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St. Ann & the Holy Trinity Church

Coordinates:40°41′40.5″N73°59′34.71″W / 40.694583°N 73.9929750°W /40.694583; -73.9929750
From Wikipedia, the free encyclopedia

United States historic place
Holy Trinity Church
(Protestant Episcopal)
Truncated steeple
St. Ann & the Holy Trinity Church is located in New York City
St. Ann & the Holy Trinity Church
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St. Ann & the Holy Trinity Church is located in New York
St. Ann & the Holy Trinity Church
Show map of New York
St. Ann & the Holy Trinity Church is located in the United States
St. Ann & the Holy Trinity Church
Show map of the United States
Location157 Montague,Brooklyn,NY
Coordinates40°41′40.5″N73°59′34.71″W / 40.694583°N 73.9929750°W /40.694583; -73.9929750
Built1844-1847
ArchitectMinard LaFever
Architectural styleGothic Revival
Part ofBrooklyn Heights Historic District (ID66000524)
NRHP reference No.87002590
Significant dates
Added to NRHPDecember 23, 1987[1]
Designated NHLDecember 23, 1987[2]
Designated NHLDCPJanuary 12, 1965

St. Ann & the Holy Trinity Church is a historicEpiscopal church at the northwest corner of Montague and Clinton Streets in theBrooklyn Heights neighborhood ofBrooklyn inNew York City. It is theco-cathedral of theEpiscopal Diocese of Long Island.

History

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Interior
With since-removed spire

The building was built as Church of the Holy Trinity, and opened in 1847. Following years of controversy,[clarification needed] the parish was closed in 1957. The building stood mostly empty for the next 12 years.

The present name of the parish reflects the fact that the congregation of St. Ann's, the oldest Episcopal parish in Brooklyn, moved into the empty Holy Trinity building in 1969. The church has some of the earliest figural stained-glass windows made in the United States, crafted byWilliam Jay Bolton. The church was declared aNational Historic Landmark in 1987.[2][3][4]

The designer for Holy Trinity was prominent 19th-century American architectMinard Lafever, with stained glass byWilliam Jay Bolton and John Bolton.[5] In 1859 English architectGervase Wheeler was hired to enlarge and make improvements in the chancel, such as modifications to the reading desk and adding pews; Wheeler was directed to follow the original plan in his work.[6]

A rectory was constructed immediately west of the church between 1895 and 1897. The ground floor of this building now serves as the parish hall.[7]

Following the departure of theSt. Ann Center for Restoration and the Arts in 1999, the church complex continued to lease school, office, programming, rehearsal and concert space to a wide range of community service and arts groups. However, in 2013, full-time tenants were moved out of the Parish House.

St. Ann's Church (1787)

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The former St. Ann's Church, designed by James Renwick Jr.

St. Ann's Church (organized 1787) was originally named in honor ofAnn Ayscough Sands (1761–1851), who was an early patron with her husbandJoshua Sands.[8] The church previously occupied the elaborateHigh Victorian Gothic building still standing on the northeast corner of Clinton and Livingston streets, built 1877-1878 to designs byJames Renwick Jr. of Renwick & Sands. That church, which featured stained glass byHenry E. Sharp, was sold to thePacker Collegiate Institute.[9]

Bolton stained glass windows

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The windows of St. Ann & the Holy Trinity Church were created byWilliam Jay Bolton with the assistance of his brother, John Bolton, between 1845 and 1848. Though preceded by a figural window Bolton made for Christ Church Priory in Pelham, NY, these windows are the first complete canon, or set, of figural stained glass windows made in North America. The Bolton windows consist of six distinct sets totaling 55 glass installations, of which 54 remain.

When the church reopened in 1969, the problem of repairing the large building after a long period of deferred maintenance initiated many conservation projects and campaigns for the complicated and costly task of restoring the church and its endangered stained glass windows.[10] TheWorld Monuments Fund in collaboration with the St. Ann's Center for Restoration and the Arts initiated projects in 1988 and continued repairs led to the site's listing in theWorld Monuments Watch in 2002 and 2004.[11]

One of the stained glass windows, a 19' high and 10' wide window (5.8 x 3 meters) from the church's organ loft, is on display in theAmerican wing of theMetropolitan Museum of Art. The window depicts a musical scene of Miriam and Jubal standing beneath an arrangement of musical instruments articulated in bright purple and gold painted glass[12]

Peabody Memorial Organ

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The Peabody Memorial Organ was built byErnest M. Skinner in 1925. It is the third instrument to be installed since the church opened in 1847. The organ was designed byLouis Robert [nl] and built by Ernest Skinner as his Opus #524; it was a gift to the church from parishioner and financierGeorge Foster Peabody in memory of his brother. The organ comprises 4,718 pipes, ranging from 2 inches to 32 feet in length, as well as 20 chimes and a 61-note celesta. In 1999, it was recognized by theOrgan Historical Society as "An Historic Instrument of Special Merit" — the musical equivalent of Landmark status.[13] It is the largest E.M. Skinner organ in New York City.

Virgil Fox andLouis Vierne, organist at theCathedral of Notre Dame in Paris, were among the world-famous organists who played the organ in Brooklyn.[14]

Gregory Eaton, prior Dean of the Brooklyn Chapter of theAmerican Guild of Organists, was the director of music and organist from 1993 to 2014.[15]

Restoration projects

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In 1979 theNew York Landmarks Conservancy, a private, not-for-profit organization, started a preservation program for the church called the St. Ann Center for Restoration and Arts. Through the program's efforts, the chancel was renovated, 64 stained glass windows restored, and the exterior fence repaired.[16]

The church received a Sacred Sites Grant of $10,000 in 2014 for brownstone façade and roof restoration of parish house wing. A site visit confirmed that brownstone façade is deteriorated, shedding large sections of projecting trim. Roofs are actively leaking and temporarily patched and tarped, and wood windows are severely deteriorated. The large parish hall wing and formerly fully leased community spaces suffer from active leaks, plaster failure, and weather infiltration as a result of the ongoing deterioration of the exterior envelope. The estimated cost of the restoration of the exterior and interior structures of the building is $6 million.[7]

Since 2012, The Forum at St. Ann's Arts & Culture Series organizes fundraising events with exhibitions, film screenings, poetry and book readings, panel discussions and concerts for the ongoing restorations.[17]

See also

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References

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Notes

  1. ^"National Register Information System".National Register of Historic Places.National Park Service. January 23, 2007.
  2. ^ab"St. Ann and Holy Trinity, Brooklyn".National Historic Landmark summary listing. National Park Service. September 18, 2007. Archived fromthe original on June 6, 2011.
  3. ^Pitts, Carolyn (1986) [Form 10-900 (3-82)]."National Register of Historic Places Inventory-Nomination: Holy Trinity (Protestant Episcopal) Church"(pdf).National Park Service. Illust.Minard LaFever.
  4. ^"National Register of Historic Places Inventory-Nomination: Holy Trinity (Protestant Episcopal) Church—Accompanying photos"(pdf).National Park Service. 1986.
  5. ^Gray, Christopher (September 8, 2002)."Streetscapes/Packer Collegiate Institute; A Touch of Ivy League Grows in Brooklyn Heights".The New York Times.
  6. ^Tribert, Elizabeth Rose."Gervase Wheeler: Mid-Nineteenth Century British Architect in America" (thesis) Graduate Program of Historic Preservation, University of Pennsylvania, 1988; pg 114
  7. ^ab"Brooklyn Churches receive Sacred Sites Grants for repair projects". Brooklyn Daily Eagle. August 19, 2014. RetrievedNovember 13, 2015.
  8. ^Bernardo, Leonard; Weiss, Jennifer (2006).Brooklyn by Name. NYU Press. p. 51.ISBN 978-0-8147-9946-8.
  9. ^Stern, Robert A. M.; Mellins, Thomas; Fishman, David (1999).New York 1880: Architecture and Urbanism in the Gilded Age. Monacelli Press. pp. 875–876.ISBN 978-1-58093-027-7.OCLC 40698653.
  10. ^Patrica, Brown (October 9, 1992)."Through the Hands of a Master, the Brilliance Returns".New York Times. New York Times. RetrievedNovember 13, 2015.
  11. ^"Church of St. Ann and the Holy Trinity".World Monuments Fund. RetrievedNovember 13, 2015.
  12. ^"Window from St. Ann and the Holy Trinity Church in Brooklyn to be installed at the Metropolitan Museum of Art". Metropolitan Museum of Art. Metropolitan Museum of Art. November 1985. RetrievedNovember 13, 2015.
  13. ^"Skinner Organ Co., Opus 524, 1925".Organ Historical Society. RetrievedNovember 13, 2015.
  14. ^Bell, Charles (November 28, 1998)."Organist's Note of Hope".New York Daily News. New York Daily News. RetrievedNovember 13, 2015.
  15. ^Francesca, Tate (January 22, 2014)."Faith In Brooklyn". Brooklyn Daily Eagle. RetrievedNovember 13, 2015.
  16. ^Tomian, Michael (November 21, 2014).Historic Preservation: Caring for Our Expanding Legacy. Springer. p. 344.OCLC 897125705.
  17. ^"Forum @ St. Ann's Launches $12,500 Indiegogo Campaign". Brooklyn Daily Eagle. August 18, 2015. RetrievedNovember 13, 2015.

External links

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