| Super/Man: The Christopher Reeve Story | |
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Theatrical release poster | |
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| Written by |
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| Produced by |
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| Starring | |
| Cinematography | Brett Wiley |
| Edited by | Otto Burnham |
| Music by | Ilan Eshkeri |
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Running time | 104 minutes[1] |
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| Language | English |
Super/Man: The Christopher Reeve Story is a 2024documentary film about the life of American actorChristopher Reeve after ahorse riding accident left himparalyzed, and his subsequent work as an activist fordisability rights.[5][6][7] The documentary was directed by Ian Bonhôte and Peter Ettedgui, who co-wrote the script with Otto Burnham; its title is a reference to Reeve's role asSuperman in the1978–1987Superman films.[3][8] Reeve's childrenAlexandra Reeve Givens,Matthew Reeve, and Will Reeve are featured in the film.[9]
A British-American venture, the film is aco-production byWords + Pictures,Passion Pictures, andMisfits Entertainment in association with Jenco Films, and was acquired for distribution byWarner Bros. Pictures,DC Studios,HBO Documentary Films,CNN Films, and the streaming serviceMax.[1][3]Super/Man: The Christopher Reeve Story premiered on January 19, 2024, at theSundance Film Festival,[10] and received alimited theatrical release in collaboration withFathom Events in the United States on September 21 and 25, 2024.[4] The film waswide released in North America on October 11.[11] It received universal acclaim from critics and audiences alike, and was named one of the top five documentary films of 2024 by theNational Board of Review.[12] Among other accolades, it won the Best Documentary award at theBritish Academy Film Awards and theProducers Guild of America, and six awards at theCritics' Choice Documentary Awards (includingBest Documentary Feature).
The story is presented in a non-linear narrative, alternating between before and after Christopher Reeve's horse-riding accident.
Reeve has a difficult childhood, with his parents divorcing at a young age and his family tree being complicated due to his parents' several remarriages, and he has a particularly strained relationship with his father,Franklin. Reeve is studying at theJuilliard School and becomes close friends with his classmateRobin Williams.Superman begins casting for itstitular hero, and despite offers from several celebrities interested in the film, directorRichard Donner wants an unknown actor to play him. Reeve auditions and wins the role despite disapproval from his father and peers.
During filming, he meets British modeling agent Gae Exton, with whom he begins a whirlwind romance.Superman is released in 1978 and becomes a massive success, with Reeve unanimously praised, solidifying him into amovie star. This success continues withSuperman II (1980). However, the recognition he receives for his portrayal of Superman hinders Reeve's career outside the franchise. Reeve lives in London with Exton, who gives birth toMatthew andAlexandra. He is unsatisfied with his career, only agreeing to star inSuperman III (1983) andSuperman IV: The Quest for Peace (1987) out of obligation. Matthew admits that his father was frequently absent and wouldn't commit due to his upbringing. Reeve and Exton separate in 1987.
Five months after his breakup with Exton, Reeve meets singer and actressDana Morosini. The two begin dating and Reeve eventually overcomes his hesitance about marriage and proposes to Dana. They marry in April 1992 and their son Will is born in June that same year. Dana is a caring mother figure to both Matthew and Alexandra. On May 27, 1995, Reeve falls from his horse, suffering aspinal cord injury thatparalyzes him from the neck down. He muses that he has ruined his family's life, but Dana reassures him, "You're still you, and I love you." He receives support from friends and family, especially Williams, who helps him laugh for the first time since the accident. Reeve is recovering at theKessler Institute for Rehabilitation where he befriends other disabled people. At home, Dana and a team of nurses care for him around the clock. With the help of a large van purchased by Williams and his then-wifeMarsha, Reeve travels to Los Angeles and makes an appearance at the68th Academy Awards, where he receives a standing ovation.
Having been an activist for social causes for most of his life, Reeve begins using his platform to advocate for disabled people andspinal cord injury research, speaking at several major events, such as theDemocratic National Convention. He starts theChristopher Reeve Foundation that would open centers, lobby for several bills, and advocate forstem cell research. Reeve regains the ability to make small bodily movements, but he can't wean off the ventilator completely. The Williamses hold annual parties at Reeve's house on the anniversary of his accident to celebrate life. Reeve makes his directorial debut withIn the Gloaming (1997) and also directsThe Brooke Ellison Story (2004) about fellow quadriplegicBrooke Ellison.
Reeve and his family reflect on how close and fulfilling their relationship has become after his accident. On October 9, 2004, mere hours after Will's hockey game, Reeve falls into a coma and is hospitalized, ultimately dying at the age of 52. Alexandra and Will tearfully recount witnessing their father's death, while Matthew is in a taxi on the way to the hospital when he hears of his father's death. Reeve is mourned around the world by fans and those he had helped through his activism. Dana succeeds her late husband as chairman of the foundation and continues pursuing her passion for singing, but she is later diagnosed withlung cancer. Dana dies on March 6, 2006, at the age of 44, leaving Will an orphan at 13 years old.
Matthew, Alexandra, and Will join the foundation shortly afterward as board members, intending to carry on Reeve and Dana's legacy. The foundation is renamed the Christopher and Dana Reeve Foundation, and several modern-day breakthroughs and milestones involving paralysis research are attributed to Reeve and Dana's activism.

In addition to featuring footage ofChristopher Reeve andDana Reeve, the film also features Reeve's childrenAlexandra Reeve Givens,Matthew Reeve, and Will Reeve.[9] Other interviewees included Reeve's half-brother Kevin Johnson, Reeve's former partner Gae Exton, actorsJeff Daniels,Susan Sarandon,Glenn Close, andWhoopi Goldberg, politicianJohn Kerry, activistBrooke Ellison,Superman producerPierre Spengler, former Christopher and Dana Reeve Foundation Senior Vice President of Government Relations Michael Manganiello, Kessler Institute chief medical officer Dr. Steven Kirshblum, and Reeve's assistant Laurie Hawkins. Archive interview footage ofSuperman directorRichard Donner and Reeve's close friend and comedianRobin Williams are included. Narration by Reeve is taken from his audiobooksStill Me andNothing Is Impossible.
Super/Man: The Christopher Reeve Story had itsworld premiere at theRose Wagner Performing Arts Center inSalt Lake City,Utah for theSundance Film Festival on January 19, 2024, followed by a post-screening Q&A session with the film's directors, Ian Bonhôte and Peter Ettedgui, and with Reeve's children.[10] The following month,DC Comics ownerWarner Bros. Discovery (WBD) acquired the worldwide theatrical and home media release rights to the documentary for $15 million, and worked withDC Studios co-CEOsJames Gunn andPeter Safran and its corporate siblingsWarner Bros. Pictures,HBO Documentary Films,CNN Films, and the streaming serviceMax to do so.[8][13] The sale was represented by film financing companyCinetic Media.[8][3]
At the April 2024CinemaCon, Safran announced that the documentary would be theatrically released in September 2024, under the Warner Bros. Pictures, DC Studios, HBO, and CNN labels.[2] The following month, it was announced that the documentary would have alimited theatrical release on September 21 and 25, 2024, in collaboration withFathom Events, although, there was a potential for awide release. September 25, 2024, the day the film received a second theatrical release, was chosen as the date for an encore presentation because it would have been Reeve's 72nd birthday.[4] The film received a wide release in North America on October 11, 2024, followed by international releases in late 2024,[11] including in the United Kingdom on November 1.[14] It was subsequently made available on other platforms, starting in the United States where it aired onHBO on December 7 and was made available for streaming on Max,[15] and in the United Kingdom where it was broadcast onSky UK and streaming onNow starting on December 28.[16]
On thereview aggregator websiteRotten Tomatoes, 98% of 106 critics' reviews are positive, with an average rating of 8.2/10. The website's consensus reads: "An affectionate retrospective on Christopher Reeve's bravery and heroism in his own personal life,Super/Man takes to the skies in inspirational uplift."[17] OnMetacritic, the film holds a weighted average score of 76 out of 100 from 21 critics, indicating "generally favorable reviews".[18] Audiences polled byCinemaScore gave the film a rare average grade of "A+" on an A+ to F scale.[19]
Screen Daily film critic Amber Wilkinson wrote, "The life and work ofSuperman star Christopher Reeve is framed and largely recounted by his family and friends in Ian Bonhote and Peter Ettedgui's increasingly moving documentary."[1] Monica Castillo ofRogerEbert.com described it as "Easily my big festival cry, something that moves you so deeply that the combination of sleep deprivation, altitude, and the movie's subject makes it almost impossible not to get emotional."[20]
Adele spoke highly of the documentary at one of her concerts.[21]
| Award | Category | Nominee(s) | Result | Ref. |
|---|---|---|---|---|
| AARP Movies for Grownups Awards | Best Documentary | Super/Man: The Christopher Reeve Story | Won | [22] |
| Advanced Imaging Society | Best Documentary | Won | [23] | |
| ACE Eddie Awards | Best Edited Documentary Feature | Otto Burnham | Nominated | [24] |
| Astra Film Awards | Best Documentary Feature | Super/Man: The Christopher Reeve Story | Won | [25] |
| Austin Film Critics Association | Best Documentary | Nominated | [26] | |
| Brazil Online Film Award | Best Documentary | Nominated | [27] | |
| British Academy Film Awards | Best Documentary | Won | [28] | |
| BFE Cut Above Awards | Best Edited Single – Documentary or Non-Fiction Programme | Otto Burnham | Won | [29] |
| Best Edited British Documentary or Non-Fiction Programme | Won | |||
| British Independent Film Awards | Best Feature Documentary | Super/Man: The Christopher Reeve Story | Nominated | [30] |
| Chicago Indie Critics | Best Documentary | Won | [31] | |
| Cinema Audio Society Awards | Outstanding Achievement in Sound Mixing for a Motion Picture – Documentary | Austin Plocher, Greg Gettens, Steve McLaughlin, and Daniel Nicholls | Nominated | [32] |
| Cinema Eye Honors | Audience Choice Award | Super/Man: The Christopher Reeve Story | Nominated | [33] |
| Critics' Choice Documentary Awards | Best Documentary Feature | Won[b] | [34] | |
| Best Director | Ian Bonhôte and Peter Ettedgui | Won | ||
| Best Editing | Otto Burnham | Won | ||
| Best Score | Ilan Eshkeri | Won | ||
| Best Archival Documentary | Super/Man: The Christopher Reeve Story | Won | ||
| Best Biographical Documentary | Won | |||
| Dallas–Fort Worth Film Critics Association | Best Documentary | 4th place | [35] | |
| Denver Film Critics Society | Best Documentary Feature | Nominated | [36] | |
| DiscussingFilm Critic Awards | Best Documentary Feature | Runner-up | [37] | |
| Dublin Film Critics' Circle | Best Documentary | 3rd place | [38] | |
| Florida Film Critics Circle | Best Documentary | Nominated | [39] | |
| Georgia Film Critics Association | Best Documentary Film | Won | [40] | |
| Gold Derby Film Awards | Best Documentary Feature | Won | [41] | |
| Golden Reel Awards | Outstanding Achievement in Sound Editing – Feature Documentary | Greg Gettens, Will Chapman, Claire Ellis, Olly Freemantle, and Zoe Freed | Nominated | [42] |
| Golden Tomato Awards | Best Documentaries | Super/Man: The Christopher Reeve Story | Nominated | [43] |
| Greater Western New York Film Critics Association | Best Documentary | Nominated | [44] | |
| HamptonsFilm SummerDocs | Audience Award | Won | [45] | |
| Hawaii Film Critics Society | Best Documentary | Won | [46] | |
| Hollywood Music in Media Awards | Score – Documentary | Ilan Eshkeri | Won | [47] |
| Indiana Film Journalists Association | Best Documentary | Super/Man: The Christopher Reeve Story | Nominated | [48] |
| International Film Music Critics Association | Best Original Score for a Documentary | Ilan Eshkeri | Nominated | [49] |
| Kansas City Film Critics Circle | Best Documentary | Super/Man: The Christopher Reeve Story | Nominated | [50] |
| Las Vegas Film Critics Society | Best Documentary | Nominated | [51] | |
| Latino Entertainment Journalists Association | Best Documentary | Nominated | [52] | |
| London Film Critics' Circle | Documentary of the Year | Nominated | [53] | |
| Michigan Movie Critics Guild | Best Documentary | Won | [54] | |
| Music City Film Critics Association | Best Documentary | Won | [55] | |
| National Board of Review | Top 5 Documentaries | Won | [56] | |
| New York Film Critics Online | Best Documentary | Nominated | [57] | |
| North Carolina Film Critics Association | Best Documentary Film | Won | [58] | |
| North Texas Film Critics Association | Best Documentary | Won | [59] | |
| Online Film & Television Association | Best Documentary | Won | [60] | |
| Peabody Awards | Documentary | Nominated | [61] | |
| Philadelphia Film Critics Circle | Best Documentary Film | Won | [62] | |
| Phoenix Critics Circle | Best Documentary | Won | [63] | |
| Primetime Emmy Awards | Outstanding Directing For A Documentary/Nonfiction Program | Ian Bonhôte and Peter Ettedgui | Nominated | [64] |
| Outstanding Writing For A Nonfiction Program | Peter Ettedgui, Ian Bonhôte, and Otto Burnham | Nominated | ||
| Outstanding Music Composition For A Documentary Series Or Special (Original Dramatic Score) | Ilan Eshkeri | Nominated | ||
| Outstanding Picture Editing For A Nonfiction Program | Otto Burnham | Nominated | ||
| Producers Guild of America Awards | Outstanding Producer of Documentary Motion Pictures | Lizzie Gillett, Robert Ford, and Ian Bonhôte | Won | [65] |
| Puerto Rico Critics Association | Best Documentary | Super/Man: The Christopher Reeve Story | Runner-up | [66] |
| San Diego Film Critics Society | Best Documentary | Won | [67] | |
| San Francisco Bay Area Film Critics Circle | Best Documentary Feature | Nominated | [68] | |
| Satellite Awards | Best Motion Picture – Documentary | Won | [69] | |
| Seattle Film Critics Society | Best Documentary Film | Nominated | [70] | |
| Southern Eastern Film Critics Association | Best Documentary | Runner-up | [71] | |
| St. Louis Film Critics Association | Best Documentary Feature | Runner-up | [72] | |
| Utah Film Critics Association | Best Documentary Feature | Won[c] | [73] | |
| Vancouver Film Critics Circle | Best Documentary | Nominated | [74] | |
| Washington D.C. Area Film Critics Association | Best Documentary | Won | [75] |