| Seven Days | |
|---|---|
| Also known as | 7 Days |
| Genre | |
| Created by |
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| Starring | |
| Composer | Scott Gilman |
| Country of origin | United States |
| No. of seasons | 3 |
| No. of episodes | 66(list of episodes) |
| Production | |
| Production locations |
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| Running time | 42 minutes |
| Production companies |
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| Original release | |
| Network | UPN |
| Release | October 7, 1998 (1998-10-07) – May 29, 2001 (2001-05-29) |
Seven Days, stylized asSEVEN 7 DAYS, is an Americanscience fiction television series centered aroundtime travel. It was created byChristopher and Zachary Crowe,[1] and aired onUPN from October 7, 1998 to May 29, 2001.
The plot follows Frank B. Parker, a formerNavy SEAL and CIA operative who was drafted as a member of "Project Backstep", a secretblack-ops branch of the USNational Security Agency stationed in a base located somewhere in theNevada desert called "Never Never Land" (a play onArea 51, orGroom Lake Flight Test Facilities, also known as "Dreamland") responding specifically to national security issues that would otherwise endanger the safety of the USA and the world at large, utilizing the "Chronosphere"—an experimentaltime machine reverse-engineered from alien technology found atRoswell years ago—to avert disasters before they begin.
The "Chronosphere", otherwise classified as the "Backstep Sphere" or simply "the Sphere", is a blue-colored 16-sidedchamfered dodecahedron time machine with a detachable vacuum-sealed entry hatch. As each episode's introduction implies, the Chronosphere is designed to send "one human being back in time seven days" to avert disasters, referred to as a "backstep". The show's title refers to the chief limitation of the technology, namely that a "chrononaut" can onlybackstep seven days due to limitations imposed by the device's fuel source—a transuranic alien substance salvaged from the Roswell crash site known as "Element-115"—and its external reactor outside of its hangar. As the fuel source is limited, there is a strict mandate that the backstep is confined to events relating directly to national security, though it can replenish itself to a sufficient amount seven days after its usage.
When sufficiently charged, to 100%, the Chronosphere's reactor, the gravitational field generators located outside the Chronosphere and Element-115 itself create a time-displacement field around the device before seemingly vanishes from existence in a bright flash of light as it slingshots into a wormhole in space where thetime-bending properties of space itself works in tandem with the time-displacement field to send the Chronosphere and its contents backward in time and into Earth as it crashes down for landing. In the process, past iterations of the Chronosphere and its contents fades from existence to preventfurther paradoxes as if it was never there, stating that "two instances of the same object cannot occupy the same space".
While it is accurate in traveling through time, navigating the Chronosphere to its destination seven days into the past requires having to use the navigation joystick to maintain and center the Sphere's six gravitational axes (referred to as "flying the needles") as "backstepping" has often proven to be agonizingly painful on a physical and psychological level during its transit, sometimes leading to fatal worst-case scenarios should the chrononaut prematurely let go of the joystick before the transit is complete such as being stuck in space or phased into the ground.
However, being a reverse-engineered experimental tech based on alien technology, the Chronosphere tends to suffer from a variety of malfunctions, either due to the unpredictable properties of Element-115 or the untested nature of the device itself, as the recurring element of the show has Parker and/or Project Backstep having to prevent any given crisis under the limitations of the Sphere's unpredictable effects, ranging from causing time loops (one of which is in the vein ofRun Lola Run), intercepting a soulon its way to the afterlife that results in the Chronosphere creating a black hole in its hull, reverting one's mind to a child-like state, being stuck in the body of aPope, separating one's soul from its body, transporting into a parallel universe, and splitting the chrononaut into two opposing halves, among many others.
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Three seasons ofSeven Days were produced. All three seasons have been shown in North America, and by theBBC in the United Kingdom.
Seven Days was based on an idea fromKerry McCluggage, then-president of Paramount Television. He pitched the idea to Christopher Crowe, who mixed it with his own research on Area 51 to create the series. The show was not well-received by reviewers, who criticized the show's "flimsy" premise and violence.[1]
Original cast memberSam Whipple, who played Dr. John Ballard, left the series four episodes into the third season, due to a diagnosis of cancer that was eventually fatal. He was replaced by Kevin Christy as Andrew "Hooter" Owsley for the rest of the season.[1]
Justina Vail, who played Dr. Olga Vukavitch, quit the series before the end of the third season, though she agreed to film a few extra scenes to wrap up her character's arc. Her departure and the tensions within the cast, as well as the show's low ratings, played a role in UPN's decision not to renew the series for a fourth season.[1]Vail's final episode was the series' penultimate episode, "Born in the USSR" although she was seen as usual in the title sequence from the final episode, "Live: From Death Row".
| Season | Episodes | Originally released | ||
|---|---|---|---|---|
| First released | Last released | |||
| 1 | 21 | October 7, 1998 (1998-10-07) | May 26, 1999 (1999-05-26) | |
| 2 | 23 | September 29, 1999 (1999-09-29) | May 24, 2000 (2000-05-24) | |
| 3 | 22 | October 11, 2000 (2000-10-11) | May 29, 2001 (2001-05-29) | |
On November 26, 2018,Visual Entertainment released the complete series on DVD inRegion 1 for the first time.[2]
Seven Days was nominated for six awards, winning one.[3][1][4][5] ActressJustina Vail won aSaturn Award in 2000 for her performance on the show.[1]
| Year | Award | Organization | Category | Nominee | Result | Ref. |
|---|---|---|---|---|---|---|
| 1998 | ADG Excellence in Production Design Award | Art Directors Guild | Excellence in Production Design for a Television Series | Carol Winstead Wood, Eric Orbom, Gregory A. Weimerskirch, Beala Neel | Nominated | [3] |
| 1999 | Saturn Award | Academy of Science Fiction, Fantasy and Horror Films | Best Genre Network Series | Production team | Nominated | [1] |
| Best Genre TV Actor | Jonathan LaPaglia | Nominated | [1][4] | |||
| 2000 | Saturn Award | Academy of Science Fiction, Fantasy and Horror Films | Best Genre TV Supporting Actress | Justina Vail | Won | [1] |
| Best Network Television Series | Production team | Nominated | [1] | |||
| 2001 | Golden Reel Award | Motion Picture Sound Editors | Best Sound Editing - Television Episodic - Effects & Foley; Episode: "Tracker" | Wilson Dyer, Kevin Fisher, Jay Keiser, Todd Niesen | Nominated | [5] |