the satchel with the crown and awanted poster of Eugene. Inspired by the discovery, Gothel finds the Stabbington brothers and strikes a deal with them to find Rapunzel. That night, Gothel confronts Rapunzel alone and gives her the satchel, telling her to give it to Eugene to test his loyalty.
The next morning, Maximus tracks down Eugene and attempts to arrest him, but Rapunzel convinces them to strike a truce. Rapunzel and Eugene enter the kingdom and attend a festival in honor of the "lost princess". After a day of celebration, they sail onto the lake to watch the release of the lanterns. Rapunzel gives Eugene the crown, and they confess their mutual love. When Eugene sees the Stabbingtons on the shore, he goes to apologize and offers them the crown. The brothers tie him up, tricking Rapunzel into thinking he abandoned her. They try to capture Rapunzel, but Gothel stages a rescue by knocking them out and takes Rapunzel back to the tower.
Eugene is arrested, but Maximus and the pub thugs help him escape. Meanwhile, Rapunzel realizes she has subconsciously incorporated the kingdom'sstandard, a golden sun, into her artwork throughout her life. Realizing that she is the "lost princess", Rapunzel confronts and disowns Gothel. Since Gothel cannot fake her love for Rapunzel anymore, she reveals her true self. Eugene arrives at the tower, but is tricked and impaled by Gothel with her dagger. Gothel attempts to take the chained and gagged Rapunzel away, but Rapunzel promises she will never stop defying Gothel and attempting to escape, unless Gothel allows her to heal the dying Eugene. Gothel reluctantly agrees, but Eugene, realizing Rapunzel would spend the rest of her life in captivity, cuts off her long hair before she can heal him. Rapunzel's hair turns brown, and a horrified Gothel suddenly ages rapidly before falling from the tower to her death, turning to dust in the process, while Eugene dies in Rapunzel's arms. Rapunzel mourns Eugene, but one of her tears, which still has some of the flower's magic, revives him.
Rapunzel and Eugene return to Corona, where Rapunzel is reunited with her birth parents, Eugene is pardoned for his crimes, and the kingdom celebrates. Rapunzel and Eugene eventually marry.
Non-speaking animal characters include Rapunzel's petchameleonPascal, and Maximus, the horse of the head of the palace guard. Other non-speaking roles include Rapunzel's parents (the Queen and King of Corona), the other Stabbington brother, and Ulf the Mime Thug.
Walt Disney himself had first attempted to adapt theBrothers Grimm fairy taleRapunzel into a feature-length animated film during the 1930s and 1940s, but Disney's efforts never fully materialized because the original story was considered too "small".[11][12] The concept behindTangled originated fromThe Walt Disney Company supervising animatorGlen Keane in 1996.[13] In 2001, Keanepitched the idea to then–Disney CEOMichael Eisner who approved it, but requested the film to be computer-animated. However, Keane was hesitant as he felt computer animation was not quite as fluid or organic as traditional animation was.[14] In October 2003, the film was announced asRapunzel Unbraided as a computer-animated feature scheduled for a 2007 release,[15][16] which Keane described as "aShrek-like version of the film".[13] According toEd Catmull, Eisner himself had proposed using modern-day San Francisco as the initial setting of the film.[17] The story initially centered on two teenagers, Claire and Vince, who live in San Francisco and are transported into the fairy tale world, where they inhabit the bodies of Rapunzel and her prince Beau. Rapunzel and Beau themselves are turned into a squirrel and a dog. In July 2004,Reese Witherspoon andKristin Chenoweth were in talks to portray roles, with the latter intended to voice Rapunzel.[18] In October 2005,Dan Fogler was slated to provide a voice.[19]
In reflection, Keane said of the original plot, "It was a fun, wonderful, witty version and we had a couple of great writers. But in my heart of hearts I believed there was something much more sincere and genuine to get out of the story, so we set it aside and went back to the roots of the original fairy tale."[20] In November 2005,Unbraided was pushed back to a summer 2009 release in order to give Keane "more time to work on the story."[21] In January 2006, the film was then shut down about a week before Catmull andJohn Lasseter were placed in charge of the studio, and one of their first decisions was to restart the project and ask Keane to keep going with the film.[17] It had originally been announced in April 2007 thatAnnie-nominated animator and story artistDean Wellins would be co-directing the film alongside Keane.[22]
On October 9, 2008, it was reported that Keane and Wellins had stepped down as directors due to other commitments, and were replaced by the team ofByron Howard andNathan Greno, director and storyboard director, respectively, of Disney's 2008 animated featureBolt. Keane stayed on as an executive producer and animation supervisor, while Wellins moved on to directTick Tock Tale (2010).[23][24] After the film's release, Keane revealed that he had "stepped back" from the role of director because of a heart attack in 2008.[25]
The directors auditioned hundreds of young actresses to find Rapunzel's voice,[26] among them wereIdina Menzel andKristen Bell, but both were rejected for not sounding right.[27][28]
On September 10, 2009, it was announced that actress and singer-songwriterMandy Moore, who previously collaborated with Disney onDisneytoon Studios'Brother Bear 2, had been cast as the voice of Rapunzel, and actorZachary Levi would provide the voice of Flynn Rider.[7][8][29] For the role of Flynn, the studio mandated exclusively only UK actors to audition for the part, as Rider was intended to be British. An American, Zachary Levi, impersonated a BritishReceived Pronunciation (RP) accent to audition, leading the producers to opt for him to use his natural American accent.[30] Mandy Moore approached the project through auditioning, when she heard that a film about the story ofRapunzel was being made.[31][32] Moore later expressed that she had dreamed to be a Disney princess since she was young and said that with the role of Rapunzel, she had fulfilled her "ultimate childhood dream".[33] She described herself as a "girly fan" of Disney animated films[33] likeThe Little Mermaid,Beauty and the Beast,Aladdin andThe Lion King, and that it was an honor for her to be part of this "legacy"—the lineage of such Disney icons.[34] Since the film was going to be a musical, it was required that all auditionees had to read several scenes and perform a song of their choice, to ensure that the voice actors could both act and sing.[35][36] For this singing section, Moore chose "Help Me" byJoni Mitchell,[31] a song that she herself had covered on her fourth studio album,Coverage (2003).[37][38] Moore revealed that she had to attend several audition sessions[34][35] and described the experiences as "pretty fun" but didn't put much hope in getting the part because she believed there would be much competition for this role;[32] she just performed her best without any anxiety.[31] When she received a callback from Disney telling that she got the part, Moore described herself as being "over the moon": "I was working in New York at the time. I was with some friends and my husband—and I screamed as soon as I found out the news."[31]
The film reportedly cost more than $260 million to produce.[4]
When asked about the character of Rapunzel, Mandy Moore said that Rapunzel was a relatable character and called her a "Renaissance, bohemian" woman[31] rather than a typical Disney princess:[39] Moore said "[Rapunzel] doesn't know she's a princess [until the end of the film]. She's just really sort of motivated to find out what else is out there beyond this crazy tower she's lived in for 18 years," and that "she's very independent, she can take care of herself, and she's definitely come up with really entertaining ways to keep herself busy."[39] Moore also stated that she herself had little influence on Rapunzel: "The character was developed way before I had anything to do with it."[31]
According to Greno, one of the most difficult problems during the development of the film's plot was how to get Rapunzel out of the tower without immediately ending the movie, in that she had thereby escaped Mother Gothel and did not have any other specific objectives to pursue.[40] At a meeting one day, animator John Ripa floated an idea which turned out to be the solution they had been looking for: the mysterious floating lanterns.[40]
InTangled, as with most animated films, all voice actors had to record their dialogue separately from one another to avoidbleeding into each other's tracks.[41] Mandy Moore later recalled that during recording, she had never met Donna Murphy and only met Zachary Levi once when they recorded "I See the Light".[41] Moore thought that this was "a good exercise in employing your imagination".[42] When recording action scenes, the voice actors had to jog a little in place in order to make their voices sound realistic.[42] For the songs, Moore and Levi recorded on a soundstage with a 65-piece orchestra under the supervision of composer Alan Menken. They sang live with the orchestra for several times in order to help everyone "get a vibe" and a feel for the music and the singing, then were asked to go in isolation booths to record the actual tracks.[43][44] In order to aid animators in animating the characters, the filmmakers did interviews with the voice actors and filmed their facial expressions throughout the recording sessions.[42] Disney animated films are usually animated to synchronize with recorded dialogue rather than asking the vocal talent to synchronize their delivery to animation after it is rendered. Thus, Moore felt that the recording process was challenging because at that time she had no animation to look at except for a few sketches.[31]
Due to scheduling conflicts with other projects (Moore had to travel to different places such as London or New York, and Levi could only record on weekends for five hours once every six weeks), they did not record dialogue in the same order as in the final film. "[When I came in], maybe that sequence or scene had been recorded by Mandy (Moore) already, maybe it hadn't. We'd end up doing the same scene five times, depending," Levi said.[36] After watching the finished film, Moore was disappointed because she felt that her voice sounded "shrill", while Levi thought that his performance sounded "incredibly nasally".[42]
The film was made usingcomputer-generated imagery (CGI), althoughTangled was modeled on the traditional look of oil paintings on canvas. TheRococo paintings of French artistJean-Honoré Fragonard, particularlyThe Swing, were used as references for the film's artistic style, a style described by Keane as "romantic and lush."[45] To create the impression of a painting,non-photorealistic rendering was used.[46]
A concept rendering of Rapunzel by Lisa Keene, demonstrating the "luscious golden hair" Keane wanted.
Glen Keane originally wanted the film to be animated using a traditional 2D animation process. However, Disney executives David Stainton and Dick Cook announced that they would only approve the film for production if it were created using the 3D computer graphics.[47] In response to that demand, Glen Keane held a seminar called "The Best of Both Worlds", where he, with 50 Disney CGI artists and traditional artists, focused on the pros and cons of each style.[48] After the meeting, it was decided that the film would be made in 3D CGI animation, but in a way as to become an extension of the traditional 2D Disney "aesthetic", a term which referred to the naturalistic animation that conforms to the fundamental principles of animation as documented by Frank Thomas and Ollie Johnston in the bookThe Illusion of Life: Disney Animation.[47]
Due to limitations in computer technology, especially regarding attempts to capture the complexity of a human form, many basic principles of animation used in traditionally animated movies had been absent from earlier CGI films; but technological advancements made it easier to blend the two, combining the strengths of each style.[46] Keane stated repeatedly he was trying to make the computer "bend its knee to the artist" instead of having the computer dictate the artistic style and look of the film.[15] By making the computer become as "pliable as the pencil", Keane's vision of a "three-dimensional drawing" seemed within reach, with the artist controlling the technology. Many of the techniques and tools that were required to give the film the quality Keane demanded did not exist when the project was started, and Walt Disney Animation Studios had to create them on their own.[45] Keane said, "There's no photoreal hair. I want luscious hair, and we are inventing new ways of doing that. I want to bring the warmth and intuitive feel of hand-drawn to CGI."[49]
One of the main goals of the animators was to create movement that mimicked the soft fluidity of the hand-drawn art found in older Disney animated films. Keane credited Disney 3D animator Kyle Strawitz with helping to combine CGI with the traditional hand-drawn style.[46] "He took the house fromSnow White and built it and painted it so it looked like a flat painting that suddenly started to move, and it had dimension and kept all of the soft, round curves of the brushstrokes of watercolor. Kyle helped us get that Fragonard look of that girl on the swing… We are usingsubsurface scattering and global illumination and all of the latest techniques to pull off convincing human characters and rich environments."[45]
Rather than focusing on realism, the 3D team used an aesthetic approach.[46] Robert Newman, the film's stereoscopic 3D supervisor, said that "We're using depth more artistically than ever before, and we're not as concerned with the literal transcription of depth between camera and projector as we are the interpretation of it." To do this, they used a new technique called multi-rigging, which is made up of multiple pairs ofvirtual cameras. Each pair is used individually on each separate element that adds depth to a scene, like background, foreground, and characters, without adjusting for the relation with the other pairs. When sandwiched together later in production, the result was something that would be visually impossible in the real world, but which created an appealing look to the film.[50]
As a counterpart to the appealing and cute design of Rapunzel,[51] the directors wanted to make Flynn Rider "the most handsome, most attractive male lead Disney has ever had."[52] They held a large "Hot Man Meeting" where they gathered about 30 women from the studio and asked them what they considered attractive in a man.[53] They brought in hundreds of images of their favourite male actors and celebrities, which were torn and pasted back again.[53][54] After much deliberation, his look was eventually narrowed down to one concept drawing.[52][53]
Existing technology continued to present difficulties: in particular, animating hair turned out to be a challenge. Senior software engineer Kelly Ward spent six years writing programs to make it move the way they wanted.[55] As late as January 2010, the directors were still not sure if the Rapunzel character's length of hair was going to work. These problems were finally solved in March:[56] An improved version of a hair simulation program named Dynamic Wires, originally developed forBolt, was eventually used. To make hair float believably in water, and to surmount other similar challenges,discrete differential geometry was used to produce the desired effects, freeing the animators from executing these specific tasks directly, which would have taken days instead of minutes.[57]
Official logo ofRapunzel before the title was changed toTangled
When first put into production, the film was promoted as having the titleRapunzel Unbraided, which was later changed toRapunzel.[58] Disney's previous animated feature,The Princess and the Frog (2009)—while being well received by various critics[59] —was not as successful as Disney had hoped, and Catmull later admitted in writing that Disney Animation's faith thatThe Princess and the Frog's excellent quality would bring in all audiences notwithstanding the word "princess" in the title was their version of "a stupid pill".[60] In order to market the new film to both sexes and additional age groups, Disney changed the title fromRapunzel toTangled while also emphasizing Flynn Rider, the film's prominent male character, showing that his story is just as important as that of Rapunzel.[61] Disney was criticized for altering the title as amarketing strategy.Floyd Norman, a former Disney andPixar animator and story artist, said, "The idea of changing the title of a classic likeRapunzel toTangled is beyond stupid. I'm convinced they'll gain nothing from this except the public seeing Disney as desperately trying to find an audience."[62]
Justin Chang ofVariety compared it to changing the title ofThe Little Mermaid toBeached.[63] Writing for theSan Francisco Chronicle's blog, Margot Magowan accused Disney of sexism, writing:[64]
Can you imagine if Disney…switched a movie title so it wouldn't risk highlighting a male star? It's awful that this kind of radical gender discrimination exists for our smallest people—little kids who come into this world with huge imaginations and aspirations, big dreams that get squashed by a bunch of billionaire guys who run massive entertainment franchises.
On November 24, 2010, the day of the film's release, Greno and Howard disputed reports that the title change was a marketing decision. They said they changed the title fromRapunzel toTangled because Rapunzel is not the only main character in the film. They went on to say that "you cannot callToy Story "Buzz Lightyear," and they really needed a title that represented what the film is, and that it stars the duo of Rapunzel and Flynn Rider.[65]
In March 2014, Lasseter explained that Disney had changed the name to improve the film's appealto the four quadrants: "There was an audience perception that these movies were just for little girls but when boys, men, whatever actually see these movies they like them. So onRapunzel … we changed the name and we called itTangled. We did marketing that made the people who would not normally show up say, 'Hey, this looks pretty good.'"[66]
Themusical score and soundtrack album were composed byAlan Menken with lyrics written byGlenn Slater.[67] It marked Menken's return to scoring for animated films, after recurringly doing so for severalDisney Animation films untilHome on the Range (2004).[b] As several Pixar employees, being in charge forDisney, and the sensibilities being changed, Menken thought it as his biggest creative challenge and said that, he was "finding a way that we could wed musical-theater storytelling with the Pixar style of storytelling was primary".[69] Menken said he attempted to blend medieval music with 1960s folk rock to create the new songs and the score and soundtrack were recorded at a span of two-and-a-half years.[70]
Several songs were written, but eventually cut from the final film; "When Will My Life Begin?" replaced an earlier version called "What More Could I Ever Need?". Menken reported that that opening number went through five or six different versions.[71] Elsewhere, Menken reported that there was originally a love song called "You Are My Forever" that Mother Gothel sang to Rapunzel in a motherly way, but was reprised later in the film by Flynn Rider in a romantic way. This idea was apparently replaced with the two songs "Mother Knows Best" and "I See the Light".[72] The song "Something That I Want" written and performed byGrace Potter fromGrace Potter and the Nocturnals is featured in the closing credits. The Latin American Spanish version of the song, titled "Algo quiero querer", was recorded by Colombian pop-singer,Fanny Lú.[73]
The soundtrack, released on Walt Disney Records on November 16, 2010,[74] and peaked at number 44 on theBillboard 200, number 7 on theSoundtrack chart, and number 3 on theKid Albums chart.[75][76][77] Four years later, adouble LPpicture disc titled as Songs from Tangled was released on March 21, 2014.[78]
Tangled premiered in Paris on November 17, exclusively screening at theGrand Rex theater two weeks in advance of its Frenchwide release.[79] With over 3,800 tickets sold on its opening day, it set a new record for films showing in a single theater.[80] As part of Disney's 100th anniversary,Tangled was re-released inHelios theaters across Poland on October 21, 2023.[81]
Tangled was released byWalt Disney Studios Home Entertainment as a four-disc combo pack on March 29, 2011. The combo pack includes aBlu-ray 3D, standardBlu-ray,DVD, and digital copy. A two-disc Blu-ray/DVD combo pack and single DVD are also available. Bonus features for the Blu-ray include deleted scenes, two alternate opening sequences, two extended songs, and an inside look at how the film was made. The DVD includes only the two Original Storybook Openings and the 50th Animated Feature Countdown.[82]
Sales ofTangled in the US and Canada exceeded $95 million in DVD and Blu-ray sales, the highest-grossing DVD of the year 2011; its home video sales exceeded the film's earnings in its first week in theaters.[83] The film sold a record 2,970,052 units (the equivalent of $44,521,079) in its first week in North America, the largest opening for a 2011 DVD. It dominated for two weeks on the DVD sales chart and sold 6,657,331 units ($102,154,692) as of July 18, 2012.[84] It has also sold 2,518,522 Blu-ray units ($59,220,275) by May 29, 2011.[85] As of January 20, 2016, the film has earned a total of $215 million in home video sales in the United States and Canada ($155 million from DVD sales and $60 million from Blu-ray sales).[84]Tangled was released onUltra HD Blu-ray on November 5, 2019.[86]
Tangled had a worldwide opening weekend of $86.1 million,[87][88] and reached the summit of the worldwide box office once, on its eleventh weekend (Feb 4–6, 2011), with $24.9 million.[89][90] The film earned $200.8 million in North America, and $391.6 million in other countries, for a worldwide total of $592.5 million; making it the third-highest-grossing animated film of 2010, behindShrek Forever After andToy Story 3, and the eighth-highest-grossing film of 2010.[91] It was the third Disney film appearing in the Top 10 films of 2010.[92] As of 2017, it was the sixth-highest-grossing film worldwide produced byWalt Disney Animation Studios, behindFrozen,Zootopia,The Lion King,Big Hero 6, andMoana.[93]
Tangled earned $11.9 million on its opening Wednesday,[94] breaking the record for the largest pre-Thanksgiving Wednesday opening, a record previously held by Disney·Pixar'sToy Story 2.[95] In its first weekend of release, it earned $48.8 million (the highest opening for Walt Disney Animation Studios, surpassingThe Lion King ($40.9 million), and later surpassed by bothWreck-It Ralph ($49 million) andFrozen ($67.4 million)), placing second for the period behindHarry Potter and the Deathly Hallows – Part 1, which earned $49.1 million.[96]Tangled had the sixth-highest opening weekend for a film that did not debut at #1.[97] Over the traditional Wednesday–Sunday Thanksgiving holiday period, it tallied $68.7 million, again finishing in second place.[96]Tangled also marked the second-largest 3-day and 5-day Thanksgiving opening afterToy Story 2.[96] During its second weekend (post-Thanksgiving),Tangled declined 56% to $21.6 million, although it jumped to first place at the box office.[98] With a final gross of $200.8 million, it isthe tenth-highest-grossing film of 2010,[99] and the tenth 2010 film to pass the $200 million mark;[100] it was the fourth-slowest film to pass this mark.[101] Unadjusted for inflation, it is the ninth-highest-grossing film produced by Walt Disney Animation Studios, behindThe Lion King ($422.8 million),Frozen ($400.7 million),Zootopia ($341.3 million),Moana ($248.7 million),Big Hero 6 ($221.3 million),Beauty and the Beast ($219 million),Aladdin ($217.4 million), andRalph Breaks the Internet ($201.1 million).[102]
On its opening weekend, it earned $17.4 million in eight territories and ranked second for the weekend behindHarry Potter and the Deathly Hallows – Part 1 ($117.3 million).[103] It reached first place at the weekend box office outside North America three times in 2011.[104][105][106] It marked the seventh-highest-grossing 2010 film and the third-highest-grossing 2010 animated film.[107] In Russia and the CIS, it set an opening-weekend record among non-sequel animated films (first surpassed byRio) and among Walt Disney Animation Studios films (surpassed byFrozen).[108] Its highest-grossing markets outside North America was Germany ($44.2 million), where it is the highest-grossing 2010 animated film,[109] followed by France and the Maghreb region ($39.4 million) and the UK, Ireland and Malta ($32.9 million).[110]
Tangled received largely positive reviews from critics upon release.[111][112]Rotten Tomatoes gives the film an approval rating of 89% based on 227 reviews and an average score of 7.5/10. The website's critical consensus is: "While far from Disney's greatest film,Tangled is a visually stunning, thoroughly entertaining addition to the studio's classic animated canon."[113]Metacritic, which assigns aweighted average score based on reviews from mainstream film critics, calculated a score of 71/100 based on 34 reviews, indicating "generally favorable reviews".[114] Audiences polled byCinemaScore during the opening weekend, gave the film a rare average grade "A+" on an A+ to F scale.[115]
A. O. Scott ofThe New York Times positively reviewed the film as "the 50th animated feature from Disney, and its look and spirit convey a modified, updated but nonetheless sincere and unmistakable quality of old-fashioned Disneyness."[116]Time film criticRichard Corliss wrote thatTangled "wades into theDreamWorks style of sitcom gags and anachronistic sass," while praising the film for achieving "the complex mix of romance, comedy, adventure and heart that defines the best Disney features."[117] Corliss includedTangled at 19 in a list of top 25 All-time Best Animated films.[118]Kenneth Turan from theLos Angeles Times awarded the film four stars out of five; he described the film as a "gorgeous computer-animated look that features rich landscapes and characters that look fuller and more lifelike than they have in the past."[119] Sandie Angulo Chen ofCommon Sense Media gave the film five out of five stars, writing, "Fantastic princess adventure is fun, with great messages."[120] Gael Cooper ofNBC News expressed thatTangled may be the best Disney film of all time.[121]
James Berardinelli commented on his review websiteReelViews that the film is "entertaining and enjoyable, but not groundbreaking." He also stated Rapunzel is "not as memorable asSnow White,Ariel, orBelle" as well as stating "the songs are neither catchy nor memorable."[122] Todd McCarthy, film reviewer forThe Hollywood Reporter opened his review with, "It would have been nice if Disney's self-touted 50th animated feature were one of its best, a film that could stand with the studio's classics, but the world will have to make do withTangled, a passably entertaining hodgepodge of old and new animation techniques, mixed sensibilities and hedged commercial calculations."[123]
Tangled won best 3D scene of the year at the second annual International 3D Society Creative Arts Awards.[131]
Tangled was also nominated for favorite film in the British Academy Children Awards for Favourite Film, competing against films likeHarry Potter and the Deathly Hallows – Parts 1 &2,Transformers: Dark of the Moon,Cars 2, andKung Fu Panda 2.[132][133]
A world based on the film, Kingdom of Corona, appears inKingdom Hearts III, released on January 29, 2019, forPlayStation 4 andXbox One. The story arc takes place during an alternate account of the events of the movie.
In the video gameDisney Magic Kingdoms, Rapunzel, Flynn, Maximus, Mother Gothel, and Pascal are playable characters, while Rapunzel's Tower and Snuggly Duckling appear as attractions. The storyline of the characters in the game follows almost the same plot as in the film.[141]
Rapunzel, Flynn Rider, Maximus, and Mother Gothel are all playable heroes inDisney Heroes: Battle Mode. The Stabbington brothers also appear in Mother Gothel's white skill.[citation needed]
Tangled Ever After is a short sequel released in 2012. The plot revolves around the wedding of Rapunzel and Eugene. Pascal and Maximus lose the wedding rings and chase after them, causing collateral damage along the way.
A manga adaptation of the film with illustrations by Shiori Kanaki was released to promote the film's Japanese release on March 25, 2011. It was later released in the United States on September 12, 2017.[143][144]
InDescendants: School of Secrets, Rapunzel and Eugene have an unnamed daughter (portrayed by Teresa Decher) that appear as a recurring character. In the novelThe Isle of the Lost, Mother Gothel appear as one of the villains imprisoned in the titular isle, working as a teacher in Dragon Hall, and has a daughter named Ginny. InDescendants: Wicked World, appears Rapunzel's daughter, Ruby, although only her hair is seen. In the novelEscape from the Isle of the Lost, Eugene appears as the representative of Corona in the National Association of Far Far Away.[145] Originally, Rapunzel was going to appear inDescendants: The Rise of Red, as a teenager named Zellie (portrayed bySam Morelos), however, Rapunzel was eventually deleted from the final film, causing Zellie to be rewritten as a cameo character named Meadow.
Tangled: Before Ever After, a television movie set between the feature film and the short filmTangled Ever After, aired on March 10, 2017, serving as an introduction to a continuing television series,Tangled: The Series, later renamedRapunzel's Tangled Adventure, that started airing onDisney Channel on March 24, 2017.[150] It ran for three seasons and sixty episodes until March 2020.[151]
In December 2014,Tangled's producer,Roy Conli, revealed that the production team had been "heavily pushed" for a feature-length sequel to the film, but when the writers and directors got together to develop one, they realized, "she cut her hair. It's over!"[152] Conli explained that at Disney Animation under Lasseter, it is always the filmmakers who decide whether they are ready to make a sequel (not marketing or merchandising).[152] In January 2015, Conli again provided a similar explanation when pressed on this point, and also mentioned that directors Greno and Howard ultimately "weren't really interested" in continuing the story.[153]
In May 2020, Hannah Shaw-Williams ofScreen Rant asked whether the success of the movie would lead to a sequel (apart from the short filmTangled Ever After), stating there is no word of it being in active development, while also stating that Disney is "developing alive-action movie about Rapunzel", and stating that it would take several years for a possible movie to reach theatres.[154] The latter film was confirmed to be in development in December 2024, with Disney wantingBaz Luhrmann as director.[155] Later,Michael Gracey was in talks to direct alongsideJennifer Kaytin Robinson writing the script.[156] In April 2025, it was reported that development on the film had been halted indefinitely due to the commercial failure ofSnow White (2025).[157] In October 2025, it was reported that the live-action film entered development again following the success ofLilo & Stitch (2025) and thatScarlett Johansson was being eyed to play Mother Gothel.[158] In December 2025,The Hollywood Reporter wrote thatSarah Catherine Hook,Teagan Croft,Freya Skye, andOlivia-Mai Barrett had tested for the role of Rapunzel; whileMilo Manheim,Charlie Gillespie and Gillie Jones did tests for the role of Flynn Rider; it also said that Johansson had turned down the part of Mother Gothel due to scheduling conflicts and that production is eyeing to begin in June 2026 in England andBurgos,Castile and León, Spain.[159][160][161] On January 7, 2026, Teagan Croft and Milo Manheim were officially announced to be set to star in the film as Rapunzel and Flynn Rider respectively.[162][163] The following day,Kathryn Hahn entered talks to play Mother Gothel.[164]
^Though Menken had composed for the 2007 filmEnchanted, it is alive-action-animation film, hence it cannot be considered as a full-fledged animation feature.[68]
^abLark, Max; Draskovic, Marina; Solomon, Charles (Spring 2016). "It's a Matter of Trust: At Walt Disney Animation Studios, The 'Story Trust,' A Peer-to-Peer Feedback System, Has Taken Storytelling—And Disney Animation—To New Creative Heights".Disney Twenty-three.8 (1). Burbank: Walt Disney Company:18–21.ISSN2162-5492.OCLC698366817.
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