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| Also known as | Taekgyeon, Taekkyeon, Taekyun |
|---|---|
| Focus | Self-defense with a focus on kicks, trips, throws in competitions |
| Hardness | Light-contact (pushing hands)Full-contact (strikes, kicks, throws, takedowns etc.) |
| Country of origin | Korea |
| Parenthood | Subak |
| Official website | Four associations: |
| Taekkyon | |
| Hangul | 택견; 태껸 |
|---|---|
| RR | taekgyeon; taekkyeon |
| MR | t'aekkyŏn; t'aekkyŏn |
| IPA | tʰɛk̚k͈jʌn |
Taekkyon (Korean: 택견; 태껸;Korean pronunciation:[tʰɛk̚k͈jʌn]), also spelledtaekkyeon, is a traditionalKorean martial art. It is characterized by a fluid, dynamic footwork calledpumbalbgi, or "stepping-on-triangles". Taekkyon includes hand and foot techniques to unbalance, trip, or throw the opponent. In competitive taekkyon points are scored by throwing the opponent or landing kicks on their head. A taekkyon practitioner is called a "Taekkyon-kkun". Practitioners and all participants, including referees, and coaches, wearhanbok as their uniform.
Since the twentieth century,Taekkyon has come to be seen as a living link to Korea's past. As such, it has provided historical references for modern Korean martial arts and is often considered as the oldest martial discipline of Korea.[1] It was almost wiped out during theJapanese occupation, before being rediscovered after theKorean War. It influenced the name and conceptualization oftaekwondo.
Taekkyon was the first martial art listed as aUNESCO Intangible Cultural Heritage in 2011.[2] It is also the 76thIntangible Cultural Property of South Korea.[1][3][4]
The earliest written source of the term appears during the reign ofKing Jeongjo (1776–1800) of theJoseon dynasty, in the bookJaemulbo (alsoManmulbo), which included an entry about a 2nd-centuryBook of Han reference of contests of unarmed combat. In this entry, author Lee Sung-Ji extended a 3rd-century annotation of this reference to say that such competitions were like theTaekkyon of his time:[5]
The wordTaekkyon is written inHangul, which denotes its connection with the common people while the rest is written inHanja.
Song Deok-gi (1893-1987) who was the main source of the taekkyon revival after the occupation, wrote in the preface of his only book: "It cannot be said for sure when and how Taekkyon came into existence, but until the end of theKorean kingdom, certain people did Taekkyon together."[6]
Taekkyon was documented for the first time in the West by anthropologistStewart Culin in his bookKorean Games, written in 1895.[8] In the 1921 bookHaedong Jukji (East Sea Annals) by Choe Yeong-nyeon, Taekkyon is called "flying leg technique".[9] Taekkyon was widely practiced during the Joseon period. Two versions existed at the time: one for combat application used by militaries, the other as a game, very popular among lower classes alongsidessireum (Korean wrestling). Both combat sports were often seen at festivals, attended by all social classes. For example, during the Dan-O-Festival, a tournament calledGyeoll-yeon-Taekkyon was held. Players who beat five opponents consecutively could take a rest and re-enter the tournament again later.[10]
Taekkyon's popularity declined asNeo-Confucianism became widespread among the elite and it underwent a long period of decline toward the end of the Joseon Dynasty.[11] At the dawn of the 20th century, it was only practiced around the capital city of Hanyang (Seoul), in the district ofJongro. The subsequentJapanese occupation prohibited gatherings of people and indigenous fighting techniques, which nearly made the art extinct.[12]
After theKorean War there was only one surviving master: Song Deok-gi, who was part of the last generation that received a traditional education under the tutelage of renowned Master Im Ho (1870's?~1920's?).[13][14] After the passing of his master, Song had maintained his practice in secret throughout the Japanese occupation. The style he practiced was calledWidae (high-village) after his village ofSajik. Song was critical in the preservation ofTaekkyon due to his link to pre-war teachings. After a martial arts demonstration given for then-presidentSyngman Rhee's birthday, he was revealed to the public on 26 March 1958 and became known as the "Last Taekkyon Master of the Joseon Dynasty".[15]
Nonetheless, taekkyon did not enjoy a sudden resurgence, faced with lack of interest from the general public and competition from modern martial disciplines. Despite sporadic interest by taekwondo figures[16] (such asPark Chul-hee,Kim Byeong-su, Im Chang-su...),[17] taekkyon remained relatively obscure.[18] Lee Jun-seo and Ko Yong-woo,[19] the two earliest known students of Song (and current leaders of the Widae Taekkyon Preservation Association)[20] started their training during that period.
On June 1, 1983,Taekkyon was designated anImportant Intangible Cultural Asset by the Korean government, through the effort of Song's pupil, Shin Han-seung (1928-1987).
After two unsuccessful registration attempts, Shin, himself a physical educator,[21] created a modern training system by adapting methods from other martial arts and sports.[22] This new system introduced several innovations that were originally absent from the original taekkyon such as pre-arranged forms (bonddae-boigi), a formal ranking system and overall, a re-conception of taekkyon as a sanitized, modern sport.[22][23] While these efforts helped taekkyon gain official recognition, they also created a rift within the community between modernists and preservers.[24]
Following this honor, both Song Deok-gi and Shin Han-seung were given livingnational treasure status.[25] Taekkyon is one of two Korean martial arts to receive this recognition, the other beingSsireum. Since then, taekkyon has enjoyed a renaissance with the establishment of university clubs, the opening of new schools, and active promotional efforts from the government and associations alike. The first contemporary taekkyon competition took place in Busan on June 30, 1985.[26]
After more than 70 years of public disappearance, this competition was a landmark event that marked the return of taekkyon as an organized modern sport.[27] Song Deok-ki and Shin Han-seung demonstrated respectivelymack-boigi, andbonddae-boigi. Future leaders of taekkyon's modern associations, Lee Yong-bok (KTF), Jeong Kyung-hwa (KTTA) and Do Ki-hyun (KTA) were also in attendance.[28][29]
Shin Han-seung and Song Deok-gi died in 1987, twenty days appart.[30][31] Following their passing, their Important Intangible Cultural Asset status was revoked.
After the death of the two masters, the Taekkyon community was definitively split by the establishment of more separate schools.[32] The followers of Song's teachings, represented by the Widae Taekkyon Preservation Association emphasize the preservation of traditional forms.[33] In contrast, the followers of Shin—whether his direct students or those inspired by his system—pursue a more sport-oriented approach and bringing the art to a global stage.[34]
In November 2011,Taekkyon was recognized byUNESCO and placed on theIntangible Cultural Heritage List, honored as the first martial art on the list.[35]
Taekkyon utilizes a wide variety of techniques including kicks, hands, knee, elbow strikes, pressure point attacks, throws, joint locks, headbutts and grapples.[36] The whole body is used in each movement. Although taekkyon primarily utilizes kicking, punching, and arm strikes thrown from a mobile stance and does not provide a framework forgroundfighting, it does incorporate a variety of different throws,takedowns, and grappling techniques. The main purpose of taekkyon is to catch the opponent off-guard by using the whole weight of the body and catch the opponent's attack off-balance before returning it against them.[37]
The basicpumbalki footwork is geometric and at the core of all advanced movement. The movements of taekkyon are fluid with the practitioners constantly moving. One of its most striking characteristics is the motion calledogumsil orneung-cheong: It is a constant bending and stretching of the knees, giving taekkyon a dance-like appearance. This motion is also used in the Korean mask dancetalchum which gives them a similar flow. The art is like a dance in which the fighter constantly changes stance from left to right by stepping forward and backwards with arms up and ready to guard, blending arm movements with leg. Taekkyon does not make use of abrupt knee motions. The principles and methods used to extend the kick put more emphasis on grace and alignment for whole-body strength, as with the arm motions.
The most unique feature of taekkyon is its triangularfootwork calledpumbalki orpum balbki (품밟기) which looks like a dance. The meaning of pumbalkki is "to step thepum".Pum is thehanja 品, which means "goods" or "level" but it is used for its triangular shape rather than its meaning. Footwork is smooth and rhythmic and enables rapid shifting of the center of gravity. It has the effect of strengthening the waist and lower part of the body as well as harmonizing attack and defense. It is practiced in place, but in competition it involves continually advancing or retreating.
Hwalgaejit looks like the movement of a bird's wings. Coming from the roothwalgae, meaning "deceptive arm and leg movements resembling the movements of butterfly wings," the shoulders are expanded naturally and must flow harmoniously with the footwork. While improving the body's reflexes, responsiveness and balance, it also helps distract the opponent's attention before the counterattack. It is mainly used defensively to block or catch an opponent blow.Hwalgejit transfers power from the body to the arms in order to enhance power for quick action.
Taekkyon was known for itskicking techniques so ancient chronicles referred to it with poetic names such as "one-hundred godlike flying leg skills" (baek gisintong bigaksul), "leg art" (gak sul), or "flying leg skills" (bi gak sul).[38] Modern taekkyon schools teach a variety of kicks, low, medium, and high, as well as jumps. Sweeps with straight forward low kicks using the ball of the foot and the heel and flowing crescent-like high kicks. There are many kicks that move the leg outward from the middle, which is calledgyeot chigi, and inward from the outside using the side of the heels and the side of the feet. The art also uses tricks like inward trips, wall-jumping, fake-outs, tempo, and slide-stepping.
Renowned for the variety of its kicks since ancient times, taekkyon features numerous striking techniques. These target all areas of the body and utilize every part of the arm — including the forearm, elbow, edge of the hand, back of the hand, and fingertips. Techniques must be executed in coordination with thepumbalki so that the springing power can be transferred to the upper limbs. The palm or fist is most often used to strike.
Though hand techniques had been used for self-defense until the Widae style, the three modern schools only teach it at an advanced level as part ofyetbeop taekkyon.[39][40]
Taekkyon uses techniques forthrowing the opponent either forward or backward. Once the opponent is unbalanced, the user can follow with either a throw or a trip. The important thing is to use the opponent's own power to counterattack.
Ttanjuk are techniques forlocking and twisting an opponent's joints.
Taekkyon bouts have evolved into a modern sport and tournaments are held by the three modern schools (KTF, KTTA, KTA) across Korea and it is also an authorized discipline in Korea National Championships. When taekkyon is practiced in competition, it uses a limited subset of techniques, focusing on grappling and kicking only. Points are scored by throwing (or tripping) the opponent to the ground, pushing them out of the ring, or kicks to the head. There are no hand strikes or headbutts, and purposefully injuring your opponent is prohibited. The head kicks are often quite sharp, but usually not full force, and fighters may not attempt to wear the opponent down with body blows as inboxing orMuay Thai. Matches are sometimes decided by the best of three falls—the first fighter to score two points wins. However, different modern associations employ slightly different rules.
The Korea Taekkyon Federation (KTF), sometimes calledDaehan Taekkyon, is the largest and most developed taekkyon association globally.[41] Founded in 1991 and based inSeoul Olympic Park it was led by Lee Yong-bok (1948-) until 2015. Originally an6th Dan in taekwondo, he taught himself taekkyon with a brief stint studying underSong Deok-gi and Shin Han-seung.[42]
The KTF holds a unique official status as the only taekkyon organization recognized by the Korean government'sMinistry of Culture, Sports and Tourism and has been a member of theKorean Sport & Olympic Committee (KSOC) since 2007. This official role allows it to act as both the national and international governing body, organizing events like theKorean National Sports Festival,[43]World Martial Arts Masterships,[44] Sports for All Festival[45] and running government-recognized Sports Instructor Courses.
The KTF has been instrumental in shaping the modern perception of taekkyon, promoting it as a non-violent folk-game focused on kicking techniques. With the support of the KSOC, the KTF has produced multi-lingual videos to standardize and disseminate taekkyon rules, referee guidelines, and training courses.[46]
The Widae Taekkyeon Association (also Widae Taekkyeon Preservation Society) or simplyWidae Taekkyeon is based inLos Angeles and Seoul. It is led by Ko Yong-woo (1952-) and Lee Jun-seo (1962-), the two most senior students ofSong Deok-gi[20] and last preservers of the complete Widae form.[47] This association was established by Song Deok-gi and Lee Jun-seo in 1983. It maintains a purely traditional approach and does not teach the sport science innovations from the mid-1980s and does not hold competitions.[48]
The Korea Traditional Taekkyon Association (KTTA) is headquartered inChungju, therefore sometimes referred to asChungju Taekkyon. The KTTA was established by two pupils of Shin han-seung: Park Man-Yeob (1960-) and Jeong Kyung-hwa (1954-) who was given the title of "living national treasure of the second generation" by the Korean government in 1995. The KTTA was responsible for the recognition ofTaekkyon as an Intangible Cultural Heritage of Humanity.[49]
The Kyulyun Taekyyun Association (KTA), based in Seoul, was established in 2000. The KTK is led by Do Ki-hyun (1962-) who mainly learned fromSong Deok-gi after starting his training under Shin Han-Seung. The school is famous for organizing the Taekkyon Battle, one of the most prestigious tournaments of Korea, every year since 2004.[50]
Medieval records mention that several street fighting games and techniques existed in Korea at the time, up until the twentieth century. Due to the elite's scorn and contempt for martial activities,Taekkyon came to be perceived as a fighting method for thugs and sometimes confused with such disciplines:[51]Sibak (시박),[51]Pyeonssaum (편싸움),[52]Nalparam (날파람),[53]Nanjanbaksi (난잔박시),[54]Taegyeok (태격).[55] Some barehand techniques for street fighting are currently taught as part of the curriculum of the three modern schools as part of theyetbeop Taekkyon or "old styleTaekkyon".[56]
There is a common myth aboutTaekkyon being depicted as a kicking game as well as an "ancient version of taekwondo" in the public eye.[57] This is mainly due to the spread oftaekwondo as the national martial sport of Korea after theKorean War. Since then, taekkyon has been known to the general public mainly through association with taekwondo and rendition based on incomplete information via bits and pieces of records emphasizing its kicking techniques.[58] Even though the taekwondo establishment claims an ancient lineage through taekkyon, and even partially modeled its name on it,[59][60][61] the two disciplines don't have much in common and taekkyon associations explicitly deny any link.[62][63]
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