Shulamit Ran (Hebrew:שולמית רן; born October 21, 1949, inTel Aviv, Israel) is anIsraeli-American composer. She moved from Israel to New York City at 14, as a scholarship student at theMannes College of Music. HerSymphony (1990) won her thePulitzer Prize for Music.[1][2][3] She was the second woman to win the Pulitzer Prize for Music, the first beingEllen Taaffe Zwilich in 1983. Ran was a professor of music composition at theUniversity of Chicago from 1973 to 2015. She has performed as a pianist in Israel, Europe and the U.S., and her compositional works have been performed worldwide by a wide array of orchestras and chamber groups.
Born in Israel in 1949, Ran began composing songs to Hebrew poetry at the age of seven. By the age of nine, she was studying composition with some of Israel's top composers, most notably Alexander Boskovich and Paul Ben-Haim. As a child, Jewish cantoral music played on the radio by her father had a huge impact on Ran. This is apparent in her operaBetween Two Worlds – The Dybbuk.
She was able to continue her composition studies into her adult years with scholarships from Mannes College of Music in New York and the American Israel Cultural Foundation. In addition to piano, she studied composition withNorman Dello Joio andRalph Shapey. While in the United States, studied piano withNadia Reisenberg andDorothy Taubman. During her time in the US, Shapey and composerElliott Carter helped shape Ran's compositional voice, which was constantly changing.
After studying with Shapey, he invited Ran to follow in his path of music education. In 1973, at the age of 26, Ran joined the faculty atUniversity of Chicago, where she eventually was named the Andrew MacLeish Distinguished Service Professor in the Department of Music, she also became the artistic director of Contempo (formerly the Contemporary Chamber Players).[1][4] Ran, whose students includedMelinda Wagner, Suzanne Sorkin, Matt Malsky,Jonathan Elliott andJorge Liderman, retired from her position at the University of Chicago in June 2015.[5][6] She also became a member of theAmerican Academy of Arts and Letters, and theAmerican Academy of Arts and Sciences.
Ran's works have also been performed by Contemporary Chamber Players of the University of Chicago, Da Capo Chamber Players, Dolce Suono Ensemble,[7] Network for New Music,[8] the New York New Music Ensemble, the Contemporary Chamber Ensemble, Twentieth Century Consort, Monday Evenin Concerts in Los Angeles, Callisto Ensemble, both Collage and Musica Viva in Boston, the Chicago Symphony Orchestra's MusicNOW, the Pennsylvania Contemporary Players, the Mendelssohn String Quartet, theLark Quartet the Penderecki Quartet, the Cassatt Quartet, the Peabody Trio, Musical Elements, San Francisco Contemporary Music Players, and Chamber Music Society of Lincoln Center.
Her music has been performed worldwide, in such places as the Library of Congress, the Kennedy Center, on "Music Today" in New York, and at the Tanglewood, Aspen, Santa Fe, and Yellow Barn summer festivals.
Apprehensions for voice, clarinet and piano (1979)
Credo/Ani Ma'amin (2006)
Ensembles for 17 (1975) for soprano and instrumental ensemble
Fanfare for multi-tracked sopranos (1981)
Hatzvi Israel Eulogy (1969) for mezzo-soprano, flute, harp, string quartet
O The Chimneys (Not Yet Released) for mezzo-soprano and chamber ensemble. "O, The Chimneys" is side 2 of the Vox Turnabout LP TV-S 34492, withGloria Davy, soprano; Shulamit Ran, piano; New York Philomusica Chamber Ensemble, A. Robert Johnson, conductor.
Shirim L'Yom Tov (Four Festive Songs) (2003 and 2005) for a cappella choir
Ran's achievements include fellowships and commissions from Martha Baird Rockefeller Fund, Ford Foundation, the National Endowment for the Arts, the Guggenheim Foundation, the Fromm Music Foundation, WFMT, Chamber Music America, the Serge Koussevitzky Music Foundation in the Library of Congress, the American Academy of Arts and Letters, Eastman School of Music, the American Composers Orchestra, the Chamber Music Society of Lincoln Center, the Philadelphia Orchestra, the Chicago Symphony Orchestra, the Baltimore Symphony, and many more.
Ran was named theChicago Symphony Orchestra's second composer-in-residence and served from 1990 until 1997.[10] HerSymphony, performed in 1990, won her the Pulitzer Prize in 1991 and took first place as theKennedy Center Friedheim Award.[1][11] This makes her the second woman to win the Pulitzer Prize in music, the first being Ellen Taaffe Zwilich in 1983. She has received five honorary doctorates, and her works are published by Theodore Presser Company and the Israeli Music Institute. In addition to this, she has been recorded by more than 12 record labels.
