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Tahera Qutbuddin

From Wikipedia, the free encyclopedia
Indian Professor of Arabic (born 1964)
Tahera Qutbuddin
Born1964 (age 60–61)
Alma materAin Shams University,Harvard University
AwardsSheikh Zayed Book Award (2021)
Scientific career
FieldsArabic literature,oratory
InstitutionsUniversity of Chicago,University of Oxford
Thesis Al-Mua̓yyad fī al-Dīn al-Shīrāzī: Founder of a new tradition of Fatimid Dawa poetry (1999)
Doctoral advisorWolfhart Heinrichs

Tahera Qutbuddin (born 1964,Mumbai) is theAbdulaziz Saud AlBabtain Laudian Professor of Arabic at theUniversity of Oxford. AGuggenheim Fellow (2020) and a winner of theSheikh Zayed Book Award in 2021, she is best known for her works on the teachings of Imam Ali, Arabic oratory, and the usage of Arabic in India, especially in theDawoodi Bohra Tayyibi tradition.

Life

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Tahera Qutbuddin was born in Mumbai in 1964 in a Dawoodi Bohra family.Syedna Mohammed Burhanuddin, a leader of the Bohra community, was her uncle. She attended Villa Theresa High School andSophia College for Women, where she completed her secondary education in 1984.[1][2]

Qutbuddin learned Arabic from her father Khuzaima Qutbuddin.[1] She received a bachelor's degree (1988) and atamhidi magister (1990) from theAin Shams University,Cairo, followed by master's (1994) and doctoral degrees fromHarvard University (1999), where her advisor wasWolfhart Heinrichs.[3][4]

Career

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In 2002, Qutbuddin joined the Department of Near Eastern Languages and Civilizations of the University of Chicago. She was made aCarnegie Scholar in 2008 and a Guggenheim fellow (2020).[5]

Among her early publications was a study of the Arabic language in India, especially among the Dawoodi Bohras, and its influence on the Gujarati language sermons of SyednaTaher Fakhruddin.[1]

Qutbuddin's 2005 monographAl-Muʾayyad al-Shirāzī and Fāṭimid Daʿwa Poetry. A Case of Commitment in Classical Arabic Literature expanded on her doctoral thesis of 1999. It was deemed especially important for its access to private manuscripts of theTayyibiIsmailiDaʿwa in India. She showed thatAl-Muʾayyad al-Shirāzī was a major innovator in the development ofcommitted literature, i.e., literature produced by someone convinced of a particular ideology who then seeks to persuade society of its truth. She showed thatFatimid poetry prior to al-Shirāzī was stylistically and thematically similar to that of theAbbasids, whose main exponents were panegyrists, whereas al-Shirāzī's works were entirely in the promotion of the Daʿwa.[3] She also showed how the traditions of the Tayyibi Ismailis moved to Yemen and thereafter in India after the death of al-Shirāzī, where his poetry's influence on the Dawoodi Bohra community endures to present times.[6]

In 2013, Qutbuddin published an edition of her translations of Al-Qāḍī Al-Quḍāʿī's collection of the sayings and sermons ofImam Ali and Al-Jāḥiẓ's selection of proverbs attributed to Ali. It was considered a definitive work as it considered all available editions and manuscripts, unlike previous translations of these important examples of Islamic religious literature.[7] In particular, she was lauded for the quality of the translations, which conveyed well the punchiness of the pithy Arabic expressions and the variations in their meanings.[8]

Qutbuddin's bookArabic Oration – Art and Function (2019) traced Arabic literature from its oral origins to its influence on modern sermons.[9] She created a comparative framework between Arabic and Greek oratory, and explored how oratory was the foundation for the shaping of politics and public speaking, and thence to literature.[10] She had worked on it for over a decade, although she had had the idea for it during her undergraduate days in Cairo. She explored the cultural milieu around Imam Ali and the aesthetics of his sermons. She established that public preaching in the form ofkhutbah popular till today stemmed from pre-Islamic oratory, with texts available from decades before the founding of the faith. Much of the orally transmitted literature was lost but several texts in Arabic survive. The oratory depended much on visual imagery, but especially on rhythm and similar grammatical structure in every line, serving to reinforce the message in the listeners' minds. Qutbuddin also found that women held important positions in early Islamic society but would be permitted to speak publicly only in times of acute troubles. An example was the declamation by Imam Ali's daughterZaynab who, following the defeat of Ali's descendants at theBattle of Karbala, castigated the victor,Yazid I, for his actions.[4]

In 2021, Qutbuddin was working on a monograph onImam Ali, the fourth caliph of Islam, titledʿAli ibn Abi Talib: Life, Teachings, and Eloquence of the Sage of Islam. Ali is considered a master guide for life on earth and in heaven by both Sunnis and Shiites; his orations exemplary and beautiful, with ornate, difficult vocabulary. Qutbuddin focussed on the interrelationships between political, religious and literary aspects of his life, aiming to reconstruct his life.[5]

As of July 2023, she has been the AlBabtain Laudian Professor of Arabic in the Faculty of Asian and Middle Eastern Studies at Oxford, and a Professorial Fellow of St John’s College.[11]

Selected works

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References

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  1. ^abcRodricks 2021.
  2. ^Guggenheim 2020.
  3. ^abAhmad 2007, p. 221.
  4. ^abBedirian 2021.
  5. ^abPatterson & Wang 2020.
  6. ^Ahmad 2007, p. 224.
  7. ^Traboulsi 2014, p. 382.
  8. ^Selove 2014, p. 437.
  9. ^Kamdar 2021.
  10. ^Patterson 2021.
  11. ^"Professor Tahera Qutbuddin".St John's College. Retrieved12 February 2024.

Bibliography

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