Tamara Rojo | |
|---|---|
Rojo asRaymonda,Festival de Granada, 2014 | |
| Born | (1974-05-17)17 May 1974 (age 51) |
| Alma mater | Rey Juan Carlos University |
| Occupations | Ballet dancer, director and choreographer |
| Title | Artistic director,San Francisco Ballet |
| Spouse | Isaac Hernández |
| Children | 1 |
| Website | www |
Tamara RojoCBE (born 17 May 1974) is a Spanishballet dancer. She was theEnglish National Ballet'sartistic director and a leadprincipal dancer with the company between 2012 and 2022. She was previously a principal dancer withThe Royal Ballet. She became the artistic director ofSan Francisco Ballet in late 2022.
Rojo was born inMontreal,Quebec, Canada, to Spanish parents who returned with her to Spain when she was 4 months old. At the age of 5 she began dance classes in Madrid and became a full-time student age 11 at Madrid'sRoyal Professional Conservatory of Dance,Mariemma studying withVíctor Ullate andKaremia Moreno.[citation needed]
Though her parents were pleased at her developing balletic talent, they insisted Rojo also complete an academic education through evening classes she could attend after studio rehearsals. Having graduated from the Conservatory at 16, she completed her secondary studies over the next two years. She went on to complete further degrees including a bachelor of dance, master of scenic arts and a PhD in performing arts, becoming DAmagna cum laude in 2016 fromKing Juan Carlos University.[2][3][4]
Rojo began her professional career in 1991 with the Ballet de la Comunidad de Madrid, under the direction of Víctor Ullate. In 1994, she was awarded a gold medal at the Paris International Dance competition, together with a Special Jury Award from a panel includingNatalia Makarova,Galina Samsova andVladimir Vasiliev, three outstanding figures in the ballet world at that time.[5]
In 1996 Galina Samsova, artistic director ofScottish Ballet, invited Rojo to join the company. There she performed principal roles inSwan Lake,The Nutcracker,La Sylphide and Cranko'sRomeo and Juliet.Derek Deane, thenEnglish National Ballet artistic director, asked her to join ENB the following year. For her he created the roles of Juliet in "Romeo and Juliet" and Clara in "The Nutcracker" for whichThe Times named Rojo "Dance Revelation of the Year" in 1997. She also danced principal roles in Swan Lake, Paquita, Coppelia and Glen Tetley's The Sphinx.[6]
Rojo approachedRoyal Ballet directorAnthony Dowell in 2000 with a view to joining the company, and was invited to become a principal dancer when a contract became available later in the year.[citation needed] Over the next 12 years, she performed major roles in most of the company's repertoire including ballets choreographed byKenneth MacMillan andFrederick Ashton, Dowell's Swan Lake, Makarova'sLa Bayadere,Rudolph Nureyev'sDon Quixote, andPeter Wright 'sThe Nutcracker. She danced in the world premiere ofSnow White, created for her by choreographer Ricardo Cué. The title role inIsadora was recreated for her by MacMillan's widow, the artist and set designer Deborah MacMillan, custodian of the late choreographer's ballets.[citation needed]
In 2000, Rojo was asked at short notice to replace the injured Royal Ballet principalDarcey Bussell in the title role inGiselle. Ignoring her own sprained ankle, Rojo learned the role in a fortnight and went on to receive rave reviews.[7] In 2002, while dancing Clara inNutcracker, Rojo began to tremble on stage. Sent to a private hospital after the performance, she learned her appendix had burst and was told to take six weeks off. However, she resumed dancing after only two, relapsed and returned to hospital. Rojo admitted some years later it was "completely wrong [to continue dancing while injured or ill] and I do not feel that anyone should do this. It really is not worth it."[8]
In 2003, while preparing for the Royal Ballet's Australian tour, Rojo suffered an infected bunion so serious that her foot swelled to the size of a tennis ball. Doctors recommended surgery on her foot, a potentially career-ending operation. Months later, after countless hours of rehabilitation, she resumed dancing and said the injury changed her perspective on life, her body and dance. She felt that she valued each and every day more and learned that nothing in life should be taken for granted.[9]
After this experience, she and her father developed a device to stretch pointe shoes in order to reduce pressure on bunions, and formed a company in 2017 to market it.[10]

In 2012, Rojo became the artistic director of English National Ballet, replacingWayne Eagling.[11]
Under her direction, the English National Ballet, for the first time in history, was invited to dance at the Paris OperaPalais Garnier. Appearing from 21 to 25 June 2016, ENB performed one of the most famous ballets in its repertoire: the Petipa and Sergeyev version ofLe Corsaire in a revival byAnna-Marie Holmes.[12]
In 2014, she presented a documentary entitledGood Swan, Bad Swan: Dancing Swan Lake for theBBC.[13] She followed up withGiselle: Belle of the Ballet in 2017, which included the history of both the original production and the new ballet created for the ENB byAkram Khan.[14] She had commissioned Khan to re-imagine the story: Khan won the Critics' Circle National Dance Awards 2017 for Best Classical Choreography,Alina Cojocaru won Outstanding Female Performance (Classical) as Giselle,[15] and the company as a whole won anOlivier Award for Outstanding Achievement in Dance.[16]
Rojo made her choreographic debut with aFlorence Nightingale-inspired version ofRaymonda, set during theCrimean War. It premiered in January 2022 at theLondon Coliseum.[17]
In January 2022, it was announced that Rojo will become the artistic director ofSan Francisco Ballet at the end of the year, succeedingHelgi Tómasson.[18] Upon taking the position, she became the first woman to serve as artistic director of the company.[19]
The following is a list of repertoire of Rojo's performance in various ballet companies.
| Role | Choreographer | Company |
|---|---|---|
| Les Sylphides | Michel Fokine | B.Com.Madrid, Royal Ballet |
| Clara (The Nutcracker) | Wayne Eagling | English National Ballet |
| Ondine (Ondine) | Frederick Ashton | Royal Ballet |
| Theme and Variations | George Balanchine | B.Com.Madrid-Ullate, Royal Ballet |
| Allegro Brillante | George Balanchine | B.Com.Madrid-Ullate |
| Grossa Fuga | Hans van Manen | B.Com.Madrid-Ullate |
| In the Future | Glen Tetley | B.Com.Madrid-Ullate |
| Arraigo | Victor Ullate | B.Com.Madrid-Ullate |
| Simum | Victor Ullate | B.Com.Madrid-Ullate |
| Three Cornered Hat | Léonide/Massine | Bal.Opera de Nice |
| Le Beau Danube | Léonide Massine | Bal.Opera de Nice |
| Rite of Spring | Kenneth MacMillan | English National Ballet, Royal Ballet |
| Clara (The Nutcracker) | Derek Deane | English National Ballet |
| Paquita | Marius Petipa | English National Ballet |
| Juliet (Romeo and Juliet) | Derek Deane | English National Ballet |
| Cinderella (Cinderella) | Ben Stevenson | English National Ballet |
| Three Preludes | Hans van Manen | English National Ballet |
| Nascita di Orfeo | Luca Veggetti | E. P. Arena de Verona |
| Odette/Odile (Swan Lake) | Deane / Makarova / M.Mason / Nureyev | Kirov Ballet |
| Blancanieves | Ricardo Cué | Teatro Arriaga |
| Odette/Odile (Swan Lake) | Marius Petipa / Lev Ivanov | English National Ballet, Scottish Ballet |
| Consolations & Liebestraum | Christopher Bruce | ROH2 |
| Tatiana (Onegin) | John Cranko | Royal Ballet |
| Cinderella (Cinderella) | Frederic Ashton | Royal Ballet |
| Marguerite (Marguerite and Armand) | Frederick Ashton | Royal Ballet |
| Juliet (Romeo and Juliet) | Kenneth MacMillan | Royal Ballet |
| Isadora | Kenneth MacMillan | Royal Ballet |
| Mary Vetsera (Mayerling) | Kenneth MacMillan | Royal Ballet |
| Manon (Manon) | Kenneth MacMillan | Royal Ballet |
| Song of the Earth | Kenneth MacMillan | Royal Ballet |
| Requiem | Kenneth MacMillan | Royal Ballet |
| Winter Dreams | Kenneth MacMillan | Royal Ballet |
| My Brother, My Sisters | Kenneth MacMillan | Royal Ballet |
| Symphony in C | George Balanchine | Royal Ballet |
| Jewels | George Balanchine | Royal Ballet |
| Tzigane | Balanchine | Royal Ballet |
| Dances at a Gathering | Jerome Robbins | Royal Ballet |
| Rushes | Wayne McGregor | Royal Ballet |
| Chroma | Wayne McGregor | Royal Ballet |
| Kitri (Don Quixote) | Vladimir Vasiliev | Tokyo Ballet |
| Sugar Plum Fairy (Nutcracker) | Peter Wright | Royal Ballet |
| Nikiya (La Bayadere) | Natalia Makarova | Royal Ballet |
| Juliet (Romeo and Juliet) | John Cranko | Scottish Ballet |
| La Sylphide | Bournonville/Sorella Englund / J.Covalli / J.Perrot | Scottish Ballet, Royal Ballet |
| Giselle (Giselle) | Petipa | Royal Ballet, Ullate, B.N.Cuba |
| Kitri (Don Quixote) | M. Petipa / R. Nureyev | Royal Ballet, Ballet alla Scala |
| Aurora (The Sleeping Beauty) | M. Petipa / Wright | Birmingham Royal Ballet |
| Medora (Le Corsaire) | A-M Holmes after M. Petipa and Sergeyev | English National Ballet |
| Frida Kahlo (Broken Wings) | Annabelle Lopez Ochoa | English National Ballet |
| Dust | Akram Khan | English National Ballet |
Rojo lives inBloomsbury, London.[22][23] Her husband is ballet dancerIsaac Hernández.[18][24] The couple have a son, born in 2021.[25]