Sophie Hunter | |
|---|---|
Hunter in 2024 | |
| Born | Sophie Irene Hunter (1978-03-16)16 March 1978 (age 47) Hammersmith, London, England |
| Alma mater | University of Oxford L'École Internationale de Théâtre Jacques Lecoq |
| Occupations |
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| Spouse | |
| Children | 3 |
| Relatives | Timothy Carlton (father-in-law) Wanda Ventham (mother-in-law) |
| Family | Julius Drake (uncle-in-law) Michael Gow (maternal grandfather) J. E. B. Seely (maternal great-great grandfather) |
| Website | sophiehunterstudio |
Sophie Irene Hunter (born 16 March 1978)[1] is an English theatre director,[2] playwright and former actress and singer. She made her directorial debut in 2007 co-directing the experimental playThe Terrific Electric at theBarbican Pit after winning theOxford Samuel Beckett Theatre Trust Award with her theatrecollective Boileroom. In addition, she has directed anOff-Off-Broadway revival ofHenrik Ibsen'sGhosts (2010) at Access Theatre, theperformance art titledLucretia (2011) based onBenjamin Britten's operaThe Rape of Lucretia at Location One's Abramovic Studio in New York City, and the Phantom Limb Company's69° South also known asShackleton Project (2011) which premièred at theBrooklyn Academy of Music's Harvey Theatre and later toured North America.
In August 2015, Hunter directedPhaedra andThe Turn of the Screw to critical acclaim for the Happy Days Enniskillen International Beckett Festival and Aldeburgh Music, respectively.
Sophie Irene Hunter was born inHammersmith district ofLondon on 16 March 1978, she is the daughter of Anna Katharine (née Gow) and Charles Rupert Hunter. The couple later divorced.[3] She has two younger brothers, and two half-siblings from her father's second marriage.[4] She is a niece of pianistJulius Drake.[5] Her maternal grandfather is GeneralSir Michael Gow, aBritish Army officer who worked withPrince Henry, Duke of Gloucester in the 1950s and wasAide-de-Camp General tothe Queen from 1981 to 1984.[6][7] Hunter's maternal great-great grandfather was First World War politicianJ. E. B. Seely, 1st Baron Mottistone.[8]
Hunter was privately educated atSt Paul's Girls' School in Hammersmith before studying Modern Languages with a concentration in French and Italian at theUniversity of Oxford.[9] After graduating from Oxford,[10][11] Hunter lived in Paris to studyavant-garde theatre for two years at theL'École Internationale de Théâtre Jacques Lecoq.[12] She then trained at theSaratoga International Theatre Institute in New York City under theatre and opera directorAnne Bogart.[13]
Hunter co-founded the Lacuna Theatre Company and was an associate director atRoyal Court Theatre in theWest End of London andBroadhurst Theatre in New York'sBroadway for the playEnron. She is the co-founder and artistic director of theatre company Boileroom, which won the 2007Oxford Samuel Beckett Theatre Trust Award for the avant-garde playThe Terrific Electric.[14] She also serves as collaborating director anddramaturge on marionette and puppetry production with the Phantom Limb Company.[15]
Known for her avant-garde plays,[16] Hunter has directed, performed and conceived theatre productions throughout Europe, the Middle East and North America.[17][18] She directed theexperimental play69° South (2013),[19][20] the New York City performance art titledLucretia (2011)[21] based onBenjamin Britten's operaThe Rape of Lucretia and the 2010 revival ofHenrik Ibsen'sGhosts. She was a member of the performance collective Militia Canteen.[22]
In collaboration with music directorAndrew Staples, Hunter directed mezzo-soprano Ruby Philogene inPhaedra (2015) at the Happy Days Enniskillen International Beckett Festival in Northern Ireland. The production was met with praise, withThe Guardian saying it was "exquisitely realized,"The Stage hailing it as "creative brilliance," andThe Times describing it as "astonishing".[23][24][25] She has also staged Benjamin Britten'sThe Turn of the Screw in Suffolk and London forAldeburgh Music.[26][27][28]
In June 2017, Hunter took part as narrator inMusic on the Meare atAldeburgh Festival with readings fromOvid,John Dryden andTed Hughes alongside oboistNicholas Daniel.[29][30]
Hunter worked on the transfer ofPunchdrunk'sSleep No More to New York City in 2011 while serving as creative director for the theatre company Emursive.[31] She has also directed the company's theatrical experiencesThe Forgotten (2012)[31] andDon't Major in Debt Student House (2012). In 2013, she developedLoma Lights (2013), one of the largest public arts programs in New York City.[22][32]
In 2005, Hunter recorded a French-language music album titledThe Isis Project in collaboration with songwriterGuy Chambers.[33] In 2011, she released an English-language EP titledSongs for a Boy, again with Chambers.[34] Hunter has also collaborated withArmin van Buuren for the song "Virtual Friend" which was included in Buuren's 2010 albumMirage.[35]
Earlier in her career, Hunter acted in film and television. She had supporting roles in the television seriesMidsomer Murders (2004),Keen Eddie (2004),Mumbai Calling (2007) andTorchwood (2009). In 2004, she played Maria Osborne in the costume drama filmVanity Fair starringReese Witherspoon and played Annabel Blythe-Smith in the 2009 thriller filmBurlesque Fairytales.
In May 2017, Hunter was announced as a producer for the film adaptation ofMegan Hunter'sdystopian novelThe End We Start From alongside her husband Cumberbatch and Adam Ackland's production company Sunnymarch, andLiza Marshall's Hera Productions.[36][37]

Hunter had a long-term relationship with sculptorConrad Shawcross whom she met while studying at Oxford.[40] Their relationship ended in early 2010.[41] On 14 February 2015, she married actorBenedict Cumberbatch atSt Peter and St Paul's Church, Mottistone[42] on theIsle of Wight followed by a reception atMottistone Manor.[43][44][45] They have three sons.[46][47][48]
Hunter speaks fluent French and Italian. She is also a skilled pianist.[49]
| Year | Production | Venue | Notes | Refs. |
|---|---|---|---|---|
| 2007 | The Terrific Electric | Barbican Pit, London | [50] | |
| 2010 | Ghosts | Access Theatre, New York City | [51] | |
| Enron | Royal Court Theatre, West End Broadhurst Theatre, Broadway | Associate director | [52] | |
| 2011 | Lucretia | Abramovic Studio, New York City | [21] | |
| Sleep No More | New York City | Creative Director for co-producer Emursive | [31][53] | |
| 69° South/Shackleton Project | Brooklyn Academy of Music North American Tour | [22] | ||
| 2012 | The Forgotten | New York City | [31][54] | |
| Don't Major in Debt Student House | [32] | |||
| 2013 | Tesla in New York (Concert Performance) | Hopkins Center for the Arts,Dartmouth College | Artistic Director | [55] |
| Loma Lights | New York City | [22] | ||
| 2015 | Phaedra | Necarne Castle, Northern Ireland | WithUlster Orchestra for the 4th Enniskillen International Beckett Festival | [56] |
| Path to Bly | Snape Maltings, Suffolk LSO St. Luke's, London | Co-curated withAndrew Staples forAldeburgh Music | [57] | |
| The Turn of the Screw | WithAurora Orchestra forAldeburgh Music | [58][59] | ||
| 2016 | A Celebration of Shakespeare in Words and Song | Middle Temple Hall, London | As curator | [60] |
| Year | Production | Role | Venue | Refs. |
|---|---|---|---|---|
| 2005 | Hamlet | Ophelia | Al Bustaan Festival, Beirut | [61] |
| 2007 | Silverland | Ellen | Brits Off Broadway, Arcola, New York City | [62][63] |
| 2008 | Macbeth | Witch | Lyceum Theatre | [52] |
| 2017 | Music on the Meare | Narrator | Aldeburgh Festival, Suffolk | [64] |
| Year | Title | Refs. |
|---|---|---|
| 2023 | The End We Start From | [65] |
| Year | Title | Role | Notes | Refs. |
|---|---|---|---|---|
| 2004 | Midsomer Murders | Bella Monday | TV series (Episode: "The Maid in Splendour") | [66] |
| Keen Eddie | Lois | TV series (Episode: "Citizen Cecil") | ||
| Vanity Fair | Maria Osborne | [66] | ||
| My Life in Film | Anna | TV series (Episode: "Rear Window") | ||
| Traffic Warden | The Girlfriend | Short | [66] | |
| 2005 | Friends & Crocodiles | Christine | TV film | |
| 2007 | Mumbai Calling | Tiffany Glass | TV series (Episode: "Pilot") | |
| 2008 | The Curse of Steptoe | Maureen Corbett | TV film | [citation needed] |
| 2009 | Henry VIII: The Mind of a Tyrant | Anne Boleyn | TV series | |
| Torchwood | Vanessa | TV series (Episode: "Children of Earth: Day Four") | [66] | |
| Burlesque Fairytales | Annabel Blythe-Smith | [66] |
| Title | Album details |
|---|---|
| The Isis Project (written byGuy Chambers) |
|
| "Virtual Friend" (in collaboration withArmin van Buuren) |
|
| Songs for a Boy (written by Guy Chambers) |
|
...she is a 36-year-old Oxford graduate...
The movie will be produced by Cumberbatch, Marshall, Adam Ackland, and Sophie Hunter.
Another noteworthy performance would be that given by Sophie Hunter. Her Ophelia is most commendable, encompassing every bit the fragility of her heroine's love-torn heart.
...she is a 36-year-old Oxford graduate...