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Tōnalpōhualli

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Aztec calendar
Page 11 reverse fromCodex Magliabechiano, showing four day-symbols of thetōnalpōhualli: (ce = one) Flint/Knifetecpatl, (ōme = two) Rainquiahuitl, (ēyi = three) Flowerxōchitl, and (nāhui = four) Caiman/Crocodile (cipactli), with Spanish descriptions.
Above is theCodex Telleriano-Remensis: Folio 10r annotated to identify the day signs (Tonalpohualli) and counts on the page. This page includes the later half of a Trecena, starting with 6 grass (6 Malinalli) and ending with 13 rain (13 Quiyahuitl). The Trecena progresses from the second row and the first column and continues to the right. Once it is five columns in the order it progresses downward until the fifth column and fifth row. TheCodex Telleriano-Remensis was produced in the sixteenth century withEuropean influence and supplies.
Above is theCodex Borbonicus Folio 13 with annotations to highlight the day signs (Tonalpohualli) within theTrecena which is shown on the page. TheTrecena begins at the bottom leftmost corner with 1 movement (1 Olin) and continues through the full 13 day cycle until 13 water (13 Atl) at the top box on the inner column. Each day sign is paired with their respective deity, for example 2 flint is presented byChalchiuhtotolin.

Thetōnalpōhualli (Nahuatl pronunciation:[toːnaɬpoːˈwalːi]), meaning "count of days" inNahuatl, is aMexica version of the 260-day calendar in use inpre-ColumbianMesoamerica. This calendar is solar and consists of 20 13-day (trecena) periods. Eachtrecena is ruled by a different deity. Graphic representations for the twenty day names have existed among certain ethnic, linguistic, or archaeologically identified peoples.[1]

Description

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Tonalpōhualli calendar representation

The term for theAztec day signs,tōnalpōhualli, comes from the root wordTonal which means to give light or heat.[2] A “tonalli” runs from one noon to the next one.[3] Tōnalpōhualli refers to the count of the days, made up of 20 day signs and a 260 day cycle. In Aztec society there were multiple intertwining calendars, thetōnalpōhualli, and thexiuhpōhualli which refers to the solar year of 365 days. Thexiuhpōhualli was divided into eighteen twenty day months, and then an extra five days at the end of the cycle. Each day denoted by a different day sign and number, the double calendars were intertwined so that every 52 years the same combination of day signs and numbers would appear again.[2] The fulltōnalpōhualli cycle would take place over 260 days and since each day was unique in number and symbol each had its own intrinsic meaning.[4] It is likely that the root of these units comes from the human body: the Aztecs would count using all digits on their body consisting of the 20 day signs.[5] The 260 cycle likely originated from womans’ gestational cycle, as from the time of the first missed menstruation cycle to the time of giving birth is roughly 260 days.[5]

Thetōnalpōhualli as aforementioned consists of twenty different day signs orTrecenas, which in almost all representations are accompanied with a glyph depicting its character. TheAztec form of writing is largely pictorial and was a semasiographic system, meaning writing existed separately from spoken word.[6] The glyphs were recognizable to their meaning, and members of the population would understand what day it was and their current position in time.[6] Since theTrecenas would repeat every twenty days they were accompanied by a number from 1 to 13. Usually the day count was depicted by small circles next to the mainglyph adding up to the juncture of that day.[2] The glyphs had to be understood by the population so there is a strong level of similarity in depiction of each trecena. However, the day count seems to be up to the discretion of the artist.[2]   The first day of the 13-day cycle would be one crocodile (Cipactli) and continue until 13 reeds (Acatl). The next 13-day cycle would begin with one jaguar (Ocelotl) and continue until 13 death (Miquiztli). During this cycle the Trecenas would repeat making the day eight crocodile (Cipactli) and so forth. This pattern would continue until all 20 day signs had been associated with numbers 1 through 13. TheTrecenas and numbers were two separate identities, the day five deer (Mazatl) did not represent there being five deer, nor was there any significance to the number five other than as a defining number. The five relates to the juncture of the day, it comes after day 4 and before day 6 in this specific 13-day cycle.[5] The 13-day cycles are subdivisions of the larger 260-day calendar, and they pertain to different rituals and times of the year.[7] The order of the days related to all aspects of life, they dictated when was the right time to plant maize and when to harvest. People felt that they would be vulnerable if the plantings and festivals did not take place on the specified days.[4] The gods were also associated with different days, dictating when to hold a feast in each one's honor and which god to pray to.[5] For example, One reed is associated withQuetzalcoatl, while two reeds are associated withOmacatl.[8] The larger rituals would be on the first half of the 13-day cycles, but other important religious activities were done on specific Tonalpohualli days.[5] For instance, the feast of the sun was held on four movement.[5] Most things in day-to-day life were dependent on the correlatingtōnalpōhualli—even given name. When born, formal names would be the day you were born; for example, 5 lizard (Cuetzpalin), and this would determine the child’s destiny.[5] Furthermore, marriages were dependent on the compatibility of the couple’s day signs and numbers.

Day signs

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[citation needed]

TrecenaGlyph[9]SpiritCardinal point
11Cipactli (Caiman or aquatic monster)TōnacātēcuhtliEast
21Ehēcatl (Wind)QuetzalcoatlNorth
31Calli (House)TepēyōllōtlWest
41Cuetzpalin (Lizard)HuēhuecoyōtlSouth
51Cōātl (Snake)ChalchiuhtlicueEast
61Miquiztli (Death)TecuciztecatlNorth
71Mazātl (Deer)TlālocWest
81Tōchtli (Rabbit)MayahuelSouth
91Ātl (Water)XiuhtecuhtliEast
101Itzcuintli (Dog)MictlāntēcutliNorth
111Ozomahtli (Monkey)XochipilliWest
121Malīnalli (Grass)PatecatlSouth
131Ācatl (Reed)TezcatlipōcaEast
141Ocēlōtl (Ocelot orJaguar)TlazōlteōtlNorth
151Cuāuhtli (Eagle)Xīpe TotēcWest
161Cōzcacuāuhtli (Vulture)ItzpapalotlSouth
171Olīn (Movement or Earthquake)XolotlEast
181Tecpatl (Flint or Knife)ChalchiuhtotolinNorth
191Quiyahuitl (Rain)TōnatiuhWest
201Xōchitl (Flower)XōchiquetzalSouth

Gallery of day signs

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Note that the symbols are arranged counterclockwise around the calendar stone.

  • Flower, Rain, Flint, Earthquake
    Flower, Rain, Flint, Earthquake
  • Vulture, Eagle, Jaguar
    Vulture, Eagle, Jaguar
  • Reed, Grass, Monkey, Dog
    Reed, Grass, Monkey, Dog
  • Water, Rabbit, Deer
    Water, Rabbit, Deer
  • Death, Snake, Lizard
    Death, Snake, Lizard
  • House, Wind, Alligator
    House, Wind, Alligator

See also

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References

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  1. ^Macri, Martha J. "Day-Signs." InDavid Carrasco (ed).The Oxford Encyclopedia of Mesoamerican Cultures. : Oxford University Press, 2001
  2. ^abcdNeumann, Franke J. (1976)."The Experience of Time in Nahuatl Religion".Journal of the American Academy of Religion.44 (2):255–263.doi:10.1093/jaarel/XLIV.2.255.ISSN 0002-7189.JSTOR 1462338.
  3. ^León Portilla, Miguel.Time and Reality in the Thought of the Maya, 2nd. ed.
  4. ^ab"The Aztec Calendar Systems".rubens.anu.edu.au. Retrieved2023-04-21.
  5. ^abcdefg"2 Time, the Ritual Calendar, and Divination",Cycles of Time and Meaning in the Mexican Books of Fate, University of Texas Press, pp. 13–32, 2007-12-31,doi:10.7560/712638-006,ISBN 9780292795280,S2CID 240129657, retrieved2023-04-21{{citation}}: CS1 maint: work parameter with ISBN (link)
  6. ^abHill Boone, Elizabeth.Stories in Red and Black : Pictorial Histories of the Aztecs and Mixtecs.ISBN 978-0-292-79184-8.OCLC 1286806608.
  7. ^Vail, Gabrielle; Hernandez, Christine (2013), "Mexican Codices and Mythological Traditions",Re-Creating Primordial Time: Foundation Rituals and Mythology in the Postclassic Maya Codices, University Press of Colorado, pp. 23–43,doi:10.5876/9781607322214.c02,ISBN 9781607322214{{citation}}: CS1 maint: work parameter with ISBN (link)
  8. ^Dibble, Charles E. (1984-01-01)."Sahagún's Tonalpohualli".Indiana.9:115–122.doi:10.18441/ind.v9i0.115-122.ISSN 2365-2225.
  9. ^The glyphs shown are taken from theCodex Magliabechiano

External links

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