 Baths: Hypocaust under hot pool | |
  Shown within Italy | |
| Location | Sassoferrato,Province of Ancona,Marche,Italy |
|---|---|
| Coordinates | 43°25′6.56″N12°51′8.1″E / 43.4184889°N 12.852250°E /43.4184889; 12.852250 |
| History | |
| Cultures | Ancient Rome |
| Site notes | |
| Ownership | Public |
Sentinum was a Roman town now located about a kilometre south of the present-day town ofSassoferrato in theMarche region ofItaly.
Two areas of the town, the forum/urban baths and the suburban baths, can be visited today[1] protected as an archaeological park.[2]
The local museum contains many finds from Sentinum.
The location of the original settlement of Sentinum is unknown but it was probably ofUmbrian origin. From 390 BC theSenone Gauls ousted the Umbrians living in this region (betweenAriminum andAncona) and settled there.[3] Sentinum was advantageously located at the confluence of ancient roads that came from Umbria to reach the Adriatic.
The town is best known for the great and decisiveBattle of Sentinum which took place nearby during the3rd Samnite War in 295 BC: the Romans lost 8,700 men but defeated a coalition ofSamnites and Senones.[4] In 283 BC after a series of victories, the Romans expelled the Senones from the region after which it becameGallia Togata.
During thecivil wars of the 40s BC Sentinum sided withMark Antony but in 41 BC was taken and destroyed byQuintus Salvidienus Rufus who was leading troops ofOctavian.[5] The town was soon rebuilt with aHippodamian orthogonal plan andAugustan walls inopus vittatum over Roman concrete. It flourished under theEmpire as amunicipium.
The considerable wealth of the ancient city is evident from the archaeological record, amongst which is the large number of mosaics found in public and private buildings both inside and outside the walls.
Civic life at Sentinum seems to have collapsed at the time of the invasion ofAlaric I[6] and not to have recovered.
The archeological excavations in 1890[7] unearthed city gates, a road, cisterns, and the remains of houses. Notable cultural finds include several mosaic pavements[8] and inscriptions from the second half of the 3rd century AD, including three importanttabulae patronatus, records of legal appointments of officialpatrons.
More recent excavations in 2005-8 found a large circular fountain at the crossroads of thecardo maximus and thedecumanus maximus. Among important finds were two marble heads, one from the Julio-Claudian era now in the archaeological museum and a very fine one of a youngephebe.
Of the many mosaics found, some are stillin situ and visible such as those in the baths of the archaeological area of Santa Lucia, mostly with black and white tesserae, while others have been preserved in museums.
The most famous mosaic is that ofAion, the young man standing on the left who personifies the eternity of time placed in the circle of the Zodiac, andTerra, Mother Earth, sitting in the right corner with the four seasons. It was found in theinsuladel Pozzo (for the proximity to an ancient well) in 1806 and preserved in theGlyptothek, Munich. When Aion is associated with the Zodiac and the Seasons, "eternity" is understood as a cyclical, uninterrupted return of events and things: a concept that goes hand-in-handwith that ofSaeculum Aureum (Golden Age) and dispenser of fertility and abundance. The idea of eternal return belongs to the "latestoicism", which lasted from the 1st to the 2nd century AD, but which experienced a particular flowering at the time ofAntoninus Pius (138-161 AD) to which the mosaic can be dated. Of other depictions of Aion in the Roman Empire four are known:
The other valuable polychrome mosaic with the central emblem of the god Ocean was found at the same time in an adjacent room but in poor condition and of which only a watercolour is preserved. In 1922 the large mosaic with marine monsters was removed and restored at the National Archaeological Museum of Ancona where it was damaged by bombing in 1943. The figures in black tesserae on a white background is made up of a rich series of fantastic beings all characterised by the rear part of the body ending in a fishtail with several coils, while the front part is the head of a newt or griffin or horse. The mosaic was studied and published by the then Superintendent G. Moretti who observed the stylistic inhomogeneity of the figures, some of which were notable such as the one with the forepart of a bull (unfortunately lost) and he attributed it both to several hands in the second half of the 2nd century AD, and to repairs at later times.
A complex of rooms with mosaic floors was also found in the insuladel Pozzo in 1956, probably belonging to several structures, the most noteworthy of which is a polychrome one with geometric motifs laid out in a checkerboard pattern and edged with a fan motif, currently buried, but documented by a colour drawing from the time of discovery.
The public baths(thermae) inside the walls are along the cardo B and date from the late Republican era and underwent several reconstructions to the beginning of the 3rd century AD. It had a large rectangular swimming pool surrounded by a peristyle. On the western side is afrigidarium with an apse decorated with polychrome marbles, and atepidarium and along the southern and eastern sides acalidarium to catch the sun's heat.
The baths had a large figured mosaic, presently kept at theMuseo Nazionale delle Marche. A 2nd-century coloured mosaic ofMithra-Sol is conserved in theGlyptothek, Munich; Mithraicbas-relief of animals representing the stages of the initiate's progress were reused in the Church of Santa Croce, and Mithraic inscriptions are recorded.[9]
Outside the walls in the archaeological area near the church of S. Lucia along the main Roman road to the south are other monumental baths probably built within an extension of the town due to population growth and shortage of urban space.[10] Out of an area of 7000 m2, 3000 m2 were baths with avestibulum (changing room), atrium, a largepalaestra (exercise area) with peristyle, severalapodyteria,frigidaria with pools,tepidaria andcaldaria.
This article incorporates text from a publication now in thepublic domain: Chisholm, Hugh, ed. (1911). "Sentinum".Encyclopædia Britannica. Vol. 24 (11th ed.). Cambridge University Press. p. 649.