Scopas was born on the island ofParos. His father was the sculptorAristander of Paros.[3] Skopas left Paros at an early age and travelled throughout the Hellenic world.
Scopas worked withPraxiteles, and he sculpted parts of theMausoleum of Halicarnassus, especially thereliefs. He led the building of the new temple ofAthena Alea atTegea. Similar toLysippus, Scopas is artistically a successor of theClassical Greek sculptorPolykleitos. The faces of the heads are almost inquadrat. The deeply sunken eyes and a slightly opened mouth are recognizable characteristics in the figures of Scopas.
Pothos, orDesire, was a celebrated and much imitated statue by Scopas. Roman copies featured the human figure with a variety of props, such as musical instruments and fabrics as depicted here,[4] in an example that was in the collection ofCardinal Alessandro Albani.
A Roman 1st-century AD marbleMeleager withchlamys, a free improvisation on Scopas's model, from the Fusconi-Pighini collection (Museo Pio-Clementino, Rome)
Hunter stele by Scopas (National Archaeological Museum of Athens)
One of many Roman copies ofPothos (Desire), a statue by Scopas, restored here asApollo Kitharoidos (Apollo, theCithara-player)
Two marble heads by Scopas, National Museum Athens
Andreas Linfert:Von Polyklet zu Lysipp. Polyklets Schule und ihr Verhältnis zu Skopas v. Paros. Diss. Freiburg i. B. 1965.
Andrew F. Stewart:Skopas of Paros. Noyes Pr., Park Ridge, N.Y. 1977.ISBN0-8155-5051-0
Andrew Stewart:Skopas in Malibu. The head of Achilles from Tegea and other sculptures by Skopas in the J. Paul Getty Museum J. Paul Getty Museum, Malibu, Calif. 1982.ISBN0-89236-036-4
Skopas of Paros and his world, International Conference on the Archaeology of Paros and the Cyclades Paroikia, Paros, Greece),Katsōnopoulou, Dora., Stewart, Andrew F.
^The New Century Classical Handbook; Catherine Avery, editor; Appleton-Century-Crofts, New York, 1962, p. 990: "Scopas...Greek sculptor and architect; born in the island of Paros; fl. 4th century B.C."