| "Science/Fiction" | |||
|---|---|---|---|
| Loki episode | |||
 Promotional poster | |||
| Episodeno. | Season 2 Episode 5 | ||
| Directed by | |||
| Written by | Eric Martin | ||
| Cinematography by | Isaac Bauman | ||
| Editing by | Calum Ross | ||
| Original release date | November 2, 2023 (2023-11-02) | ||
| Running time | 46 minutes | ||
| Cast | |||
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| Episode chronology | |||
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| Lokiseason 2 | |||
| List of episodes | |||
"Science/Fiction" is the fifth episode of thesecond season and eleventh episode overall of the American television seriesLoki, based onMarvel Comics featuring the characterLoki. It seesLoki working withMobius M. Mobius,Hunter B-15, and other members of theTime Variance Authority (TVA) to navigate themultiverse in order to findSylvie,Ravonna Renslayer, and Miss Minutes. The episode is set in theMarvel Cinematic Universe (MCU), sharing continuity withthe films of the franchise. It was written byhead writerEric Martin, and directed byJustin Benson and Aaron Moorhead.
Tom Hiddleston reprises his role as Loki from the film series, starring alongsideSophia Di Martino (Sylvie),Gugu Mbatha-Raw (Renslayer),Wunmi Mosaku (Hunter B-15),Eugene Cordero,Tara Strong (Miss Minutes),Neil Ellice,Jonathan Majors, andOwen Wilson (Mobius) reprising their roles from the first season, alongsideRafael Casal,Kate Dickie,Liz Carr, andKe Huy Quan. Development of the second season had begun by November 2020, which was formally confirmed in July 2021. In February 2022, Benson and Moorhead, and Martin were revealed to be directing and writing, respectively, the majority of the season.
"Science/Fiction" was released onDisney+ on November 2, 2023. The episode received positive reviews from critics for Benson & Moorhead's direction, visuals, and the performances (particularly those of Hiddleston and Di Martino), but received criticism for its characterization of Sylvie.
Loki survives the Temporal Loom's explosion, but finds that everyone else in theTime Variance Authority (TVA) headquarters has vanished. He starts uncontrollably time slipping again, now across both space and time, barely escaping as the TVA headquartersspaghettifies. This brings him to branched timelines where his friendsMobius,Hunter B-15,Casey andOuroboros were reset to their original lives asjet ski salesman Don in 2022Cleveland, physician Dr.Verity Willis in 2012New York,prisoner Frank Morris in 1962Alcatraz, and writer/scientist Dr. A.D. Doug in 1994Pasadena respectively. Loki arrives in close proximity to these people, who do not know him.
Wanting to time slip to before the explosion, Loki enlists Doug's help. Doug believes Loki's story and encourages Loki to control his time slipping. Loki focuses on his intent to save the TVA, but fails to time slip. Doug alternatively proposes that Loki gather everyone present at the explosion back together so that their collective temporal aura can send them back to the right time and place. To build a TemPad, Loki passes Doug a TVA Handbook that Loki had kept.
Loki time slips to Don's timeline and convinces Don to help by appealing to Don's wish to protect his sons. Doug arrives in Don's timeline using the TemPad he built over 19 months. Using the TemPad, Loki and Doug gather Don, Willis, and Frank to Doug's workshop. Loki then finds Sylvie atMcDonald's inBroxton, Oklahoma. She has retained her memories and refuses to help as she wants to live her own life. Sylvie gets Loki to admit his true motivation: he wants his friends back and fears being alone. She encourages Loki to live his own life; Loki gives up and declares that Don, Willis, Frank and Doug should return to their lives.
However, when everything in Sylvie's timeline spaghettifies, she recognizes that the branched timelines are dying, changes her mind and goes to Doug's workshop to help Loki. However, before the group can take action, Doug's workshop also spaghettifies, as does Frank, Doug, Don, Willis and Sylvie. At this moment, Loki finally learns to control his time slipping by focusing on a person, instead of an event or a purpose. Loki time slips to a moment before Doug's workshop spaghettifies, tells the group that he can "rewrite the story", then time slips to before the Loom's explosion by focusing on Ouroboros.
Development on asecond season ofLoki had begun by November 2020,[1] which was confirmed through amid-credits scene in thefirst season finale, which was released in July 2021.[2] In February 2022, the directing duoJustin Benson and Aaron Moorhead were hired to direct a majority of the episodes for the second season.[3]Eric Martin, afirst-season writer who took over some of series' creatorMichael Waldron's duties during production on that season,[4] was set to write all six episodes of the second season.[3] Executive producers for the season include Marvel Studios'Kevin Feige,Stephen Broussard,Louis D'Esposito,Victoria Alonso,Brad Winderbaum, and Kevin R. Wright, alongside starTom Hiddleston, Benson and Moorhead, Martin, and Waldron.[5] The fifth episode, titled "Science/Fiction",[citation needed] was written by Martin.[6]
According to Eric Martin, the choice to feature a song bythe Velvet Underground was a decision made by directors Benson and Moorhead. The episode also depicts Mobius M. Mobius's life as a single father, which was planned as Martin felt that Owen Wilson's real-life experience as a father of two children "brings so much heart and sweetness to it".[7] The depiction of TVA members' lives prior to joining the TVA was done as planned, but Martin had difficulty in conceptualizing Casey's backstory. As he felt Casey was "so sweet and meek", he wanted to depict him as "being a tough guy" and originally intended to introduce Casey as being a lead biker in a biker bar, being inspired fromTerminator 2 (1991), but later settled on depicting him inAlcatraz; he felt the overall tone would be preserved in doing so. He further explained that Loki's time-slipping powers originated from his newfound relationships and how he begins to develop a stronger sense of kinship, noting that "they dematerialize before his very eyes, and he’d already had that realization that this is why he’s been doing it. Because of them" while citing Sylvie as the "capper on that" and thus spurring his ability to centralize and control the power.[8]
The episode stars Tom Hiddleston as Loki,Sophia Di Martino as Sylvie,Wunmi Mosaku asHunter B-15,Eugene Cordero as Casey,Ke Huy Quan as Ouroboros "O. B.", andOwen Wilson as Mobius M. Mobius.[9]: 41:05–41:37 Also appearing in the episode are Jason Pennycooke as Lyle, Alan Pearson as Dale, and Caleb and Blake Johnston-Miller as Don's children,[9]: 42:22 while directors Benson and Moorhead cameo asJohn Anglin andClarence Anglin,[10] and cinematographer Isaac Bauman cameos as a dirt bike enthusiast.[9]: 42:22
Filming took place atPinewood Studios in the United Kingdom,[11] with Benson and Moorhead directing.
Visual effects for the episode were created byFramestore,Industrial Light & Magic, Yannix, SDFX Studios,FuseFX,Trixter,Cantina Creative, andLola VFX.[9]: 43:47–44:01 [12]
After the episode's release, Marvel announced merchandise inspired by the episode as part of its weekly "Marvel Must Haves" promotion for each episode of the series, including apparel, accessories, and aFunko Pop for Don.[13]
According toNielsen Media Research which measures the number of minutes watched by United States audiences on television sets,Loki was the third-most watched original series across streaming services for the week of October 30–November 5, 2023, with 560 million minutes watched,[14] which was an 8.9% increase from the previous week.[15]
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Thereview aggregator websiteRotten Tomatoes reports a 73% approval rating based on 11 reviews.[16]
Space.com's Fran Ruiz praised directors Justin Benson and Aaron Moorhead for showing their "knack for cosmic horror" with the scene of Sylvie's timeline spaghettifying. Ruiz also highlighted the comedic elements brought by Owen Wilson and Ke Huy Quan, with the former contributing to easily consumable conversations between Loki and Mobius, and the latter's "deadpan line delivery" on developing time door technology "in just 19 months at the cost of losing his job and his wife ... distracting us from the question of how the hell he managed to do that."[17]
The A.V. Club's William Hughes gave the episode an "A-" rating, highlighting Hiddleston's interactions with Ke Huy Quan and Owen Wilson, with the latter interaction having "new notes" such as Loki being "warmer" and Wilson playing a "wary huckster". Hughes praised the choice to have the Loki "stride back into the center stage with a real desire in his heart" to save the TVA, after playing second fiddle to others' "more aggressively sketched-out ambitions" in previous episodes of this season.[18]
Vulture's Siddhant Adlakha rated the episode 4 stars out of 5, "quite handily the best of the season" so far, "much moodier" than previous episodes, "with far more room for the characters to breathe", citing Loki and Sylvie being able to vocalize all these known feelings and stew in them for extended periods". Also highlighted by Adlakha was the scene where Loki convinces Don to help, providing a "heartbreaking" moment when Don is reluctant to leave his sons even if they do not know that he left temporarily, showing Don "living and experiencing loss and love and annoyance, sometimes all at once", with the effective result that "'existence' is given tangible form this week", raising the stakes of the show regarding the end of existence.[19]
Collider's Therese Lacson praised the episode for presenting "the most major growth we've seen in Loki's character since we first met him back in 2011 inThor." Lacson described this show's variant of Loki as significantly better than the other Loki variant developed inThor: The Dark World andThor: Ragnarok, because this show's variant is "no longer simply attached to his brother or his family; he's his own person... That emotional beat [in Loki wanting friends] feels entirely earned." Lacson further wrote that Loki's true motivation, that "he doesn't know where he belongs without the TVA", was an extension to Loki's origin as "a kid pulled from his home and raised by a conquerer. He has never truly belonged anywhere."[20]
Gizmodo's Sabina Graves wrote that in this episode, the show "[offers] an intriguing build-up to the season finale", showing how Loki reversed "the narrative of his fate as someone always destined to lose", as Loki now knows that he controls his own narrative. However, Graves criticized the character development of Sylvie from the "badass character" of season 1 to the "cynical and selfish" girl in season 2.[21]
