Josh and Benny Safdie | |
|---|---|
Josh (left) and Benny being interviewed at the2010 Sundance Film Festival | |
| Born | Joshua Henry Safdie (1984-04-03)April 3, 1984 (age 41) Benjamin Safdie (1986-02-24)February 24, 1986 (age 39) New York City, U.S. |
| Alma mater | Boston University |
| Occupations |
|
| Years active | 2007–present |
| Spouse | |
| Children | Benny: 2,Josh: 1[1] |
| Relatives |
|
| Awards | Full list |
| Website | elara |
Joshua Henry Safdie[2] (born April 3, 1984)[3] andBenjamin Safdie[2] (born February 24, 1986)[4] are American filmmakers and actors based inNew York City, who frequently collaborate on their films. They are best known for writing and directing the crime thriller filmsGood Time (2017), starringRobert Pattinson, andUncut Gems (2019), starringAdam Sandler.
In addition to writing and directing, both Josh and Benny serve in a variety of key positions including acting, editing, shooting, mixing sound, and producing their films. They have also frequently collaborated withRonald Bronstein, who has co-written and edited all of their narrative features beginning with the 2009 filmDaddy Longlegs. Other recurring collaborators include composerOneohtrix Point Never, cinematographerSean Price Williams, and production designer Sam Lisenco.
The Safdie brothers were raised in New York, the children of Amy and Alberto Safdie.[5] They spent their childhood living between their father inQueens and their mother and stepfather inManhattan.[5] The Safdie brothers areJewish. Their father, who is aSephardic Jew ofSyrian-Jewish descent, was raised inFrance and inItaly.[5][6][7][8][9] Their mother is anAshkenazi Jew ofRussian-Jewish descent.[10]
They began making films at a young age, inspired by their film-enthusiast father, Alberto.[5] They graduated fromColumbia Grammar & Preparatory School in Manhattan.[5] AtBoston University, they co-founded the creative collective Red Bucket Films with Alex Kalman, Sam Lisenco, Brett Jutkiewicz, and Zachary Treitz.[11] Josh and Benny Safdie graduated fromBoston University College of Communication in 2007 and 2008, respectively.[12] They claim "turmoil of their youth", as children of divorced parents, became an inspiration for later work.[13] Famed Israeli-Canadian architectMoshe Safdie is their great uncle; his son, playwrightOren Safdie, is their first cousin once removed.[14][15]
The brothers grew up as fans of basketball and theNew York Knicks. The duo try to watch every game together.[16] Basketball is prominently featured inLenny Cooke andUncut Gems.
In 2007, Josh Safdie was hired by Andy Spade and Anthony Sperduti to create a short film featuringKate Spade Handbags.[17] He devised a concise story about the adventures of a kleptomaniac woman.[17]Eleonore Hendricks, who co-wrote the screenplay, portrayed the lead role.[17] The project eventually turned into a feature film.[17] The film, titledThe Pleasure of Being Robbed, had its world premiere at the 2008South by Southwest.[18] It also screened in theDirectors' Fortnight section at the2008 Cannes Film Festival, along with a short filmThe Acquaintances of a Lonely John directed by Benny Safdie.[17]
Their second feature film,Daddy Longlegs, had its world premiere under the titleGo Get Some Rosemary[19] in theDirectors' Fortnight section at the2009 Cannes Film Festival.[20] StarringRonald Bronstein, it was inspired by the filmmakers' younger years living with their father, Alberto.[13] Bronstein won theBreakthrough Actor Award at theGotham Independent Film Awards 2010.[21] The film won theJohn Cassavetes Award at the26th Independent Spirit Awards.[22]
Their first full-length documentary film,Lenny Cooke, follows the life ofLenny Cooke, a once phenom high school basketball player, from adolescence to manhood.[23] The film premiered at the 2013Tribeca Film Festival.[24]
In 2014, the Safdie Brothers directedHeaven Knows What under their Elara Pictures banner.[25] The film centers around the real-life stories written in a book titledMad Love in New York City by lead actressArielle Holmes.[26] The film had its world premiere at the71st Venice International Film Festival.[27] It also screened at theToronto International Film Festival, theNew York Film Festival, and theTokyo International Film Festival.[27]
The Safdies directed the 2017 crime filmGood Time, starringRobert Pattinson and Benny Safdie as siblings.[28] The film was selected to compete for thePalme d'Or in the main competition section at the2017 Cannes Film Festival.[29]

The Safdies directedUncut Gems, starringAdam Sandler, withMartin Scorsese serving as an executive producer.[30] The film was inspired by their father's time working in theManhattan Diamond District.[13][8] It had its world premiere at the 2019Telluride Film Festival.[31] Theatrically released in the United States in 2019, it received critical acclaim and became one ofA24's highest-grossing releases.[32]
In December 2017,The Hollywood Reporter announced that the Safdies would helm a remake of48 Hrs. with the script being written by Josh Safdie,Ronald Bronstein, andJerrod Carmichael.[33] In December 2019, the Safdies elaborated in an interview withThe A.V. Club, saying the film was still being made but it would no longer be a remake.[34] Their script would instead be "re-shifted into something original."[34]
In February 2020,Showtime ordered a pilot forThe Curse, a show about the making of anHGTV-style reality series, starringEmma Stone,Nathan Fielder and Benny Safdie. Fielder co-created and co-wrote the show with Benny.[35][36]
In April 2022, it was reported by IndieWire that the Safdies were working with Sandler on a new project.[37] Later in July 2023, it was reported that Benny would not co-direct the film, marking the first time sinceThe Pleasure of Being Robbed either of the brothers have directed solo.[38] In January 2024, Benny confirmed that the brothers would no longer be directing projects together, as they expanded to solo careers. Benny also stated he "didn't know" if he would direct a film with his brother again.[39]
The Safdies co-founded the production company Elara Pictures in 2014.[40] The company produced the Safdies' feature filmsHeaven Knows What,Good Time, andUncut Gems,[41]Owen Kline's feature film directorial debutFunny Pages,[42] and the Showtime television seriesThe Curse.[43]
| † | Denotes film or TV productions that have not yet been released |
| Year | Title | Director | Writer | Producer | DoP | Editor |
|---|---|---|---|---|---|---|
| 2008 | The Pleasure of Being Robbed | Josh | Josh | Josh | Josh | Yes |
| 2009 | Daddy Longlegs | Yes | Yes | No | Josh | Yes |
| 2013 | Lenny Cooke | Yes | No | No | Josh | Benny |
| 2014 | Heaven Knows What | Yes | Josh | No | No | Benny |
| 2017 | Good Time | Yes | Josh | No | No | Benny |
| 2019 | Uncut Gems | Yes | Yes | No | No | Benny |
| 2025 | The Smashing Machine | Benny | Benny | Benny | No | Benny |
| Marty Supreme† | Josh | Josh | Josh | No | Josh |
| Film | Year | Producers |
|---|---|---|
| Funny Pages | 2022 | Yes |
| If I Had Legs I'd Kick You | 2025 | Josh |
| Year | Title | Director | Writer | Producer | DoP | Editor |
|---|---|---|---|---|---|---|
| 2002 | Lethargy | Josh | Josh | No | No | No |
| 2005 | I Think I'm Missing Parts | Josh | Josh | No | No | No |
| The Ralph Handel Story | Yes | No | No | No | No | |
| 2006 | We're Going to the Zoo | Josh | Josh | Josh | No | No |
| 2007 | The Back of Her Head | Josh | Yes | Josh | No | No |
| Jerry Ruis, Shall We Do This? | Josh | No | No | No | No | |
| John's Lonely Trip to Coney Island | Yes | No | No | Josh | Benny | |
| 2008 | The Acquaintances of a Lonely John | Benny | Benny | Benny | No | Benny |
| There's Nothing You Can Do | Yes | No | No | No | No | |
| 2010 | John's Gone | Yes | Yes | Yes | Josh | Yes |
| 2011 | Straight Hustle | Yes | Yes | No | No | No |
| Buttons | Yes | Yes | No | No | No | |
| 2012 | The Black Balloon | Yes | Yes | No | No | Benny |
| Trophy Hunter | Yes | Yes | No | Josh | Josh | |
| 2013 | Solid Gold[44] | Yes | No | No | Josh | No |
| 2016 | Toback Vs. Mailer: The Incident | Yes | Yes | No | No | Benny |
| 2020 | Goldman v Silverman | Yes | Uncredited | No | Josh | No |
| Question & Answer | Yes | Yes | No | No | Yes |
| Year | Title | Director | Writer | Producer | Notes |
|---|---|---|---|---|---|
| 2023 | The Curse | No | Benny | Executive | Co-creator; miniseries |
| Telemarketers | No | No | Executive | Documentary mini-series | |
| Love Has Won: The Cult of Mother God | No | No | Executive | Documentary mini-series | |
| 2024 | Ren Faire | No | No | Executive | Documentary mini-series |
| Adam Sandler: Love You | Josh | No | Josh | Netflix comedy special |
| Year | Title | Role | Notes |
|---|---|---|---|
| 2006 | We're Going to the Zoo | The Hitchhiker | Short film |
| The Ralph Handel Story | The Director (voice) | Short film | |
| 2007 | The Back of Her Head | Him | Short film |
| 2008 | The Pleasure of Being Robbed | Josh | |
| Yeast | Riverguy 1 | ||
| 2009 | Taking Woodstock | Documentary Cameraman | Uncredited |
| Daddy Longlegs | Chris | ||
| La corsa | Alessandro | Short film | |
| 2013 | Lydia Hoffman Lydia Hoffman | Bruce | Short film |
| Hellaware | Gallery Patron | ||
| Stand Clear of the Closing Doors | Fighter | ||
| 2015 | This Summer Feeling | Thomas | |
| 2016 | Togetherness | Craddock Brother #1 | Episode: "Advanced Pretend" |
| My Art | Tom | ||
| 2017 | Ezer Kenegdo | Levi |
| † | Denotes film or TV productions that have not yet been released |
Film
| Year | Title | Role | Director | Notes |
|---|---|---|---|---|
| 2017 | Person to Person | Eugene | Dustin Guy Defa | |
| Good Time | Nick Nikas | Safdie brothers | ||
| 2020 | Pieces of a Woman | Chris | Kornél Mundruczó | |
| 2021 | Licorice Pizza | Joel Wachs | Paul Thomas Anderson | |
| 2022 | Stars at Noon | CIA Man | Claire Denis | |
| 2023 | Are You There God? It's Me, Margaret. | Herb Simon | Kelly Fremon Craig | |
| Oppenheimer | Edward Teller | Christopher Nolan | ||
| 2025 | Happy Gilmore 2 | Frank Manatee | Kyle Newacheck | |
| 2026 | The Super Mario Galaxy Movie† | Bowser Jr. (voice) | Aaron | In production |
| The Odyssey† | TBA | Christopher Nolan | Post-production |
Television
| Year | Title | Role | Notes |
|---|---|---|---|
| 2016 | Togetherness | Craddock Brother #2 | 1 episode |
| 2022 | Obi-Wan Kenobi | Nari | Miniseries, 1 episode |
| 2023 | The Curse | Dougie Schecter | Main role; also co-creator, writer, executive producer and editor |
| Year | Artist | Title | Album | Role | Ref. |
|---|---|---|---|---|---|
| 2015 | Ariel Pink | "I Need a Minute" | Heaven Knows What: Original Music From the Film | Directors | [45] |
| 2017 | Jay-Z | "Marcy Me" | 4:44 | [46] | |
| Oneohtrix Point Never | "The Pure and the Damned" | Good Time (Original Motion Picture Soundtrack) | [47] | ||
| 2019 | Brockhampton | "Sugar" | Ginger | Producers | [48] |
| 2020 | Oneohtrix Point Never | "Lost But Never Alone" | Magic Oneohtrix Point Never | Directors | [49] |
Their artistic influences included the cinematic works ofJohn Cassavetes,Martin Scorsese andQuentin Tarantino as well asunderground comix artistRobert Crumb and authorIrvine Welsh.[50][51][52]
Benny namedRobert Bresson'sA Man Escaped as his favorite film of all time, and Josh namedVittorio De Sica'sBicycle Thieves as his favorite.[53]
Benny Safdie: "Then the second one – and let's say, this was in no particular order – but A Man Escaped, the [Robert] Bresson movie. That has to be my favorite movie of all time, just because it always makes me cry at the end, because I feel like I've achieved something that the character achieves. And it tells you what happens in the title, and it makes it no less suspenseful the entire way. You're literally feeling the sound of the gravel as he puts his foot down – those shots of the foot or the spoon going into the slot. All of these things, the editing of it, the character, the way he's using these actors who you don't really know, they just – you feel like they're real people. It's just so perfectly put together, and it's something where I kind of feel like I'm going along with the escape in a way that's just done by a master. In a weird way, I feel like Bresson is the Fontaine character in that movie. But what's weird is I've watched it again recently, and I had a totally different feeling of it, where it was more about society and how people are talking to each other. And then you realize Bresson is just kind of making the same movie every time, just with different [settings and characters]. One's World War II, one's Lancelot."