| Sonatine | |
|---|---|
| byMaurice Ravel | |
 The composer in 1907 | |
| Dedication | Ida and Cipa Godebski |
| Performed | 10 March 1906 (1906-03-10) |
| Movements | three |
| Scoring | piano |
Sonatine is a piano work written byMaurice Ravel. Although Ravel wrote in his autobiography that he wrote thesonatina after his piano suiteMiroirs, it seems to have been written between 1903 and 1905.[1] He most likely referred to the dates he finished both of the works.
Ravel wrote the first movement of theSonatine for a competition sponsored by theWeekly Critical Review magazine after being encouraged by a close friend who was a contributor to that publication. The competition requirement was the composition of the first movement of a pianosonatina no longer than 75 bars, with the prize being 100 francs.[2]
In 1941 the publicationMusic & Letters printed the articleWhen Ravel Composed to Order by Michel Dimitri Calvocoressi. Calvocoressi discussed how he supposedly encouraged Ravel to write the piece in response to a competition posted in the ParisWeekly Critical Review.[3] Peter Jost ofG. Henle Publishers found the original article in the Review published in three March 1903 editions. The original manuscript that Ravel submitted had the text ‘par Verla’ written and struck out, replaced with ‘par Maurice Ravel’. Ravel submitted the piece under a pseudonym and chose an anagram of his name.[4]
The Sonatine was first performed fully inLyon on March 10, 1906 by Paule de Lestang. Shortly afterwards the piece received a Paris premiere, where it was played byGabriel Grovlez.[5] The work was dedicated to Ida and Cipa Godebski; he later dedicated hisMa mère l'Oye suite to their children.
The piece is in three movements:
The leaping fifth melody of the first movement reappears in variations against different textures in the second and third movements.[6]
The first movement is a well-structured, even straightforward, sonata form (albeit utilizing Ravel’s Impressionistic harmonic colorings). Two themes emerge in the exposition—the first in tonic key of F-sharp minor, and the second in D major and B minor. Owing to its diminutive form, the following minuet exists without a trio. Shifting to the key of the dominant (here spelt as D-flat major), it unfolds as a slow waltz, elegant and restrained but nonetheless building through moments of passion and intensity. Lastly, the toccata finale is the most technically challenging of the Sonatine’s three movements. Inspired in part by the keyboard writing ofCouperin andRameau, the movement shifts restlessly between 3/4 and 5/4 time and abounds in energy, driving the work to a brilliant conclusion.[7]
Reception for Ravel'sSonatine has been mixed but generally favorable.Marcel Marnat wrote thatSonatine captivates from the very first measure in its depth,[1] adding that in its conciseness and radiance, it is one of Ravel's defining works.
Ravel was known to value the work and performed it frequently.Sonatine is easier than some of his other works, such asGaspard de la nuit, and Ravel (who was anxious about his skills as a pianist) probably performed it because of this. He did not, however, perform the third movement, as it was technically challenging for him.[8]
Carlos Salzedo transcribedSonatine for flute, harp and cello (or viola), titling the transcriptionSonatine en Trio, an instrumentation that echoes the second sonata ofSix sonatas for various instruments byClaude Debussy. Various other arrangements for solo instruments with piano accompaniment exist as well.Kenneth Hesketh orchestrated the Sonatine in 2024, the orchestration receiving its premiere in September of that year with theBBC Philharmonic conducted byPaul Daniel. The orchestration is published by Ravel Edition.
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