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Salmagundi Club

Coordinates:40°44′3.4″N73°59′40.5″W / 40.734278°N 73.994583°W /40.734278; -73.994583
From Wikipedia, the free encyclopedia
Fine arts center in Manhattan, New York

United States historic place
Salmagundi Club
(2024)
Salmagundi Club is located in New York City
Salmagundi Club
Show map of New York City
Salmagundi Club is located in New York
Salmagundi Club
Show map of New York
Salmagundi Club is located in the United States
Salmagundi Club
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Location47 Fifth Avenue,New York, New York
Coordinates40°44′3.4″N73°59′40.5″W / 40.734278°N 73.994583°W /40.734278; -73.994583
Built1853
Architectural styleItalianate
NRHP reference No.74001275[1]
NYCL No.0009
Significant dates
Added to NRHPJuly 25, 1974
Designated NYCLSeptember 9, 1969

TheSalmagundi Club, sometimes referred to as theSalmagundi Art Club, is a fine arts center founded in 1871 in theGreenwich Village section ofManhattan,New York City. Since 1917, it has been located at 47Fifth Avenue. As of 2021[update], its membership roster totaled roughly 1,250 members.[2]

The Salmagundi Club has served as a center forfine arts,artists and collectors, withart exhibitions, art classes, artist demonstrations,art auctions and many other types of events. It is also a sponsor of theUnited States Coast Guard Art Program (COGAP).[3]

History

[edit]

It was founded in 1871. Originally called theNew York Sketch Class,[4] and later theNew York Sketch Club,[5] the Salmagundi Club had its beginnings at the eastern edge ofGreenwich Village in sculptorJonathan Scott Hartley'sBroadway studio, where a group of artists, students, and friends at theNational Academy of Design, which at the time was located atFourth Avenue andTwenty-third Street,[6] gathered weekly on Saturday evenings.

The club formally changed its name to The Salmagundi Sketch Club in January 1877.[4] The name has variously been attributed to theSalmagundi Stew, which the group has long served,[7] or toWashington Irving'sSalmagundi Papers.[8]

Growing rapidly, the organization was housed in a series of rented properties including 121 Fifth Avenue, 49 West 22nd Street, 40 West 22nd Street and finally 14 West Twelfth Street, where it remained for 22 years.[8] In April 1917, following a three-year search, the club purchased Irad and Sarah Hawley's 1853 Italianate-stylebrownstone townhouse at 47Fifth Avenue between East Eleventh and East Twelfth Streets from the estate of William G. Park for $75,000.00 and erected a two-story annex in the rear at an additional cost of $20,000.00 to house its primary art gallery and a billiard room. A housewarming event on February 5, 1918 was attended by more than 500 persons.[4][5][8] In 1918, the club spearheaded a national effort to producerange-finder paintings used to train military gunners for World War I. The club provided the canvas and painting materials for these special-purpose paintings.[9]

In 1969 the building wasdesignated a city landmark by theNew York City Landmarks Preservation Commission.[2] In 1975 it was added to theNational Register of Historic Places.[10]

Membership

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The Salmagundi Club was a male-only club for its first century, although artworks by women were accepted and praised.[11] A sister club for women artists, thePen and Brush Club, was formed around the corner from Salmagundi in 1894.[12] Salmagundi began admitting women members in 1973.[11][13][12]

Members of the Salmagundi Club have includedTore Asplund,Thomas P. Barnett,William Richardson Belknap,Alon Bement,[14]Ralph Blakelock,A. J. Bogdanove,Charles Bosseron Chambers,James Wells Champney,William Merritt Chase,C.K. Chatterton,Frederick Stuart Church,Jay Hall Connaway,Francis S. Dixon,John Henry Dolph,Charles Dana Gibson,William W. Gilchrist Jr.,Gordon H. Grant,Walter Granville-Smith,Edmund Greacen,Charles P. Gruppé,[15]Emile Gruppe,[16]William Hart,Childe Hassam,Ernest Martin Hennings,Harry Hoffman,Alexander Pope Humphrey,George Inness Jr.,Lajos "Louis" Jambor,[17]John LaFarge,David Wu Ject-key,Ernest Lawson,Austin W. Lord,Frank Mason,Leopold Matzal,Samizu Matsuki,John Francis Murphy,Spencer Baird Nichols,Richard C. Pionk,Howard Pyle,Will J. Quinlan,Norman Rockwell,Harry Roseland,Augustus Saint-Gaudens,R. F. Schabelitz,Leopold Seyffert,Channel Pickering Townsley,[18]Louis Comfort Tiffany,Edward Charles Volkert,Ernest William Watson,J. Alden Weir,Jack Wemp,Stanford White,William Wilson (physicist),Stuart Williamson, JosephMortimer Lichtenauer andN.C. Wyeth.

Honorary members[8] have includedPaul Cadmus,Schuyler Chapin,Winston Churchill,Buckminster Fuller,Al Hirschfeld, andThomas Hoving.

In 1894, to raise money for the growing club'slibrary,[4][19] artist members were invited to decorateceramicmugs, which were then fired by Charles Volkmar, the clubpotter. The club would host a dinner followed by an auction of the finished mugs ... Over the years, many decorated mugs have been returned to the club and are on exhibit in the library along with the largest collection of used artists'palettes in America.[2]

— Dubuque Museum of Art

Salmagundi curatorial committee is responsible for maintaining Salmagundi’s permanent representational art collection of approximately 1,800 works from the 1840s to today, including: paintings, sculpture, objects and works on paper by its past and present artist members.

The collection consists of exhibition purchase prizes, competition purchase prizes, artist donations, and estate bequests.

The works are rotated on a continual basis throughout the townhouse and are featured in live shows and online exhibitions throughout the year.

Past Chairs of the Board have been

  • Joseph Hartley, 1871–1889
  • George W. Maynard, 1888–1889
  • Charles Yardley Turner, 1883–1889
  • Thomas Moran, 1893–1896
  • W. Lewis Fraser, 1896–1897
  • Alexander Theobald Van Laer, 1897–1898
  • Robert C. Minor, 1898–1899
  • Alexander Theobald Van Laer, 1899–1900
  • George H. McCord, 1900–1901
  • George Inness Jr., 1901–1903
  • J. Scott Hartley, 1903–1905
  • Alexander Theobald Van Laer, 1905–1908
  • Henry B. Snell, 1908–1910
  • Frank Knox Morton Rehn, 1910–1911[20]
  • Carleton Wiggins, 1911–1913
  • Charles Vezin, 1913–1914
  • F. Ballard Williams, 1914–1919
  • Emil Carlsen, 1919–1920
  • J. Massey Rhind, 1920–1922
  • Hobart Nichols, 1922–1924
  • W. Granville-Smith, 1924–1926
  • Franklin De Haven, 1926–1929
  • Bruce Crane, 1929–1933
  • Louis Betts, 1933–1935
  • George Elmer Brown, 1935–1937
  • Frederick W. Hutchinson, 1937–1939
  • Gordon Grant, 1939–1941
  • George Lober, 1941–1944
  • Frederick K. Detwiller, 1944–1946
  • Henry O' Connor, 1946–1947
  • Silvio B. Valerio, 1947–1949
  • Percy Albee, 1949–1953
  • Russell Rypsam, 1953–1955
  • Henry Laussucq, 1955–1957
  • Junius Allen, 1957–1959
  • A. Henry Nordhausen, 1959–1963
  • Francis Vandeveer Kughler, 1963–1966
  • Martin Hannon, 1966–1970
  • John N. Lewis, 1970–1976
  • Martin Hannon, 1976–1977
  • Raymond R. Goldberg, 1977–1979
  • Richard Clive, 1979–1981
  • Carl L. Thomson, 1981–1983
  • Ruth B. Reininghaus, 1983–1987
  • Edward A. Brennan, 1987–1990
  • Kenneth W. Fitch, 1990–1991
  • Robert Volpe, 1991–1994
  • Richard C. Pionk, 1994–2007
  • Claudia Seymour, 2007–2013
  • Robert Pillsbury, 2013–2019
  • Elizabeth Spencer, 2019-2021
  • Jacob Collins, 2021 - 2024
  • Aurelio ("Ray") Cisneros, 2024
  • George Grubb, 2024 -

References

[edit]
  1. ^"National Register Information System".National Register of Historic Places.National Park Service. March 13, 2009.
  2. ^abcTraditional Fine Arts Organization, Inc (2005)."Salmagundi Club: An American Institution".Description ofDubuque Museum of Art exhibition, part of a two and a half year national tour of museums in eleven cities.In 1917, with the support of its members, a Fifth Avenue brownstone was purchased and became their permanent home ... and in 1957 was cited for its architectural distinction by both theSociety of Architectural Historians and theMunicipal Art Society. It is a fitting home for the oldest art club in America.
  3. ^"Affiliations".Salmagundi Club website. Archived fromthe original on March 16, 2016. RetrievedNovember 16, 2007.
  4. ^abcdAnne Cohen DePietro (2005)."A Fertile Fellowship: The Rich History of the Salmagundi Club".Traditional Fine Arts Organization, Inc.,San Clemente, California, and theHeckscher Museum of Art,Huntington, New York.
  5. ^abMara McGinnis (November 4, 2003)."130-year-old Village arts club still flourishing".The Villager. Archived fromthe original on December 7, 2003.
  6. ^"National Academy School of Fine Arts History".National Academy of Design website.Lemuel Wilmarth was appointed the first full-time instructor in January 1870, by which time the school was located atFourth Avenue and23rd Street. Under Wilmarth's leadership, the number of classes and the enrollment increased, and new techniques, such as the quick-sketch, were introduced in response to changing esthetic criteria.
  7. ^Watson, Ernest William; Guptill, Arthur Leighton (1956).American Artist. Watson-Guptill Publications. p. 6. RetrievedNovember 15, 2025.
  8. ^abcdTom Fletcher, with thanks to theMuseum of the City of New York."Salmagundi Club Landmark".New York Architecture Images, exterior and interior. Archived from the original on October 8, 2012.
  9. ^Walter, Paul A.F. "Art in War Service".Art and Archaeology 7 (January—December 1918), pp. 395–403, 409.
  10. ^Lynn Beebe Weaver, Stephen S. Lash, and Ellen F. Rosebrock (October 1971).National Register of Historic Places Registration: New York SP Salmagundi Club. National Archives and Records Administration. RetrievedNovember 10, 2025.{{cite report}}: CS1 maint: multiple names: authors list (link) (Downloading may be slow.)
  11. ^abDePietro, Anne Cohen."A Fertile Fellowship: The Rich History of the Salmagundi Club". Traditional Fine Arts Organization. RetrievedMarch 12, 2017.the Salmagundi was still a men's club (only opening to women in 1973), works by women were accepted and praised.
  12. ^abDavis, Nicole (February 1, 2006)."New directions for historic art club". The Villager. Archived fromthe original on March 13, 2017. RetrievedMarch 12, 2017.Pen and Brush, a sister arts club around the corner from Salmagundi, which opened in 1894 after female artists got tired being excluded. (Salmagundi admitted women in 1973.)
  13. ^Ratcliffe, Christopher (March 11, 2017)."Christopher Ratcliffe: The art of women's equality". The Providence Journal. Archived fromthe original on March 12, 2017. RetrievedMarch 12, 2017.
  14. ^"Bement, Alon".Benezit Dictionary of Artists. Oxford University Press. October 31, 2011.doi:10.1093/benz/9780199773787.article.B00016071. RetrievedFebruary 23, 2021.
  15. ^"C.P. Gruppe Death Announcement".Democrat and Chronicle of Rochester, New York. October 1, 1940. p. 12. RetrievedAugust 24, 2020.
  16. ^"Emile Albert Gruppe Biography".Artnet.com. RetrievedAugust 24, 2020.
  17. ^"Louis Jambor, 69, Versatile Artist; Portraitist and Mural Painter Who Also, Did Book, Film Work Succumbs Here".The New York Times. June 12, 1954.ISSN 0362-4331. RetrievedFebruary 22, 2020.
  18. ^"Obituary: Famous Artist Answers Call".Los Angeles Times. December 3, 1921. p. 13. RetrievedJuly 12, 2020 – via newspapers.conOpen access icon.
  19. ^Shelton, William Henry (November 19, 1898)."Salmagundi Club's Library".The New York Times.ISSN 0362-4331. RetrievedAugust 12, 2020.
  20. ^"F. K. M. Rehn, Artist, Dies. Ex-President of Salmagundi Club Stricken at Summer Home"(PDF).The New York Times. July 8, 1914.ISSN 0362-4331. RetrievedAugust 10, 2009.

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