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| Sitala Sasthi ଶୀତଳ ଷଷ୍ଠୀ | |
|---|---|
| Observed by | Hindu |
| Significance | Wedding ofShiva andParvati |
| Date | JyeshtaShukla Shashti |
Shitalasasthi (also known asSital sasthi) is a significant festival that celebrates the wedding of LordShiva and GoddessParvati. It is primarily observed by the UtkalBrahmins (commonly referred to as Odia Brahmins) and Aranyaka Brahmins (also known as Jhadua Brahmins).[1] The festival has been celebrated for centuries and has its origins inSambalpur, Odisha. It is believed to have begun around 400 years ago when the King of Sambalpur invited Utkal Srotriya Vaidika Brahmins from the Brahmin sasana villages ofPuri district. The Brahmin community of Nandapada, considered one of the oldest groups, initiated the Sitalsasti Utsav.[2][3]
The festival is a vibrant carnival, featuring participation from people and artists from various walks of life, which enhances its beauty and brings out the true spirit of celebration. Shitalasasthi is observed annually towards the end of the summer season, on the sixth day of the bright fortnight of the month ofJyestha. The purpose of the festival is to invoke the rain gods, providing relief from the intense summer heat. During thecarnival period, Sambalpur attracts tourists from neighbouring states and even from abroad.
Sitalsasthi is celebrated to commemorate the marriage of Lord Parvati and Lord Shiva, as described in theShiva Purana.[3] According to the legend, when the demonTarakasura[4] was wreaking havoc across the three realms—Svarga (heaven), Martiya (earth), and Patala (underworld)—the gods approached LordVishnu for a solution. Vishnu was initially unable to help, asBramha had granted a boon to Tarakasura, stating that only the son of Shiva could kill him.
Tarakasura, knowing that Shiva had withdrawn from the world after the death of his first wife,Sati, and was living a life of austerity in the wilderness, believed that Shiva would never father a child. Moreover, Shiva was deeply immersed in meditation. To resolve this, Vishnu advised the gods to seekShakti's intervention and request her to take birth as Parvati. Responding to the plea of the gods, Shakti reincarnated as Parvati (Sati), the daughter of the mountain kingHimalaya, and grew into a beautiful young woman.
Narada, the sage, recounted many stories of Shiva to Parvati and encouraged her to seek his hand in marriage.[3] Parvati then began meditating to win Shiva’s affection. However, despite her efforts, Shiva remained in deep meditation, and time passed without any change. Once again, the gods sought Vishnu’s assistance. Following Vishnu's suggestion,Kamadeva,[5] the god of love, used his bow to shoot a love arrow at Shiva.
Shiva, disturbed from his meditation, opened his third eye in anger and burned Kamadeva to ashes as punishment. Kamadeva was thereafter transformed into Ananga, the formless one. Despite this, Parvati’s meditation was ultimately successful, leading to her union with Shiva.[3]
Before marrying Parvati, Shiva wished to test her devotion and love for him. He incarnated as a short-statured Brahmin (known as Batu Brahmana) and approached Parvati with a challenge. Disguised in this form, he remarked, "O Parvati, you are young and beautiful, why would you choose to marry an old man who dwells in thesmasana (graveyard), wears tree bark, and adorns himself with snakes? I know that you desire to marry Maheswara (Shiva), a half-naked, unattractive man, whose lineage and family are unknown. How could you ever find happiness with such a wandering ascetic?"
In response, Parvati became angered and retorted, "O Brahmana, despite studying so many shastras, you remain ignorant about Shiva. How foolish you are! I do not care whether he is old or young, ugly or handsome; I do not seek him for his outward appearance. I am drawn to him for his wisdom. I will accept no one else in marriage but him."
Pleased with her unwavering devotion, Shiva revealed his true divine form. On the fifth day of the bright fortnight of Jyestha (JyeshtaShukla PakshaPanchami), Shiva and Parvati were married.[3]
King Ajit Singh, the son of Chatra Sai of theChowhan dynasty (1695–1766), ruled the kingdom of Sambalpur. A devoutVaishnava, King Ajit Singh spent a significant portion of his time inPuri.[3] He envisioned establishing Sambalpur as a religious centre in accordance with Vedic traditions. At that time, Saiva Upasak Brahmins (worshippers of Lord Shiva) were not present in theSambalpur kingdom. To fulfill his religious goals, King Ajit Singh invited several Utkal Srotriya VaidikBrahmin families from Puri to settle in Sambalpur. These Brahmin families first settled in the Nandapada locality and Ajitpur Sasan (present-day Sasan Village).
In addition to the Brahmin settlement, the king also established several temples in the area. Recognizing the historical significance of Sambalpur as a Shaktipitha (a place dedicated to the worship of the divine feminine energy) where the union ofShiva andShakti was traditionally worshipped, King Ajit Singh sought advice from Dewan Daxina Ray. Daxina Ray suggested that the king contribute generously to the temples dedicated to the Asta Sambhu[6] (eight forms of Shiva) in the region.
The temple at Huma, known asThe Leaning Temple of Huma, dedicated to Lord Vimaleswar, was already rebuilt by King Baliar Singh on the ruins of an ancient temple constructed by Anangabhima Deva III, a king of the Ganga dynasty. Following this, Ajit Singh established seven additional temples dedicated to the Sambhus: Kedarnath in Ambabhona, Viswanatha in Deogaon, Balunkeshwar in Gaisama, Mandhata in Maneswar, Swapneshwar in Sorna, Bisweshwara in Soranda, and Nilakantheswar in Nilji.
In the Sasana villages of Puri, two of the most significant festivals are Sitalsasti and Rukmini Vivah. The Utkal Brahmins established their Ista Dev (personal deity), Lord Balunkeswar, at Balibandha, Sambalpur, and were the first to initiate the Sitalsasti Jatra under royal patronage. Later, the Aranyaka Brahmins, who primarily worship Lord Jagannath and follow the Vaishnava tradition, established the Loknath temple at Jhaduapada. They also started their own version of the Sitalsasti Jatra.
King Ajit Singh patronized the Sitalsasthi Jatra/Yatra, which commemorates the marriage of Hara (Shiva) and Parvati at Sambalpur on the Jyestha Sukla Paksha Panchami. In this festival, the marriage of the divine couple is celebrated in a manner akin to a human wedding. Several religious rituals are observed during the event, including Thal Utha (the beginning of the ceremony),[7] Patarpendi (the binding ritual),[8] Guagunda (invitation),[9] and Ganthla Khula (the opening of the sacred thread).[10]
Similar to how Lord Jagannath is revered as a Ganadevata (deity of the Ganas)[11] during the Ratha Yatra, both Shiva and Parvati are also treated as Ganadevata during the Sitalsasthi festival.
During the Sitalsasthi Jatra, a designated family assumes the role of Parvati’s parents and ceremonially offers her hand in marriage to Shiva. However, as Shiva is considered Swayambhu (self-existent), no family assumes the role of his parents.
During the Sitalsasthi Jatra, Shiva begins his marriage procession from his temple, accompanied by other gods and goddesses. Nrusingha (Narasimha) leads the procession to the bride’s residence. The family representing Parvati’s parents welcomes the Baraat (wedding procession)[12] in a manner similar to traditional human weddings.
The idols of Shiva and Parvati are placed in an elaborately decorated palanquin, and the designated family members perform the Kanyadana (ceremonial offering of the bride).[12] The marriage is then solemnised according to traditional rituals.
On the following day, the newlyweds return to the temple in a ritual known as Mandir Pravesh.[13] The festival is celebrated with folk dance, folk music, various traditional dance forms, and themedfloats, making it a grand cultural event.[14]
Initially, the Sitalsasthi carnival was organized in two localities of Sambalpur city—Nandapada[15] and Jharuapada.[16] In 1972, the residents of Mudipada[17] introduced a third procession, expanding the scale of the festival. Over time, a Joint Coordination Committee was formed to oversee the overall arrangements for the carnival.[18]
Today, the Sitalsasthi carnival has grown significantly, with celebrations taking place across various streets of Sambalpur. The festival has also extended to nearby towns such as Bargarh, Padampur, Barpali and Jharsuguda, making it one of the most prominent cultural and religious festivals of Western Odisha.[19]
The Sital Sasthi festival, which marks the marriage of Lord Siva and Maa Parvati
Later Jhadua brahmins started their own Sitalsasti jatra.
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