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| "Surfin' Safari" | ||||
|---|---|---|---|---|
 U.S. picture sleeve | ||||
| Single bythe Beach Boys | ||||
| from the albumSurfin' Safari | ||||
| B-side | "409" | |||
| Released | June 4, 1962 (1962-06-04) | |||
| Recorded | April 19, 1962 (1962-04-19) | |||
| Studio | Western, Hollywood | |||
| Genre | ||||
| Length | 2:05 | |||
| Label | Capitol | |||
| Songwriters | ||||
| Producer | Murry Wilson | |||
| The Beach Boys singles chronology | ||||
| ||||
| Licensed audio | ||||
| "Surfin' Safari" onYouTube | ||||
"Surfin' Safari" is a song by the Americanrock bandthe Beach Boys,[2] written byBrian Wilson andMike Love. Released as a single with "409" on June 4, 1962, it peaked at No. 14 on theBillboard Hot 100.[3] The song also appeared on the 1962album of the same name.
The song was inspired by Chuck Berry's method of combining simple chord progressions with lyrical references to place names (for example, in "Back in the U.S.A." and "Sweet Little Sixteen"). "Surfin' Safari" includes several references to Southern California surfing locations (Malibu,Rincon, theChannel Islands,Huntington, andSunset Beach). It also references Narrabeen, a beach on Australia's east coast. The sites and surfing-related terms featured in the song were provided to Brian and Mike by surfer Jimmy Bowles, brother of Brian's then-new flame Judy Bowles, who he had met one afternoon while helping a buddy coach little league.[4]
Wilson referred to "Surfin' Safari" as "a silly song with a simple-but-coolC-F-G chord pattern that I came up with one day while trying to play the piano the way Chuck Berry played his guitar."[5]
"Surfin' Safari" was the first recording to display the distinctive counterpoint harmonies for which the group became famous.[6]
The Beach Boys first recorded the song at World Pacific Studios on February 8, 1962, in what was the band's second ever recording session. However, the recordings from that session, engineered by Hite Morgan, would ultimately remain unreleased until the late Sixties. For this session,David Marks replacedAlan Jardine who had left shortly before.
The instrumental track as well as the vocals for the officially released version were recorded at Western Recorders on April 19, 1962. The session, produced by Brian, featured David Marks and Carl Wilson on guitar; Brian Wilson on bass guitar and Dennis Wilson on drums. The song features Mike Love on lead vocals with backing vocals by Brian, Carl and Dennis Wilson. Also recorded during that session were "409", "Lonely Sea" and "Their Hearts Were Full of Spring". This session was recorded and given to Capitol Records as a demo tape. The label was impressed and immediately signed the band to their first major label contract. "Surfin' Safari" and "409" would be the band's first single to be issued under Capitol Records.
"The beach scene gets a rolling, rocking treatment on this side by the boys. Tune swings along neatly on lead singer's talent and support of the rest of the group. "
★★★★ (strong sales potential)
The "Surfin' Safari" single backed with "409" was the band's second single and the first single to be released on the band's new label Capitol Records[2] in the United States in June 1962.[8] Originally Capitol Records felt "409" should be the 'A' Side, and first promoted the car song (according to Beach Boys biographers Badman, Gaines and Carlin) instead of "Surfin' Safari". However, as noted in the booklet to the 1993 CD box setGood Vibrations: Thirty Years of the Beach Boys, radio station airplay in Phoenix, Arizona jump-started the B-side into a major nationwide hit (to date no copy of the first Capitol single with "409" as the A side has been discovered). TheBillboard issue of July 14, 1962[9] cited Detroit as the major market of its national "break out".
The single peaked at the No. 14 position on theBillboard Hot 100 chart,[10] with "409" also charting at No. 76,[11] making it the band's first double-sided hit single. It placed at No. 10 on theCash Box sales chart, and No. 5 on UPI's national weekly survey used by newspapers. According to English pop music statistician Joseph Murrells inThe Book of Golden Discs, 1978 edition, it placed number 3 on one of the four major national charts then recognised, probablyVariety. Certainly its regional sales backed up these higher placings (thanBillboard). As well as its Capitol-record sales in New York, it was No. 1 in Los Angeles, San Diego, Dallas, Minneapolis, Buffalo and Hartford; and top five in Chicago, San Francisco, Phoenix, Tucson, Nashville, Cincinnati, Columbus, Dayton, Springfield MA.
Capitol A&R executiveNick Venet, who signed the group and is listed as producer on their first two albums, is quoted in the Steven Gaines book as saying regarding the release that "The biggest order Capitol had from a single market all year [1962] was from New York City - where there was no surfing. It sold approximately nine hundred thousand records, but not enough for a gold."
In October 1962, the "Surfin' Safari" single was the first to be released by the band in the UK. However, given mediocre reviews at best, the single failed to make any impact on the charts. It did qualify as the Beach Boys' first international chart-topper, however. By the end of September it had peaked at number seven in Australia'sMusic Maker chart — only reaching the Billboard top 20 the following week — then in November spent three weeks at number one in Sweden (both charts cited by contemporary issues ofBillboard). In Germany, the World Pacific Studios recording of the song was used as the single release instead of the more well-known version. The single failed to chart.
In January 1970, the World Pacific Studios sessions recording of the song was issued on Trip Records as the B-side of a "Surfin'" single re-issue. The single however failed to make any impact on the charts.
The song was first released on a single 45 RPM record and then later, it was released on the band's debutSurfin' Safari album, and on a number of later 'greatest hits' compilations. The song's appearance on the 1993Good Vibrations box set is sourced from the original demo tape master, lacking the fade-out added before its release as a single.
Three takes of the early World Pacific Studios recordings of the song were eventually released on CD in 1991 on the archival releaseLost & Found (1961-62) as well as subsequent re-issues of that album which featured alternate album titles. A live concert performance of the tune "Surfin' Safari" is featured in the short documentary "One Man's Challenge", written and directed by Dale Smallin. Filmed July 28, 1962 (with the same lineup as the official Capitol single) at the Azuza Teen Club, this particular visual version of the song is, according to authorJon Stebbins inThe Lost Beach Boy, "The only known performance footage of the Pendleton-shirt era Beach Boys."
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Jan & Dean, with uncredited instrumental and vocal support from the Beach Boys, recorded the song for their 1963 albumJan and Dean Take Linda Surfin'. The song was also recorded by the Hot Doggers (a studio-only group headed by future Beach BoyBruce Johnston along withTerry Melcher) on their 1963 albumSurfin' U.S.A.,[12] bythe Challengers on their 1963 albumSurfbeat, and bythe Lively Ones on their 1963 albumThe Great Surf Hits!. More recently it has been recorded bythe Ramones on their 1993 albumAcid Eaters and byRockapella on their 2002 albumSmilin'. Mike Love re-recorded the song for his 2019 album12 Sides of Summer.
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...the Beach Boys pay homage to their favorite sport in their 1962 pop hit "Surfin' Safari"...
