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| Ska-Jazz | |
|---|---|
| Stylistic origins | Ska,jazz |
| Cultural origins | Late 1950s, Jamaica |
Ska jazz is amusic genre derived by fusing themelodic content ofjazz with therhythmic andharmonic content of earlyJamaican Music introduced by the "Fathers of Ska" in the late 1950s. The ska-jazz movement began during the 1990s in New York and London, where pioneeringavant-garde jazz and reggae musicians pushed the boundaries of reggae music. They were combining traditions with modern tendencies, using the reggae beat along with high improvisation and jazz harmonies, primarily by horns and percussion.
The term Ska-Jazz was coined by Rock Steady Freddie (Fred Reiter) of the New York Ska-Jazz Ensemble in 1994. Ska jazz is sometimes considered asubgenre ofthird wave ska, but early artists such as Tommy McCook considered themselves jazz musicians foremost. Before Rock Steady Freddie, Ska-Jazz was just another flare of jazz without its own name. Jazz improvisation is commonly used in Ska jazz. Ska Jazz bands usually contain one or twoelectric guitars, abass guitar,keyboards, adrum kit and ahorn section (composed of any combination of the following:trumpet,trombone,alto saxophone,tenor saxophone, andbaritone saxophone). Occasionally there may be one or morevocalists, but the genre is primarily focused oninstrumental tunes. Thebrass instruments usually carry the melody, and there are manyimprovised solos. The rhythm section places accents on theoff beats, thus giving the music a different feel than straight jazz.
Ever since its birth in the late 1950s, ska has been a genre marked by physical and cultural diasporas and an openness to borrowing from outside its origins.[1] The history of ska and jazz combined travels across national borders and integrates with other musical styles, making it one of the most hybrid, transnational forms of postwar popular music.[2]
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