Inspired by Aguilera's 1920s–1950s idols, includingBillie Holiday,Otis Redding,Etta James, andElla Fitzgerald,Back to Basics was described by Aguilera herself as a fusion of old-schooljazz andsoul inspirations with a modernized style. Primarily apop andR&B record, its first disc juxtaposesrhythm and blues withhip hop andurban elements with most songs employingsamples, while the second contains all original tracks with the exception of "Candyman", which samples "Tarzan & Jane Swingin' on a Vine". Lyrically, the album is inspired by Aguilera's previous life events including her marriage with Jordan Bratman in 2005.
To portray a new persona, Aguilera adopted her newalter ego Baby Jane and made several changes to her public appearance, inspired by classicHollywood actresses. She promoted the album by performing at events like the2006 MTV Movie Awards, the2006 MTV Video Music Awards and the49th Annual Grammy Awards. It was further promoted withBack to Basics Tour, which visited countries in North America, Asia, Europe, Australia and Middle East from late 2006 until late 2008.Back to Basics spawned three international singles: "Ain't No Other Man", "Hurt" and "Candyman"; "Slow Down Baby" was only released as a single in Australia, while "Oh Mother" was only released as a single in several European countries.
Back to Basics received favorable reviews frommusic critics, who complimented its musical diversity from Aguilera's previous albums while there were others who criticized its length. The album received aGrammy Award nomination forBest Pop Vocal Album, and its lead single "Ain't No Other Man" wonBest Female Pop Vocal Performance at the49th Annual Grammy Awards (2007). It debuted at number one on the USBillboard 200 with first-week sales of 346,000 copies.Back to Basics achieved similar success internationally, reaching the top of the charts in over fifteen countries including Australia, Canada, Germany, Ireland, Switzerland and United Kingdom. The album has sold 1.7 million copies in the United States, and over 5 million worldwide, as of November 2013.
"(...) It was an education and an inspiration that I would continue exploring—and eventually translate into an album of dedication I made withDJ Premier, calledBack to Basics, paying homage and utmost respect to some of the greatest musicians and artists of all time. The voices that paved the way for mine."
— Aguilera about discovering the music of her favorite artists, includingFranklin,James andFitzgerald, and the impact it made on her life[2]
At the46th Annual Grammy Awards on February 8, 2004, Aguilera announced that she was going to work on a follow-up album toStripped (2002).[3] She stated her main idea for the project was to "evolve as an artist and a visionary",[4] which was taken from a poem she wrote duringThe Stripped Tour (2003).[5] In a July 2006 interview withBillboard magazine, Aguilera expressed dissatisfaction with newer music, as technology "has advanced itself so anybody can be a singer".[5] Thus, Aguilera took musical inspirations from old-schooljazz,blues andsoul records performed by her 1920s–1950s idols, includingBillie Holiday,Otis Redding,Etta James andElla Fitzgerald,[6] which she viewed as "music that really had heart".[5] The singer stated that her love for retro music was born when she was a child—her mother and grandmother took her to the old vinyl stores in Pittsburgh.[2] According to Aguilera,Back to Basics was meant to pay "homage and utmost respect" to some of her favorite musicians.[2] In an ex post facto review forPopMatters, music journalist Kimberley Hill noted that Aguilera found inspiration to recordblue-eyed soul music as early as 2001–2002, whenStripped was recorded.[7]
To create a "throwback" with elements of old-school genres combined with "a modern-day twist",[4] Aguilera sent letters to different producers that she hoped could help her with the direction she was taking for the project, encouraging them to experiment, reinvent and create a modern soul feel.[8] She initially planned to condense the album into a single, more "affordable" disc, however, she expandedBack to Basics as adouble album.[4] For the first disc, Aguilera collaborated withhip hop producers includingDJ Premier,Rich Harrison,Kwamé, andMark Ronson for the first time.[9] Most songs from the first half incorporatehornsamples to create "gritty and old" sounds.[10] DJ Premier questioned if Aguilera was familiar with his work, though she had known of his jazz-influenced work withGang Starr in the late 1980s and early 1990s.[11] In response, Aguilera wanted her album to draw inspirations from Premier's song "Jazz Thing" and noted that their collaboration became his first time "venturing into the 'pop' world".[11] For the "1920s and 1930s-era vibe"-influenced second disc, Aguilera teamed up with longtime producerLinda Perry, who produced on Aguilera's previous albumStripped.[10] In contrast to the first disc, the second one consists of all live recordings without using samples[4] (with the exception of "Candyman" featuring a sample of "Tarzan & Jane Swingin' on a Vine").[9]
Recording sessions of the project took place between February 2005 and April 2006[12][13][14] at various studios in the United States and the United Kingdom, including the Chalice Recording Studios andThe Record Plant inLos Angeles,California.[13] All songs fromBack to Basics were recorded usingPro Tools HD3 program and done with aSSL J9000 console with ninety-six inputs.[13] Aguilera's vocals were recorded using aTelefunken ELAM 251 microphone, possibly in conjunction with an Avalon M-5 pre-amp.[13] ProducerScott Storch, who contributed to Aguilera's previous studio albumStripped, was asked to return for the production ofBack to Basics.[15] However, he refused the offer when Aguilera declined to pay airfare for him and his entourage to fly out to Los Angeles, which led to a breakdown of their relationship.[15] Subsequently, Aguilera included the song "F.U.S.S." (an abbreviation to "Fuck You Scott Storch") on the album,[16] which Storch viewed as "pathetic".[17]
Aguilera also recorded a song about oral sex titled "Fuck You, Suck You" during a studio session with Linda Perry.[18][19] It was supposedly meant for theBack to Basics album.
A 24-second sample of "Makes Me Wanna Pray" from the first disc, incorporating a gospel choir and lyrically inspired by Aguilera's marriage with Jordan Bratman.[20][21]
According to Aguilera and the production team,Back to Basics draws influences from 1920s–1940sjazz andsoul music.[5] However,music critics identified the record as apop,[22] andR&B[23] album with similarities to 1960s, 1970s and 1980s albums.[24] Dorian Lyskey writing forThe Guardian thought that the album's concept "is so wide as to be meaningless",[25] while Serene Dominic fromPhoenix New Times comparedBack to Basics' musical style to rock bandThe Beatles'self-titled album (1968).[24]
The first half disc incorporates strong elements fromhip hop,[5]urban,[20] blending traditional andcontemporary R&B.[26] It features horn samples andgospelchoirs, making it sound like "a dusty oldvinyl album", according toJenny Eliscu fromRolling Stone.[27] Most songs from the disc employ samples, with the exception of "Without You", "Still Dirrty" and "F.U.S.S."[9] "Makes Me Wanna Pray" featuringSteve Winwood features a gospel choir in its arrangement,[20] while the pop/R&B[28] andfunk[25] number "Ain't No Other Man" features "aerobic oomph" that is similar toBeyoncé's "Crazy in Love".[25] "Understand" is an R&B ballad,[29] featuring soul influences that are similar to ballads done byGladys Knight,[25] while "Slow Down Baby" blends traditional and contemporary R&B with hip hop and soul elements.[29][30] The three follow-ups "Oh Mother", "On Our Way", and "Without You" arepiano ballads.[29] "Still Dirrty" was described as a "filthy... strut" with hip hop elements.[31] According toBillboard, the interlude "F.U.S.S." stands for "F— you,Scott Storch", and its lyrics are aimed at Storch, who refused to work onBack to Basics, so he could work on his then-girlfriendParis Hilton's debut album,Paris.[32]
The second disc ofBack to Basics opens with "Enter the Circus", described as a "carnival-creepy orchestration that sounds likeDanny Elfman soundtrackingCabaret" byTampa Bay Times,[33] and followed by thesoft rock-inspired "Welcome".[31] "Candyman" draws inspirations from jazz, blues[29] andswing,[20] and was musically inspired byThe Andrews Sisters' song "Boogie Woogie Bugle Boy" (1941).[27] Similarly, "Nasty Naughty Boy" also contains elements of jazz and blues[29] and features "blaring horn section" in its arrangement.[28] On "I Got Trouble", Aguilera sings over a blues-inspired theme[34] that is reminiscent of songs byBessie Smith.[21] "Mercy on Me" features gospel elements,[34] while the acoustic track "Save Me from Myself" is inspired bycountry rock, different from other tracks onBack to Basics.[26]
Most songs fromBack to Basics were inspired by real-life events that Aguilera had experienced.[4] The track "Oh Mother" talks about Aguilera's childhood with her abusive father; its lyrical theme was compared toMadonna's "Oh Father" (1989).[35] Her marriage with Jordan Bratman was the main theme of the album, with tracks inspired by the event including "Makes Me Wanna Pray",[21] "Ain't No Other Man",[4] "On Our Way", "Without You",[36] "Mercy on Me",[37] "Save Me from Myself" and "The Right Man".[28] On "The Right Man", Aguilera expresses that she has found "the right man" for her imagined daughter as she hopes that the child would not have to experience an abusive childhood like her, singing: "One day, My little girl will reach out her hand and she'll know I found the right man".
Aguilera expresses excitement toward old-school music on "Back in the Day", where she names classic artists includingEtta James,Marvin Gaye,Coltrane andAretha Franklin.[21] "F.U.S.S." (which stands for "Fuck You Scott Storch"),[16] is directed toward producer Scott Storch, who didn't accept Aguilera's offer to produceBack to Basics, containing lyrics such as: "Looks like I didn't need you / Still got the album out".[37] In the lyrics of "Slow Down Baby", Aguilera tells a "lusty" man to leave her alone as she sings: "If you knew anything you'd realize I'm wearing a ring".[38] "Still Dirrty" was described as a sequel to Aguilera's song "Dirrty" (2002), in which Aguilera sings about her "sexual independence": "Why is a woman's sexuality always under so much scrutiny / Why can't she do exactly as she please"[21] and claims that she's "still got the nasty" in her.[27] "Here to Stay" tells how Aguilera is "not just a flash in the pan pop starlet",[28] while "Thank You (Dedication to Fans...)" featuresvoice mails from Aguilera's fans, such as "You're so amazing" or "You inspired me to carry on living..."[39]
ForBack to Basics, Aguilera decided to portray her different image and persona from her previous stage name Xtina by adopting a newalter ego called Baby Jane,[40] named after a character of the filmWhat Ever Happened to Baby Jane? (1962).[41] She also changed her public appearance as she removed her piercings,[42] and dyed her hair platinum blonde,[43] inspired by classic Hollywood movie stars such asMarilyn Monroe,Marlene Dietrich,Carole Lombard andGreta Garbo.[44]
The album'scover artwork was taken by German photographerEllen von Unwerth during three days; on the first and second days, the photos were shot at the Hollywood Dell hotel.[45] Aguilera and von Unwerth moved to Forty Deuce in Hollywood to take images inspired by 1920sburlesque clubs on the last day of the session.[45] The album's cover artwork was revealed in late June 2006, featuring Aguilera with bright red lipstick and curly blonde hair dressed in white and lounging on a bed.[44][45] Greg Kot fromThe Baltimore Sun labelled the cover artwork as "a classy retro look, a sign that [Aguilera] is ready for her close-up as the leading lady of the teen brat pack that emerged in the late '90s".[46] It also received criticism for being too similar to the artwork of Madonna's sixth studio album,Bedtime Stories (1994).[47]
In mid-2006,Virgin Media reported thatBack to Basics would be released on August 14, 2006.[44]TMZ later reported thatBack to Basics was planned to be released on August 15, 2006, in the United States.[48] The album wasleaked in full on August 3.[48]
The album was first released on vinyl on November 6, 2006, as a triple album in a heavyweight bound book-like sleeve, featuring the songs equivalent to the first disc of the CD edition split across two records.[49] It would be reissued on vinyl byUrban Outfitters on March 27, 2018, this time in a single sleeve and as a double album, with the tracks from the first CD on a single disc.[50]
It was released on cassette only in South Korea, Indonesia, Malaysia, and Romania as a single cassette, with the tracks from the first CD on the A-side (minus "Thank You (Dedication to Fans)") and the tracks from the second disc, plus "Thank You", on the B-side. It was also released in Egypt andGulf Cooperation Council countries as a double cassette.
Aguilera began her promotion ofBack to Basics with a live performance of "Ain't No Other Man" at the2006 MTV Movie Awards on June 8, 2006.[51] On July 20, Aguilera held a forty-minute concert atCamden Palace Theatre in London, where she performed five songs from her then-upcoming album and two previous singles.[52] Two days later, Aguilera appeared at Channel 4 Studios inLondon, performing "Ain't No Other Man", Understand", "Candyman" and "Beautiful". On August 12, Aguilera performed "Ain't No Other Man", Understand", "Back in the Day" and "Candyman" atYahoo! Music Studios, in Los Angeles. On August 15, Aguilera held a release party at theMTV Studios for the album inNew York City,New York. She also performed "Ain't No Other Man" atLate Show With David Letterman, on August 16. Aguilera performed "Ain't No Other Man", "Beautiful" and "Candyman" atBryant Park, New York City on August 18. Aguilera performed "Hurt" at the2006 MTV Video Music Awards on August 31.[53] On September 8, she performed "Candyman" and "Bennie and the Jets" at theFashion Rocks charity event; the latter was a duet withElton John.[54][55] Aguilera also sang "Ain't No Other Man", "Hurt" and "Steppin' Out with My Baby" withTony Bennett onSaturday Night Live on November 11, 2006.[56] "Hurt" was also sung on theNBCChristmasThanksgivingSpecial in November,[57] and the German television seriesWetten, dass..? in December 2006.[58] On December 31, 2006, Aguilera appeared onDick Clark's New Year's Rockin' Eve and performed "Candyman" and "Fighter".[59]
On February 10, 2007, Aguilera sang "Makes Me Wanna Pray" and "Candyman" at theClive Davis' Pre-Grammy Awards Party.[60] She also performed "Candyman" onThe Tonight Show with Jay Leno.[61] Between late 2006 and late 2008, Aguilera visited North America, Asia, Europe, Oceania and the Middle East during herBack to Basics Tour.[62] It was promoted by thetelecommunications companiesOrange andSony Ericsson.[63] The eighty-one-show tour received positive reviews from critics, who complimented it as the strongest of her career.[64] Grossing over $90 million worldwide,[65] it became the ninth highest-grossing tour ever for a female artist and the most profitable world tour by a female artist in 2007.[66] In February 2008, thelivevideo albumBack to Basics: Live and Down Under was released.[67]
The first track from the album to be made available to the public was "Ain't No Other Man", which was released as the leadsingle tocontemporary hit radio in the United States on June 6, 2006.[68] Aguilera was featured inPepsi's commercial advertisement, which used "Here to Stay", a track fromBack to Basics as its main theme.[69] Shot in multiple territories around the world, includingSaudi Arabia,Prague,Rio de Janeiro,Tokyo, and India,[70] the sixty-second advertisement premiered worldwide on July 14, 2006.[71] Alongside the commercial, "Here to Stay" was made available fordigital download onmobile phones as a promotional record to then-upcomingBack to Basics.[71] "Hurt" and "Candyman" were serviced as the album's second and third international singles on September 17, 2006,[72] and February 20, 2007,[68] respectively. "Slow Down Baby" was released exclusively in Australia on July 28, 2007,[73] while "Oh Mother" was released in several European countries in late 2007.[74][75] In January 2008, Aguilera released amusic video for the track "Save Me from Myself", following giving birth to her son Max Bratman.[76]
Back to Basics received positive reviews upon release.[81][82] OnMetacritic, which assigns anormalized rating out of 100 to reviews from mainstream critics,Back to Basics received anaverage score of 69, which indicates "generally favorable reviews", based on 17 reviews.[77]Stephen Thomas Erlewine fromAllMusic appreciated the album's production, commenting that the project was "all the more impressive" coming after the "near career suicide ofStripped".[78]Entertainment Weekly's Jody Rosen opined that Aguilera "can make her own glorious kind of 21st-century noise" and compared Aguilera's vocal ability on the album to that ofMariah Carey.[22] Mike Joseph ofPopMatters felt that Aguilera "still shouts at times when a coo will do", but felt that her choice in collaborators made for an "ultimately rewarding listen".[23] Sputnikmusic's Amanda Murray notedBack to Basics as another "transitional" and "innovative" record for Aguilera.[23] Lucy Davies fromBBC Music said that Aguilera has a "stunning voice", but stated that she could be more varied by cutting out some of the "y-e-e-eeeh, woah yeh's" on the second album.[39]
Thomas Innskeep fromStylus Magazine preferred the first disc of the album over the "ridiculously overblown ballads" on the second disc, adding thatBack to Basics was "one of 2006's best when Linda Perry's fingerprints aren't present".[20] Similarly,Yahoo! Music's Dan Gennoe described the first disc as a "low-down and dirty masterpiece", but said the second disc found Aguilera "crashing straight back down again".[31] Paul Flynn fromThe Observer provided a mixed review, saying that the beginning of the album was "all craft and very little heart"; however, he found the collaborations between her and Perry to be "deeply cinematic".[26]Rolling Stone's Jenny Eliscu opined that the release was "overindulgent and self-important", but would have been "masterful" had it been condensed into a single disc.[27]Kelefa Sanneh fromThe New York Times gave a mixed review, stating that it "contains a roughly even number of great songs and lousy ones", and sait that "her homages toWorld War II-era pop music resemble skits more than songs".[83] Sal Cinquemani ofSlant Magazine criticized Aguilera for using a sexual image to overshadow her vocals, but commented thatBack to Basics was more "cohesive" thanStripped.[29]Robert Christgau provided a negative review, classifying the album as a "dud" ().[84]
The album was also included in the book1001 Albums You Must Hear Before You Die by Robert Dimery.[85]
Various publications published articles aboutBack to Basics to celebrate its tenth anniversary of release, includingIdolator andFuse.[86][87] In an article published on August 9, 2016, Katherine Barner of Idolator wrote that the album "put [Aguilera's] talent and musical diversity at the forefront" and that it "set Aguilera apart from her pop peers" such asBritney Spears,Pink,Janet Jackson,Christina Milian andParis Hilton.[86] On August 15, 2016, Jeff Benjamin of Fuse calledBack to Basics Aguilera's "riskiest album", and stated: "While Aguilera shows the world who she truly was onStripped,BTB appeared to be the first time Xtina got to truly create her own universe."[87]PopMatters editor Kimberley Hill praisedBack to Basics as "an ambitious blend of early 20th century gospel music, country blues,Philadelphian soul, 1970s funk, and mid-2000s hip-hop/R&B", and also called it "a menagerie of sounds, instrumentation, motifs, tempos, and themes".[7]
Aguilera performing "Ain't No Other Man" during theBack to Basics Tour; the song peaked at number six on the USBillboard Hot 100, and reached the top five of record charts of several countries
Upon its release,Back to Basics reached number one in over fifteen countries, including the United States, the United Kingdom, and Australia.[92] With 346,000 copies sold in its first week,[93] the album debuted atop the USBillboard 200, being Aguilera's second number-one album after herself-titled debut album (1999) and her highest debut-week sales. It remained on the chart for forty-four weeks, falling off after a final position of number 164. The album was ranked at numbers fifty-nine and seventy-three on theBillboard 200 year-end charts in 2006 and 2007, respectively.[94][95] Additionally,Back to Basics debuted at number two on theTop R&B/Hip-Hop Albums, spending forty-six weeks on the chart.[96] The album went on to be certifieddouble platinum by theRecording Industry Association of America (RIAA) for sales of two million units in the United States. As of 2014, it has sold 1,712,000 copies in the country.[97] With first-week sales of 24,000,Back to Basics also debuted at number one on theCanadian Albums Chart.[98] It was certified triple platinum in the country, selling over 300,000 copies.[99]
Back to Basics achieved similar success in Europe, peaking at number one on theEuropean Top 100 Albums.[100] In the United Kingdom, it became Aguilera's first album to debut atop theUK Albums Chart.[101] It charted for thirty-three weeks within the top seventy-five,[102] and was eventually certified platinum in the country by theBritish Phonographic Industry (BPI).[103] The album placed at numbers fifty-six and one-hundred-and-twenty-seven on the year-end UK Albums Chart in 2006 and 2007, respectively.[101][104] In Finland,Back to Basics charted for eighteen weeks on theSuomen virallinen lista, peaking at number six. It debuted at number ten on theFrench Albums Chart, where it spent fifty-two weeks. The album proved be less successful in Portugal, where it peaked at number twenty-six and charted for two weeks. It was among the ten best-selling albums of 2007 in Russia.[105]
The album achieved success in major markets in Oceania. It debuted at number one on theAustralian Albums Chart and charted for forty weeks, while debuting at number two on theNew Zealand Albums Chart and charting for twenty-seven weeks. The album reached numbers forty-five and thirty-four on Australian year-end charts in 2006 and 2007, respectively;[106][107] while charting at number forty-three in New Zealand in 2007.[108]Back to Basics went on the reach double platinum certification in the former and platinum in the latter.Back to Basics debuted at number seven on theOricon Albums Chart in Japan with first-week sales of 32,241 units.[109] It was later certified gold by theRecording Industry Association of Japan (RIAJ) for shipments of 100,000 copies.[110] It debuted at number one on the Taiwanese Albums Chart, as reported byFive Music in August 2006.[111] According toRCA Records frontmanClive Davis, the album has sold approximately five million copies worldwide as of November 2013.[112]
"Intro (Back to Basics)" contains a sample of "The Thrill Is Gone (Live)", as performed byB.B. King, The Crusaders and The Royal Philharmonic Orchestra.
"Makes Me Wanna Pray" contains a sample from "Glad", as performed byTraffic.
"Back in the Day" contains samples from "Charley", as performed by Don Costa Orchestra, and "Troglodyte", as performed by The Jimmy Castor Bunch.
"Ain't No Other Man" contains samples from "Happy Skippy Moon Strut", as performed by Moon People, and "The Cissy's Thang", as performed by The Soul Seven.
"Understand" contains a sample from "Nearer to You", as performed byBetty Harris.
"Oh Mother" contains a sample from "Vois Sur Ton Chemin", written by Bruno Coulais and Christopher Barratler.
"On Our Way" contains a sample from "Sentimentale", as performed byClaude Bolling.
"Here to Stay" contains a sample from "The Best Thing You Ever Had", as performed byCandi Staton.
"Thank You (Dedication to Fans...)" contains samples from "Can't Hold Us Down" and "Genie in a Bottle", as performed by Aguilera, and "Think Big", as performed by Pudgie the Fat Bastard featuringThe Notorious B.I.G. The track also featuresfan club recordings by Shane Burrows, Jessica Cavanaugh, She-Tara Franklin, Michael Holmin, Warren Keller, Antoinette Litte, Gustavo Medina, Sarah Anne Moore, Joshua Pospisil, Cory Steale, Durant Searcy, Samantha Silver, Tammy Simpson and Shanna Nicole Wiles.
"Candyman" contains a sample from "Tarzan & Jane Swingin' on a Vine" fromRun to Cadence with U.S. Marines.
* Sales figures based on certification alone. ^ Shipments figures based on certification alone. ‡ Sales+streaming figures based on certification alone.
^Clarke, Stuart (August 12, 2006). "Aguilera takes twin-track approach for new album".Music Week.
^abcdBack to Basics (Booklet). Christina Aguilera. United States:RCA Records. 2006.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
^"Christina Aguilera".Sputnikmusic. RetrievedOctober 22, 2025.Aguilera followed up Stripped with the soul, jazz and blues inspired, Back to Basics (2006), released to positive critical acclaim
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