| Still of the Night | |
|---|---|
 Theatrical release poster | |
| Directed by | Robert Benton |
| Screenplay by | Robert Benton |
| Story by |
|
| Produced by | Arlene Donovan |
| Starring | |
| Cinematography | Néstor Almendros |
| Edited by | |
| Music by | John Kander |
Production company | |
| Distributed by | Metro-Goldwyn-Mayer |
Release date |
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Running time | 91 minutes |
| Country | United States |
| Language | English |
| Budget | $10 million |
| Box office | $5,979,947 (domestic) |
Still of the Night is a 1982 Americanneo-noir[1]psychological thriller film written and directed byRobert Benton, based on a story by Benton andDavid Newman, and starringRoy Scheider,Meryl Streep,Joe Grifasi, andJessica Tandy. Scheider plays a psychiatrist who falls in love with a woman (Streep) who may be the psychopathic killer of one of his patients.
The film is considered as an overt homage to the films ofAlfred Hitchcock, emulating scenes from many of his movies: a bird attacks one character (as inThe Birds), a scene takes place in an auction (as inNorth by Northwest), someone falls from a height (as inVertigo and a number of other films), stuffed birds occupy a room (as inPsycho), and an important plot point is the interpretation of a dream (as inSpellbound).[2] Meryl Streep's hair is styled much likeEva Marie Saint's was inNorth by Northwest, and the city ofGlen Cove, New York is featured in both films.Jessica Tandy also is featured in this film, as she was inThe Birds (1963), as the mother of the protagonist.
Manhattan psychiatrist Dr. Sam Rice is visited by glamorous, enigmatic Brooke Reynolds, who works at Crispin's (a fictitious New York auction house modeled afterChristie's). Brooke was having an affair with one of Rice's patients, George Bynum, who has just been murdered. Brooke asks the doctor to return a watch to Bynum's wife and not reveal the affair.
Sam is visited byNYPD Detective Joseph Vitucci but refuses to give any information on Bynum, a patient for two years. After the police warn him that he could become a target because the killer may believe he knows something, Sam reviews the case files detailing Bynum's affairs with various women at Crispin's, including Brooke. Bynum had also expressed concern, claiming a wealthy friend had once killed someone, and Bynum was the only person who knew about this. He wondered if this friend might kill again.
The police believe Bynum's killer is a woman. Sam gradually falls for Brooke but believes he is being followed. He is mugged by someone who takes his coat, whereupon the mugger is killed in the same manner as Bynum.
Sam tries to interpret clues from the case file with his psychiatrist mother, Grace. This includes a strange dream of Bynum's in which he finds a green box in a cabinet in a dark house, and sees a little girl with a bleeding teddy bear, who then follows him up a narrow staircase.
Brooke's behavior becomes increasingly suspicious. Sam tails her to a family estate onLong Island. She explains her guilt in the accidental death of her father, and claims Bynum threatened to reveal this secret if she broke off their affair.
Sam pieces together that Bynum's previous girlfriend was Gail Phillips, an assistant to Bynum at Crispin's. Gail blames Brooke for her breakup with Bynum. Gail, trying to frame Brooke, kills Det. Vitucci. Now she arrives at the estate to kill Brooke and Sam.
As they are about to leave, Brooke forgets her keys and goes back into the dark house, alone, to retrieve them, while Sam waits in his car. Gail appears in the back seat of the car and stabs Sam with a knife. Gail chases Brooke through the house, recapitulating Bynum's dream. As Gail is about to stab Brooke, the wounded Sam appears from the staircase. In the ensuing struggle, Gail falls to her death over a railing, reminiscent of Brooke's father's death. Sam and Brooke embrace in the final scene.
Still of the Night was filmed in and around New York City during March 1981.[3] Some scenes were shot atColumbia University, the Trefoil Arch and the Boathouse Cafe inCentral Park,[3] and theMuseum of the City of New York.[4]
Art dealerArne Glimcher served as a consultant on the film and helped choreograph the auction scene (as well as playing a cameo role as an art dealer who is one of the bidders).[5] Thomas E. Norton, who had been a long-time executive atSotheby's, served as a consultant for the film. (He also played the auctioneer taking bids during the Crispin's auction scene.) The auction scene was filmed in the auditorium of theInternational House of New York.[4]
The film had aplatform release on five screens and grossed $548,255 before going wide on 502 screens on December 17, 1982, but it disappointed with only $633,273 for the weekend.[6] Altogether, the film made $5,979,947 domestically, on a budget of $10 million.
Still of the Night holds an aggregate score of 67% fresh on the websiteRotten Tomatoes from 9 reviews.[7]
A review inVariety stated: "It comes as almost a shock to see a modern suspense picture that's as literate, well acted and beautifully made asStill of The Night. Despite its many virtues, however, Robert Benton's film [...] has its share of serious flaws, mainly in the area of plotting".[8]
In his review forThe New York Times,Vincent Canby said that the screenplay "makes inescapable references to such Hitchcock classics asVertigo,Rear Window,North by Northwest, andSpellbound, among others."[2]
In 2013,Meryl Streep named it when asked on TV to name a bad film in which she had acted.[9]