S. G. Thakur Singh | |
|---|---|
 S.G. Thakur Singh | |
| Born | 1899 |
| Died | 1976(1976-00-00) (aged 76–77) |
| Occupation | Indian artist |
S. G. Thakur Singh (1899–1976) was an Indian artist who painted inoils,pastels andwater colour.[1]: 52 He worked in the Indian film industries located inBombay and Calcutta.[1]: 52 He was acquainted with members of theBengal renaissance movement of art, such asNand Lal Bose and theTagore brothers.[note 1][1]: 52 Although he had been familiar with traditional Sikh methods of art created by his predecessors, he preferred modern methods and was not influenced by the indigenous methods.[1]: 52 He was permanently patronized and paid a commission by many Indian royal houses, such as Kota, Udaipur, Bhopal, Kashmir, Dongarpur, Travancore, Nawan Nagar, Bikaner, Patiala, Kapurthala, and several other Indian princely states.[1]: 52 Ordhendra Coomar Gangoly was his appreciative critic.[1]: 52
He was born in 1890 into aRamgarhia family in the tiny farming village ofVerka, located nearAmritsar,Punjab, India.[1]: 52 He received some art training from Mohammed Alam at V. D. J. Technical Institute in Lahore.[1]: 52 After this training, he would find success as an artist.[1]: 52
Interviewed at the age of 74, Singh said that when he was seventeen, "I was forced by my guardians to join theVictoria Diamond Hindu Technical Institute,Lahore, to take up an engineering course. I wasted there two years and left it in disgust."When he returned to his village his former teacher, Mohammed Alam, persuaded him to come toMumbai, where Alam had secured a job as ascene-painter in a Mumbai theatre.[1]: 52 While in Mumbai, Singh worked both at odd jobs in the studio and on his own, with Alam guiding him.
"One fine morning" Singh recalls, "I was busy painting a landscape at Chowpati Beach, Mumbai, when a couple suddenly stopped beside me and began admiring my painting which was, by that time, almost complete. The gentlemen, an influential Parsi editor of a Bombay Magazine, goaded me into sending the painting to an exhibition of the Simla Fine Arts Society." There his painting won the first prize of Rs. 500, among the landscapes. I was then only eighteen, and you can well imagine my joy and pride at getting the prize.
Just as that chance encounter on Chowpati Beach led to his first prize in the painting, throughout his life he had many worthy patrons.Rabindra Nath Tagore,Dr. Rajendra Prasad and artists and critics have paid tribute to his work.[2][3][4][5][6][7]
From Mumbai he moved toKolkata where he lived and worked for several theatrical companies,[8] working initially atMadan Theatre as a scene painter.[1]: 52 The Tagores became his patrons, and the public too got to appreciate his work through reproductions in Bengali journals. His seductive paintings of women, such asAfter the Bath were especially popular.[9] According toPartha Mitter, author ofThe triumph of modernism: India's artists and the avant-garde, 1922–1947 and the art criticKrishna Chaitanya, Thakur Singh followed the style of the Bengali artistHemendranath Mazumdar in painting such themes.
With friends, Thakur Singh organised thePunjab Fine Art Society in Kolkata, and the Society's first Exhibition was held in 1926. The Society promoted Thakur Singh's own works, publishing his paintings inThe Art of S. G. Thakur Singh andGlimpses of India, the latter book had introductions by Rabindranath andAbanindranath Tagore. Thakur Singh worked specially for the rulers of Indian princely states on commissions, the rulers of Kotah, Udaipur, Bhopal, Kashmir and others being his patrons.[1]
Thakur Singh moved back to Amritsar in 1931, where he founded theThakur Singh School of Art.[10] Several of its past students are now achieving recognition as artists or as art-teachers and it has been lately recognised by the Industrial Training Department of the Punjab Government to award a diploma of Art & Craft, teacher's course.
He painted in oils, pastels and water colour. He painted nearly ten thousand paintings, and has won many awards. His paintings hang in museums, public buildings and in private collections around the world.
India honoured him in other ways too. He was nominated to the First Punjab Legislative Council in 1952. He was on the Executive Board of the National Academy of Art (Lalit Kala Akademy) and was Chairman of the Decoration Sub Committee at the 61st Session of theIndian National Congress held at Amritsar in 1956. He was invited to the formerUSSR andHungary for solo shows in Moscow,Leningrad andBudapest.
He was commissioned to do many portraits, but it is his landscapes which have won for him popular acclaim.
He received award ofPadma Shri in 1973.
| Auction House | Result Link |
|---|---|
| Bonhams | https://www.bonhams.com/auction/26636/lot/194/s-g-thakur-singh-india-189099-1976-indian-street-scene/ |
| Sothebys | https://www.sothebys.com/en/buy/auction/2021/modern-contemporary-south-asian-art/untitled-woman-in-courtyard |
| Bid and Hammer | https://auctions.bidandhammer.com/sg-thakur-singh?productId=2717&catId=58#.YwOwsXbMKUk |
| Bonhams | https://www.bonhams.com/auctions/25434/lot/216/ |
| Bonhams | https://www.bonhams.com/auction/25545/lot/86/s-g-thakur-singh-india-189099-1976-fishermen-at-dawn-on-madras-beach/ |
| Bonhams | https://www.bonhams.com/auction/27372/lot/104/rajasthan-bedla-prince-of-bedla-by-sg-thakar-singh-1935/ |
| Osians | http://assets.osianama.com/ecatalogue/2008-01-19-Indian-Modern-Contemporary-Art/35/ |
