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Taittiriya Shakha

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Shakha of the Krishna (black) Yajurveda

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Hindu scriptures and texts
Related Hindu texts

TheTaittirīya Shakha (Sanskrit, loosely meaning 'Branch or School of the sage Tittiri'),[1][2][3] is ashakha (i.e. 'branch', 'school', orrescension) of theKrishna (black) Yajurveda. The Taittiriyas are themselves divided into numerous sub-schools. Among these, the followers of Baudhayana andApastamba were found all overSouth India (includingMaharashtra), while the Hiranyakeshins were found mainly inKonkan and Western Maharashtra. The Vaikhanasas have a more eastern presence- aroundTirupati andChennai. The Vadhulas are present currently inKerala and earlier in adjacent parts ofTamil Nadu. The Agniveshyas, a subdivision of the Vadhula immigrants fromMalabar, are found aroundThanjavur in Tamil Nadu. The Apastamba, Hiranyakeshin, Vaikhanasa and Baudhayana schools have survived with all their texts intact, it consists of theTaittirīyaSamhita ('TS'),Taittirīya Brahmana ('TB'),TaittirīyaAranyaka ('TA'), andTaittirīyaPratisakhya ('TP').

Nomenclature

[edit]

The 'Taittiriya Shakha' can be loosely translated as 'Branch or School of (the sage) Tittri' or 'Branch or School of Taittiriya' or 'School of the pupils of Tittiri'.

  • 'Taittiriya' is derived from the name of the sage Taittiri (or Tittiri).[4]
  • 'Shakha' means 'branch' or 'school'.[2]

Origin

[edit]

Monier-Williams

[edit]

According toMonier-WilliamsSanskrit-English Dictionary, Taittiri was a pupil ofYaska (estimated 4th-5th century BCE).[5] According to the Vishnu Purana, Yaska was in turn a pupil ofVaiśaṃpāyana (estimated 6th century BCE).[6] Taittiri is also stated in theMahabharata to have attended 'the Yajña conducted byUparicaravasu'.[4]

Vishnu Purana

[edit]

'Tittiri' also means 'partridge'.[5] This meaning is worked into the account of the stated origin of the School of Tittri in theVishnu Purana (Book 3, Chapter 5). Following a division betweenBrahmins at Mount Meru - includingVaiśampáyana (whose pupil, Tittiri, is attributed to theKrishna (black) Yajurveda) andYajnavalkya (attributed to theShukla (White) Yajurveda) – 'The other scholars of Vaiśampáyana, transforming themselves to partridges (Tittiri), picked up the texts which he [Yájnawalkya] had disgorged, and which from that circumstance were called Taittiríya'.[6] This indicates both Yaska and Taittiri were pupils of Vaiśampáyana.

The translator,H.H. Wilson, states in his commentary to this chapter that 'the term Taittiríya is more rationally accounted for in theAnukramańí or index of the black Yajush [Krishna YajurVeda]. It is there said that Vaiśampáyana taught it toYaska, who taught it to Tittiri, who also became a teacher; whence the term Taittiríya, for a grammatical rule explains it to mean, 'The Taittiríyas are those who read what was said or repeated by Tittiri'.'[7]

Nirukta

[edit]

Yaska, attributed as the teacher of Taittiri, is also attributed as the author of theNirukta, a study ofetymology concerned with correct interpretation ofSanskrit words in theVedas. This is significant as the Nirukta references and quotes extensively from the Taittiriya texts (e.g. as listed in Appendix 1 of the Nirukta).[8]

Overview

[edit]

The Taittiriya school of theKrishna (black) Yajurveda produced several types of texts constitutingSrutiVedic literature (of the YajurVeda). These are the:

Notable members

[edit]

According to B.R. Modak, the scholarSayana (died 1387 CE), notable for his commentaries on Vedic literature including the Taittirīya texts, was a member of the Taittiriya Shakha.[9] According to G.R. Garg,Apastamba, notable for hisShrautasutras, was also a member.[10]

Commentaries

[edit]
See also:Shrautasutra andDharmaśāstra

The 'Śrauta Sútras' (orShrautasutras) ofApastamba (450–350 BCE),Bodhayana (500–200 BCE), andVaikhanasa.(300–100 BCE) are theological texts concerned with procedures and ceremonies of Vedicritual practice. All are attached to the Taittiriya Samhita.[11][12]

There are other commentaries written by Sanskrit scholars and philosophers on the works of the Taittiriya Shakha. Most notably, according to B.R. Modak,Sayana wrote commentaries on the Taittirīya texts (and others).[9] According to N. Sharva, the Taittirīya Brāhmaṇa was also commented upon by Bhava Swāmī (circa 700 CE or earlier); Kauśika Bhaṭṭa Bhāskara Miśra (preceding and referred to by Sayana in theNirukta and by Devarāja Yajvā in theNighantu); and Rāmānḍara / Rāmāgnichitta.[13]

Taittiriya Samhita

[edit]
See also:Samhita,Yajurveda, andYajna

R. Dalal states that 'The Yajur Veda consists of passages in verse and prose, arranged for the performance ofyajnas (sacrifices)... The two main versions of the Yajur are known as the Shukla (or "white") Yajur Veda and the Krishna (or 'Black') Yajur Veda... of the black Yajur Veda, fiveshakhas are known: the Taittiriya (Apastamba), Kapishthala (Hiranyakesi), Katha, Kathaka (school of the Kaṭhas), and Maitrayani (Kalapa), with four closely relatedrecensions, known as the KathakaSamhita, the Kapishthala-Katha Samhita, Maitrayani Samhita, and the Taittiriya Samhita'.[14]

Structure and Content

[edit]

The TaittiriyaSamhita ('TS') consists of seven kandas (or 'books') of hymns, mantras, prayers, and threeAnukramanis(indexes). In translations such as that byA.B. Keith, this Samhita is presented as theKrishna (black) Yajurveda. M.Winternitz adds that the Samhita also includesBrahmana passages (i.e. instructions and explanations ofsacrificial ceremonies).[15] The chapters (prapāṭhakas) for each of the books (kandas) of the Taittiriya Samhita are as follows:[16]

  • Kanda 1
    • Prapāṭhaka 1: The new and full moon sacrifices
    • Prapāṭhaka 2: TheSoma sacrifice
    • Prapāṭhaka 3: The Victim forAgni andSoma
    • Prapāṭhaka 4: The Soma cups
    • Prapāṭhaka 5: The Rekindling of the Fire
    • Prapāṭhakas 6-7: The sacrificer's part in the new and full moon sacrifices
    • Prapāṭhaka 8: TheRajasuya
  • Kanda 2
    • Prapāṭhaka 1: The special animal sacrifices
    • Prapāṭhakas 2-4: The special sacrifices
    • Prapāṭhakas 5-6: The new and full moon sacrifices
  • Kanda 3
    • Prapāṭhakas 1-3: The supplement to the Soma sacrifice
    • Prapāṭhaka 4: The optional and occasional offerings
    • Prapāṭhaka 5: Miscellaneous supplements
  • Kanda 4
    • Prapāṭhaka 1: The lacing of the fire in the fire-pan.
    • Prapāṭhaka 2: The reparation of the ground for the fire
    • Prapāṭhaka 3: The five layers of bricks
    • Prapāṭhaka 4: The fifth layer of bricks
    • Prapāṭhaka 5: The offerings toRudra
    • Prapāṭhaka 6: The preparation of the fire
    • Prapāṭhaka 7: The piling of the fire (continued)
  • Kanda 5
    • Prapāṭhaka 1: The placing of the fire in the fire-pan
    • Prapāṭhaka 2: The preparation of the ground for the fire
    • Prapāṭhaka 3: The second and later layers of bricks
    • Prapāṭhakas 4-7: The piling of the fire altar (continued)
  • Kanda 6
    • Prapāṭhakas 1-5: The exposition of the Soma sacrifice.
    • Prapāṭhaka 6: Exposition of theDaksina and other offerings
  • Kanda 7
    • Prapāṭhaka 1: The Ekaha and Ahina Sacrifices
    • Prapāṭhaka 2: The Ahina sacrifices (continued)
    • Prapāṭhakas 3-4: The Sattras.
    • Prapāṭhaka 5: The Gavam Ayana

Nakshatras

[edit]
Main article:Nakshatra

D.M. Harness states that 'TheVedicNakshatras [stars] arose from a spiritual perception of thecosmos. Nakshatras are the mansions of the Gods or cosmic powers and of theRishis or sages. They can also project negative or anti-divine forces, just as certain planets likeSaturn have well known malefic effects. The term Nakshatra refers to a means (tra) of worship (naksha) or approach... The Nakshatras dispense the fruits ofkarma... For this reasonVedic rituals andmeditations to the present day follow the timing of the Nakshatras... [which] are of prime [importance] inmuhurta or electionalastrology for determining favorable times for actions, particularly sacramental or sacred actions like marriage'.[17]

Reference to theNakṣhatra Sūktam (star positions relating to new and full moon ceremonies), occurs inkāṇḍa (book) 3,prapāṭhaka (chapter) 5,anuvākaḥ (section) 1 (3.5.1).[18]

Shaivism

[edit]
See also:Shiva andShaivism

Shri Rudram and Namah Shivaya homages to Shiva

[edit]

TheShri Rudram Chamakam andNamah Shivaya, homages toRudra /Shiva (the supreme deity inShaivism), occur inkāṇḍa (book) 4,prapāṭhakas (chapters) 5 and 7 (4.5 and 4.7).[19]

Vaishnavism

[edit]
See also:Vishnu andVaishnavism

The Varaha Avatara of Vishnu

[edit]
See also:Varaha andDashavatara

Varaha, the boaravatar ofVishnu (listed in theDashavatara, or ten primary incarnation of Vishnu) is primarily associated with thePuranic legend of lifting the Earth out of thecosmic ocean.A.A. Macdonell and R. Janmajit both state that the origin and development of theboar avatar is found in the Taittiriya Samhita, albeit initially as a form ofPrajapati:[20][21]

This was in the beginning the waters, the ocean. In itPrajapati becoming thewind moved. He saw her, and becoming a boar he seized her. Her, becoming Viçvakarma, he wiped. She extended, she became the earth, and hence the earth is called the earth (lit. 'the extended'). In her Prajapati made effort. He produced the gods,Vasus,Rudras, andAdityas.

— Taittiriya Samhita, translated by Arthur Berriedale Keith (1914), Kanda VII ('The Exposition of the Sattras; The Ahina Sacrifices'), Prapathaka I (vii.1.5)[22]

Another extract attributed to the early development of the Varaha avatar by Macdonell is:

Now a boar, stealer of the good, keeps the wealth of theAsuras which is to be won beyond the seven hills. Him smite, if thou art he who smites in the stronghold.He [Indra] plucked out a bunch of Darbha grass, pierced the seven hills, and smote him. He said, 'Thou art called he who brings from the stronghold; bring him.' So thesacrifice bore off the sacrifice for them; in that they won the wealth of the Asuras which was to be won (védyam), that alone is the reason why the Vedi is so called. The Asuras indeed at first owned the earth, the gods had so much as one seated can espy.

— Taittiriya Samhita, translated byArthur Berriedale Keith (1914), Kanda VI ('The Exposition of Soma Sacrifice'), Prapathaka II (vi. 2. 4)[23]

Taittiriya Brahmana

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Main articles:Taittiriya Brahmana andBrahmana

When the completion ofyajna does not happen in a year (samvatsara) then everything is not stable. Then one has to seek the grace ofVishnu (Vamana) by performing a special rite on theekadashi day. Yajna means Vishnu (worshipping Vishnu). They perform yajna only for stabilising. They depend onIndra andAgni. Indra and Agni give the abode for Gods (devas). Devas only seek shelter in them and only depend on them.

— Taittiriya Brahmana, translated by R.L. Kashyap (2017), Ashtaka 1, Prapathaka 2, Anuvaka 5, Verses 1-7[24]

TheTaittirīya Brāhmaņa ('TB') is considered by academics to be an appendix or extension of the TaittirīyaSamhita.[25][15][13] The first two books (ashṭakas) largely consist of hymns andmantras to theVedic-eraDevas, as well asmythology,astronomy, andastrology (i.e. theNakshatras); the third book contains commentaries and instructions onVedicsacrificial rites such as thePurushamedha, Kaukili-Sutramani,Ashvamedha, andAgnicayana. Recorded around 300-400 BCE,[5] it was prevalent in southernIndia in areas such inAndhra Pradesh, south and east ofNarmada (Gujarat), and areas on the banks of theGodavari river down to the sea in the states ofKarnataka,Tamil Nadu,Maharashtra andTelangana.[13]

A.B Keith states that 'at a comparatively early period the formulae [i.e. mantras from theSamhitas of the YajurVeda] were accompanied by explanations, calledBrahmanas, texts pertaining to theBrahman or sacred lore, in which the different acts of the ritual were givensymbolical interpretations, the words of the texts commented on, and stories told to illustrate the sacrificial performance... a mass of old material, partly formulae, partly Brahmana, which had not been incorporated in the Taittiriya Samhita was collected together in the Taittiriya Brahmana, which in part contains matter more recent than the Samhita, but in part has matter as old as, at any rate, the later portions of that text'.[26]

Structure and Content

[edit]

Based on information provided by Kashyap and R. Mitra,[27][28][29] the chapters (prapāṭhakas) for each of the books (ashṭakas or sometimes referred to askandas) are as follows:

  • Ashṭaka 1: Pārakshudra
    • Prapāṭhaka 1: Explanation for the establishment ofAgni
    • Prapāṭhaka 2: (Devas, chants, Vishuvat,Solstices, Mahavrata, and the bird-shaped altar)
    • Prapāṭhaka 3: VajapeyaYajna
    • Prapāṭhaka 4: Explanation ofSoma offerings
    • Prapāṭhaka 5: The powers of stars ornakshatras, rites andRigVedaMantras
    • Prapāṭhaka 6: (Unknown)
    • Prapāṭhaka 7: (Unknown)
    • Prapāṭhaka 8: (Unknown)
  • Ashṭaka 2: Agnihotra
    • Prapāṭhaka 1: TheAgnihotra Sacrifice
    • Prapāṭhaka 2: DasahotraSacrifice
    • Prapāṭhaka 3: Dasahotra Sacrifices concluded
    • Prapāṭhaka 4: Mantras for Subsidiary Sacrifices or Upahomas
    • Prapāṭhaka 5: Mantras for Subsidiary Sacrifices or Upahomas (Concluded)
    • Prapāṭhaka 6: Kaukila Sautramani or the Sacrifice with Spirituous Liquor
    • Prapāṭhaka 7: Ephemeral Sacrifices or Savas
    • Prapāṭhaka 8: Sacrifices with especial prayers (Kamya)
  • Ashṭaka 3: (Various)
    • Prapāṭhaka 1: Sacrifices to the Constellations - NakshatraIshti
    • Prapāṭhaka 2: Dars'a Ya'ga or Sacrifices meet on the wane of the Moon
    • Prapāṭhaka 3: Paurnamasa Ishti or Ceremonies to be performed on the full moon
    • Prapāṭhaka 4: OnHuman sacrifices
    • Prapāṭhaka 5: Ishti Sacrifices
    • Prapāṭhaka 6: Pa'Shuka Hotra
    • Prapāṭhaka 7: Expiations for defects in the performance of ceremonies
    • Prapāṭhaka 8: On the operations of the first day of theAsvamedha sacrifice
    • Prapāṭhaka 9: On the operations of the second and third days of the horse sacrifice
    • Prapāṭhaka 10:Sa'vitra-Chayana or collection of fire for the adoration of the sun
    • Prapāṭhaka 11:Nachiketa-Chayana, or collection of Nachiketa Fire
    • Prapāṭhaka 12: Cha-tur-hotra and Vaisvasrij ceremonies

Taittiriya Aranyaka

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See also:Aranyaka,Upanishads, andPravargya

The TaittiriyaAranyaka ('TA') is primarily atheological text consisting of ten chapters (prapāṭhakas).J. Dowson states that 'Aranyaka' means 'belonging to the forest' as this type of text is intended to 'expound themystical sense of the [sacrificial] ceremonies, discuss the nature of God [etc.]. They are attached to theBrahmanas, and [are] intended for study in the forest by people who have retired from the distractions of the world'.[30] As illustrated below, the Taittiriya Aranyaka contains a Brahmana text of its own, the PravargyaBrahmana, as well as twoUpanishads, theTaittiriya Upanishad (aMuktika or primary Upanishad) and theMahanarayana Upanishad (a minorVaishnava Upanishad).

Structure and Content

[edit]

R. Mitra states that the Taittiriya Aranyaka is 'by far the largest of theAranyakas. It extends altogether to ten prapāṭhakas or 'Great Lessons', i.e. books or chapters, of which the last four areUpanishads, and the first six, are Aranyaka strictly so-called'.[31] The 10 chapters (prapāṭhakas) of the Taittiriya Aranyaka, including numbers ofanuvakas (sections) for each, are as follows:[31]

PrapāṭhakaAnuvakasDescriptionComment
132Propitiation of the Eastern Altar - Uttara Vedi
220Brahmanic Education
321Mantras of the Chaturhotra-Chiti
442Pravargya MantrasUsed for the Pravargya ceremony
512Pravargya CeremonyPravargyaBrahmana
612Pitrimedha or Rites for the welfare of the Manes
712Śikṣa or the training necessary for acquiring a knowledge ofBrahmanTaittiriya Upanishad
89Knowledge of Brahman
910Relation of Brahman to food, mind, life, etc.
1054The worship of BrahmanMahanarayana Upanishad

Vaishnavism

[edit]
See also:Vishnu andVaishnavism

TheMahanarayana Upanishad is classified as aVaishnava Upanishad. In addition to this, the Taittiriya Aranyaka is also considered significant by academics in the development of theavatars (or incarnations) and their associated legends of theRigVedic godVishnu, the supreme being in Vaishnavism.

The Varaha Avatara of Vishnu

[edit]

A. Daniélou states that a hundred-armed black boar lifts the earth out of the waters in the Taittiriya Aranyaka (TA 10.1.8).[32]J. Eggeling in note 451:1 to theShatapatha Brahmana (relating to theShukla or White Yajurveda) incorrectly states it was 'a black boar with a thousand arms'.[33] TheJournal Of The Indian Society Of Oriental Art (volume 13) states 'in the ‘Taittiriya Aranyaka’, the earth is said to have been raised by a black boar with a hundred arms (‘varahena krsnena satabahuna uddhrta’). It is an easily understandable step to the making of the boar an incarnation ofVisnu himself, a step which is finally taken in theepics and thePuranas'.[34] This legend is also contained in theMahanarayana Upanishad (prapāṭhaka 10 of the Taittiriya Aranyaka):

bhūmirdhenurdharaṇīlokadhāriṇī uddhṛtāsi varāheṇakṛṣṇena śatabāhunā

The earth [Bhumi] is the giver of happiness like the milk cow, the sustainer of life and support for all living beings. (Represented as such the earth is addressed:) Thou wert raised up byKṛṣṇa in His incarnation of the boar having hundred hands.

— Mahanarayana Upanishad, Prapāṭhaka 10, Anuvaka 1, Khandika 38[35]

As 'Krishna' also means 'black', the verse can also be interpreted as 'black boar' or 'raised up by the black boar', as stated by Daniélou and Eggeling. However, the translation given above clearly shows howKrishna is linked withVaraha.

The Kurma Avatara of Vishnu

[edit]

N. Aiyangar states that the following verse from the Taittiriya Aranyaka (prapāṭhaka 1.23-25) 'is narrated in connection with the ritual calledArunaketuka-kayana, in which the tortoise ['Kurma'] is placed below theuttara-vedi [altar]. In itPrajapati or his juice the Tortoise is calledArunaketu (one who had red rays)':

The waters, this (universe), were salilam (chaotic liquid) only.Prajapati alone came into being on a lotus leaf. Within his mind, desire (Kama) around as 'Let me bring forth this (universe).' Therefore what man gets at by mind that he utters by word and that he does by deed... He (Prajapati desired to bring forth the universe) performedtapas (austere religious contemplation). Having performed tapas, he shook his body. From his flesh sprang forth Aruna-Ketus, (red rays as) the Vatarasana Rishis, from his nakhas, nails, theVaikhanasas, from his valas, hair, the Valakhilyas, and hisrasa, juice, (became) a bhutam (a strange being, viz.,) a tortoise moving in the middle of the water. He [Prajapati] addressed him thus 'you have come into being from my skin and flesh.' 'No,' he replied, 'I have been here even from before (purvan eva asam).' This is the reason of the Purusha-hood ofPurusha. He (the tortoise) sprang forth, becoming the Purusha of a thousand heads, thousand eyes, thousand feet. He (Prajapati) told him, 'you have been from before and so you the Before make this (idam purvah kurushva).'... From the waters indeed was this (universe) born. All this isBrahman Svayambhu (Self-Born).

— Essays On Indo Aryan Mythology by Narayan Aiyangar ('The Tortoise')[36]

TheVātaraśanāḥRishis (orMunis) created are also mentioned inRigVeda 10.136, whereShiva drank water/poison, linking to the legend ofKurma and the churning of theOcean of Milk, referred to as theSamudra manthan.[37]Prajapati then encounters a tortoise (Kurma/Arunaketu) that existed even before he, the creator of the universe, came into being.

Taittiriya Pratisakhya

[edit]
See also:Pratishakhyas

The Taittiriya Pratisakhya ('TP') is concerned withphonetics, i.e. the correct pronunciation of words.

Structure and Content

[edit]

The 24 chapters of the Taittiriya Pratisakhya are as follows:[38]

  1. List of sounds
  2. Origin of sounds
  3. Shortening ofvowels
  4. Pragraha or uncombinable words
  5. Sanhita or combination of words
  6. Conversions ofs and visarjaniya intosh.
  7. Conversion ofn into
  8. Changes ofunaspiratedsurds
  9. Changes ofh, ah, áh, n, ṉ, án, in, etc.
  10. Coalescence of vowels
  11. Elision of vowels
  12. Elision of vowels
  13. Elision ofm
  14. Duplication
  15. Nasalization
  16. the use ofn
  17. Various opinions about nasality
  18. Opinions about the aspiration ofOm
  19. Emphasis and shaking
  20. Different kinds of circumflex letters
  21. Division ofconsonants insyllabication
  22. Formation of articulate sounds,tones,pitch, long and shortsyllables, etc.
  23. Articulation
  24. Various kinds of texts, and qualifications ofVedic teachers and readers

Manuscripts and translations

[edit]
SamhitaBrahmanaAranyakaPratisakhya
Sanskritarchive.orgarchive.org:Book 1,Book 2,Book 3archive.orgarchive.org
Sanskrit-English transliterationarchive.org:Part 1 andPart 2
Englisharchive.org:Kandas 1-3 andKandas 4-7 (Keith);

sacred-texts.com:Full e-text (Keith)

Volume 1 andVolume 2

(Kashyap; partial translation; limited preview)

Volume 1 andVolume 2

(S. Jamadagni; partial translation; limited preview)

archive.org (W.D. Whitney)
archive.org:Taittiriya Upanishad (S.S. Sastri);Taittiriya Upanishad (A.M. Sasti)

Supplemental

[edit]

References

[edit]
  1. ^"Sanskrit Dictionary for Spoken Sanskrit: 'Taittiriya'".spokensanskrit.org. Retrieved9 January 2020.
  2. ^ab"Sanskrit Dictionary for Spoken Sanskrit: 'shakha'".spokensanskrit.org. Retrieved9 January 2020.
  3. ^Williams, Monier (1872).A Sanskrit-English Dictionary: 'Taittira'. p. 384.
  4. ^abMani, Vettam (1975).Puranic encyclopaedia : a comprehensive dictionary with special reference to the epic and Puranic literature. Robarts - University of Toronto. Delhi : Motilal Banarsidass. p. 782.
  5. ^abc"Sanskrit Dictionary: 'tittiri'".www.sanskritdictionary.com. Retrieved9 January 2020.
  6. ^ab"The Vishnu Purana: Book III: Chapter V".www.sacred-texts.com. Retrieved9 January 2020.
  7. ^Wilson, H. H. (Horace Hayman) (1862).Works by the late Horace Hayman Wilson (Vol. 8), The Vishnu Purana Books III and IV. Princeton Theological Seminary Library. London : Trübner. pp. 54 (footnote 1).
  8. ^Lakshman Sarup (1967).The Nighantu And The Nirukta. pp. 282 (archive.org reader numbering).
  9. ^abModak, B. R. (1995).Sayana. Sahitya Akademi. pp. 16–18.ISBN 978-81-7201-940-2.
  10. ^Garg, Gaṅgā Rām (1992).Encyclopaedia of the Hindu World. Concept Publishing Company. p. 552.ISBN 978-81-7022-375-7.
  11. ^Āpastamba (1885).The Śrauta Sútra of Ápastamba, Belonging to the Taittiríya Samhití, with the ... University of California. The Asiatic society.
  12. ^Baudhayana; Caland, Willem (1904).The Baudhyana srauta sutra, belonging to the Taittiriya samhita. Edited by W. Caland. Robarts - University of Toronto. Calcutta Asiatic Society.
  13. ^abcDr. Narinder Sharma.History Of Vedic Literature Brahmana And Aranyaka Works S Shr. pp. 28–29,191–200.
  14. ^Dalal, Roshen (15 April 2014).The Vedas: An Introduction to Hinduism's Sacred Texts. Penguin UK.ISBN 978-81-8475-763-7.
  15. ^abWinternitz, M. (1927).A History Of Indian Literature,vol.1. p. 192.
  16. ^Keith, Athur Berriedale.The Veda of the Black Yajus School: The Taittiriya Samhita. pp. 2–17.
  17. ^Harness, Dennis M. (2004).Nakshastras: The Lunar Mansions of Vedic Astrology. Motilal Banarsidass Publ. pp. xv–xvii.ISBN 978-81-208-2068-5.
  18. ^"Yajur Veda Kanda III".www.sacred-texts.com. Retrieved9 January 2020.
  19. ^"Yajur Veda Kanda IV".www.sacred-texts.com. Retrieved9 January 2020.
  20. ^Macdonell, Arthur Anthony (1897).... Vedic mythology. Princeton Theological Seminary Library. Strassburg : Karl J. Trübner. pp. 41, 151.
  21. ^Roy, Janmajit (2002).Theory of Avatāra and Divinity of Chaitanya. Atlantic Publishers & Dist. p. 92.ISBN 978-81-269-0169-2.
  22. ^"Yajur Veda Kanda VII".www.sacred-texts.com. Retrieved9 January 2020.
  23. ^"Yajur Veda Kanda VI".www.sacred-texts.com. Retrieved9 January 2020.
  24. ^Taittirīya Brāhmaṇa: Text in Devanāgari and Translation. Sri Aurobindo Kapāli Sāstry Institute of Vedic Culture. 2017. pp. 107 (Volume 1).ISBN 978-81-7994-166-9.
  25. ^"Taittiriya Brahmana".Vedic Heritage. Indira Gandhi National Centre for the Arts.
  26. ^Keith, Arthur Berridale (1925).The Religion And Philosophy Of The Veda And Upanishads (volume 1).
  27. ^Taittirīya Brāhmaṇa: Text in Devanāgari and Translation. Sri Aurobindo Kapāli Sāstry Institute of Vedic Culture. 2017. pp. vi–viii, 49, Appendix 3 (Volume 1), viii, 2, 4 (Volume 2).ISBN 978-81-7994-166-9.
  28. ^Mitra, Rajendralala (1862).The Taittiriya Brahmana Of Black Yajur Veda (volume 2). pp. 1–31 (Contents).
  29. ^Mitra, Rajendralala (1890).The Taittiriya Brahmana Of The Black Yajur Veda (volume 3). pp. v–viii, 1–73 (Contents).
  30. ^John Dowson (1903).Classical Dictionary Of Hindu Mythology And Religion Etc. pp. 20–21 ('Aranyaka').
  31. ^abMitra, Rajendralala (1872).Taittiriya Aranyaka (Sanskrit); Biblotheca Indica. University of California. Baptist Mission Press. pp. 7 (Introduction), 1–55 (Contents).
  32. ^Daniélou, Alain (December 1991).The Myths and Gods of India: The Classic Work on Hindu Polytheism from the Princeton Bollingen Series. Inner Traditions / Bear & Co. p. 168.ISBN 978-0-89281-354-4.
  33. ^"Satapatha Brahmana Part V (SBE44): Fourteenth Kânda: XIV, 1, 2. Second Brâhmana".www.sacred-texts.com. Retrieved9 January 2020.
  34. ^Journal Of The Indian Society Of Oriental Art Vol.13. 1945. p. 118.
  35. ^"Mahā Nārāyaṇa Upanishad | Section I 34-53 | Red Zambala".Mahā Nārāyaṇa Upanishad | Section I 34-53 | Red Zambala. Retrieved7 December 2019.
  36. ^Narayan Aiyangar (1901).Essays On Indo Aryan Mythology. p. 213.
  37. ^"Rig Veda: Rig-Veda, Book 10: HYMN CXXXVI. Kesins".www.sacred-texts.com. Retrieved10 January 2020.
  38. ^Mitra, Rajendralala (1872).The Taittiriya Pratisakhya.
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