When Kellerman was in fifth grade, the family moved from Long Beach to theSan Fernando Valley.[6]: 29 She spent her early life in then-ruralGranada Hills in a largely unpopulated area surrounded by orange and eucalyptus groves.[7] During her sophomore year of high school, the Kellermans moved from San Fernando toPark La Brea, Los Angeles, where she attendedHollywood High School. She grew to stand 5 ft10+1⁄2 in (179.1 cm). Due to her shyness, she made few friends and received poor grades (except in choir and physical education) but appeared in a school production ofMeet Me in St. Louis.[6]: 4–5
With the help of a high-school friend, Kellerman submitted a recording demo toVerve Records founder and headNorman Granz. After signing a contract with Verve, however, she was daunted by the task of becoming a recording artist and walked away.[8][6]: 14
Kellerman appeared in two episodes ofThe Outer Limits, first in 1963 in the episode "The Human Factor", and then in 1964 in the episode "The Bellero Shield" in which she played Judith Bellero, the manipulative and ruthless wife of Richard Bellero (played byMartin Landau). In between her twoOuter Limits appearances, she was a guest in an episode ofMy Three Sons. A role as Holly Mitchell, perverted mistress ofGeorge Peppard's character inThe Third Day (1965), followed. She played leading lady toDavid Niven in his television seriesThe Rogues in 1965 for an episode titled "God Bless You, G. Carter Huntington" which revolved around her striking beauty to a large degree, and appeared in a 1965Alfred Hitchcock Hour episode titled "Thou Still Unravished Bride".[citation needed]
Kellerman as Dehner andWilliam Shatner as Kirk in theStar Trek episode "Where No Man Has Gone Before" (1966).
A year later, in 1966, Kellerman played psychiatrist "Elizabeth Dehner" (who studied the long-term effects of space on a crew) in "Where No Man Has Gone Before" (S01 E03 P02), the second pilot forStar Trek, which would ultimately be broadcast as the third episode of the first season. Three months after that, Kellerman played Mag Wildwood in the original Broadway production ofBreakfast at Tiffany's, directed byJoseph Anthony and produced byDavid Merrick, which closed after four preview performances. Before the closing the musical numbers were recorded live, and she recorded three songs which appeared on the originalcast recording.[15]
In a 1971Life magazine interview, Kellerman remembered her television years: "It took me eight years to get into TV — and six years to get out. Frigid women, alcoholics they gave me. I got beat up, raped, and never played comedy."[17]
Her next role was as a hostile, chain-smoking, sex-addicted woman who was trying to have an afternoon affair withAlan Arkin's character inGene Saks' film adaptation ofNeil Simon's comedyLast of the Red Hot Lovers (1972). InManhattan after the film, Kellerman declined an offer for a ten-page spread inVogue from the then editor-in-chiefGrace Mirabella.[6]: 118 When she refused the part of Linda Rogo inThe Poseidon Adventure (1972),Stella Stevens got the role.[6]: 146 Shortly afterwards she recorded her first demo withLou Adler, andRoll with the Feelin forDecca Records with producer-arranger Gene Paige.[6]: 144 After filmingLast of the Red Hot Lovers, Kellerman passed up a role in another Altman film:
I had just finished filmingLast of the Red Hot Lovers when Bob called me one day at home. "Sally, do you want to be in my picture after next?" he asked. "Only if it's a good part," I said. He hung up on me. Bob was as stubborn and arrogant as I was at the time, but the sad thing is that I cheated myself out of working with someone I loved so much, someone who made acting both fun and easy and who trusted his actors. Stars would line up to work for nothing for Bob Altman.Oh, the Altman film I turned down?Nashville. In that part I would have been able to sing. Bad choice.[6]: 146
In October 1975, Kellerman sang at the legendaryGreenwich Villagecabaret Reno Sweeney,[22][23] and performed two shows nightly at theRainbow Grill from November 25 to December 14.[24] Her next appearance was as Sybil Crane (a woman in the midst of a divorce) inThe Big Bus, a parody of disaster films, followed by a role as a lonely real estate agent in theAlan Rudolph-directed and Altman-producedWelcome to L.A. (both 1976). The next year, Kellerman appeared in a week-long run of cabaret concerts beginning at the Grand Finale club on May 2. Songs that evening included versions ofLeon Russell andBetty Everett hits.[25]
At the end of the decade, Kellerman's roles included Maureen, a veteran vaudevillian, inVerna: USO Girl (1978); Veronica Sterling, a party-addicted socialite, in the made-for-television filmShe'll Be Sweet (1978); and Lise Bockweiss—one of several wives of Pasquinel (Robert Conrad) and daughter of Herman Bockweiss (Raymond Burr)—in the 12-episode miniseriesCentennial (1978–1979). Kellerman played Kay King, the pretentious and kooky mother of a lovelorn daughter (Diane Lane), inGeorge Roy Hill'sA Little Romance (1979).
Kellerman began the decade as Mary, a divorced middle-aged suburban mother struggling to raise her rebellious daughter (Jodie Foster) inAdrian Lyne'sFoxes (1980); Martha, a six-times-married eccentric, inBill Persky'sSerial, and the silly-but-sophisticated Mrs. Liggett inJack Smight'sLoving Couples. Her later roles included Mary, a child psychiatrist in a sadomasochistic relationship with a psychology professor (Stephen Lackman) after they meet by accident (literally) in Michael Grant'sHead On, and a 1920s socialite inKirk Browning's made-for-television film adaptation ofDorothy Parker's 1929 short storyBig Blonde (both 1980). From October 3 to November 15, 1980, Kellerman starred as Julia Seton in anAhmanson Theatre production ofPhilip Barry'sHoliday (directed byRobert Allan Ackerman) withKevin Kline,Maurice Evans, andMarisa Berenson.[26]
On February 7, 1981, Kellerman hostedSaturday Night Live, appearing in four sketches ("Monologue", "The Audition", "Was I Ever Red", and "Lean Acres") and closing the show withDonna Summer's "Starting Over Again".[27] Kellerman's next performances were in made-for-television films. She played the title character's first wife, Maxine Cates, inDempsey and ahonky-tonk dance-hall proprietress inSeptember Gun. That year she also appeared in a stage production,Tom Eyen's R-rated spoof of 1940s women's prison filmsWomen Behind Bars. Kellerman played Gloria, a tough inmate who controls the other prisoners.[28]
In 1992, there was a fourth collaboration between Kellerman and Altman inThe Player, in which she appeared as herself. Supporting roles followed inPercy Adlon'sYounger and Younger (1993),Murder She Wrote (1993) andMirror, Mirror II: Raven Dance (1994), the sequel of theYvonne De Carlo andKaren Black horror filmMirror, Mirror. The actress appeared in another Altman film,Prêt-à-Porter (1994), as Sissy Wanamaker, editor-in-chief ofHarper's Bazaar, withTracey Ullman andLinda Hunt. During filming, Altman flew Kellerman and co-starLauren Bacall from Paris for his tribute at Lincoln Center.[30] From April 18 to May 21, 1995, Kellerman played the title role in the Maltz Jupiter Theatre production ofMame.[31] Around this time, Kellerman appeared in back-to-back plays in Boston and Edmonton. In Boston, she played Martha in theHasty Pudding Theatricals production ofWho's Afraid of Virginia Woolf?, and starred as Mary Jane Dankworth in a two-month, two-character production ofLay of the Land withMichael Hogan in Edmonton.[6]: 217 That year Kellerman planned to release her second album,Something Kool, featuring songs from the 1950s.[31]
In 1996, Kellerman played a calculating sister in an episode ofThe Naked Truth, "Sister in Sex Triangle with Gazillionaire!" A year later, she collaborated with Altman for the last time in "All the President's Women", an episode of the director's TV seriesGun. The actress then co-produced and reprised her Canadian stage role in a film version ofThe Lay of the Land.
In 1997, Kellerman was scheduled to play the title role inMrs. Scrooge: A Slightly Different Christmas Carol, a made-for-TV film version ofCharles Dickens'novella. In the film, Mrs. Scrooge is a homophobic widow whose late partner (Jacob Marley) and three other spirits awaken her to the reality ofAIDS. Although it was never released, the actress told a reporter forThe Advocate why the project was more personal than professional: "My sister’s gay—and was gay before it was popular... My sister is a very loving person. So is her girlfriend. And my daughter is an amazing woman. They’re all heroic in my book."[32]
Kellerman starred withErnest Borgnine andMickey Rooney inNight Club (2011). Her performance as a woman withAlzheimer's living in a retirement home won an Accolade Competition Award for Best Supporting Actress.[45] That year she played a recurring role as Lola (an eccentric artist) inCinemax's sexually explicit comedy-drama seriesChemistry, followed by guest appearances on theCW teen drama series90210 as Marla, an agingHollywood actress with dementia who considers assisted suicide. On July 7, 2012, Kellerman appeared withTito Ortiz,Cary Elwes, andDrake Bell in an episode of theBiography Channel'sCelebrity Ghost Stories.
On April 30, 2013, the actress released her memoir,Read My Lips: Stories of a Hollywood Life, published byWeinstein Books. In the book, she remembered a close-knit, family-oriented past Hollywood and her triumphs and tribulations as an actress during the 1960s.[46] Kellerman made promotional book-signing appearances in Los Angeles, Santa Monica, Manhattan, and Jersey City.[47][48] Shortly afterward, she appeared asMarc Maron's bohemian mother in the "Dead Possum" episode of hiscomedy series.
Kellerman later received a Fort Lauderdale International Film Festival (FLIFF) Lifetime Achievement Award at Cinema Paradiso in Fort Lauderdale, Florida. The ceremony, which included a montage of her work and an audience question-and-answer session, was moderated by film historianFoster Hirsch.[49] In September 2013 filmmaker Ellen Houlihan released a short filmJoan's Day Out, in which Kellerman played a grandmother who escapes from her assisted-living facility to bail her teenage granddaughter out of prison. The actress joined theLove Can Initiative, a nonprofit organization dedicated to enriching the lives of low income families and their children, in February 2014.[50] Kellerman made a return appearance in the second season ofMaron in the episode "Mom Situation",[51] and as part of anEpix Network documentary celebrating the life of Robert Altman on August 6, 2014.[52]
In October 2014, TVLine announced that Kellerman had been cast in the mysterious role of Constance Bingham on the daytime soap operaThe Young and the Restless[53] and was nominated for aDaytime Emmy as Best Actress in a Guest Role. In 2016, she continued her recurring role onMaron and played in five episodes of the new seriesDecker.
In 1961, Kellerman underwent abotched home abortion, and went to a hospital for the first time (due to her Christian Science upbringing).[54] The relationship that had caused her terminated pregnancy was with bit actor William Duffy.[6]: 58
In the late 1960s, she was briefly involved with actor-screenwriterLawrence Hauben. Hauben shot a documentary,Venus, about their relationship, which received a very limited theatrical release in 1971.[6][55]
After the release ofMASH, on December 17, 1970, Kellerman marriedStarsky & Hutch producer Rick Edelstein.Anjanette Comer,Joanne Linville, andLuana Anders were among her bridesmaids.[6]: 194 On March 6, 1972, Kellerman divorced Edelstein, citing irreconcilable differences.[56] "We've fought every day since we've met," she said at the time.[57]
In 1967, Kellerman's sistercame out as a lesbian and separated from her husband, Ian Charles Cargill Graham, who took full custody of the couple's daughter. After she moved to France with her partner, she did not communicate with her daughter for eight years.[32] Sally adopted her sister's daughter, and three months later, Ian Graham died inEdinburgh, Scotland.
For a time in the mid-1970s, Kellerman was involved withMark Farner of the rock groupGrand Funk Railroad. He wrote the song "Sally", from the 1976 albumBorn to Die, as an ode to their relationship.[1] She also dated screenwritersDavid Rayfiel andCharles Shyer, as well as journalistWarren Hoge, producerJon Peters, and actorEdd Byrnes.[58] In her autobiography, Kellerman made a point to note that her romance with Byrnes was never consummated.[6]: 55
On May 11, 1980, Kellerman married producerJonathan D. Krane in a private ceremony atJennifer Jones's Malibu home.[59] The couple adopted newborn twins.[60] The family relocated toJupiter, Florida in 1991.[61] After encountering financial difficulties, they sold their condo there in 2008 and moved back to Hollywood.[62]
Jonathan Krane died of a heart attack on August 1, 2016, aged 64.[63] Their adopted daughter died less than four months later.[64]
Kellerman and Krane separated twice during their 36-year marriage, first for a few months in 1994, then again during 1997–98 over Krane's public affair withNastassja Kinski.[65] As Kellerman had dated married men in the past, she forgave her husband for the affair.[6]: 216
Kellerman, Sally (2013).Read My Lips: Stories of a Hollywood Life. New York: Weinstein Books.ISBN978-1-60286-167-1.
Weaver, Tom (2006).Science Fiction Stars and Horror Heroes: Interviews with Actors, Directors, Producers and Writers of the 1940s Through 1960s. Jefferson, North Carolina: McFarland.ISBN978-0-786-42857-1.