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Screen (journal)

From Wikipedia, the free encyclopedia

Academic journal
Screen
DisciplineFilm andtelevision studies
LanguageEnglish
Edited byTim Bergfelder, Alison Butler, Dimitris Eleftheriotis, Karen Lury, Alastair Phillips, Jackie Stacey, Sarah Street
Publication details
History1952–present
Publisher
Standard abbreviations
ISO 4 (alt· Bluebook (alt)
NLM (alt· MathSciNet (altPaid subscription required)
ISO 4Screen
Indexing
CODEN (alt · alt2· JSTOR (alt· LCCN (alt)
MIAR · NLM (alt· Scopus · W&L
ISSN0036-9543 (print)
1460-2474 (web)
LCCN91642840
OCLC no.59715510
Links

Screen is anacademic journal offilm andtelevision studies based at theUniversity of Glasgow and published byOxford University Press. Theeditors-in-chief are Tim Bergfelder (University of Southampton), Alison Butler (University of Reading), Dimitris Eleftheriotis (University of Glasgow), Karen Lury (University of Glasgow), Alastair Phillips (University of Warwick),Jackie Stacey (University of Manchester), andSarah Street (University of Bristol).

History

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Screen originated in the Society of Film Teachers' journal,The Film Teacher, in 1952. Soon after, the society was renamed as the Society for Education in Film and Television and its journal changed its name toScreen Education in 1960.Screen Education was renamed toScreen in 1969, although a separate journal titledScreen Education was also published.[citation needed]

During the 1970s,Screen was particularly influential in the nascent field offilm studies. It published many articles that have become standards in the field—includingLaura Mulvey's foundational work, "Visual Pleasure and Narrative Cinema" (1975).[1] It is still highly regarded in academic circles.

Screen theory, aMarxist-psychoanalyticfilm theory that came to prominence in Britain in the early 1970s, took its name fromScreen.[2]

Abstracting and indexing

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The journal is abstracted and indexed in:

See also

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References

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  1. ^Laura Mulvey (1975). "Visual Pleasure and Narrative Cinema".Screen.16 (3):6–18.
  2. ^Miklitsch, Robert (2006)."The Suture Scenario: Audiovisuality and PostScreen Theory".Roll Over Adorno: Critical Theory, Popular Culture, Audiovisual Media. Albany:SUNY. p. 69.ISBN 978-0-7914-6733-6. Retrieved16 May 2017.

External links

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