Stuart Sutcliffe | |
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 Sutcliffe in 1961 | |
| Born | Stuart Fergusson Victor Sutcliffe (1940-06-23)23 June 1940 Edinburgh, Scotland |
| Died | 10 April 1962(1962-04-10) (aged 21) Hamburg, West Germany |
| Occupations |
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| Years active | 1957–1961 |
| Partner | Astrid Kirchherr (eng. 1960) |
| Musical career | |
| Origin | Liverpool, England |
| Genres | Rock and roll |
| Instrument |
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| Formerly of | |
Musical artist | |
Stuart Fergusson Victor Sutcliffe (23 June 1940 – 10 April 1962) was a British painter and musician fromEdinburgh, Scotland, best known as the originalbass guitarist ofthe Beatles. Sutcliffe left the band to pursue his career as a painter, having previously attended theLiverpool College of Art. Sutcliffe andJohn Lennon are credited with inventing the name "Beetles" [sic], as they both likedBuddy Holly's band,the Crickets. They also had a fascination with group names with double meanings (as Crickets, for example, the word referring to both an insect and a sport), so Lennon then came up with "The Beatles", from the wordbeat (though Lennon's original spelling was "Beatals"[1]). As a member of the group when it was a five-piece band, Sutcliffe is one of several who are sometimes referred to as the "Fifth Beatle".
When he performed withthe Beatles in Hamburg, he met photographerAstrid Kirchherr, to whom he was later engaged to marry. After leaving the Beatles, he enrolled in theHamburg College of Art, studying under futurepop artistEduardo Paolozzi, who later wrote a report stating that Sutcliffe was one of his best students.[2] Sutcliffe earned other praise for his paintings, which mostly explored a style related toabstract expressionism.
While studying inWest Germany, Sutcliffe began suffering from intense headaches and experiencing acute light sensitivity. In February 1962, he collapsed in the middle of an art class after complaining of head pains. German doctors performed tests, but were unable to determine a cause. After collapsing again on 10 April 1962, Sutcliffe was taken to a hospital, but died in the ambulance on the way. The cause of death was later found to have been abrain haemorrhage in the right ventricle of his brain.
Sutcliffe was the eldest child of Charles and Martha (known as "Millie") Sutcliffe. Charles- "a public school boy, army officer, prominent member of the Tory party and leading fellow of the masons"-[3] had moved toLiverpool in 1943 to help with work for the War Office, administering theCammell Laird shipyards munitions department inBirkenhead. He subsequently signed on as a ship's engineer, so he was often at sea during his son's early years. Millie was a teacher at an infants' school and "an active supporter of the Labour party".[4] Sutcliffe's father was Protestant and his mother Catholic; their families disowned them and they "probably did not marry".[5] Sutcliffe had two younger sisters, Pauline and Joyce; three older half-brothers, Joe, Ian, and Charles; and an older half-sister, Mattie, from his father's first marriage to a woman also named Martha.[6][7]
Sutcliffe was born at theEdinburgh Royal Maternity Hospital and Simpson Memorial Maternity Pavilion inEdinburgh.[8] After his family moved to England,[9] he was brought up at 37Aigburth Drive in Liverpool.[10] He attended Park View Primary School,Huyton (1946–1951), andPrescot Grammar School from 4 September 1951 to 1956.[11] When Sutcliffe's father returned home on leave, he invited his son and art college classmate Rod Murray (also Sutcliffe's housemate and best friend), for a "real goodbooze-up", slipping £10 into Sutcliffe's pocket before disappearing for another six months.[12]
During his first year at the Liverpool College of Art, Sutcliffe worked as abin man on theLiverpool Corporation's waste collection trucks.[13] Lennon was introduced to Sutcliffe by mutual friendBill Harry when all three were students at the College of Art. According to Lennon, Sutcliffe had a "marvellous art portfolio" and was a very talented painter who was one of the "stars" of the school.[12][14] He helped Lennon improve his artistic skills, and with others, worked with him when Lennon had to submit work for exams.[15]
Sutcliffe shared a flat with Murray at 9 Percy Street, Liverpool, before being evicted. He moved to Hillary Mansions at 3 Gambier Terrace, home of art studentMargaret Chapman, who vied with Sutcliffe to be the best painter in their class.[16] The flat was opposite the newAnglican cathedral in the rundown area of Liverpool 8, with bare lightbulbs and a mattress on the floor in the corner. Lennon moved in with Sutcliffe in early 1960.[17][18] (Paul McCartney later admitted he was jealous of Sutcliffe's relationship with Lennon, as he had to take a "back seat" to Sutcliffe.)[19]
Sutcliffe and his flatmates painted the rooms yellow and black, which their landlady did not appreciate.[20]
After talking to Sutcliffe one night atthe Casbah Coffee Club (owned byPete Best's mother,Mona Best), Lennon and McCartney persuaded him to buy aHöfner 500/5 model bass guitar on hire-purchase from Frank Hessey's Music Shop.[13][21][22] Sutcliffe's prior music experience consisted of piano lessons, which his mother had insisted on since he was nine; singing in the Huyton church choir, playingbugle in theAir Training Corps, and playing guitar using chords his father had taught him.[23][24]
In May 1960, Sutcliffe joined Lennon, McCartney, andGeorge Harrison (then known as "the Silver Beatles").[25][26] Although he had previously playedacoustic guitar, Sutcliffe's fingers would often blister during long rehearsals, as he had never practised long enough for his fingers to becomecalloused.[27][28] He started acting as abooking agent for the group, and they often used his Gambier Terrace flat as a rehearsal room.[17]
In July 1960, the Sunday newspaperThe People ran an article titled "The Beatnik Horror" with a photograph taken in the flat below Sutcliffe's of a teenaged Lennon lying on the floor, with Sutcliffe standing by a window.[29] As they had often visited the Jacaranda club,[30] its owner,Allan Williams, had arranged for the photo to be taken, subsequently taking over from Sutcliffe to book concerts for the group: Lennon, McCartney, Harrison and Sutcliffe.[31] The Beatles' subsequent name change came during an afternoon in the Renshaw Hall bar when Sutcliffe, Lennon, and Lennon's girlfriend,Cynthia Powell, thought up names similar to Holly's band, the Crickets, and came up with Beetles.[1]
Sutcliffe's playing style was elementary, mostly sticking toroot notes ofchords.[32] Harry—an art school friend and founder and editor of theMersey Beat newspaper—complained to Sutcliffe that he should be concentrating on art and not music, as he thought that Sutcliffe was merely a competent musician whose talents would be better used in the visual arts.[33] While Sutcliffe is often described in Beatles biographies as appearing uncomfortable onstage and occasionally playing with his back to the audience, Pete Best, their drummer at the time, denies this. Best recalled Sutcliffe was usually good-natured and "animated" before an audience.[34] When the Beatles auditioned forLarry Parnes at the Wyvern Club in Liverpool, Williams later claimed Parnes would have hired the group as the backing band forBilly Fury for £10 per week (equivalent to £291 in 2023[35]), but as Sutcliffe turned his back to Parnes throughout the audition (because, as Williams believed, Sutcliffe could not play very well), Parnes said he would hire them only if they got rid of Sutcliffe. Parnes later denied this, stating his only concern was that the group had no permanent drummer.[36]Klaus Voormann regarded Sutcliffe as a good bass player,[37] although Beatles' historianRichie Unterberger described Sutcliffe's bass playing as an "artless thump".[38]
Sutcliffe's profile grew after he began wearingRay-Ban sunglasses and tight trousers.[39] His high spot was singing "Love Me Tender", which drew more applause than the other Beatles and increased the friction with McCartney. Lennon also started to criticise Sutcliffe, joking about his size and playing.[40] On 5 December 1960, an underage Harrison was sent back to Britain. McCartney and Best were deported for attempted arson at theBambi Kino, which left Lennon and Sutcliffe in Hamburg.[41][42] Lennon also returned home, but as Sutcliffe had acold, he stayed in Hamburg.[43] Sutcliffe later borrowed money from his girlfriendAstrid Kirchherr so he could fly back to Liverpool on Friday, 20 January 1961, although he returned to Hamburg in March with the other Beatles.[40]
In July 1961, Sutcliffe decided to leave the group to continue painting.[44] After being awarded a postgraduate scholarship,[15] he enrolled atHochschule für bildende Künste Hamburg, where he studied under the tutelage ofEduardo Paolozzi.[39] He briefly lent McCartney his bass until the latter could earn enough to buy a specially made smaller left-handedHöfner 500/1 bass of his own in June 1961. However, Sutcliffe specifically asked McCartney (who is left-handed) not to change the strings around or restring the instrument, so McCartney had to play the bass as it was.[45]
In 1967, a photo of Sutcliffe was included on the cover ofSgt. Pepper's Lonely Hearts Club Band (extreme left, in front of fellow artistAubrey Beardsley).[46]
Sutcliffe met Astrid Kirchherr in the Kaiserkeller, where she had gone to watch the Beatles perform. She had been brought up by herwidowed mother, Nielsa Kirchherr, on Eimsbütteler Strasse, in a wealthy part of the Hamburg suburb ofAltona.[47] After a photo session with the Beatles, Kirchherr invited them to her mother's house for tea. She showed them her bedroom, which she had decorated in black including the furniture, with silver foil on the walls and a large tree branch hanging from the ceiling. Sutcliffe was smitten and began dating Kirchherr shortly afterwards.[48]
He wrote to friends that he was infatuated with her, and asked her German friends which colours, films, books and painters she liked. Best commented that the beginning of their relationship was "like one of those fairy stories".[49] Kirchherr and Sutcliffe got engaged in November 1960 and exchanged rings, as is the German custom.[39] Sutcliffe later wrote his parents that he was engaged to Kirchherr. They were shocked because they thought he would give up his career as an artist,[50] although he told Kirchherr he would like to be an art teacher in London or Germany.[51] After moving into the Kirchherr family's house, Sutcliffe used to borrow Astrid's clothes. He wore her leather trousers and jackets, oversized shirts and long scarves, and collarless jackets. He borrowed acorduroy suit with no lapels to wear on stage, which prompted Lennon to sarcastically ask if his mother had lent him the suit.[51]
Sutcliffe displayed artistic talent at an early age.[12][52] Fellow student Helen Anderson remembered his early works as very aggressive with dark, moody colours, which was not what she expected from such a "quiet student".[14] One of Sutcliffe's paintings was shown at theWalker Art Gallery in Liverpool as part of theJohn Moores exhibition, from November 1959 to January 1960. After the exhibition, Moores bought Sutcliffe's canvas for £65 (equivalent to £1,891 in 2023), which was then equal to 6–7 weeks' wages for an average working man.[17] The picture Moores bought was titledSummer Painting, and Sutcliffe attended a formal dinner to celebrate the exhibition with another art student, Susan Williams.[53] Murray remembered that the work was painted on a board rather than a canvas. Due to its size, it had to be cut in two and hinged. Murray noted only one of the pieces actually got to the exhibition (because they stopped at a pub to celebrate), but sold nonetheless because Moores bought it for his son.[54]
Sutcliffe was turned down when he applied to study for an Art Teacher's Diploma (ATD) course at Liverpool Art College,[44] but after meeting Kirchherr, he decided to leave the Beatles and attend the Hamburg College of Art. In June 1961, he did so, under the tutelage of Paolozzi, who later wrote a report commending Sutcliffe.[39][55][56] In Paolozzi's words: "Sutcliffe is very gifted and very intelligent. In the meantime he has become one of my best students."[9]
Sutcliffe's few surviving works reveal influence from British and Europeanabstract artists contemporary with theAbstract Expressionist movement in the U.S. His earlier figurative work is reminiscent of thekitchen sink school, particularly ofJohn Bratby, though Sutcliffe was producing abstract work by the end of the '50s includingSummer Painting purchased by Moores.[57] Sutcliffe's works bear some comparison with those ofJohn Hoyland andNicolas de Staël, though they are more lyrical (Sutcliffe used the stage name "Stu de Staël" when he was playing with the Beatles on a Scottish tour in spring 1960). His later works are typically untitled, constructed from heavily impastoed slabs of pigment in the manner of de Staël (whom he learned about fromSurrey-born art instructor Nicky Horsfield) and overlaid with scratched or squeezed linear elements creating enclosed spaces.
Hamburg Painting No. 2 was purchased by Liverpool'sWalker Art Gallery and is one of a series entitledHamburg in which surface and colour changes produce atmospheric energy. European artists (including Paolozzi) were also influencing Sutcliffe at the time.[58] The Walker Art Gallery has other works by Sutcliffe:Self-Portrait (in charcoal) andThe Crucifixion.[59][60] Lennon later hung two of Sutcliffe's paintings in his house (Kenwood) inWeybridge, and McCartney had a Paolozzi sculpture in hisCavendish Avenue home.[61][62]
While studying in Germany, Sutcliffe began experiencing severe headaches and acute sensitivity to light.[63] According to Kirchherr, some of the headaches left him temporarily blind.[64][65] In February 1962, Sutcliffe collapsed during an art class in Hamburg. Kirchherr's mother had German doctors examine him, but they were unable to determine the exact cause of his headaches. They suggested he return to the UK and have himself admitted to a hospital with better facilities; however, after arriving, Sutcliffe was told nothing was wrong and returned to Hamburg. He continued living with the Kirchherrs, but his condition soon worsened. After he collapsed again on 10 April 1962, Kirchherr took him to hospital, riding with him in the ambulance, but he died before they arrived.[65] The cause of death was acerebral haemorrhage, specifically a rupturedaneurysm[65][66] resulting in cerebral paralysis due to severe bleeding into the rightventricle of the brain. He was 21 years old.[67]
On 13 April 1962, Kirchherr met the Beatles atHamburg Airport, telling them Sutcliffe had died a few days earlier.[42][66] Sutcliffe's mother flew to Hamburg with Beatles managerBrian Epstein and returned to Liverpool with her son's body.[51] Sutcliffe's father did not hear of Stuart's death for three weeks, as he was sailing to South America on a cruise ship, although the family arranged for apadre, a military chaplain, to give him the news as soon as the ship docked inBuenos Aires.[68] After Sutcliffe's death, Kirchherr wrote a letter to his mother, apologising for being too ill to attend his funeral in Liverpool and saying how much she and Lennon missed him:
Oh, Mum, he (Lennon) is in a terrible mood now, he just can't believe that darling Stuart never comes back. [He's] just crying his eyes out ... John is marvellous to me, he says that he knows Stuart so much and he loves him so much that he can understand me.[69]
The cause of Sutcliffe's aneurysm is unknown, although authors of books on the Beatles have speculated it was caused by an earlier head injury. He may have been either kicked in the head, or thrown head first against a brick wall during an attack outsideLathom Hall after a performance in January 1961.[70] According to booking agentAllan Williams, Lennon and Best went to Sutcliffe's aid, fighting off his attackers before dragging him to safety. Sutcliffe sustained afractured skull in the fight and Lennon's little finger was broken.[71] Sutcliffe refused medical attention at the time and failed to keep anX-ray appointment at Sefton General Hospital.[72]
Bill Harry takes issue with these accounts, relating that "according to Stuart’s mother, who Stuart revealed everything to, his headaches only began following a fall in Hamburg".[73]
Although Lennon did not attend nor send flowers to Sutcliffe's funeral, his second wife,Yoko Ono, recalled that Lennon mentioned Sutcliffe's name often, saying he was "[My] alter ego ... a spirit in his world ... a guiding force".[6]
Sutcliffe is buried inHuyton Parish Church Cemetery (also known as St. Michael's) in the Metropolitan Borough of Knowsley, Merseyside, in North West England.
The Beatles' compilation albumAnthology 1, released in 1995, had previously unreleased recordings from the group's early years. Sutcliffe plays bass with the Beatles on three songs they recorded in 1960: "Hallelujah, I Love Her So", "You'll Be Mine", and "Cayenne".[74] In addition, he is pictured on the front covers of all threeAnthology albums.
In 2011, Sutcliffe's estate released a recording claimed to be Sutcliffe singing a cover of Elvis Presley's "Love Me Tender", recorded in 1961 and donated to the estate in 2009.[75]
Part One ofThe Beatles Anthology video documentary covers Sutcliffe's time with the group. There is no mention of his death in the documentary, but it is discussed in theaccompanying book.
Sutcliffe was portrayed by David Nicholas Wilkinson inBirth of the Beatles (1979) and byLee Williams inIn His Life: The John Lennon Story (2000).[76] Sutcliffe's role in the Beatles' early career and the factors that led him to leave the group are dramatised in the 1994 filmBackbeat, in which he was portrayed by American actorStephen Dorff. Sutcliffe does not appear inNowhere Boy (2009), but is briefly mentioned toward the end of the film.
Four television documentaries have been broadcast that deal with Sutcliffe's life:
Books about Sutcliffe:
The Stuart Sutcliffe Estate sells memorabilia and artifacts of Sutcliffe's, including poems written by him and the chords and lyrics to songs Lennon and Sutcliffe were learning.[83]
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