Talk:Shakespeare's late romances
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The tempest is a prime example for the discussion of the use of the fantastical in the romances. The entire plot is seated on one man's ability to control the elements, minds, characters etc. This is ofcourse on of the essentails which Ryan mentions is present in Shakespeare's romances.— Precedingunsigned comment added by205.214.198.3 (talk •contribs) 20:54, 10 April 2004
This line: "Much ado about Nothing can also be related to the late romances" was added to the bottom of this page. I fixed up the two typos in it, but it should be mixed into the body of the article, right? I'd do it myself, but I have no idea if the comment is true or not.JayDee06:06, 25 January 2006 (UTC)[reply]
There is a move discussion in progress onTalk:William Shakespeare's influence which affects this page. Please participate on that page and not in this talk page section. Thank you. —RMCD bot17:29, 19 April 2013 (UTC)[reply]
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At least C-class now. --Ssilvers (talk)22:26, 9 December 2014 (UTC)[reply]
There is a move discussion in progress onTalk:Shakespeare's handwriting which affects this page. Please participate on that page and not in this talk page section. Thank you. —RMCD bot13:36, 24 July 2021 (UTC)[reply]
