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Saint John's Co-Cathedral

Coordinates:35°53′52″N14°30′46″E / 35.89778°N 14.51278°E /35.89778; 14.51278
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Catholic co-cathedral in Malta
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Church in Valletta, Malta
St John's Co-Cathedral
Kon-Katidral ta' San Ġwann
Façade of St John's Co-Cathedral in 2020
Map
St John's Co-Cathedral
35°53′52″N14°30′46″E / 35.89778°N 14.51278°E /35.89778; 14.51278
LocationValletta
CountryMalta
DenominationCatholic Church
Sui iuris churchLatin Church
Websitewww.stjohnscocathedral.com
History
Former name(s)Conventual Church of St. John
The Major Conventual and Parochial Church of the Jerosolymitan Order dedicated to St John the Baptist[1]
StatusCo-cathedral
FounderJean de la Cassière
DedicationJohn the Baptist
Consecrated20 February 1578
Architecture
Heritage designationGrade 1
Designated2008
ArchitectGirolamo Cassar
Architectural typeChurch
StyleMannerist (exterior)
Baroque (interior)
Groundbreaking1572
Completed1577
Specifications
Length65 metres (213 ft)
Width40 metres (130 ft)
Nave width20 metres (66 ft)
MaterialsLimestone
Administration
ArchdioceseArchdiocese of Malta
Clergy
ArchbishopCharles Scicluna
RectorPaul Carmel Vella

St John's Co-Cathedral (Maltese:Kon-Katidral ta' San Ġwann) is aCatholicco-cathedral inValletta,Malta, dedicated to SaintJohn the Baptist. It was built by theOrder of St. John between 1573 and 1578,[2] having been commissioned by Grand MasterJean de la Cassière as theConventual Church of Saint John (Maltese:Knisja Konventwali ta' San Ġwann).[3]

The church was designed by theMaltese architectGirolamo Cassar,[4] who designed several of the more prominent buildings in Valletta. In the 17th century, its interior was redecorated in theBaroque style byMattia Preti and other artists. The interior of the church is considered to be one of the finest examples of high Baroque architecture in Europe.[5]

History

[edit]
The co-cathedral in the 1870s

Following theGreat Siege of 1565, St. John's Co-Cathedral was commissioned in 1572 byJean de la Cassière,Grand Master of theOrder of St. John.[6][7][8] It was initially named, in the Italian common language of the time, asChiesa Conventuale di San Giovanni Battista.[9] The church was designed by the Maltese architectGirolamo Cassar, who also designed and oversaw the construction of many important buildings in Valletta.[6][7] It is held that Cassar went toRhodes to bring a plan of an already existing church that was by then converted to a mosque, to use it as a model for the present co-cathedral. However, Cassar still took decisions over the final design and made modifications, and thus became the sole architect of the co-cathedral.[10] Once St. John's was completed in 1577, it became the newconventual church of the Order instead ofSt. Lawrence's Church in the Order's former headquartersBirgu.[7] Construction of the oratory and sacristy began in 1598, during the magistracy ofMartin Garzez, and they were completed by Grand MasterAlof de Wignacourt in 1604.[11]

For the first century of its existence, the church's interior was modestly decorated. However, in the 1660s, Grand MasterRaphael Cotoner ordered the redecoration of the interior so as to rival the churches ofRome. Calabrian artistMattia Preti was in charge of the embellishment, and effectively completely transformed the interior in theBaroque style.[12] The annexes on the side of the cathedral were added later and feature the coat of arms of Grand MasterAntónio Manoel de Vilhena who reigned from 1722 to 1736.[11]

St. John's remained the conventual church of the Order until the latter was expelled from Malta with theFrench occupation in 1798.[12] Over time, the church grew to equal prominence with the archbishop'scathedral atMdina. In the 1820s, the Bishop of Malta was allowed to use St John's as an alternative see and it thus formally became aco-cathedral.[13]

In 1831, SirWalter Scott called the cathedral a "magnificent church, the most striking interior [he had] ever seen."[13] In the mid-19th century,Giuseppe Hyzler, a leader of theNazarene movement, removed some of the Baroque art of the cathedral, including the ornate altar in the Chapel of the Langue of France.[14]

The cathedral's exterior was slightly damaged by aerial bombardment in 1941, duringWorld War II, barely escaping total destruction. The contents of the cathedral had been transferred elsewhere before the bombardment, so no works of art were lost.[6][12]

The façade of St. John's Co-Cathedral being restored in 2014

The cathedral was restored between the late 1980s and the early 1990s. In 2001, the St. John's Co-Cathedral Foundation was set up to administer and conserve the cathedral and its museum. The sides of the cathedral were restored between 2008 and 2010, and a complete restoration of the exterior began in July 2014 directed by architect Jean Frendo and eight restorers. Restoration of the central part of the façade was completed in September 2015[15] and project completion was expected in 2017.[16]

Today, the cathedral is one of the most popular tourist attractions in Malta,[12] and is listed on theNational Inventory of the Cultural Property of the Maltese Islands.[14]

Exterior

[edit]

The cathedral's exterior is built in theMannerist style typical of its architectGirolamo Cassar. Its façade is rather plain but well-proportioned, being bounded by two largebell towers.[5] The doorway is flanked byDoric columns supporting an open balcony from which the Grand Master used to address the people on important occasions.[11] On the side are also two empty niches.[17][18] The niches and the columns are a break with the rest of exterior Mannerist architecture.[19][18]

Overall, the exterior is rather austere and reminiscent of a fortress,[20] reflecting both Cassar's style as a military engineer as well as the Order's mood in the years following theGreat Siege of Malta in 1565.[12][6]

Interior

[edit]
Nave
Main altar
Some of the many marbleledger stones on the floor of the cathedral

The cathedral's interior is extremely ornate, standing in sharp contrast with the façade. The interior was largely decorated byMattia Preti, the Calabrian artist and knight, at the height of theBaroque period. Preti designed the intricate carved stone walls and painted the vaulted ceiling and side altars with scenes from the life ofJohn the Baptist. The figures painted into the ceiling next to each column initially appear to the viewer as three-dimensional statues, but on closer inspection we see that the artist cleverly created an illusion of three-dimensionality by his use of shadows and placement. Also noteworthy is the fact that the carving was all undertaken in-place (in-situ) rather than being carved independently and then attached to the walls (stucco). The Maltese limestone from which the cathedral is built lends itself particularly well to such intricate carving. The whole marble floor is an entire series of tombs, housing about 400 Knights and officers of the Order.[21] There is also acrypt containing the tombs ofGrand Masters likePhilippe Villiers de L'Isle-Adam,Claude de la Sengle,Jean Parisot de Valette, andAlof de Wignacourt.

In 1666, a project for the main altar by Malta's greatest sculptor,Melchiorre Cafà, was approved and begun. Cafà intended a large sculpture group inbronze depicting theBaptism of Christ. Following Cafà's tragic death in 1667 in a foundry accident while tending to this work in Rome, the plans were abandoned. Only in 1703,Giuseppe Mazzuoli, Cafà's only pupil, finished a marble group of theBaptism of Christ which might have been influenced by his master's undocumented designs but certainly is strongly dependent on a small baptism group byAlessandro Algardi.[22]

The funerary monument of Grand MasterMarc'Antonio Zondadari (died 1722), nephew ofPope Alexander VII, is located close to the main entrance. It was originally meant to be installed in the Chapel of the Langue of Italy, but it was too large so it was placed in the nave.[23]

Chapels

[edit]

The cathedral contains nine chapels, one dedicated to Our Lady of Philermos and the rest dedicated to the patron saints of each of the Order's eightlangues (or divisions). The following chapels are located on the south side of the church:[24]

On the north side of the church, one finds the following chapels:

  • Chapel of the Anglo-Bavarian Langue, also known as the Chapel of Relics – dedicated to SaintCharles Borromeo. Its altarpiece depicts the presentation of the saint to the Virgin Mary, and it is attributed to Beaumont. The chapel originally contained many relics that the Order acquired through the centuries, but these were removed in 1798.[32]
  • Chapel of the Langue of Provence – dedicated toSaint Michael the Archangel. Its altarpiece depicts the archangel leading God's armies against Satan, and it also contains marble funerary monuments of Grand MastersAntoine de Paule (died 1636) andGiovanni Paolo Lascaris (died 1657).[33]
  • Chapel of the Langue of France – dedicated to theConversion ofSaint Paul. Its altarpiece depictsThe Conversion of St Paul on the Way to Damascus, and it is the work of Mattia Preti. The chapel also contains the funerary monuments of Grand MastersAdrien de Wignacourt (died 1697) andEmmanuel de Rohan-Polduc (died 1797), as well as the Marquis de Wignacourt (died 1615) andLouis Charles, Count of Beaujolais (died 1808). Parts of the chapel were redecorated in the late 1830s.[34]
  • Chapel of the Langue of Italy – dedicated to theImmaculate Conception and SaintCatherine of Alexandria. Its altarpiece depictsThe Mystic Marriage of St Catherine, and it is the work of Mattia Preti. The chapel also contains the funerary monument of Grand MasterGregorio Carafa (died 1690).[35]
  • Chapel of the Langue of Germany – dedicated to theEpiphany of Christ. The chapel was originally assigned to the langue of England, but was given to the langue of Germany following theEnglish Reformation. Its altarpiece depictsThe Adoration of the Magi by the Maltese painterStefano Erardi.[36]

Notable works of art

[edit]
The Beheading of Saint John the Baptist, 1608. Oil on canvas, 361 x 520 cm. Oratory of the co-cathedral
Monument to Grand MasterNicolas Cotoner byDomenico Guidi, at the Chapel of Aragon.[37]

The painting depictingThe Beheading of Saint John the Baptist (1608) byCaravaggio (1571–1610) is the most famous work in the church. Considered one of Caravaggio's masterpieces, the largest canvas he painted and the only painting signed by the painter, the canvas is displayed in the Oratory for which it was painted. Restored in the late 1990s in Florence, this painting is one of Caravaggio's most impressive uses of thechiaroscuro style for which he is most famous with a circle of light illuminating the scene of St John's beheading at the request of Salome. The oratory also houses Caravaggio'sSaint Jerome Writing (1607–1608).

Another impressive feature of the church is the collection of marbletombstones in the nave in which were buried important knights. The more important knights were placed closer to the front of the church. These tomb

stones, richly decorated with in-laid marble and with the coats of arms of the knight buried below as well as images relevant to that knight, often telling a story of triumph in battle, form a rich visual display in the church.

Adjoining to the church is the St John's Co-Cathedral Museum containing art objects. Among the contents of the museum there are the Flemish Tapestries designed byPeter Paul Rubens, which were donated by Grand MasterRamon Perellos y Roccaful,[38][39] paintings of Grand MastersJean de la Cassière,Nicolas Cotoner andManuel Pinto da Fonseca, and paintings which were formerly in the side chapels such asSt. George killing the Dragon byFrancesco Potenzano.

Visiting

[edit]
Visitors' entrance to the co-cathedral

St. John's Co-Cathedral is located in the centre of Valletta, and it is a short walk away from the bus terminus nearCity Gate. The main entrance of the cathedral is inSt John's Square, but the visitors' entrance is from Great Siege Square in Republic Street, facing theLaw Courts.[40]

Fees are charged for visitors, but those visiting the cathedral for Mass only do not have to pay the entrance fee.[41]

Gallery

[edit]
  • The pipe organ of the co-cathedral
    Thepipe organ of the co-cathedral
  • Dome and semicircular windows inside the Chapel of the Langue of Provence
    Dome and semicircular windows inside the Chapel of the Langue of Provence
  • Dome of the Chapel of the Langue of France
    Dome of the Chapel of the Langue of France
  • Painting of St. Michael Archangel inside the Chapel of the Langue of Provence, believed to be painted by Mattia Preti
    Painting ofSt. Michael Archangel inside the Chapel of the Langue of Provence, believed to be painted byMattia Preti
  • Statue of the Virgin Mary, one of three statues in the "Crucifixion Group," believed to be sculpted by Alessandro Algardi[42]
    Statue of the Virgin Mary, one of three statues in the "Crucifixion Group," believed to be sculpted byAlessandro Algardi[42]
  • Chancel of the Cathedral
    Chancel of the Cathedral
  • Façade from ground
    Façade from ground

See also

[edit]

Further reading

[edit]

References

[edit]
  1. ^Bonnici, Arthuro (20 June 1978)."St John Co-Cathedral - History and Consecration". The Malta Historical Society: 41. Archived fromthe original on 21 April 2014.{{cite journal}}:Cite journal requires|journal= (help)
  2. ^"St John's Co-Cathedral | Valletta in Malta | Attractions - Lonely Planet".lonely planet. Retrieved2022-12-17.
  3. ^"St. John's Co-Cathedral: Visiting the gem of Valletta".MaltaCulture.com. 2020-03-27. Retrieved2022-12-17.
  4. ^"St John's Co-Cathedral".CultureMalta. 2019-03-12. Archived from the original on December 17, 2022. Retrieved2022-12-17.
  5. ^abDegiorgio, Stephen (2010)."Palaces and Lodgings of the Knights of St John at Malta".I Cavalieri di Malta e Caravaggio : la storia, gli artisti, i committenti.Rome: Logart Press. pp. 220–228.ISBN 978-88-87666-15-1.OCLC 887115351.
  6. ^abcd"Restoration work on central part of façade of St John's Co-Cathedral in Valletta complete".The Malta Independent. 4 September 2015. Archived fromthe original on 14 March 2016.
  7. ^abcMicallef, Mark (2004)."St Lawrence Collegiate Church".Maltese Association of the SMOM. Archived fromthe original on 4 March 2016.
  8. ^Eiland, Murray (2013)."A Snapshot of Malta".The Armiger's News.35 (1): 2, 11. Archived fromthe original on 2023-03-26. Retrieved2022-12-27 – via academia.edu.
  9. ^Malta illustrata ovvero Descrizione di Malta. p. 342.
  10. ^Cassar Pullicino, Joseph (October–December 1949)."The Order of St. John in Maltese folk-memory"(PDF).Scientia.15 (4): 155. Archived fromthe original(PDF) on 17 April 2016.
  11. ^abcde Giorgio 2007, pp. 5–6
  12. ^abcde"History of St John's – A Legacy of the Knights of Malta".St. John's Co-Cathedral. Archived fromthe original on 4 March 2016.
  13. ^ab"St John's Cathedral".Valletta International Piano Festival. Archived fromthe original on 22 September 2015.
  14. ^ab"St.John's Co-Cathedral"(PDF).National Inventory of the Cultural Property of the Maltese Islands. 28 December 2012. Archived fromthe original(PDF) on 3 March 2016.
  15. ^"Restoration work on central part of façade of St John's Co-Cathedral in Valletta complete".The Malta Independent. 4 September 2015. Archived fromthe original on 16 October 2015.
  16. ^Chetcuti, Kristina (24 July 2014)."Co-cathedral's restoration will start in September".Times of Malta. Archived fromthe original on 27 July 2014.
  17. ^Zerafa, Thomas (24 January 2016)."Empty Niches".Times of Malta. Archived fromthe original on 25 January 2016.
  18. ^abCamilleri-Brennan, John (11 April 2014)."Statues for empty niches on St John's façade".Times of Malta. Archived fromthe original on 25 October 2016.
  19. ^Hughes, J. Quentin (1953).The Influence of Italian Mannerism Upon Maltese Architecture.Melitensiawath. Retrieved 8 July 2016. p. 107-108.
  20. ^Partel, Francis J. (2011).The Chess Players, a Novel of the Cold War at Sea. Navy Log LLC. p. 287.ISBN 9780615414515.
  21. ^de Giorgio 2007, p. 15
  22. ^cf. *Keith Sciberras,Melchiorre Cafà's Baptism of Christfor the Knights of the Order of Malta, in: Keith Sciberras (Ed.),Melchiorre Cafà. Maltese Genius of the Roman Baroque, Valletta 2006, pp. 97-112.
  23. ^Cini, George (5 April 2004)."When the Knights splashed out on Baroque sculptures".Times of Malta. Archived fromthe original on 13 March 2016.
  24. ^"Archives, bibliothèque et inscriptions de Malte". Imprimerie Impériale. 1857.
  25. ^Nicholson, Helen J. (2001).The Knights Hospitaller. Boydell & Brewel. p. 139.ISBN 0851158455,ISBN 9780851158457.
  26. ^de Giorgio 2007, p. 21
  27. ^Morana, Martin (2011).Bejn Kliem u Storja (in Maltese).Malta: Books Distributors Limited.ISBN 978-99957-0137-6. Archived fromthe original on 20 October 2016.
  28. ^de Giorgio 2007, p. 22
  29. ^de Giorgio 2007, pp. 25–26
  30. ^de Giorgio 2007, pp. 26–28
  31. ^Cutajar, Dominic (1999).History and Works of art of St. John's Church Valletta - Malta (3 ed.). M. J. Publications. p. 64.ISBN 978-9990990003. Archived fromthe original on 1 July 2017.
  32. ^de Giorgio 2007, p. 28
  33. ^de Giorgio 2007, pp. 28–30
  34. ^de Giorgio 2007, pp. 30–35
  35. ^de Giorgio 2007, pp. 35–39
  36. ^de Giorgio 2007, pp. 39–40
  37. ^Sciberras, Keith (2004).Roman baroque sculpture for the Knights of Malta. Valletta: Fondazzjoni Patrimonju Malti. pp. 190–207.ISBN 9789993210290.OCLC 470011305.
  38. ^Saddall, Henry (1870)."History of Malta".Malta: Past and Present: Being a History of Malta from the Days of the Phoenicians to the Present Time. Chapman and Hall. p. 142.
  39. ^"The Flemish Tapestries".St. John's Co-Cathedral. Archived fromthe original on 4 March 2016.
  40. ^"How to find us".St. John's Co-Cathedral. Archived fromthe original on 7 March 2016.
  41. ^"Visitor information – Opening times and fees".St. John's Co-Cathedral. Archived fromthe original on 28 January 2016.
  42. ^"Crucifixion Group Restored - Il-Fondazzjoni Alfred Mizzi" (in Maltese). Retrieved2025-09-25.

Bibliography

[edit]
  • de Giorgio, Cynthia (2007).St John's Co-Cathedral – Valletta.Santa Venera: Heritage Books (subsidiary of Midsea Books Ltd).ISBN 9789993271710.
  • Sante Guido, Giuseppe Mantella, "Mattia Preti e la volta della Chiesa Conventuale di San Giovanni Battista a La Valletta: documenti e testimonianze 1661-2011 per il 350º anniversario dell'inizio lavori" in I BENI CULTURALI, v. XIX - 3, n. 3 maggio-giugno 2011 (2011), p. 7-28.
  • Sante Guido, Giuseppe Mantella,STORIE DI RESTAURI NELLA CHIESA CONVENTUALE DI SAN GIOVANNI A LA VALLETTA. La cappella di santa Caterina della Lingua d'Italia e le committenze del gran maestro Gregorio Carafa, Malta, MidseaBooks, 2008, 494 p. -ISBN 978-99932-7-202-1.
  • Sante Guido, Giuseppe Mantella, "Restauri e riscoperte di scultura del barocco romana a Malta. Capolavori per l'Ordine dei cavalieri di san Giovanni.", Malta, Midsea Books LTD, 2005, 144 p. -ISBN 99932-7-046-6.
  • Sante Guido, Giuseppe Mantella, "Il restauro del Reliquiario del Braccio di San Giovanni Battista nella Co-Cattedrale di La Valletta" in BOLLETTINO ICR, n.s., v. 2003 - 6–7, n. 6-7 gennaio-dicembre 2003 (2003), p. 33-49.

External links

[edit]
Wikimedia Commons has media related toSt. John's Co-Cathedral.

The bells of St. John's Co Cathedral at Valletta:

  • The 2 Bells Ringing Instant a Peal Those 2 bells is 3rd bell (SI2) and big bell (SOL2) of this cathedral. The mass of big bell is 7000 kg and is 3rd great bell of Malta.
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