16th, 17th and 18th episodes of the 45th season of Saturday Night Live
"Saturday Night Live at Home" refers to the final three episodes of the45th season of the late-night comedy programSaturday Night Live.[1] WhereasSNL typically consists of sketches performed live in-studio, these "at Home" episodes were recorded remotely due to theimpact of the COVID-19 pandemic on television; none of the sketches were performed live for any of these episodes, and none of the participants in any sketch from these shows were in the same physical location.[2]
The first episode aired on April 11, 2020. The episode was hosted byTom Hanks, and its musical guest wasChris Martin. A segment also paid tribute toHal Willner, music producer forSNL from 1980 until his death fromCOVID-19 – four days before the episode. It was received positively by critics.[3] The second episode aired on April 25. The episode did not have a credited host, butBrad Pitt appeared in the cold open and introduced the episode's musical guest,Miley Cyrus.[4] The third episode aired on May 9 and acted as aMother's Day-themed episode as well as the season finale. The episode's host wasKristen Wiig, and its musical guests wereBoyz II Men andBabyface.[5]
In contrast to regular episodes, where the host would have been involved in most sketches of the night, and where the host and musical guest were in-studio with the cast members and crew, the involvement of the host for these episodes was scaled down to the bare minimum, and only Kristen Wiig participated in any of the show's sketches on the night she hosted. Also, by contrast, where studio episodes allowed the musical guests to perform at least twice, the remote episodes only featured a single performance from each week's musical guest.
At the time that theWorld Health Organization (WHO) announced the beginning of theCOVID-19 pandemic, the show was in a previously scheduled two-week production hiatus. On March 16, in the midst of the break, production of the show was temporarily suspended. The suspension impacted three previously announced episodes: March 28, April 4, and April 11. The host and musical guest for the March 28 episode had been previously announced asJohn Krasinski andDua Lipa respectively. The episode would have been Krasinski's first hosting appearance and Lipa's second musical guest appearance since 2018, with Krasinski's appearance tied to the since-delayed release ofA Quiet Place Part II from March 2020 to April 2021, while Dua Lipa was promoting her third albumFuture Nostalgia, released as scheduled on March 27.[6] The March 28 and April 4 episodes were replaced by reruns. It was announced in early April that the show was scheduled to resume production on April 11, with cast members remotely appearing from their individual homes.[7]SNL returned with this remote set-up after almost all American late night programs had already made accommodations to return to air.[8]
Long-time music producerHal Willner died of the disease during the hiatus.[9][10] Additionally, hostTom Hanks and his wifeRita Wilson had also been infected by coronavirus but recovered.[11]
During an episode ofThe Strokes' radio series with guestColin Jost, it was revealed that the band was scheduled to perform on the April 11 episode, in promotion of their new albumThe New Abnormal. It would have been The Strokes' fourth appearance as musical guest and first time appearing on the show since2011.[12] The band eventually had their fourth musical guest appearance during the October 31, 2020 episode ofthe 46th season.
Lastly,Aidy Bryant andKate McKinnon, who had been cast members at the time since2012, were originally planning on leaving at the end of the season, but the pandemic ruined those plans and thus having them stay for two more seasons, and left in2022.[13][14]
The cold open features the cast members usingZoom to do a variation of the "Live from New York..." quote.
The opening credits music is then performed byLenny Pickett and theSaturday Night Live Band, who all perform from home, with the cast recreating their opening credits shots from their homes.
Tom Hanks does his opening monologue, opening up about coping with COVID-19. He also takes questions from the "audience" (actually Hanks dressed as a Frenchman and an Australian man).
Pete Davidson is featured in a music video doing a genericDrake song parody from his mother's basement.
Bailey at the Movies (Gardner) posts a newYouTube video, reviewing movies that were released before the quarantine.
Middle-Aged Mutant Ninja Turtles – An animated sketch parodying the 1980sTeenage Mutant Ninja Turtles cartoon shows the Turtles in their middle-age.Michelangelo (voiced byKyle Mooney) is about to be divorced from his wife as he doesn't want to give up his kids.Donatello (voiced byKenan Thompson) gets a call from a doctor who informs him that there was a suspicious lump on his spine and the test results state that it was a benign cyst. Donatello is relieved with the news. In the park,Raphael (voiced byBeck Bennett) informsLeonardo (voiced by Day) thatShredder died. Leonardo states that they can go to the wake but not the service. When Leonardo gets annoyed that Raphael is asking for money again, Raphael weeps that he has to stop betting on golf which he doesn't watch.Middle-Aged Mutant Ninja Turtles was written by Steven Castillo, Mooney and Dan Bulla.
Cam Playz Dat (Day) shows how bad he is at playing video games onTwitch.
British sportscaster Bob Tisdale (Moffat) does commentary on mundane things to make up for sports cancellations.
How Low Will You Go? – A game show parody hosted by Alex Burpee (Bennett) that showcases dating during quarantine featuring three female contestants (Ego Nwodim, Gardner, and Bryant) and three male contestants (Day, Davidson, and Thompson).
Nwodim does a makeup tutorial using onlyCrayola markers.
Davidson does another hip-hop music video parody showcasing his $2,000 in cash and calling himself "Andre 2000".
Writing forThe A.V. Club, Dennis Perkins gave the episode a B− for the effort put into the episode,Chris Martin's performance of "Shelter from the Storm",John Mulaney's tribute to Willner, and the creativity of several of the skits, summing up this "outlier" episode by writing, "There wasn't anything revelatory, or even especially memorable about it, except that it existed... In fact, this version of the show seems constitutionally preordained to settle precisely in the middle, no matter how longSNL eventually runs. But we could all use some reliable institutions right now, and havingSNL back—even if the future of this season, like so many other things, is deeply uncertain—was surprisingly affecting."[16] Travis Andrews ofThe Washington Post praised the experiment, summing up his overview of the episode, "The inventive episode, born of necessity, gave us much more than [something to do for a little while]. It gave us both the opportunity and excuse to turn off the news and laugh—even if just for a bit."[17] Both Andrews and Bill Keveney ofUSA Today positionedSaturday Night Live as a unique television institution that has helped America process national tragedies such as the coronavirus pandemic orSeptember 11, 2001 attacks; he characterized it as "strange" but offering comfort.[18] Andy Hoglund ofEntertainment Weekly said the episode was "an interesting cultural footnote—both in the history of the show, as well as for the historians taking stock of how the U.S. coped during the 2020 global pandemic", adding the show's limitations allowed them to go "fullTikTok this episode. Not a bad thing. The show has been addicted to its high production values/capabilities for a while—this liberates the cast to just be weird."[19] Matthew Dessem ofSlate praised the episode for the sentiment in Willner's tribute and how well several of the sketches worked logistically.[20] Ethan Anderson of/Film wrote that many of the sketches worked, with only three failing, "a tear of joy came to [his] eyes" at several points.[8]
Writing forNPR, Eric Deggans conceded that while "there weren't many laugh-out-loud moments during" the episode, the effort put into the production and risk-taking made up for some of the weaker content, and particularly praised Martin's performance and the musical ode to Willner.[21] Several other reviewers noted the uneven comedy but were happy to have the show return as a tribute to Willner and an attempt at normalcy:IndieWire's LaToya Ferguson characterized the episode as a "rocky return, despite timely humor and a touching tribute"[22] and Judy Berman ofTime called it a "weaker-than-average episode... Yet, as I watched what the cast and writers managed to put together, prepared to be disappointed bySNL as usual, an unexpected sense of gratitude blindsided me."[23] ForThe Verge, Julia Alexander noted that, while not every segment worked, the series "rarely produces a show with nothing but outstanding sketches".[24] Robert Lloyd ofLos Angeles Times wrote that it was "pretty good" all things considered but "all things not considered, it was pretty good, too", summing up, "it's good to have it there, being more or less itself".[2]Vulture's Matthew Lowe went even further, callingSaturday Night Live "as much a public service as it is a show", writing that this episode was "less a risk than a gesture of solidarity".[25] InThe Guardian, Zach Vasquez called parts of the episode silly and endearing, summing up that it was a "valiant effort and a welcome distraction from the larger troubles of the world".[26]
This was the second highest-rated episode ofseason 45, after theEddie Murphy-hosted December 21, 2019 edition, with an average 6.7 million total viewers and a 1.46rating, winning the night for broadcast television networks in its time slot.[27] This episode won the 18–49 demographic among broadcast networks with a 2.1 in 25 markets with local people meters and a 4.6 Live+Same Day household rating in the 44 local metered markets.[28]
On April 23, 2020, theTwitter account for the series noted that a secondSaturday Night Live at Home edition would air on April 25. The host and musical guest for that episode was not made public.[3]
The cold open is Dr.Anthony Fauci (Brad Pitt, whom the real Fauci once joked should play him)[29] giving a message to the American public contradicting things thatPresident Trump has said. At the end, Pitt breaks character to thank the real Fauci, as well as themedical workers,first responders and their families before saying, "Live (kinda) from all across America, it's Saturday Night!"
Like the previous episode, the opening credits music is then performed byLenny Pickett and the band, who all perform from home, with the cast recreating their opening credits shots from their homes. However, because there was no credited host for this episode, the customary opening monologue that has traditionally followed the opening montage was excluded from this episode. Instead, the show cut to the first sketch after the opening credits concluded.
In Depth with Brian Sutter –HLN anchor Valerie Webber (Nwodim) interviews her colleague, the COVID-positive Sutter (Day) who is at home in quarantine with his daughter who is also COVID-positive, via a remote video feed from his daughter's smartphone. His daughter operates the camera on her phone for her father while also playing with the face filters, thereby disrupting the interview. The next remote video interview withepidemiologist Dr. John Mitchell (Thompson) also features face filters being used, but unlike the preceding interview, it is done purposefully.
Pete Davidson andAdam Sandler are featured in a music video singing an R&B quarantine song, "Stuck in the House".Rob Schneider makes a cameo appearance;Judd Apatow,Nathan Fillion,Tan France,John Mulaney,Annamarie Tendler, as well as members of Sandler's and Pete Davidson's families make non-speaking appearances in the sketch. The sketch ends stating that this music video was created by Pete's mom and Sandler's daughters Sadie and Sunny.
Kate McKinnon andAidy Bryant play grocery store employees advertising the supply that they do have in stock in lieu of the sold outfood staple items.
Big Dominican Lunch with Big Papi –David Ortiz (Thompson) hosts his own cooking show in quarantine.Bad Bunny appears as Ortiz's cousin "Big Bunny".Alex Moffat makes a non-speaking appearance in the sketch.
Chloe Fineman portrays both the owner of anAirbnb, and the houseguest who overstays her welcome after quarantine.
Chris Redd plays a convicted prisoner who was released early, due to coronavirus, unsuccessfully trying to make dates with prison penpals (Nwodim, Bryant, and Strong), thwarted by social distancing, coronavirus, and one of his penpal's surprise that he would be released so early.
Colin Jost andMichael Che doWeekend Update, this time without an audience. Jost interviews Davidson about the quarantine. At the end of the segment, a contest is announced to have fans write in jokes for Che to read onUpdate without reading them beforehand.
O. J. Simpson (Thompson) gives his thoughts on the pandemic.
Paul Rudd FaceTimes with his cousin Mandy (Gardner).
The Reveal – ALaw & Order parody in which a detective (Bennett) interrogates several suspects (Yang, Strong, Redd, and Gardner) viaZoom, while showing some of the songs he is working on.
APornHub commercial parodying the several "We're here for you" ads from other companies made during the pandemic. The sketch features several people at their respective homes (Gardner, Day, Fineman, Redd, Villaseñor, and Nwodim) indulging in the website's content.
Barbara DeDrew (McKinnon) of "Whiskers R We" tries to pass off her cat as several different cats while her store is closed.
Kyle Mooney plays both the host and guest at a party, while the host sings an inner monologue about not knowing the guest's name.
Villaseñor has a not-so-smooth date with an imaginary guy.
Bryant shows off some of her actual journal entries from when she was younger.
Like the last episode, the credits roll over a photograph of the empty studio 8-H.
In a cut for time sketch,Michigan governorGretchen Whitmer (Strong) gives a message to those protesting the shelter-at-home order.[30]
A second cut for time sketch has Bennett give a tour of his dilapidated home toArchitectural Digest.[31]
Ray Flook ofBleeding Cool, called the second episode a "charm... but a bit too polished", he characterized it by writing, "The sketches ranged from really working for me to beautiful disasters, but it was still an episode that I wanted to watch from beginning to end".[32] Dennis Perkins reviewed the second episode forThe A.V. Club and called it an improvement over the first, upping his rating to a B+, writing that there "were some ringers... but they were all (but maybe one) both welcome and wonderful" and summing this up as a "fine and refreshingly funny oddball of an episode".[33] Andy Hoglund ofEntertainment Weekly called thePete Davidson –Adam Sandler "Stuck in the House" duet an "instant classic" while also singling out the taped segments byChloe Fineman andKenan Thompson.[34]Anthony Fauci's response to the cold open was positive: "I'm a great fan ofBrad Pitt, and that's the reason why, when people ask me who I would like to play me, I mention Brad Pitt because he's one of my favorite actors. I think he did a great job." Fauci also lauded Pitt for thanking him and the health care workers at the end of the monologue. "I think he showed that he is really a classy guy when, at the end, he took off his hair and thanked me and all of the health care workers... not only is he a really great actor, but he is actually a classy person."[35][36]Gretchen Whitmer was likewise supportive of her portrayal by cast memberCecily Strong, sending Strong a gift package with variousMichigan-brewed beers fromKalamazoo-basedBell's Brewery. Whitmer, in an interview withWJBT following the sketch's release, had joked regarding the Canadian beerLabatt Blue drank in the sketch: "We love Canada, but we drink Michigan beer!"[37] Kenan Thompson was nominated forOutstanding Supporting Actor in a Comedy Series at the72nd Primetime Emmy Awards for this episode, while Brad Pitt received a nomination forOutstanding Guest Actor in a Comedy Series at the72nd Primetime Creative Arts Emmy Awards for his portrayal of Fauci.[38]
On May 7, 2020, it was announced viaTwitter[39] that the show would air a thirdSaturday Night Live at Home episode on May 9, which served as theseason 45 finale.[5] The announcement initially indicated there would be no credited host or musical guest for this episode.[5]
President Donald Trump (Alec Baldwin) gives a virtual commencement address to the graduating class of St. Mary Magdalene by the Expressway High School.
Like the previous two episodes, the opening credits music is then performed byLenny Pickett and the band, who all perform from home, with the cast recreating their opening credits shots from their homes.
Kristen Wiig is introduced as the night's host and gives aMother's Day-themed opening monologue.
Heidi Gardner andMartin Short appear in aZoom sketch as an annoying couple that has smuggled personal protective equipment returning from their vacation in Italy.
Let Kids Drink– A musical sketch featuring the entire cast (alongsideJosh Gad andAl Roker) humorously promoting underage and canine alcohol consumption.
Mt. Methusela Baptist Church–Kenan Thompson andChris Redd are a pastor and choir director, respectively, who struggle to conduct Sunday service viaZoom.
Pete Davidson and Redd star in a music video for their rap about the career ofDanny Trejo, with a cameo from Trejo himself at the end.
Beauty Waves with P. J. Charnt– Wiig portrays P. J. Charnt, a hyperactive beauty YouTuber who gives poor cosmetology advice.
Colin Jost and Che doWeekend Update, again without an audience. Che interviewsTina Fey about the quarantine and Mother's Day. Che reads the winning joke from the last episode's contest, and Jost reads a joke submitted from a "young cancer patient". Jost interviewsJeanine Pirro, portrayed byCecily Strong.
What's Wrong with This Picture: Mother's Day Edition– Thompson hosts the recurring game show with Villaseñor,Ego Nwodim, andAidy Bryant as the mother contestants.
Eleanor's House– In this parody ofBlue's Clues,Elmo's World, andDoc McStuffins, Bryant plays Eleanor, who gradually loses control of her imaginary birthday party during the pandemic after being given a suggestion to have an imaginary one by her goldfish friend Goldie. This imaginary birthday party is attended by Purple Dog (voiced byBowen Yang), an anthropomorphic ice cream cone (voiced by Bennett), the ice cream cone's friend Richard Carson (voiced byKyle Mooney), his wife Colleen (voiced by Gardner), and Richard and Colleen's friends from Michigan with one of them named Burger (voiced by Davidson). The out of control imaginary birthday party continues until two police officers (one of them is voiced by Redd while the other one has no dialogue) arrive and break up the party.
Bitch– Brandon (portrayed byMikey Day's actual son) pranks his father (Day) for his YouTube channel.
A still photo ofLittle Richard, who died earlier that day, is shown in tribute.
Mooney portrays all the roles in a parody of various young adult-oriented dramedies.
Dreams– The cast's dreams are shown to be humorous reminiscences of life before the pandemic, set toClair de lune byClaude Debussy.
The credits roll over an extended sequence of Wiig trying to go to sleep.
A cut for time sketch released as an online digital exclusive features Bryant and McKinnon as teenage boys explaining how magical and awkward they would have made prom for their dates in "Messages to the Girls".[40]
In a third cut for time sketch,Instagrammommyvlogger Denise (Nwodim) gives an update on how she's handling thestay-at-home order, while hiding from her kids and husband (Thompson) in her closet.[41]
Writing forThe A.V. Club, Dennis Perkins gave the finale a B−, writing that it essentially isn'tSNL at all: "Saturday Night Live without the live is dead" and found that while certain sketches such as "Let Kids Drink" and "Dad Prank Video" worked, most of them did not. He also praised theBabyface andBoyz II Men song, urging readers to call their mothers forMother's Day.[42] Andy Hoglund atEntertainment Weekly singled outChloe Fineman's impression ofBritney Spears as a highlight and said "the self-quarantine has forced the cast to carve out niches of imaginative, lo-fi comedy and ushered in the next generation of talent."[43]
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