String Quartet No. 2 in C major,Op. 36, by English composerBenjamin Britten, was written in 1945. It was composed inSnape, Suffolk and London, and completed on 14 October. The first performance was by theZorian Quartet in theWigmore Hall, London on 21 November 1945, in a concert to mark the exact 250th anniversary of the death of English composerHenry Purcell (1659–95). The work was commissioned by and is dedicated to Mary ("Mrs J. L.") Behrend, a patron of the arts; Britten donated most of his fee towards famine relief in India.
The Zorian Quartet made the first recording of the work, in October 1946. It occupies seven sides of a four-disc78rpm album. On the eighth side is Purcell'sFantasia upon One Note Z.745, with Britten playing the sustained middle Cdrone on secondviola; the only recording on which he played viola, his favourite string instrument.[1][2][3]
Broadcaster and classical music criticJohn Amis (1922–2013), husband of Olive Zorian 1948–55, recalled of the first rehearsals:
Ben[jamin Britten] and me had to sit on the floor in me and my wife’s flat following the score of his second string quartet in rehearsals because me and my wife only had four chairs and the quartet had to use them.[4]
The first movement is in a kind ofsonata form, unusual in that the first and second subjects (themes) give rise to a third subject, all involving the interval of atenth.
The second movement has been described as "night music", but is very different in character to that of thenight music ofBéla Bartók. All four instruments play withmutes.
The third movement is longer than the other two movements combined. Its title "Chacony" refers back to Purcell, who used that name for the musical form more often called chaconne or passacaglia. It consists of a theme (a nine-bar unit) and 21 variations, divided into four sections by solocadenzas for the cello, viola and first violin. In a programme note for the premiere, Britten wrote: "The sections may be said to review the theme from (a) harmonic, (b) rhythmic, (c) melodic, and (d) formal aspects".[2][5][6]
A typical performance takes about 28–32 minutes.[5][7]
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