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Stretto

From Wikipedia, the free encyclopedia
Term in music

The Italian termstretto[ˈstretto] (plural:stretti) has two distinct meanings in music:

  1. In afugue,stretto (German:Engführung) is theimitation of thesubject in close succession, so that the answer enters before the subject is completed.[1]
  2. In non-fugal compositions, astretto (also sometimes spelledstretta) is a passage, often at the end of anaria ormovement, in faster tempo.[1][2] Examples include the end ofFranz Liszt'stranscendental etude No.10, the end of the last movement ofBeethoven'sFifth Symphony; measure 227 ofChopin'sBallade No. 3; measures 16-18 of hisPrelude No. 4 in E minor; and measure 26 of hisEtude Op. 10, No. 12, "The Revolutionary."

Fugal stretto

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Example of stretto in the C-major fugue fromJ. S. Bach'sThe Well Tempered Clavier, Book I, BWV 846, mm. 20–23.[3] (subject in blue).

The termstretto comes from theItalian past participle ofstringere, and means "narrow", "tight", or "close".[4] It applies in a close succession of statements of the subject in afugue, especially in the final section. In stretto, the subject is presented in one voice and then imitated in one or more other voices, with the imitation starting before the subject has finished. The subject is therefore superimposed upon itselfcontrapuntally. Stretto is typically employed near the end of a fugue, where the 'piling-up' of two or more temporally off-set statements of the subject signals the arrival of the fugue's conclusion in climactic fashion.

For example, the C-major fugue fromJ. S. Bach’sThe Well-Tempered Clavier, Book 1 (BWV 846) opens with an initial succession of statements of the subject, each at a distance of six beats:

Bach Fugue in C WTC1 opening bars
Bach Fugue in C BWV 846 opening bars

As the musical argument proceeds, the gap between the entries closes to two beats:

Bach Fugue in C WTC1 bars 14ff
Bach Fugue in C BWV 846 bars 14–16

In the final bars, the entries are even closer, with the upper two voices following at a distance of just one beat:

Bach Fugue in C WTC1 bars 24-end
Bach Fugue in C BWV 846 concluding bars

The complete C-major fugue may be heard here:


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In other instances,stretto serves to display contrapuntal prowess, as in the Fugue No. 9 in E major, BWV 878, where Bach follows a traditional exposition (subject accompanied bycountersubject) with a counterexposition in which the subject accompanies itself, in stretto, followed by the countersubject accompanying itself.

Fugal stretto techniques may also be found in pieces that are not themselves fugues, such as the boisterous finale ofHaydn’sQuartet in E flat, Op. 76 No. 6. In the following passage, bars 119–132, the theme is stated in the first violin with simple accompanying chord of the off-beats (bars 119–122). When repeated in bars 127–132, the viola and 'cello lead with the theme and the violins follow closely at one beat’s distance. This has the effect of “forever deceiving the listener as to where the main beat comes.”[5]

Haydn Quartet Op.76 No. 6, finale bars 119–132
Haydn Quartet Op.76 No. 6, finale bars 119–132

See also

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References

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  1. ^abApel, Willi, ed. (1969).Harvard Dictionary of Music, Second Edition, Revised and Enlarged. The Belknap Press of Harvard University Press, Cambridge, Massachusetts.ISBN 0-674-37501-7.
  2. ^Stuart Berg Flexner; Eugene Ehrlich; Joyce M. Hawkins; Gorton Carruth (1982).Oxford American Dictionary. Turtleback.ISBN 0-606-20843-7.
  3. ^Benward & Saker (2009).Music in Theory and Practice: Volume II, p. 54. Eighth Edition.ISBN 978-0-07-310188-0.
  4. ^WordReference.com Dizionario Italiano-Inglese. Accessed 23 November 2009.
  5. ^ Wigmore, R. (2020, p.7) liner notes to the CD recording Joseph Haydn, String quartets Op. 76/4–6. Played by the Chiaroscuro Quartet. Sweden BIS records AB.

External links

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  • The dictionary definition ofstretto at Wiktionary
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