Stanley G. Weinbaum | |
|---|---|
 | |
| Born | Stanley Grauman Weinbaum (1902-04-04)April 4, 1902 Louisville, Kentucky |
| Died | December 14, 1935(1935-12-14) (aged 33) Milwaukee, Wisconsin |
| Pen name | Marge Stanley |
| Occupation | Writer |
| Nationality | American |
| Period | 1933–1935 |
| Genre | Science fiction,romantic fiction |
| Notable works | "A Martian Odyssey" |
Stanley Grauman Weinbaum (April 4, 1902 – December 14, 1935) was an Americanscience fiction writer. His first story, "A Martian Odyssey", was published to great acclaim in July 1934; the alienTweel was arguably the first character to satisfyJohn W. Campbell's challenge: "Write me a creature who thinksas well as a man, or better than a man, but notlike a man." Weinbaum wrote more short stories and a few novels, but died fromlung cancer less than a year and a half later.
Weinbaum was born inLouisville, Kentucky, the son of Stella (née Grauman) and Nathan A. Weinbaum.[1] His family wasJewish.
He attendedRiverside High School inMilwaukee.[2] He was granted admission to theUniversity of Wisconsin–Madison inMadison in July 1920.[2] He first majored inchemical engineering, then switched to English, but contrary to common belief he did not graduate. On a bet, Weinbaum took an exam for a friend, and was later discovered; he left the university in 1923.
Weinbaum is best known for his groundbreaking science fiction short story "A Martian Odyssey", which presents a sympathetic but decidedly non-human alien,Tweel. This was his first science fiction story: in 1933 he had sold a romantic novel,The Lady Dances, toKing Features Syndicate, which serialized the story in its newspapers in early 1934.Isaac Asimov described "A Martian Odyssey" as "a perfect Campbellian science fiction story, beforeJohn W. Campbell. Indeed, Tweel may be the first creature in science fiction to fulfil Campbell's dictum, 'write me a creature who thinksas well as a man, orbetter than a man, but notlike a man'."[3] Asimov went on to describe it as one of only three stories that changed the way all subsequent stories in the science fiction genre have been written.[4] It was the oldest short story and one of the top vote-getters selected by theScience Fiction Writers of America for inclusion inThe Science Fiction Hall of Fame, Volume One, 1929–1964.
Most of the work that was published in Weinbaum's lifetime appeared in eitherAstounding orWonder Stories. However, several of his pieces first appeared in the earlyscience fiction fanzineFantasy Magazine (successor toScience Fiction Digest) in the 1930s, including an "Auto-Biographical Sketch" in the June 1935 issue. Despite common belief, Weinbaum was not one of the contributors to the multi-authoredCosmos serial inScience Fiction Digest/Fantasy Magazine. He did contribute to the multi-author story "The Challenge From Beyond", published in the September 1935Fantasy Magazine.
At the time of his death, Weinbaum was writing a novel,Three Who Danced. In this novel, the Prince of Wales is unexpectedly present at a dance in an obscure American community, where he dances with three of the local girls, choosing each for a different reason. Each girl's life is changed, happily or tragically, as a result of the unexpected attention she has received.
In 1993, Weinbaum's widow, Margaret Hawtof Kay, donated his papers to theTemple University Library inPhiladelphia, Pennsylvania. Included were several unpublished manuscripts, among themThree Who Danced, as well as other unpublished stories. These are mostly romance stories, but there are also a few other non-fiction and fiction writings, none of them science fiction.
A film version of Weinbaum's short story "The Adaptive Ultimate" was released in 1957 under the titleShe Devil, starringMari Blanchard,Jack Kelly, andAlbert Dekker. The story was also dramatized for television as an episode ofStudio One titled "Kyra Zelas" (the name of the title character), broadcast on September 12, 1949.[5] A radio dramatization of "The Adaptive Ultimate" was performed on the anthology showEscape in the 1950s.[6]
Acrater on Mars is named in Weinbaum's honor.[7] On July 18, 2008, he won[8] theCordwainer Smith Rediscovery Award.
Lester del Rey declared that "Weinbaum, more than any other writer, helped to take our field out of the doldrums of the early thirties and into the beginnings of modern science fiction."[9]H. P. Lovecraft stated that Weinbaum's writing was ingenious, and that he stood miles above the other pulp fiction writers in his creation of genuinely alien worlds, in contrast toEdgar Rice Burroughs and his "inane" stories of "egg-laying Princesses".Frederik Pohl wrote that before Weinbaum, science fiction's aliens "might be catmen, lizard-men, antmen, plantmen or rockmen; but they were, always and incurably,men. Weinbaum changed that. ... it was the difference in orientation – in drives, goals and thought processes – that made the Weinbaum-type alien so fresh and rewarding in science fiction in the mid-thirties."[10] According to Pohl, that Weinbaum's "revolutionary idea" was to "give some sort of three-dimensional reality to the characters", in contrast toHugo Gernsback's "animated catalogue of gadgets".[11]Isaac Asimov wrote, "Weinbaum... had he lived, would surely be in first place in the list of all-time-favorite science fiction writers."[12]
Everett F. Bleiler, however, wrote that, although Weinbaum "was generally considered the most promising new s-f author of his day," his reputation is overstated. While "Weinbaum's style was more lively than that of his genre contemporaries, and he was imaginative in background details, ... his work was ordinary pulp fiction, with routine plots, slapdash presentation, cardboard characterization, and much cliche of ideas."[13]Alexei andCory Panshin concluded that "Time has swallowed what were once Weinbaum's particular virtues. What is left seems quaint and quirky."[14]
All of Weinbaum's nine interplanetary stories are set in a consistent solar system that was scientifically accurate by the standards of his time. The deceptively avian-looking, botanicalMartians of "A Martian Odyssey" and "Valley of Dreams", for instance, are mentioned in "Redemption Cairn" and "The Red Peri"; the quadrupedal Venusian trioptes of "Parasite Planet" and "The Lotus Eaters" are mentioned in "The Mad Moon"; the vicious, pseudomammalian pests ofThe Mad Moon appear inValley of Dreams as minor antagonists; and the rock-eating[dubious –discuss] Pyramid-Makers of Mars are mentioned in "Tidal Moon". In Weinbaum's solar system, in accordance with the then-currentnear-collision hypothesis, thegas giants radiate heat, enough to warm their satellites to Earthlike temperatures, allowing for Earthlike environments onIo,Europa,Titan, and evenUranus. Mars is also sufficiently Earthlike to allow humans to walk on its surface unprotected following training in thin-air chambers.
Three of Weinbaum's short stories deal with Dixon Wells, a perpetually late playboy who runs afoul of the inventions of his friend and former instructor in "Newer Physics", Professor Haskel van Manderpootz, a supremely immodest genius who ratesAlbert Einstein as his equal or slight inferior. In "The Worlds of If", Wells tests an invention that reveals what might have been; in "The Ideal", the professor creates a device that can show the image of a person's ideal (in Wells' case, his perfect woman); the contrivance of "The Point of View" allows one to see the world from another's perspective. In all three, Wells finds and then loses the woman of his dreams.
