Songs for Drella is a 1990 studio album byLou Reed andJohn Cale, both formerly of the Americanrock bandthe Velvet Underground; it is asong cycle aboutAndy Warhol,[1] their mentor, who had died following routine surgery in 1987. Drella was a nickname for Warhol coined byWarhol superstarOndine, a contraction ofDracula andCinderella, used by Warhol's crowd but never liked by Warhol himself. The song cycle focuses on Warhol's interpersonal relations and experiences, with songs falling roughly into three categories: Warhol's first-person perspective (which makes up the vast majority of the album), third-person narratives chronicling events and affairs, and first-person commentaries on Warhol by Reed and Cale themselves. The songs, in general, address events in their chronological order.
Lou Reed and John Cale spoke to one another for the first time in years at Warhol's memorial service at St. Patrick's Cathedral in New York on April 1, 1987. The painterJulian Schnabel suggested they write a memorial piece for Warhol. On January 7 and 8, 1989, Cale and Reed performed an almost-completedSongs for Drella at The Church of St. Anne's inBrooklyn.[2] Still, as Cale was wrapping upWords for the Dying, and Reed had finished and was touring with hisNew York studio album (both 1989), the project took another year to complete. The first full version (notably with the inclusion of "A Dream" in one performance) was played on November 29–30, and December 2–3 at the Next Wave Festival at theBrooklyn Academy of Music.[3] On December 4–5, 1989, a live performance—without an audience—was filmed at the Brooklyn Academy of Music, directed byEd Lachman, and released onVHS andLaserDisc formats.[4][5] Over the following two months, Reed and Cale proceeded to record the material for the album, which was released on April 11, 1990 bySire Records.
The album was the pair's first full collaborative record since the Velvet Underground's second studio albumWhite Light/White Heat (1968), and by the end of recording Cale vowed never to work with Reed again due to personal differences; plans to support the album with a tour were shelved. Nevertheless,Songs for Drella would prove to be the prelude to a Velvet Underground reunion: after playing aDrella selection on June 15, 1990, at a Warhol/Velvet Underground exhibition at theCartier Foundation inJouy-en-Josas, Reed and Cale were joined onstage bySterling Morrison andMaureen Tucker for a rendition of the Velvet Underground song "Heroin",[6] which eventually led to the first and last Velvet Underground reunion, which took place in 1993 (after which Cale and Reed, again, vowed never to work with one another again).
Songs for Drella received positive reviews and critical praise upon release. In a four-star review,Rolling Stone writer Paul Evans stated "Both nearing fifty, Reed and Cale are the survivors Warhol wasn't fated to become. In popular music, onlybluesmen andcountry greats have managed the maturity these two display."[14]Spin describedSongs for Drella as "a moving testament to one of the '60s most important icons" and named it one of the Top 20 albums of 1990.[17]
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