Sweet Charity
Original Broadway cast recording cover (1966)
Music	Cy Coleman
Lyrics	Dorothy Fields
Book	Neil Simon
Basis	Nights of Cabiria byFederico Fellini Ennio Flaiano Tullio Pinelli Pier Paolo Pasolini
Productions	1966Broadway 1967West End 1986 Broadwayrevival 2005 Broadway revival 2006 US tour 2009 West End revival
Awards	1986Tony Award for Best Revival

Sweet Charity is a musical with music byCy Coleman, lyrics byDorothy Fields, and book byNeil Simon, based on the screenplay for the 1957 Italian filmNights of Cabiria. It was directed and choreographed for Broadway byBob Fosse starring his wife andmuseGwen Verdon as a dancer-for-hire at aTimes Squaredance hall, alongsideJohn McMartin.

The musical premiered onBroadway in 1966, where it was nominated for nineTony Awards, winning theTony Award for Best Choreography. The production also ran in theWest End and has run several revivals and international productions. It wasadapted for the screen in 1969, directed and choreographed by Fosse in his feature-film directorial debut.Shirley MacLaine starred as the title character, and McMartin reprised his Broadway role as Oscar Lindquist.

The young womanCharity Hope Valentine is ataxi dancer at adance hall called the Fandango Ballroom inNew York City. With a shoulder bag and a heart tattooed on her left shoulder, Charity meets her boyfriend Charlie inCentral Park. While Charlie silently preens himself, Charity speaks thepick-up lines she imagines him saying, and tells him how handsome he is ("You Should See Yourself"). Charlie then steals her handbag and pushes her into the lake (usually theorchestra pit) before running off. Passers-by discuss the apparent drowning but do nothing, until a young Spaniard finally rescues her. In the Hostess Room of the Fandango Ballroom, Charity tries to convince both herself and the other skeptical taxi dancers that Charlie tried to save her. Nickie, a fellow dancer, tells Charity that “your big problem is you run your heart like a hotel – you got guys checkin’ in and out all the time”. The manager, Herman, arrives to tell them it is time for work. The hostess dancers proposition the audience in the front room of the Fandango Ballroom ("Big Spender"). Helene and Nickie try to comfort Charity about Charlie's absence ("Charity's Soliloquy").

On the street, after work, Charity gives to every beggar who approaches her until she realizes she has no money. Just then, film star Vittorio Vidal rushes out of the smart Pompeii Club, in pursuit of his beautiful mistress, Ursula. Ursula refuses to go back inside with Vittorio, who promptly takes the only-too-willing Charity instead. Inside the Pompeii Club, the dancers are dancing the latest craze,The Rich Man's Frug. To everyone's astonishment, the famous Vittorio is accompanied by the unknown Charity. She tries to steer him away from the subject of Ursula. Finally, he wants to dance. Not having eaten since breakfast, Charity faints. There is general agreement amongst the dancers that she needs to be "laid down". Vittorio asks "where?", and Charity recovers enough to prompt Vittorio with "your apartment!".

Lying down on Vittorio's bed, Charity claims she is no longer hungry. She admits she is a dance hall hostess, putting it down to "the fickle finger of fate" (a favorite expression of hers). Vittorio is struck by her humor and honesty. Starstruck, Charity asks for a signed photograph to prove to the girls she was really in his apartment. While Vittorio fetches props from his old movies for further evidence, Charity remarks on her good fortune ("If My Friends Could See Me Now"). Ursula arrives to apologize for her jealousy; Charity is swiftly bundled into a closet before Vittorio opens the door to Ursula. ("Too Many Tomorrows") While Charity watches from the closet, Vittorio and Ursula make love inside his four-poster bed. The following morning, Charity is escorted from the room by a mortified Vittorio. In the Hostess Room, the girls are disappointed that Charity failed to get more out of Vittorio. Nickie announces she is not going to remain at this job for the rest of her life, prompting the girls to speculate on alternative careers ("There's Gotta Be Something Better Than This"), but Herman brings them back down to earth. Charity decides to seek some cultural enlightenment at the92nd Street Y, where she gets stuck in a broken elevator with shy tax accountant Oscar Lindquist. While trying to calm him down, Charity learns that he is not married. She declares, "Oh Oscar... You're gonna be all right." After helping Oscar overcome hisclaustrophobia ("I'm the Bravest Individual"), the pair are plunged into new panic when the lights stop working.

After being trapped in a broken elevator, Oscar and Charity are finally rescued when it starts working again. Oscar invites Charity to go to church with him, to which she hesitantly agrees. As they walk under theManhattan Bridge to the church, the faint cries of the next person to be stuck in the elevator are heard. The Rhythm of Life Church turns out to be a thin veneer onhippie culture ("The Rhythm of Life"). A police raid breaks up the meeting. Traveling home on the subway, Oscar proposes another date and tries to guess Charity's job, deciding that she works in a bank. Charity lies, saying she works forFirst National City,Williamsburg Branch. As they part, Oscar kisses her hand, and dubs her Sweet Charity ("Sweet Charity").

After two weeks, Oscar and Charity have continued dating, and she still has not confessed what she actually does for a living. AtConey Island Amusement Park they become trapped again when theParachute Jump ride breaks. This time, Oscar is the calm one while Charity is scared — scared that she is starting to depend on him. Once again, Charity loses her nerve about telling him what her real job is. As the crowd looks on, the couple kisses. On a slow night at the Fandango, Charity loses the opportunity to snare one of the few customers to a new co-worker, Rosie. Disgusted by the whole business, she quits. However, inTimes Square, she wonders what the alternative is ("Where Am I Going?"). Sending atelegram to Oscar, she asks to meet him at Barney's Chile Hacienda. She admits that she is a dance hall hostess; he admits he already knows, having followed her one night and watched her dancing. He says he does not care and wants to marry her. Relieved and elated, Charity leaves ("I'm A Brass Band") and packs a suitcase on which is printed 'Almost Married'.

After a farewell party at the Ballroom ("I Love to Cry at Weddings"), Charity and Oscar walk in the park, whereupon Oscar announces that he cannot go through with the wedding, saying he is unable to stop thinking about the "other men". Eventually, believing he’s sparing her an unhappy life with him, he pushes her into the lake and runs off. Emerging from the lake, Charity, speaking directly to the audience, asks "Did you ever have one ofthose days?". Realizing that unlike Charlie, Oscar has not stolen her bag, she shrugs and reprises her opening dance.

The stage blacks out onto threeneon signs, reading "And so she lived …hopefully … ever after".

• Charity Hope Valentine, the girl who wanted to be loved.
• Oscar Lindquist, a man whom Charity befriends and eventually falls in love with.
• Charlie, Charity's boyfriend in the opening of the show, and the name on her tattoo
• Nickie andHelene, Charity's closest friends who are taxi dancers at the Fandango Ballroom.
• Herman, the authoritarian owner of the Fandango Ballroom; Charity's boss.
• Vittorio Vidal, a famous Italian movie star.
• Ursula March, Vittorio's girlfriend
• Manfred, Vittorio's butler
• Daddy Johann Sebastian Brubeck, the enigmatic leader of the Rhythm of Life Church.
• Carmen, a dancer at the Fandango Ballroom who is friends with Nickie, Helene, and Charity
• Rosie, the new dancer at the Fandango Ballroom.
• Suzanne,Frenchie,Betsy, andElaine, dancers at the Fandango Ballroom

After a tryout at theShubert Theatre in Philadelphia starting Monday, December 6, 1965,^[1] it moved to Detroit'sFisher Theatre for a month,^[2] and then premiered on Broadway at thePalace Theatre on January 29, 1966, and closed on July 15, 1967, after 608 performances and 10 previews. It was conceived, directed, and choreographed byBob Fosse, who wrote the original libretto under the pen-name "Bert Lewis", from Robert Louis Fosse.^[3] The show starredGwen Verdon,John McMartin,Helen Gallagher, Thelma Oliver, James Luisi, Arnold Soboloff, Sharon Ritchie,Ruth Buzzi, andBarbara Sharma. Scenic and lighting design were by Robert Randolph and costume design was byIrene Sharaff. The production was nominated for 9 Tony Awards, winning for Fosse's choreography.

The Australian production was produced byJ.C. Williamson, starringNancye Hayes as Charity andPeter Adams as Oscar.^[4] The show commenced on 21 January 1967 atHer Majesty's Theatre in Sydney, and subsequently played seasons in Melbourne and Adelaide.

The musical opened in theWest End at thePrince of Wales Theatre in October 1967, running for 476 performances.Juliet Prowse starred, and was succeeded byGretchen Wyler.^[5][6]

Arevival opened on Broadway at theMinskoff Theatre on April 27, 1986 and closed on March 15, 1987, running for 369 performances and 15 previews. Again directed and choreographed by Fosse,Debbie Allen starred as Charity withBebe Neuwirth as Nickie, Allison Williams as Helene andMichael Rupert as Oscar. Fosse's wife Gwen Verdon (the original Charity from 1966), remounted the choreography with Fosse, and taught many of the ensemble numbers to the female chorus. The production won fourTony Awards including the Tony Award, Best Reproduction (Play or Musical). When Allen left the show,Ann Reinking took over as Charity.

On June 15, 1998,Broadway Cares/Equity Fights AIDS presented an all-star fully staged one-night-only concert at Avery Fisher Hall inLincoln Center. It starredChita Rivera,Bebe Neuwirth,Donna McKechnie,Debbie Allen and, in her last public stage appearance, Gwen Verdon, all in the shared role of Charity.^[7]

AWest End revival opened on 19 May 1998 and closed on 15 August 1998 at theVictoria Palace Theatre, choreographed byChet Walker and starringBonnie Langford.^[8]

Christina Applegate starred in anotherrevival of the show, opening on Broadway at theAl Hirschfeld Theatre on May 4, 2005, after a troubled three-city preview tour. The show went into production beginning January 25, 2005, at theHistoric Orpheum Theatre inMinneapolis. Audience-attended previews began February 8,^[9] with the Opening Night performance held February 17, 2005. The Minneapolis engagement closed on February 20.^[10] Applegate broke her foot inChicago, the second stop on the tour, and was replaced by her understudy,Charlotte d'Amboise. Then, after the final leg of the tour inBoston, the producers announced that the production would not be continuing to Broadway due to lack of interest. However, two days later, the Broadway engagement was on after Applegate convinced the producers to continue. A week into previews, Applegate rejoined the cast, which also includedDenis O'Hare as Oscar,Shannon Lewis as Ursula andErnie Sabella as Herman.^[11] The show was nominated for three Tony Awards including Best Revival of a Musical and Best Actress in a Musical for Applegate. Reportedly, pop iconBritney Spears was asked to replace Applegate when her contract expired, but declined the offer.^[12] The musical ended its Broadway run on December 31, 2005, after 279 performances.

A national tour of the 2005 Broadway revival began in September 2006 and ended in August 2007. It starredMolly Ringwald and laterPaige Davis as Charity.^[13]

Arevival of the show opened for a limited engagement at London'sMenier Chocolate Factory on 21 November 2009 and closed on 7 March 2010. It starredTamzin Outhwaite as Charity.^[14] Outhwaite reprised the title role in the West End transfer of the successful Chocolate Factory production of the show. Playing at theTheatre Royal, Haymarket the show opened officially on 4 May 2010 after previews began on 23 April.^[14] This was the first major production to have the same actor (Mark Umbers) play all three of Charity's love interests: Charlie, Vittorio, and Oscar. Similarly,Josefina Gabrielle played both Nickie and Ursula while Tiffany Graves played Helene. The production closed at the Theatre Royal Haymarket on 6 November 2010 despite being scheduled to run until January 2011.^[15] The 2011Olivier Award nominations were announced on Monday 7 January 2011, and this production received three nominations: Best Revival of a Musical, Best Theatre Choreography forStephen Mear and Best Supporting Actress in a Musical forJosefina Gabrielle.

The show was the first production of the newHayes Theatre inPotts Point,Sydney, Australia. Directed byDean Bryant, and choreographed byAndrew Hallsworth, it starredVerity Hunt-Ballard as Charity, andMartin Crewes as Charlie, Vittorio and Oscar.^[16][17][18]

Verity Hunt-Ballard won the 2014Helpmann Award for Best Female Actor in a Musical, while Dean Bryant and Andrew Hallsworth won the Helpmanns forBest Direction andBest Choreography, respectively. Martin Crewes was nominated forBest Male Actor, and Debora Krizak was nominated forBest Supporting Female. The show was nominated forBest Musical, and Andrew Worboys and Jessica James-Moody were nominated forBest Musical Direction andBest Sound Design, respectively.^[19] It also won severalSydney Theatre Awards for Best Production of a Musical, Best Performance by an Actress in a Leading Role in a Musical (Verity Hunt-Ballard) and Best Performance by an Actress in a Supporting Role in a Musical (Debora Krizak).^[20]

The critically acclaimed production transferred to Playhouse in theSydney Opera House from 15 January 2015 to 8 February 2015.^[21][22][23]

It then toured to the Canberra Theatre Centre,Arts Centre Melbourne Playhouse and the Illawarra Performing Arts Centre in Wollongong.

In August 2015Denise Van Outen performed the title role in concert performances of the musical atCadogan Hall,^[24] with actor/singerMichael Xavier, ex-Girls Aloud band memberKimberley Walsh, West End starKerry Ellis, and actors/singersMichael Simkins and Rodney Earl Clarke.

The musical was presentedOff-Broadway by The New Group at the Pershing Square Signature Center, opening on November 20, 2016. Directed byLeigh Silverman with choreography by Joshua Bergasse, the cast starsSutton Foster as Charity Hope Valentine, Asmeret Ghebremichael (Nickie),Shuler Hensley (Oscar),Emily Padgett (Helene), and Joel Perez.^[25][26]

In April 2019 TheDonmar Warehouse revived the production for a limited run from 6 April 2019 to 8 June 2019. The production starredAnne Marie-Duff as Charity,Arthur Darvill as Oscar and a variety of guest actors to play Daddy Brubeck includingAdrien Lester andBeverly Knight. This wasJosie Rourke's last production as artistic director at The Donmar.

There are numerous recordings of the show's score available including:

• 1966 Original Broadway cast recording, entered theBillboard 200 on 12th March 1966^[28]
• Film soundtrack recording
• 1986 Broadway cast recording withDebbie Allen andBebe Neuwirth
• First complete recording of the show conducted byMartin Yates. This version includes the complete score with bonus tracks from the film's score
• 2005 Broadway cast recording starringChristina Applegate andDenis O'Hare

Wikimedia Commons has media related toSweet Charity.

• ​Sweet Charity​ at theInternet Broadway Database
• Sweet Charity Synopsis and Character Descriptions Stage Agent
• Sweet Charity The Broadway Musical Home – musical information
• Sweet Charity Educational Study Guide Theatre Under the Stars

• 1966 musicals
• Broadway musicals
• Musicals based on films
• Musicals choreographed by Bob Fosse
• Musicals by Cy Coleman
• Musicals by Neil Simon
• Musicals set in New York City
• Tony Award–winning musicals
• Adaptations of works by Federico Fellini
• Adaptations of works by Ennio Flaiano

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