Spock is a fictional character in theStar Trek media franchise. Portrayed byLeonard Nimoy, he is one of the three central characters inthe originalStar Trek series (1966–69), alongside CaptainJames T. Kirk (William Shatner) and Dr.Leonard "Bones" McCoy (DeForest Kelley). On that series, Spock served asfirst officer and science officer of the starshipEnterprise. Spock's mixed human–Vulcan heritage serves as an important plot element in many of the character's appearances. As one of the most popularStar Trek characters, Spock has made return appearances in many later installments of the franchise.
Aside from the series and films in theStar Trek franchise, Spock has also appeared in numerousnovels,comics, andvideo games.[4][3] Nimoy's portrayal of Spock madea significant cultural impact and earned him threeEmmy Award nominations.[5][6] His public profile as Spock was so strong that both his autobiographies,I Am Not Spock (1975) andI Am Spock (1995), were written from the viewpoint of coexistence with the character.[7][8]
Born to theVulcanSarek (Mark Lenard) and the humanAmanda Grayson (Jane Wyatt), Spock's backstory has been addressed during several episodes ofStar Trek: The Original Series, the 2009 filmStar Trek andStar Trek: The Animated Series. His mixed heritage led to a troubled childhood; full-blooded Vulcan children repeatedly bullied him on their home world to incite the emotions of his human nature.[9][10] For a time, he grew up alongside his older half-brother Sybok, until Sybok was cast out from Vulcan for rejecting logic.[11] InStar Trek: Discovery, it is revealed that Spock has a human adoptive sister, Michael Burnham. According to the episode "Amok Time", Spock was betrothed to T'Pring (Arlene Martel) during his childhood.[12]
Sarek supported Spock's scientific learning and application to the Vulcan Science Academy, as mentioned in "Journey to Babel".[13] In the 2009 filmStar Trek, Spock rejects his acceptance into the Vulcan Science Academy on the basis that they would never fully accept someone who was only half-Vulcan. Although this scene was set in the parallel timeline of that film, writerRoberto Orci stated that he felt that Spock's life had not yet been altered at this point and this scene would have occurred in the same manner prior toThe Original Series.[9][10] Because Spock did not enter the VSA and sought to joinStarfleet instead, he did not speak to his father for the following 18 years.[13]
Spock appeared as the science officer on theUSSEnterprise in the unaired first pilot for the series, "The Cage". The events of the episode were formally canonized and shown in the two-part episode "The Menagerie" of thefirst season, and Spock's previous 11 years of service on theEnterprise were described.[14] Spock also appeared in the second pilot, "Where No Man Has Gone Before", which was broadcast initially as the third episode.[15] During the events of that pilot, Spock became concerned at the risk to the ship posed by Lieutenant Commander Gary Mitchell (Gary Lockwood) and suggested possible solutions to CaptainJames T. Kirk (William Shatner).[16]
The earliest appearance of Spock in the series as broadcast was in "The Man Trap".[17] When he needs to knock out an evil version of Kirk in "The Enemy Within", he uses aVulcan nerve pinch, marking the first appearance of that iconic move. Spock and Chief EngineerMontgomery "Scotty" Scott (James Doohan) work together to rejoin the good and evil versions of the Captain, which had been split following atransporter accident.[18] During "Miri", he finds himself to be the only member of the landing party to be immune to the physical effects of the disease affecting human adults on the planet. However, he realizes that he is probably a carrier and could infect theEnterprise if he were to return. DoctorLeonard McCoy (DeForest Kelley) manages to devise a cure, allowing the team to return to the ship.[19]
When Simon van Gelder enters the bridge armed with aphaser in "Dagger of the Mind", Spock subdues him with a nerve pinch. He later conducts amind meld with van Gelder as part of the investigation into the activities of the nearby colony. After power to the colony is shut down, and a protective force field drops, Spock leads an away team to rescue Kirk.[20] Spock is reunited with Christopher Pike (Sean Kenney) in "The Menagerie". Pike had been promoted to Fleet Captain but suffered an accident, resulting in severe burns and confining him to a wheelchair and restricting his communication to yes/no answers via a device connected to hisbrainwaves. Spock commitsmutiny and directs the ship to travel to Talos IV, a banned planet. He recounts the events of "The Cage" under a tribunal to Kirk, Pike and Commodore Jose I. Mendez (Malachi Throne). As theEnterprise arrives at the planet, Mendez is revealed to be a Talosian illusion. At the same time, the real Mendez communicates from Starfleet, giving permission for Pike to be transported to the planet, and all charges against Spock are dropped.[14]
While theEnterprise is under threat in "Balance of Terror", Spock is accused by Lieutenant Stiles (Paul Comi) of knowing more about theRomulans than he admits when the alien's similar physical appearance is revealed. Spock hypothesizes that they are an offshoot of the Vulcan race. He saves theEnterprise, manning the phaser station and saves the life of Stiles in the process.[21] In "The Galileo Seven", Spock leads a landing party on the shuttlecraftGalileo, which is damaged and pulled off its course before landing on the planet Taurus II. Lieutenant Boma (Don Marshall) criticizes Spock's fascination with the weaponry of the natives after the death of Lieutenant Latimer (Rees Vaughn) at their hands. After Scotty uses the power packs of the party's phasers to supply enough energy to get the damaged shuttle back into orbit, Spock decides to dump and ignite the remaining fuel to attract the attention of theEnterprise. The procedure is successful and the crew on the shuttle are rescued.[22]
Spock encounters old acquaintance Leila Kalomi (Jill Ireland) in "This Side of Paradise" after joining an away team to the planet Omicron Ceti III. After being affected by mind-altering spores, Spock begins acting out of character and with overt emotion, engaging in a romantic liaison with Kalomi, whom Spock had previously rejected when she made advances toward him. The impact of the spores on him is cured after Kirk goads him into anger, and once freed of the effects, Spock is able to initiate a solution which cures the rest of the crew.[23] Spock attempts to mind meld with the non-humanoid Horta in "The Devil in the Dark". Following the mind meld, Spock relays the history of the Horta and is able to create peace between the aliens and a nearby colony.[24] Both Spock and Kirk undertakeguerrilla warfare against the occupyingKlingon forces on the planet Organia, prior to the establishment of the Organian Peace Treaty in "Errand of Mercy".[25] To restore the timeline, he travels with Kirk back to 1930's New York City in "The City on the Edge of Forever". He uses technology of that period to interface with histricorder over the course of the weeks they spend in the period before witnessing Edith Keeler's (Joan Collins) death.[26]
During the premiere episode of the second season, "Amok Time", Spock begins to undergopon farr, the Vulcan blood fever, and must mate in the next eight days or die. Kirk disobeys Starfleet orders and takes theEnterprise to the planet Vulcan so that Spock can undergo the mating ritual. When they arrive, he is reunited with T'Pring (Arlene Martel), his wife, who wishes to instead be with Stonn (Lawrence Montaigne), a full-blooded Vulcan. She demands the ritual kal-if-fee fight and selects Kirk as her champion. Kirk accepts without knowing this is a fight to the death. McCoy persuadesT'Pau (Celia Lovsky) to let him hypospray Kirk to alleviate the issues with Vulcan's thinner atmosphere and make the fight fair. Spock seemingly kills Kirk in the fight. McCoy orders Kirk transported tosickbay, while Spock is told by T'Pring that it was all a game of logic which would let her be with Stonn no matter the outcome. No longer feeling the effects of the pon farr, Spock returns to theEnterprise where he discovers that McCoy had injected Kirk with a paralyzing agent which merely simulated death and that the Captain was still alive.[12]
During an encounter with theNomadspace probe in "The Changeling", Spock undertakes a mind meld with the machine. Kirk stops the meld when he realizes that Spock's personality starts to be changed by the contact.[27] Following a transporter accident which transports Kirk, McCoy, Uhura and Scotty to aMirror Universe and swaps them with their counterparts in the episode "Mirror, Mirror", they encounter a different version of Spock. Sporting a beard, he grows suspicious of the activities of the suddenly changed personnel and under Starfleet orders, attempts to kill Kirk. Mirror-Spock is knocked unconscious, and is treated by McCoy while the others head to the transporter to attempt to return to their universe. Spock awakes and mind melds with McCoy to discover why Kirk did not have him killed. Discovering what took place, he agrees to help them return and as he mans the transporter controls, Kirk implores him to take control and save not only the ship but his Terran Empire from implosion at the hands of tyrants. The switch is once again successful, and the crew members return to their relevant universes.[28]
At the beginning ofStar Trek: The Motion Picture (1979), Spock is no longer serving in Starfleet, having resigned and returned home to pursue the Vulcan discipline ofKolinahr. Unable to complete the Kolinahr ritual after he senses the coming ofV'ger, he rejoins Starfleet to aid theEnterprise crew in their mission.[4] Spock is later promoted to captain, and is commanding officer of theEnterprise at the beginning ofStar Trek II: The Wrath of Khan (1982).[4] At the film's end, he transfers his "katra" – the sum of his memories and experience – to McCoy, and then sacrifices himself to save the ship and its crew fromKhan Noonien Singh (Ricardo Montalbán).[4] The sequel,Star Trek III: The Search for Spock (1984), focuses on his crewmates' quest to recover Spock's body, learning upon arrival that he has been resurrected by the Genesis matrix after landing on the planet at the end of the previous film. At the film's conclusion, Spock's revived body is reunited with his katra.[4] Spock is next seen inStar Trek IV: The Voyage Home (1986), which depicts his recovery from the after-effects of his resurrection. After saving planet Earth with his comrades, Spock reconciles with his father who has reconsidered his opinion regarding Spock's life choices. In the film's final scene, he joins the crew of the newly commissionedUSSEnterprise-A under Kirk's command.[4] InStar Trek V: The Final Frontier (1989), Spock and theEnterprise crew confront the renegade VulcanSybok, Spock's half-brother.[4]Star Trek VI: The Undiscovered Country (1991) reunites theEnterprise crew on a mission to prevent war from erupting between the Federation andKlingon Empire. Spock serves as a special envoy to broker peace with the Klingons after a natural disaster devastates their homeworld.
After a period during which the production team avoided mentioning some aspects of The Original Series,[29] Spock was mentioned by name inStar Trek: The Next Generation in the episode "Sarek" (1990).[30] Executive producerMichael Piller later described this one act as "the breakthrough which allowed us to open the doors, that allowed us to begin to embrace our past".[29]
Spock appears in "Unification" (1991), a two-part episode ofStar Trek: The Next Generation. Set 75 years after the events ofThe Undiscovered Country, the episode focuses on Federation Ambassador Spock's attempt to reunite theRomulans with their Vulcan brethren. Filming ofThe Undiscovered Country overlapped with production of this episode, and the episode references Spock's role in the film. While Spock's initial unification campaign fails, he chooses to remain on Romulus in secret to help the movement.
Spock's next appearance in the live actionStar Trek franchise is the 2009Star Trek film. Nimoy was given approval rights over Spock's casting and supported Quinto being cast as the role.[31] During the film's flashback, set 19 years after the events of "Unification", and as depicted in the comic miniseriesStar Trek: Countdown,[32] Ambassador Spock (Nimoy) promises the Romulans he will use Vulcan technology to save them from a rogue supernova that threatens to destroy their Empire. He pilots an advanced starship equipped with red matter, a powerful substance able to create artificialblack holes. The mission is only partially successful, and in the aftermath, Spock is pursued into thepast by Nero (Eric Bana), a Romulan driven mad by the loss of his homeworld and family, setting into motion the events of the film.
In the film's opening act, Nero's ship emerges in the year 2233, and through its interaction with the inhabitants, inadvertently creates an "alternate, parallel 'Star Trek' universe".[33][34] Twenty-five years later, in the new reality, Spock's ship emerges and Nero captures him and the red matter. Stranded in the alternate past, theprime version of Spock helps thealternate, younger version of himself and Kirk (Zachary Quinto andChris Pine, respectively) thwart Nero's attempt to destroy the Federation.
The film also featuresJacob Kogan in several scenes depicting Spock's childhood, including his abuse at the hands of other Vulcan children due to his half-Human heritage, and his relationship with his parents (Ben Cross andWinona Ryder). The film also depicts Kirk and Spock's initial clashes at Starfleet Academy, and the gradual development of their friendship based on shared mutual respect,[33] what the elder Spock calls "...a friendship that will define them both in ways they cannot yet realize."[35] A major change in characterization from the primary timeline is alternate Spock's involvement with alternateUhura (Zoe Saldana), his former student. At the end of the film, the young Spock opts to remain in Starfleet while his older self stays in the altered universe to aid the few surviving Vulcan refugees, as Nero had destroyed Vulcan, Spock's home planet.
InStar Trek Into Darkness, Spock Prime is described as living on 'New Vulcan' while the younger Spock remains aboard theEnterprise, struggling with the loss of his home world, as well as his relationships withUhura andJames T. Kirk. Spock nearly dies protecting a planet from an active volcano, but Kirk breaks the Prime Directive and saves him. Spock Prime is contacted by Spock on theEnterprise, to find out details on Khan. Spock Prime initially reminds his alternate self that he will not interfere with the events in the alternate timeline. That being said, he then informs Spock that Khan was a dangerous man, and the greatest threat that theEnterprise ever faced in his own timeline, and warns that he is likely as dangerous in Spock's alternate timeline as well. When asked whether Khan was defeated, Spock Prime answers that he eventually was defeated, but at great cost (referring to the events ofStar Trek II: The Wrath of Khan). When Kirk contracts radiation poisoning and dies in front of Spock (a transposed parallel of events in the prime timeline where Spock dies in front of Kirk), an enraged and vengeful Spock attempts to kill Khan to avenge Kirk before Uhura informs him that Khan's regenerative blood can revive Kirk. Nearly a year later, Spock remains as Kirk's chief science officer and executive officer as theEnterprise departs on its first five-year mission of deep-space exploration.
Into Darkness would be Nimoy's final appearance as Spock Prime, as well as the last role of his career. He died in 2015, shortly before production began onStar Trek Beyond.
InStar Trek Beyond, Spock receives word that Ambassador Spock (Spock Prime) has died. Impacted by this, Spock later tells McCoy that he intends to leave Starfleet to continue the ambassador's work on New Vulcan. At the end of the film, Spock receives a box containing some of Ambassador Spock's personal effects, and reflecting on a photograph of the older crew of theEnterprise from the series' original timeline, he chooses to remain in Starfleet.
In August 2018, it was announced thatEthan Peck would join the cast ofStar Trek: Discovery as Spock in the show's second season,[1] portraying a Spock younger than both Nimoy's and Quinto's renditions of the character, asDiscovery is set several years before the Original Series and Kelvin Timeline films.
As of his appearances onDiscovery, Spock is a Lieutenant, serving under CaptainChristopher Pike on theEnterprise. Due to the trauma Spock suffered because of his visions of the "Red Angel", he is on leave from theEnterprise and under psychiatric care. His adopted sisterMichael Burnham is attempting to help him recover.
The introduction to the second-season episode, "If Memory Serves", uses archival footage of Nimoy as Spock from the unaired pilot episode "The Cage", and the third-season episode "Unification III" uses archival footage of Nimoy again from theStar Trek: The Next Generation episode "Unification II". The latter appearance is a holographic recording from the records of Jean-Luc Picard, and is shown to Michael Burnham after she travels to the 31st Century, a time in which the Romulan and Vulcan peoples remember Ambassador Spock as the cause of their reunification on the planet Ni'Var, the newly renamed Vulcan.
In 2019, it was announced that the character Spock, as played by Peck would appear in twoStar Trek: Short Treks, along with Captain Pike.[36] He reprised the role in the episodes "Q&A" and "Ask Not".
The earliest known mention of Spock occurred during a conversation betweenStar Trek's creator,Gene Roddenberry, and actorGary Lockwood, in which Lockwood suggestedLeonard Nimoy for the role. The trio had previously worked together on Roddenberry'sThe Lieutenant, in the episode "In the Highest Tradition".[38][39] Roddenberry agreed to the idea, but was required to audition other actors for the part.[38] At the time, Roddenberry soughtDeForest Kelley to play the doctor character in the pilot, "The Cage", but both NBC executives and directorRobert Butler wanted Kelley to play Spock. Roddenberry offered the part to both Kelley andMartin Landau, but they both turned him down.[40] When offered, Nimoy accepted the part, but was apprehensive about the make-up, which had not yet been determined.[41]
During an interview segment ofTV Land's 40th anniversaryStar Trek marathon on November 12, 2006,Leonard Nimoy stated thatGene Roddenberry's first choice to play Spock wasGeorge Lindsey. Because of the flippant way Nimoy makes the comment, it has been suggested that he was joking. The claim Lindsey was offered the role is given more credibility when Lindsey's close friendErnest Borgnine writes in his autobiography, "my hand to God – he turned down the part of Mr. Spock on TV'sStar Trek, the role that made Leonard Nimoy famous."[42]
Nimoy as Spock in 1967
The character evolved from having a metal plate in his stomach, through which he ingested energy, to being a half-Martian in the original 1964 pitch, with a "slightly reddish complexion and semi-pointed ears".[43][44] Due to Roddenberry's concern that aMars landing might take place before the end of the series, Spock's home planet was changed.[45] Lee Greenway conducted the initial makeup tests on Nimoy, but after four or five days,Fred Phillips was asked to take over. Phillips in turn askedJohn Chambers to create Spock's ears, as he was working on getting an appropriate shade of red for Spock's skin;[46] this idea was later abandoned in favor of a yellow hue because of the effects on black and white television.[46] Nimoy hated the ears, and Roddenberry promised him that if he was still unhappy by the 13th episode then they'd find a way to write them out.[47] The NBC executives were also concerned, as they felt it made the charactersatanic.[48]
At Roddenberry's insistence, Spock was the only character retained for the second pilot, "Where No Man Has Gone Before". However, NBC demanded that he be only a background character,[49] and when it went to series, the tips of Spock's ears were airbrushed out on promotional materials.[49] It was during early episodes such as "The Corbomite Maneuver" and "The Naked Time" that Nimoy came to understand the nature of the character.[50][51] After eight episodes, NBC executives complained to Roddenberry that there was not enough Spock in the series; "Spockmania" had begun.[52] In response, Spock was moved to a more prominent role within the series, such as taking the lead role in "This Side of Paradise" over Sulu.[53] The popularity of the character caused frictions with Shatner,[54] and rumors spread that he was going to be dropped from the show and replaced as the lead by Nimoy as Spock.[55] A drawn out contract renegotiation at the start ofseason two resulted in Roddenberry considering whether or not to replace Nimoy and the character.[56] BothMark Lenard andLawrence Montaigne were seriously considered.[57]
The character continued to develop, with Nimoy creating theVulcan salute during the filming of "Amok Time". This was based on aJewishKohen he had seen as a child.[58] During the course of the season, a rift grew between Nimoy and Roddenberry and by the end of the year, they only spoke through formal letters.[59] After the departure of producerGene L. Coon and the stepping back of Roddenberry during thethird season, Nimoy found that the writing of Spock deteriorated. In particular, he did not like the character being made a fool of during the episode "Spock's Brain".[60] Theinterracial kiss between Kirk and Uhura in "Plato's Stepchildren" had been intended by the writers to be between Spock and Uhura, but Shatner persuaded them to change it.[61]
Quinto was cast as Spock for the 2009Star Trek film and its two sequels.
Nimoy agreed to return to Spock during one of the early 1970s attempts to create aStar Trek film, entitledStar Trek: The God Thing, but dropped out after his likeness as Spock was used without permission to advertiseHeineken beer.[62] He was persuaded to return to the role of Spock as the lead for the plannedTrek film titledPlanet of the Titans to be directed byPhilip Kaufman.[63] When this project was killed in favor of a new television series,Star Trek: Phase II, Nimoy was reportedly just offered only a recurring part by Roddenberry, so refused to appear at all.[64] When the decision was made to turn the TV pilot script intoStar Trek: The Motion Picture, directorRobert Wise insisted Nimoy to return as the character,[65] which was only accomplished byJeffrey Katzenberg forcing Paramount to settle the dispute with Nimoy over licensing use of his image.
As on the series, Nimoy, calling onmethod acting training, would often not break character between takes.[66]
Dissatisfied with the first Trek feature, Nimoy was reluctant to return forStar Trek II: The Wrath of Khan but was convinced by the promise of a dramatic death scene.[67] Nimoy enjoyed the production of the film so much that despite his character's on-screen death he wanted to return for a sequel.[68] The film's success allowed Nimoy to successfully negotiate to direct the next installment in addition to briefly appearing as a reanimated Spock.[69] The resulting film,Star Trek III: The Search for Spock was successful enough that Nimoy was asked to direct once more forStar Trek IV: The Voyage Home.[70][71] The following film of the series, the William Shatner-directedStar Trek V: The Final Frontier was initially unacceptable to Nimoy because it called for Spock to betray Kirk and side with his newly introduced half-brother Sybok. Nimoy felt his character had already come to terms with his human-side thus Sybok would have no influence on him, and forced the script to be changed before signing on.[72] Nimoy subsequently organizedStar Trek VI: The Undiscovered Country, choosing the director, writers and producers.[73] To hand over toStar Trek: The Next Generation at the time ofThe Undiscovered Country, Nimoy agreed to appear as Spock in the episode "Unification".[74] Nimoy subsequently turned down the directing role onStar Trek Generations as he wanted to rework the script, and refused reprising the role of Spock for what was essentially a cameo appearance,[75] and his character's lines were subsequently given to Scotty.[76]
When recasting the role for 2009'sStar Trek, Nimoy was asked his opinion. He highlighted the work of Zachary Quinto, as he felt he looked similar and could portray the inner thought process of the character.[69] Quinto became the first actor to be cast for the film,[77] and Nimoy agreed to return as the version of the character from the "Prime" universe.[78] Nimoy said that he returned because of the enthusiasm from directorJ. J. Abrams and the writers, and because it made him feel appreciated.[77] Nimoy made a final appearance as Spock inStar Trek Into Darkness as a favor to Abrams. At the time, he did not rule out returning again,[79] but he died prior to the following film.[80] InStar Trek Beyond, Quinto's Spock mourns the loss of Spock Prime, as played by Nimoy.[81]
"Given the choice", Nimoy said years after the show ended, "if I had to be someone else, I would be Spock."[82] He recalled, more than a decade after the show's cancellation:[83]
The "Star Trek" phenomenon continues to amaze and confound me. It was incredible, and it still is, although it is gentler now than it used to be. For a time, it was hysterical – it was so wild I had to be very careful where I went. If I went to a restaurant, I had to plan my entrances and my exits so I wouldn't be mobbed and hurt. Same thing in hotels and airports – any public place. It isn't that hysterical any more, but it is still a potent force.
From early on, the public reacted very positively—even fanatically—to his character, in whatThe Boston Globe in 1967 described as "Spockmania".[84]Headshots of Spock became popular souvenirs, with the rare ones of the actor laughing the most valuable.[85] Nimoy reported that "within two weeks after ["Amok Time"], mymail jumped from a few hundred letters to 10,000 a week".[51] When he appeared as Spock asgrand marshal of aMedford, Oregon, parade in April 1967, thousands gathered to receive autographs: "They surged forward so quickly that I was terrified someone would be crushed to death; and then they started pressing against the bandstand so hard it began to sway beneath my feet!" After being rescued by police, "I made sure never to appear publicly again in Vulcan guise", Nimoy stated.[86][87]
Fans asked Nimoy questions about current events such as theVietnam War andLSD as if he were the Vulcan scientist;[88] one even asked the actor tolay his hands on a friend's eyes to heal them.[89] When a biracial girl wrote asking for advice on how to deal with persecution as "a half-breed", Nimoy responded that young Vulcans had treated Spock similarly and that she should, as he did, "realize the difference between popularity and true greatness".[90] The actor believed that the character appealed to viewers, especially teenagers, because[51]
Spock understands the trauma of human existence, for he is not home with earthmen or Vulcan; he can function only in the fabricated and neatly ordered society of the Enterprise. There, he knows who he is; he relates to his role very specifically, and this gives him a kind of cool.
To Nimoy's surprise, Spock became asex symbol;[91]Isaac Asimov described the character as "a security blanket with sexual overtones" and Nimoy reported, "I've never had more female attention on a set before. And get this: they all want totouch the ears!"[51] (When a young woman asked "Are you aware that you are the source of erotic dream material for thousands and thousands of ladies around the world?", he replied "May all your dreams come true".) Nimoy speculated that Spock appealed to women because[92]
Down comes a stranger—tall, dark, thoughtful, alien and exotic. Somewhat devilish in appearance. He has a brilliant mind, the wisdom of a patriarch and is oh, so cool.With one raised eyebrow, he suggests he is above game-playing and role-playing—which are just hangovers from Earth'sVictorian Age—that he and he alone understands the deepest needs and longings of the Earth female.
NASA made Spock an informal mascot. Nimoy was invited to be guest of honor at the March 1967National Space Club dinner and to take an extensive tour of theGoddard Space Flight Center inGreenbelt, MD. The actor concluded from the warm and intense reception he received that astronauts likeJohn Glenn and aerospace industry engineers, secretaries, and shareholders alike all regardedStar Trek, and especially the character of Spock, as a "dramatization of the future of their space program".[93][page needed]
An asteroid in theEos family discovered on August 16, 1971, was namedMr. Spock after the discovererJames B. Gibson's cat (which had been named Mr. Spock, who was likewise "imperturbable, logical, intelligent, and had pointed ears").[94]
Spock proved inspirational to many budding scientists and engineers. Nimoy has said that many of them, on meeting him, were eager to show him their work and discuss it with him as if he were a scientific peer, as opposed to an actor, photographer, and poet. His stock response in these situations was "it certainly looks like you're headed in the right direction".[95]
In 2004, Spock was ranked number 21 inBravo's list of The 100 Greatest TV Characters.[96] In 2008,UGO named Spock one of the 50 greatest TV characters.[97] According to Shatner, much ofStar Trek's acting praise and media interest went to Nimoy.[98]
In 2012,IGN ranked the character Spock, as depicted in the original series and the 2009 filmStar Trek, as the second top character of theStar Trek universe, with Kirk in the top spot.[99]
In 2016, Adam Nimoy released his documentary filmFor the Love of Spock, about his father and his iconic character.[100]
In 2017,Screen Rant ranked Spock the 5th most attractive person in theStar Trek universe, in betweenMichael Burnham andSeven of Nine.[101] In 2018, they ranked Spock as one of the top 8 most powerful characters ofStar Trek (including later series).[102]
In 2018,CBR ranked Spock the 6th bestStarfleet character of theStar Trek franchise.[103]
The Wrath of Khan had its first public screening at a science-fiction convention in Overland Park, Kansas on May 8, 1982, almost a month before general release. Although Paramount executives were concerned that Spock's death would set fans against the movie, the audience actually applauded after Spock's death scene. "It was sensational. I hate to be given to superlatives but it absolutely reached everything we wanted it to. I couldn't ask for anything better," said co-producer Robert Sallin of the advance audience's reaction.[104]
Critical reaction to Spock's death was mixed. Film criticRoger Ebert lauded Spock's death: "He makes a choice inStar Trek II that would be made only by a hero, a fool, or a Vulcan. And when he makes his decision, the movie rises to one of its best scenes, because theStar Trek stories have always been best when they centered on their characters."[105] Conversely,The Washington Post's Gary Arnold states that Spock's death "feels like an unnecessary twist, and the filmmakers are obviously well-prepared to fudge in case the public demands another sequel."[106]
Twenty-five years later, Spock's death inThe Wrath of Khan ranks number 2 onTotal Film's list of 25 greatestStar Trek movie moments,[107] and number 1 onIGN Movie's top 10Star Trek movie moments.[108]
Ty Burr ofThe Boston Globe described Quinto's performance in the 2009 film as "something special", and stated that Nimoy's appearance "carries much more emotion than you'd expect".[33]Slate said Quinto played Spock "with a few degrees more chill" than Nimoy brought to the original character.[109]Entertainment Weekly said that Quinto "...invests Spock with a new layer of chilly-smoldering sex appeal, [and] Quinto does a fantastic job of maintaining Spock's calm, no-sweat surface but getting quietly hot and bothered underneath."[110]
Spock has been parodied by, and has also been the inspiration for, pop culture works in various media. Composer/keyboardist George Duke's1976 Solo Keyboard Album features two tracks which pay homage to Spock: "Spock Gets Funky" and "Vulcan Mind Probe". Rock guitarist Paul Gilbert wrote the song "Mr. Spock" on hisSpace Ship One album. Swedish synthpop bandS.P.O.C.K makes music heavily influenced by theStar Trek universe. Assuming the Spock character, Nimoy recorded a number of novelty songs, the first being "Highly Illogical", in which Spock pointed out the foibles of human thought, such as relationships, automobiles, and greed. A second song, "A Visit to a Sad Planet", was darker in tone and told the story of Spock visiting Earth in the future and discovering it had been ruined by war, violence, and environmental irresponsibility. According to comic book writer and editor Bob Budiansky,The Transformers characterShockwave was inspired by Spock.[111] Spock'sutilitarian perspective that "the needs of the many outweigh the needs of the few"[112] is cited in a legal decision rendered by theTexas Supreme Court.[113] Leonard Nimoy's second-season Spock costume shirt was expected to sell at auction for over $75,000.[114]
Spock's physical appearance in theOriginal Series episode "Mirror, Mirror" (1967) has itself spawned a trope of the "evil twin" archetype found in various fictional genres. In that episode, several members of theEnterprise travel to a parallel universe inhabited by evil versions of themselves. The parallel universe version of Spock is distinguished physically by his goatee.[115] Science fiction blogio9 said that Spock's beard in the episode introduced "the best shorthand ever for evil parallel universe duplicates".[116] Examples of the evil goatee's appearances in other media include the host segments of episode 611 of the TV seriesMystery Science Theater 3000,Bender's "evil twin" Flexo inFuturama, and a 2009 episode ofThe Colbert Report featuring Stephen Colbert andDan Maffei wearing fake goatees while pretending to be evil versions of themselves.[117] The name of progressive rock bandSpock's Beard is a direct reference to Spock's goatee in this episode.[118]
In addition to television, feature films, books, and parodies, Spock has also been portrayed innon-canonfan fiction. Since 2004, the online fan productionStar Trek: New Voyages has continued the further voyages of the canceled initial series. The fan-series' creators feel "Kirk, Spock, McCoy, and the rest should be treated as 'classic' characters likeWilly Loman fromDeath of a Salesman,Gandalf fromThe Lord of the Rings, or evenHamlet,Othello, orRomeo. Many actors have and can play the roles, each offering a different interpretation of said character."[119]
The fan seriesStar Trek: New Voyages has featured three actors in the role of Spock. Spock was portrayed by Jeffrey Quinn for the pilot and first three episodes, by Ben Tolpin in episodes 4 and 5, and by Brandon Stacy in episodes 6 through 11. Stacy also served as a stand-in forZachary Quinto in the 2009Star Trek film.[120]
The independent online fan seriesStar Trek Continues featuredTodd Haberkorn as Spock in three vignettes and eleven full episodes between 2013 and 2017.
There has been a practice of altering the portrait ofWilfrid Laurier,Canada's prime minister from 1896 to 1911, onCanadian five-dollar notes to look like Spock. After the death of Nimoy in 2015, there was an increase in that practice.[125][126]
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^John Hiscock, "Star Trek: J. J. Abrams Interview [2009]", in Brent Dunham, ed.,J. J. Abrams: Interviews (Jackson: Univ. Press of Mississippi, 2018), 41-43.ISBN9781496820457and online atbooks.google.com/books?id=-fl0DwAAQBAJ&pg=PA41
^Mike Johnson and Tim Jones (writers), David Messina (artist) (2009).Star Trek: Countdown. IDW Publishing. p. 98.ISBN978-1-60010-420-6.
^Borgnine, Ernest (2008).Ernie. Google Books: Citadel. p. Chapter 39.ISBN9780806529424.Archived from the original on April 16, 2021. RetrievedNovember 21, 2020.
^Kleiner, Dick (December 4, 1967)."Mr. Spock's Trek To Stardom".Warsaw Times-Union. Warsaw, Indiana. Newspaper Enterprise Association. p. 7.Archived from the original on April 16, 2021. RetrievedMay 7, 2011.
^Clyde (February 20, 2018)."Star Trek For Cats".Cat Wisdom 101. catwisdom101.com.Archived from the original on February 26, 2018. RetrievedFebruary 25, 2018.
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